Concerto No.4 para piano e orquestra (I. Allegro non troppo; II. Andante con moto; III. Scherzo; IV. Allegro moderato), de Heitor Villa-Lobos, interpretado por Fernando Lopes, à frente da Orquestra Sinfônica Municipal de Campinas (OSMC) sob regência de Benito Juarez. www.institutopianobrasileiro.com.br
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Heitor Villa-Lobos (March 5, 1887 – November 17, 1959) was a Braziliancomposer, conductor, cellist, and classical guitarist described as “the single most significant creative figure in 20th-century Brazilian art music”. Villa-Lobos has become the best-known South American composer of all time. A prolific composer, he wrote numerous orchestral, chamber, instrumental and vocal works, totaling over 2000 works by his death in 1959.
His music was influenced by both Brazilian folk music and by stylistic elements from the European classical tradition, as exemplified by his Bachianas Brasileiras (Brazilian Bachian-pieces) and his Chôros. His Etudes for classical guitar (1929) were dedicated to Andrés Segovia, while his 5 Preludes (1940) were dedicated to his spouse Arminda Neves d’Almeida, a.k.a. “Mindinha.” Both are important works in the classical guitar repertory.
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- Oblivion (A. Piazzolla) Two pianos – pianists Argerich and Hubert
- Out of Africa – music by John Barry (piano solo)
- Oblivion (Astor Piazzolla) by Nadja Kossinskaja,guitar (with sheet music)
- Erik Satie (composer and pianist) (1866-1925)