Browse in the Library:
Artist or Composer / Score name | Cover | List of Contents |
---|---|---|
Aerosmith – I Dont Want To Miss A Thing | ||
Aerosmith 1973-1979 – Guitar Play Along with MP3 audio Guitar Signature Licks with Tablature | Aerosmith 1973-1979 Signature Licks | |
Aerosmith Greatest Hits (Guitar) with Tablature | aerosmith greatist hist guitar | |
Aerosmith Nine Lives Original Songbook Guitar Tabs | ||
Aesthetics Of Music Musicological Perspectives by Stephen Downes(Book) | ||
Affections touching across time (Inuyasha OST) Kaoru Wada | ||
Afi – Love Like Winter | ||
Afi – Miss Murder | ||
AFI’s Top 25 Film Scores Songbook | AFI’s Top 25 Film Scores Songbook | |
Africa – Toto.mscz | ||
Africa And The Blues (Book) | ||
Afro Cuban Keyboard Grooves by Manny Patiño and Jorge Moreno | Afro Cuban Keyboard Grooves by Manny Patiño and Jorge Moreno | |
Afroman – Because I Got High | ||
After Hours for PIANO DUET by Pam Wedgwood | After Hours for PIANO DUET by Pam Wedgwood | |
After Hours For Solo Piano. Book 3 (Pam Wedgwood) | After Hours For Solo Piano. Book 3 (Pam Wedgwood) | |
After Hours for Trumpet and Piano by Pam Wedgwood | After Hours for Trumpet and Piano by Pam Wedgwood | |
After You’ve Gone Turner Layton And Henry Creamer 1918 Jazz Standard (Vintage sheet music) | ||
Again, as before, alone (P. I. Tchaikovsky) | ||
Age of Empires 2 – Main theme | Age of Empires 2 – Main theme | |
Agnes Obel Chord Left | ||
Agnes Obel Fuel To Fire | ||
Agnes Obel Pass Them By | ||
Agnes Obel – Riverside Piano | ||
Agnes Obel – September Song | ||
Agnes Obel – Tokka | ||
Agnes Obel Falling Catching | ||
Agnes Obel Falling, Catching | ||
Agnes Obel Familiar | ||
Agnes Obel Fuel To Fire | ||
Agnes Obel It’s Happening Again | ||
Agnes Obel Just So | ||
Agnes Obel Mary | ||
Agnes Obel Riverside | ||
Agnes Obel September Song | ||
Agnes Obel Smoke And Mirrors | ||
Agnes Obel The Curse | ||
Agnes Obel Tokka | ||
Agnes Obel Words Are Dead | ||
Aguas De Março Jazz Piano Score Jobim | ||
Aha – Take On Me | ||
Ahead On Our Way Ff Vii (Musescore File).mscz | ||
Ahmad Jamal Poinciana Full score (Song of the Tree) | Ahmad Jamal Poinciana Full score (Song of the Tree) | |
Ahmad Jamal The Ahmad Jamal Collection (Artist Transcriptions) | Ahmad Jamal The Ahmad Jamal Collection Artist Piano Transcriptions contents Ahmad’s Blues, But Not For Me, The Canteen, For My Daughter, My Flower, New Rhumba, Night Mist Blues, Poinciana (Song Of The Tree), Sumayah, The Surrey With The Fringe On Top | |
Ahmad Jamal Wave from the album The Awakening | ||
Ai Mei – Rainie Yang | ||
Aimee Mann – Wise Up | ||
Ain’t Misbehavin’ Fats Waller As Played By Joe Pass (Musescore File).mscz | ||
Ainsi soit je (Mylène Farmer) | ||
Air on the G string, from BWV 1068 (10 string, Yepes tuning).mscz | ||
Air Supply Greatest Hits | AIR SUPPLY GREATEST | |
Airegin by Soony Rollins – Jazz Play Along with sheet music | Airegin | |
Akira Ifukube – Sonata for Violin and Piano I – Allegro | ||
Akira Ifukube End Titles Godzilla Vs Destoroyah | ||
Akira Ifukube Mesa March Godzilla | ||
Akira Yamaoka Silent Hill 2 Promise (Reprise) | ||
Akira Yamaoka, Silent Hill Room Of Angel (Piano) | Akira Yamaoka, Silent Hill Room Of Angel (Piano) | |
Aknin, Laurent Le Choix Du Coeur Easy Piano Solo (du film The Student and Mister Henri (L’Étudiante et Monsieur Henri) | Aknin-Laurent-Le-Choix-Du-Coeur-Easy-Piano-Solo | |
Al Di Meola – Guitar Technique SongBook with Tablature | Al Di Meola – Guitar technique SongBook | |
Al Di Meola A Guide To Guitar Chords Scales And Arpeggios Master Classes With Bob Aslanian | Al Di Meola A Guide To Guitar Chords Scales And Arpeggios Master Classes With Bob Aslanian | |
Al Di Meola Collection | al di meola collection songbook | |
Al Di Meola Enigma Of Desire (Guitar) | ||
Al Di Meola Guitar School Elegant Gypsy Songbook with Tablature | Al Di Meola Guitar School Elegant Gypsy Songbook | |
Al Di Meola Guitar Tabs Songbook Electric Rendezvous | Al Di Meola Guitar Tabs Songbook Electric Rendezvous | |
Al Di Meola Solace (Guitar) | Al Di Meola Solace (Guitar) | |
Al Di Meola Solos (Guitar) with Tablature | al di meola solos | |
Al Di Meola Super Guitarist Guitar Tabs Songbook | Al Di Meola Super Guitarist Guitar Tabs Songbook | |
Al Di Meola When Youre Gone | Al Di Meola When Youre Gone | |
Al Green – Let´s Stay Together Melody And Guitar Chords | ||
Al Green Let’s Stay Together | ||
Al Jarreau – Breakin’ Away | ||
Al Jarreau Spain (I can recall) Piano Vocal Guitar Chords | ||
Al Jarreau The Best Of Al Jarreau Piano Vocal Guitar chords | Al Jarreau The Best Of Book | |
Al Stewart – Time Passages | ||
Al Stewart – Year Of The Cat | ||
Al Stewart Greatest Songs Of Book | AL STEWART SONGBOOK | |
Aladdin – A Whole New World – Alan Menken | Aladdin – A Whole New World – Alan Menken | |
Aladdin – Arabian Nights (Musescore File).mscz | ||
Aladdin – Broadway Musical Songbook – Alan Menken | Aladdin – Broadway Musical Songbook – Alan Menken | |
Alain Barriere – Les Guinguettes | ||
Alain Barrière – Emporte Moi (Y Volveré) | ||
Alain Barriere – Tu T’en Vas | ||
Alain Chamfort Songbook Book | ALAIN CHAMFORT SONGBOOK | |
Alain Souchon Au Ras Des Paquerettes Piano Vocal Guitar TAB | Alain Souchon Au Ras Des Paquerettes Piano Vocal Guitar TAB | |
Alain Souchon Ecoutez d’où Ma Peine Vient Piano Vocal Guitar chords | Alain Souchon Ecoutez d’où Ma Peine Vient Piano Vocal Guitar chords | |
Alain Souchon les plus grands succès de (partitions, sheet music) Piano Vocal | Alain Souchon les plus grands succès de (partitions, sheet music) Piano Vocal | |
Alan Belkin – Una Guía Práctica de Composición Musical (Spanish) | Book Theory | |
Alan Jackson – Between the Devil and Me | ||
Alan Jackson – Buicks to the Moon | ||
Alan Jackson – I’ll Go On Loving You | ||
Alan Jackson – It’s Five Oclock Somewhere | ||
Alan Jackson – Little Bitty | ||
Alan Jackson – Once In A Lifetime Love | ||
Alan Jackson – Remember When | ||
Alan Jackson – That’d Be Alright | ||
Alan Jackson – There Goes | ||
Alan Jackson – Where I Come From | ||
Alan Jackson Remember When Piano Solo | ||
Alan Lomax – The Penguin Book Of American Folk Songs (GUITAR) | Alan Lomax – The Penguin Book Of American Folk Songs GUITAR) | |
Alan Menken – A Christmas Carol A Place Called Home | ||
Alan Menken – Beauty and the Beast (easy piano) Complete score arr. piano & guitar chords | Alan Menken – Beauty and the Beast (easy piano) | |
Alan Menken – Little Shop Of Horrors | Alan Menken – Little Shop Of Horrors | |
Alan Menken – Songbook | Alan Menken songbook sheet music | |
Alan Menken – Tangled (Disney) Rapunzel songbook | Tangled | |
Alan Menken A Christmas Carol (The Musical) | ||
Alan Menken Aladdin (songbook) | Alan Menken Aladdin | |
Alan Menken I see the light (Tangled-Disney) | Alan Menken I see the light (Tangled-Disney) | |
Alan Menken My Christmas Tree from Home Alone 2 Lost In New York | ||
Alan Menken The Hunchback Of Notre Dame (Disney) | Alan Menken The Hunchback Of Notre Dame (Disney) | |
Alan Menken The Little Mermaid Piano Vocal Score (The Musical) | Alan Menken The Little Mermaid Piano Vocal Score (The Musical) | |
Alan Parsons – Eye in the Sky | ||
Alan Parsons Project – Don’t Answer Me | ||
Alan Parsons Project – Eye In The Sky | ||
Alan Parsons Project – Time | ||
Alan Parsons Project – Eve (Piano, Vocal, Guitar) Songbook | Alan Parsons Project – Eve (Piano, Vocal, Guitar) Songbook | |
Alan Parsons Project – Eye In the Sky (Piano, Vocal, Guitar Songbook) | Alan Parsons Project – Eye In the Sky (Piano, Vocal, Guitar Songbook) | |
Alan Parsons Project – I Robot (Piano, Vocal, Guitar) Songbook | Alan Parsons Project – I Robot (Piano, Vocal, Guitar) Songbook | |
Alan Parsons Project – The Essential | Alan Parsons Project | |
Alan Parsons Project Gaudí Piano Vocal Guitar chords | Alan Parsons Project Gaudí Piano Vocal Guitar chords | |
Alan Silvestri – Avengers Infinity War Medley – Piano Solo | Alan Silvestri – Avengers Infinity War Medley – Piano Solo | |
Alan Silvestri – Contact Main Theme |
Buddy Holly: the 100 most inspiring musicians of all time
American singer and songwriter Charles Hardin Holley, professionally known as Buddy Holly, (b. Sept. 7, 1936, Lubbock, Texas, U.S.—d. Feb. 3, 1959, near Clear Lake, Iowa) produced some of the most distinctive and influential work in rock music.
Buddy Holly (the e was dropped from his last name—probably accidentally—on his first record contract) was the youngest of four children in a family of devout Baptists in the West Texas town of Lubbock, and gospel music was an important part of his life from an early age. A good student possessed of infectious personal charm, Holly was declared “King of the Sixth Grade” by his classmates.
He became seriously interested in music at about age 12 and pursued it with remarkable natural ability. The African American rhythm and blues that Holly heard on the radio had a tremendous impact on him, as it did on countless other white teenagers in the racially segregated United States of the 1950s. Already well versed in country music, bluegrass, and gospel and a seasoned performer by age 16, he became a rhythm-and-blues devotee.
By 1955, after hearing Elvis Presley, Holly was a full-time rock and roller. Late that year, he bought a Fender Stratocaster electric guitar and developed a style of playing featuring ringing major chords that became his
trademark. In 1956, he signed with Decca Records’ Nashville, Tennessee, division, but the records he made for them were uneven in quality, and most sold poorly.
In 1957, Buddy Holly and his new group, the Crickets (Niki Sullivan on second guitar and background vocals, Joe B. Mauldin on bass, and the great Jerry Allison on drums), began their association with independent producer Norman Petty at his studio in Clovis, New Mexico. Together they created a series of recordings that display an emotional intimacy and sense of detail that set them apart from other 1950s rock and roll. As a team, they threw away the rule book and let their imaginations loose.
Unlike most independent rock-and-roll producers of the time, Petty did not own any cheap equipment. He wanted his recordings to sound classy and expensive, but he also loved to experiment and had a deep bag of sonic tricks. The Crickets’ records feature unusual microphone placement
techniques, imaginative echo chamber effects, and overdubbing, a process that in the 1950s meant superimposing one recording on another. While crafting tracks such as “Not Fade Away,” “Peggy Sue,” “Listen to Me,” and “Everyday,” Holly and the Crickets camped out at Petty’s studio for days at a time, using it as a combination laboratory and playground.
They were the first rock and rollers to approach the recording process in this manner. When the Crickets’ first single, “That’ll Be the Day,” was released in 1957, their label, Brunswick, did nothing to promote it. Nevertheless, the record had an irrepressible spirit, and by year’s end it became an international multimillion-seller. Soon after, Holly became a star and an icon.
Holly and the Crickets’ association with Petty (who, serving as their manager, songwriting partner, and publisher, owned their recordings) was far from all beneficial, however. According to virtually all accounts, Petty collected the Crickets’ royalty checks and kept the money. By 1959, the hit records tapered off, and Holly was living in New York with his new bride. Estranged from the Crickets and broke, he was also contemplating legal action against Petty. This left him little choice but to participate in the doomed “Winter Dance Party of 1959” tour through the frozen Midwest,
during which he and coheadliners Ritchie Valens and the Big Bopper (J.P. Richardson) were killed in a plane crash.
The music of Buddy Holly and the Crickets, their innovative use of the studio, and the fact that they wrote most of their songs themselves made them the single most important influence on the Beatles, who knew every Holly record backward and forward. In 1986 Holly was inducted into the Rock and Roll Hall of Fame, and in 1996 he was honored by the National Academy of Recording Arts and Sciences with a lifetime achievement award.