The 100 most inspiring musicians of all Time

Luciano Pavarotti: the 100 most inspiring musicians of all time

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    Luciano Pavarotti: the 100 most inspiring musicians of all time

    Italian operatic lyric tenor Luciano Pavarotti (b. Oct. 12, 1935, Modena, Italy—d. Sept. 6, 2007, Modena), was considered one of the finest bel canto opera singers of the 20th century.

    Even in the highest register, his voice was noted for its purity of tone, and his concerts, recordings, and television appearances—which provided him ample opportunity to display his ebullient personality—gained him a wide popular following.

    Luciano Pavarotti graduated from a teaching institute in Modena (1955) and then taught elementary school for two years. He studied opera privately, mostly in Mantua. After winning the Concorso Internazionale, a singing competition, he made his professional operatic debut in 1961 as Rodolfo in La Bohème (1896) in Reggio nell’Emilia, Italy.

    He then played in opera houses throughout Europe and Australia and performed the role of Idamante in Mozart’s Idomeneo (1781) at the Glyndebourne Festival in 1964. He made his first appearance in the United States in Miami in 1965, singing opposite Joan Sutherland as Edgardo in Lucia di Lammermoor (1835). In 1968 he made his debut at the Metropolitan Opera House in New York City, and from 1971 he was a regular performer there. Pavarotti toured the world, performing to as many as 500,000 fans at a time in outdoor venues, as a solo performer or as one of the “Three Tenors” (with Plácido Domingo and José Carreras).

    luciano pavarotti free download sheet music & scores pdf

    Among his many prizes and awards were five Grammy Awards and a Kennedy Center Honor in 2001. His most notable operatic roles included the Duke in Giuseppe Verdi’s Rigoletto (1851), Tonio in Gaetano Donizetti’s La Fille du régiment (1840; a part remarkable for its demanding sequence of high Cs), Arturo in Vincenzo Bellini’s I puritani (1835), and Radamès in Verdi’s Aida (1871), all of which are available as sound recordings.

    He performed in a number of televised opera broadcasts. In addition to his opera work, Pavarotti also recorded a collection of Italian love songs (Amore [1992; “Love”]) and a pop album (Ti adoro [2003; “I Adore You”]). With William Wright he wrote Pavarotti: My Own Story (1981) and Pavarotti: My World (1995).

    In 2004, Pavarotti gave his final performance on the operatic stage, although he continued to sing publicly until 2006. His last public appearance was in the opening ceremony of the 2006 Winter Olympics in Turin, Italy, where he sang his signature aria, Nessun dorma, from Giacomo Puccini’s Turandot (first performed 1926).

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    Best site for sheet music download is here.

    Luciano Pavarotti – The Best of Luciano Pavarotti – Greatest hits

    Track List:

    1- Nessun Dorma (0:083:00 ) 2- Che gelida manina (3:017:37) 3- Brindisi (7:3910:26) 4- Celeste Aida (10:2914:30 ) 5- una furtiva lagrima (14:3319:19) 6- Questa o quella (19:2020:55 ) 7- M’appari (20:5824:22) 8- E lucevan le stelle (24:2627:38) 9- Amor ti vieta (27:4029:24) 10- Vesti la guibba (29:2633:30)

    11- Donna non vidi mai (33:3435:34) 12- La donna e mobile (35:3637:55) 13- O paradiso (38:0041:26) 14- Pourquoi me reveiller (41:2944:30) 15- La fleur que tu m’avais jetee (44:3449:00) 16- Tra voi, belle (49:0050:10) 17- Cielo e mar! (50:1155:15 ) 18- Recondita armonia (55:1658:11) 19- Spirito Gentil (58:141:02:22 ) 20- Di Quella Pira (1:02:231:05:39)

    21- Suzel, buon di (1:05:421:13:29) 22- O sole mio (1:13:331:16:53) 23- Torna e Sorrient (1:16:541:21:14) 24- Core ‘ngrato (1:21:161:26:08) 25- Funicul, funicul (1:26:091:28:47) 26- Notte ‘e piscatore (1:28:491:33:51) 27- O Holy Night (1:33:521:38:02) 28- Panis angelicus (1:38:031:42:02) 29- Ave Maria (1:42:051:46:50) 30- Mattinata (1:46:52 – end)

    Beautiful Music

    Scott Joplin – The Entertainer

    Table of Contents
    • Scott Joplin The Entertainer with sheet music
    • Who Was Scott Joplin? 
    • Musical Family
    • Writing Huge Hit: ‘Maple Leaf Rag’
    • Opera Ambitions
    • Final Years and Legacy
    • “The Entertainer”

    Scott Joplin The Entertainer with sheet music

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    scott joplin sheet music pdf

    Who Was Scott Joplin? 

    Born in the late 1860s somewhere along the border between Texas and Arkansas, Scott Joplin took up the piano as a child and eventually became a travelling musician as a teen. He immersed himself in the emerging musical form known as ragtime and became the genre’s foremost composer with tunes like “The Entertainer,” “Solace” and “The Maple Leaf Rag,” which is the biggest-selling ragtime song in history. Joplin also penned the operas Guest of Honor and Treemonisha. He died in New York City on April 1, 1917.

    Musical Family

    Scott Joplin’s exact date of birth and location is not known, though it is estimated that he was born between the summer of June 1867 and January 1868. Born to Florence Givens and Giles Joplin, Scott grew up in Texarkana, a town situated on the border between Texas and Arkansas.

    The Joplins were a musical family, with Florence being a singer and banjo player and Giles a violinist; Scott learned how to play the guitar at a young age and later took to the piano, displaying a gift for the instrument. Julius Weiss, a German music teacher who lived in Joplin’s hometown, gave the young pianist further instruction. Joplin was also a vocalist and would play the cornet as Joplin left home during his teen years and began work as a travelling musician, playing in bars and dance halls where new musical forms were featured that formed the basis of ragtime, which had distinct, syncopated rhythms and a fusion of musical sensibilities.

    Joplin lived for a time in Sedalia, Missouri in the 1880s and in 1893 he fronted a band in Chicago during the World Fair. He later settled in Sedalia again while continuing to travel, with the waltzes “Please Say You Will” and “A Picture of Her Face” becoming his first two published songs.

    Writing Huge Hit: ‘Maple Leaf Rag’

    Joplin studied music at Sedalia’s George R. Smith College for Negroes during the 1890s and also worked as a teacher and mentor to other ragtime musicians. He published his first piano rag, “Original Rags,” in the late 1890s, but was made to share credit with another arranger. Joplin then worked with a lawyer to ensure that he would receive a one-cent royalty of every sheet-music copy sold of his next composition, “The Maple Leaf Rag.” In 1899, Joplin partnered with publisher John Stark to push the tune. Though sales were initially slight, it went on to become the biggest ragtime song ever, eventually selling more than a million copies.

    Joplin focused on composing more ragtime works, with the genre taking the country by storm and Joplin earning acclaim for his artistry. Some of Joplin’s published compositions over the years included “The Entertainer,” “Peacherine Rag,” “Cleopha,” “The Chrysanthemum,” “The Ragtime Dance,” “Heliotrope Bouquet,” “Solace” and “Euphonic Sounds.

    Opera Ambitions

    Joplin was intensely concerned with making sure the genre received its proper due, taking note of the disparaging comments made by some white critics due to the music’s African American origins and radical form. As such, he published a 1908 series that broke down the complexities of ragtime form for students: The School of Ragtime: Six Exercises for Piano.

    Joplin also aspired to produce long-form works. He published the ballet Rag Time Dance in 1902 and created his first opera, A Guest of Honor, for a Midwestern tour in 1903. The production was shut down due partially to the theft of box-office receipts, with Joplin ultimately dealing with great financial losses.

    By 1907, Joplin had settled in New York to work on securing funding for another opera he had created, Treemonisha, a multi-genre theatrical project which told the story of a rural African-American community near Texarkana. A precursor to George Gershwin’s Porgy and Bess, Treemonisha was presented in 1915 as a scaled-down production with voice and piano, but would not receive a full-stage treatment for years to come.

    Final Years and Legacy

    Joplin continued to work on various musical forms and formed his own publishing company with his third wife, Lottie, in 1913. By 1916, he had started to succumb to the ravages of syphilis, which he was thought to have contracted years earlier, and was later hospitalized and institutionalized. Joplin died on April 1, 1917.

    Ragtime would enjoy a resurgence during the 1940s, and then in the ’70s became a hugely popular classical genre that also entered the U.S. consciousness via film—”The Entertainer” became the theme song for The Sting, starring Paul Newman and Robert Redford. Joplin’s Treemonisha was also fully staged in 1975 on Broadway. The following year, Joplin received a special posthumous Pulitzer Prize, honoring the man who shaped a genre that influenced decades of music.

    The Entertainer

    is a 1902 classic piano rag written by Scott Joplin. It was sold first as sheet music, and in the 1910s as piano rolls that would play on player pianos.The first recording was by blues and ragtime musicians the Blue Boys in 1928, played on mandolin and guitar.

    As one of the classics of ragtime, it returned to international prominence as part of the ragtime revival in the 1970s, when it was used as the theme music for the 1973 Oscar-winning film The Sting. Composer and pianist Marvin Hamlisch‘s adaptation reached #3 on the Billboard pop chart and spent a week at #1 on the easy listening chart in 1974. The Sting was set in the 1930s, a full generation after the end of ragtime’s mainstream popularity, thus giving the inaccurate impression that ragtime music was popular at that time.

    The Recording Industry Association of America ranked it #10 on its “Songs of the Century” list.

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