Louis Armstrong – Hello Dolly LIVE
Louis Armstrong
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Artist or Composer / Score name | Cover | List of Contents |
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Unforgettable – Irving Gordon (Nat King Cole Song) Piano Solo Sheet Music | Unforgettable – Irving Gordon (Nat King Cole Song) Piano Solo Sheet Music | |
Unforgettable Musical Memories – Reader’s Digest Songbook, A | Unforgettable Musical Memories – Reader’s Digest Songbook, A | |
Unforgettable… The Lighter Side Of Jazz | Unforgettable… The Lighter Side Of Jazz | |
UNITED – Look To You Guitar Songbook | ||
Universal Studios Theme by Jerry Goldsmith arr. Yame Puts | ||
University Musical Encyclopedia The Theory Of Music And Piano Technique (By E Markham) (1912) | Musical Encyclopedia I | |
Untraceable – Kill With Me – Christopher Young | ||
Untraceable – Missing Flowers – Christopher Young | ||
Uomini soli (Pooh) | ||
Up (Theme) Married Life By Ari Burns (Piano Solo) | ||
Up The – Married Life (Piano Solo Arr. Sheet Music) | Up The – Married Life (Piano Solo Arr. Sheet Music) | |
Upon The Wind There Comes A Song (Musescore File).mscz | ||
Upon The Wind, There Comes A Song Tradition Irish Melody | ||
Uriah Heep – Sheet Music songbook | Uriah Heep – Sheet Music songbook (Piano Vocal and Guitar Chords) | |
Urlicht (Gustav Mahler) | ||
Usher – Make Me Wanna | ||
Utada Hikaru-First love | ||
V.S.O.P. Super Jazz Sound Herbie Hancock, Tony illiams,Wayne Shorter, Ron Carter, Freddie Hubbard | V.S.O.P. Super Jazz Sound Herbie Hancock, Tony illiams,Wayne Shorter, Ron Carter, Freddie Hubbard | |
Valse (Fanfan OST) Nicolas Jorelle | ||
Valse Crepusculaire (Providence OST) Miklós Rózsa | ||
Valse Etude – William Gillock Piano Solo Musescore File.mscz | ||
Valse Op 51 N 1 – Fernando Sor (Musescore File).mscz | ||
Valzer del Commiato (Il Gattopardo OST) Nino Rota | ||
Valzer di Lupin (Lupin 3 OST) Franco Micalizzi | ||
Vampire Weekend Songbook Piano Vocal Guitar Tab | Vampire Weekend Songbook Piano Vocal Guitar Tab | |
Van Halen (Van Halen Songbook ) Guitar Full score with TABs | Van Halen (Van Halen Songbook ) Guitar Full score | |
Van Halen – 1984 Guitar TAB songbook transcribed by Brand McPhail | Van Halen – 1984 Guitar TAB songbook transcribed by Brand McPhail | |
Van Halen – 5 of the Best Play-It-Like-It-Is Guitar with TABs | Van Halen – 5 of the Best Play-It-Like-It-Is Guitar | |
Van Halen – Everybody Wants Some The Van Halen Saga (Book by Ian Christe) | ||
Van Halen – Jump | ||
Van Halen – Right Now | ||
Van Halen (Guitar Backing tracks with TABs) Jam with Van Halen – (with MP3 audio tracks to play along) | Jam with van Halen | |
Van Halen 30 Classics From The Legendary Guitar God (Authentic Guitar Tab) (Authentic Guitar Tab Editions) | Van Halen 30 classics | |
Van Halen Anthology Guitar songbook with TABs | Van Halen Anthology Guitar songbook | |
Van Mccoy – Baby Im Yours | ||
Van Morrison Have I Told You Lately That I Love You (Rod Stewart Ver.) | Van Morrison Have I Told You Lately That I Love You (Rod Stewart Ver.) | |
Van Morrison The Guitar Collection with TABs | Van Morrison The Guitar Collection | |
Van Morrison – Anthology Songbook Piano Vocal Guitar Chords | Van Morrison – Anthology Songbook Piano Vocal Guitar Chords | |
Van Morrison – Back On Top Book Songbook Piano Vocal Guitar Chords | Van Morrison – Back On Top Book Songbook Piano Vocal Guitar Chords | |
Van Morrison – Have I Told You Lately That I Love You (Rod Stewart Ver.) (Musescore File).mscz | ||
Van Morrison – Veedon Fleece Piano Vocal Guitar Chords | Van Morrison – Veedon Fleece Piano Vocal Guitar Chords | |
Van Morrison Sheet Music Anthology | Van Morrison Sheet Music Anthology | |
Van(Var) (A Silent Voice) | ||
Vanessa Carlton – A Thousand Miles | ||
Vanessa Carlton – Afterglow | ||
Vanessa Carlton – All I Ask | ||
Vanessa Carlton – All Is Well | ||
Vanessa Carlton – Ameriteen | ||
Vanessa Carlton – Birdie | ||
Vanessa Carlton – Burden | ||
Vanessa Carlton – Cest La Vie | ||
Vanessa Carlton – Dark Carnival | ||
Vanessa Carlton – Devil Dance | ||
Vanessa Carlton – Faces | ||
Vanessa Carlton – Half A Week Before The Winter | ||
Vanessa Carlton – Last Fall | ||
Vanessa Carlton – Little Mary | ||
Vanessa Carlton – Meggie Sue | ||
Vanessa Carlton – Morning Sting | ||
Vanessa Carlton – Ordinary Day | ||
Vanessa Carlton – Papa | ||
Vanessa Carlton – Pretty Baby | ||
Vanessa Carlton – Private Radio | ||
Vanessa Carlton – Put Your Hands On Me | ||
Vanessa Carlton – Red Ditty | ||
Vanessa Carlton – San Francisco | ||
Vanessa Carlton – She Floats | ||
Vanessa Carlton – Swindler | ||
Vanessa Carlton – The One | ||
Vanessa Carlton – The Wreckage | ||
Vanessa Carlton – This Time | ||
Vanessa Carlton – Time Is On My Side | ||
Vanessa Carlton – Twilight | ||
Vanessa Carlton – White Houses | ||
Vanessa Carlton – Whos To Say | ||
Vanessa Carlton – Wonder | ||
Vanessa Carlton Harmonium Songbook | Vanessa Carlton Harmonium Songbook | |
Vanessa Williams – Colors Of The Wind | ||
Vanessa Williams – Save The Best For Last | ||
Vanessa’s dream – Penny Dreadful OST (Abel Korzeniowski) | ||
Vangelis Antarctica Guitar Arr With Tabs (1 or 2 Guitars with Tablature) | Vangelis Antarctica Guitar Arr With Tabs (1 or 2 Guitars with Tablature) | |
Vangelis – Antarctica Guitar arr with TABs (1 or 2 guitars).mscz | ||
Vangelis – Blade Runner – Piano in an Empty Room | ||
Vangelis – Chariots Of Fire | Vangelis Charriots of fire | |
Vangelis – Chariots Of Fire (Guitar with TABs) | Vangelis – Chariots Of Fire (Guitar with TABs) | |
Vangelis – Conquest Of Paradise | Vangelis – Conquest Of Paradise | |
Vangelis – Conquest Of Paradise (Musescore File).mscz | ||
Vangelis – Five Circles from Chariots of Fire (Guitar arr. with Tablature) | Vangelis – Five Circles from Chariots of Fire (Guitar arr. with Tablature) | |
Vangelis – L’enfant (from The Year of Living Dangerously) (Guitar with TABs) | Vangelis – L’enfant (from The Year of Living Dangerously) (Guitar with TABs) | |
Vangelis – La Petite Fille De La Mere (from L’Apocalypse des Animaux) (Guitar with TABs) | Vangelis – La Petite Fille De La Mere (from L’Apocalypse des Animaux) (Guitar with TABs) | |
Vangelis – La Petite Fille De La Mere (Guitar TABs) | ||
Vangelis – Missing Main Theme From the film Missing (Guitar TABs) | Vangelis – Missing Main Theme From the film Missing (Guitar TABs) | |
Vangelis – Missing Main Theme From the film Missing (Piano) | Vangelis – Missing Main Theme From the film Missing (Piano) | |
Vangelis – Prelude | ||
Vangelis – The Best Of (piano songbook) | ||
Vangelis Aphrodite’s Child Rain And Tears Guitar | ||
Vangelis Heaven and Hell Piano Solo | ||
Vangelis La Petite Fille De La Mer piano solo | ||
Variations In Merry Go Round Of Life – Joe Hisaishi | Variations In Merry Go Round Of Life – Joe Hisaishi | |
Vassiliev Konstantin Three Forest Painting Guitar | ||
Vassiliev, Konstatin Alba (1996) Guitar Sheet Music With Tabs | ||
Vaughan Williams The Lark Ascending (Violin and Piano Reduction) | ||
Vaughan Williams – Fantasia On A Theme By Thomas Tallis (Musescore File).mscz | ||
Vaughan Williams Lark Ascending Piano violin arr. by J. Godderis | ||
Vaughan Williams On Music Oxford Un. by David Manning (Book) | ||
Vavilov Vladimir Ave Maria (Wrongly Attributed To G.Caccini) Piano And Two Voices | ||
Vavilov Vladimir – Ave Maria (Wrongly Attributed To G.Caccini) Piano And Two Voices (Musescore File).mscz | ||
Vazha Azarashvili – Nocturne | ||
Vazha Azarashvili – Nostalgia | ||
Vazha Azarashvili Sentimental Tango (4 hands piano sheet music) | Vazha Azarashvili Sentimental Tango (4 hands piano sheet music) first page | |
Vazha Azarashvili Sentimental Tango (piano solo sheet music) | Vazha Azarashvili Sentimental Tango (piano solo sheet music) | |
Vedrai vedrai (Luigi Tenco) | ||
Velazquez, Consuelo Amar Y Vivir (Guitarra, Guitar) | ||
Vengaboys – Boom Boom Boom | ||
Venice (Only You OST) Rachel Portman | ||
Verdi Il Trovatore – Anvil Chorus Piano Solo | ||
Verdi Va Pensiero Piano Solo Arr. Nabucco Acte III Choeur Des Ésclaves Hébreux | Verdi Va Pensiero Piano Solo Arr. Nabucco Acte III Choeur Des Ésclaves Hébreux | |
Verdi – La Donna è Mobile | ||
Verdi – La Donna È Mobile (Musescore File).mscz | ||
Verdi – La Traviatta – Piano Solo arr. |
Louis Armstrong was born in New Orleans, Louisiana on August 4, 1901. He was raised by his mother Mayann in a neighborhood so dangerous it was called “The Battlefield.” He only had a fifth-grade education, dropping out of school early to go to work. An early job working for the Jewish Karnofsky family allowed Armstrong to make enough money to purchase his first cornet.
On New Year’s Eve 1912, he was arrested and sent to the Colored Waif’s Home for Boys. There, under the tutelage of Peter Davis, he learned how to properly play the cornet, eventually becoming the leader of the Waif’s Home Brass Band. Released from the Waif’s Home in 1914, Armstrong set his sights on becoming a professional musician. Mentored by the city’s top cornetist, Joe “King” Oliver, Armstrong soon became one of the most in-demand cornetists in town, eventually working steadily on Mississippi riverboats.
In 1922, King Oliver sent for Armstrong to join his band in Chicago. Armstrong and Oliver became the talk of the town with their intricate two-cornet breaks and started making records together in 1923. By that point, Armstrong began dating the pianist in the band, Lillian Hardin. In 1924, Armstrong married Hardin, who urged Armstrong to leave Oliver and try to make it on his own. A year in New York with Fletcher Henderson and His Orchestra proved unsatisfying so Armstrong returned to Chicago in 1925 and began making records under his own name for the first time.
Hotter Than That
The records by Louis Armstrong and His Five–and later, Hot Seven–are the most influential in jazz. Armstrong’s improvised solos transformed jazz from an ensemble-based music into a soloist’s art, while his expressive vocals incorporated innovative bursts of scat singing and an underlying swing feel. By the end of the decade, the popularity of the Hot Fives and Sevens was enough to send Armstrong back to New York, where he appeared in the popular Broadway revue, “Hot Chocolates.” He soon began touring and never really stopped until his death in 1971.
The 1930s also found Armstrong achieving great popularity on radio, in films, and with his recordings. He performed in Europe for the first time in 1932 and returned in 1933, staying for over a year because of a damaged lip. Back in America in 1935, Armstrong hired Joe Glaser as his manager and began fronting a big band, recording pop songs for Decca, and appearing regularly in movies. He began touring the country in the 1940s.
Ambassador Satch
In 1947, the waning popularity of the big bands forced Armstrong to begin fronting a small group, Louis Armstrong and His All Stars. Personnel changed over the years but this remained Armstrong’s main performing vehicle for the rest of his career. He had a string of pop hits beginning in 1949 and started making regular overseas tours, where his popularity was so great, he was dubbed “Ambassador Satch.”
In America, Armstrong had been a great Civil Rights pioneer for his race, breaking down numerous barriers as a young man. In the 1950s, he was sometimes criticized for his onstage persona and called an “Uncle Tom” but he silenced critics by speaking out against the government’s handling of the “Little Rock Nine” high school integration crisis in 1957.
Armstrong continued touring the world and making records with songs like “Blueberry Hill” (1949), “Mack the Knife” (1955) and “Hello, Dolly! (1964),” the latter knocking the Beatles off the top of the pop charts at the height of Beatlemania.
Good Evening Everybody
The many years of constant touring eventually wore down Armstrong, who had his first heart attack in 1959 and returned to intensive care at Beth Israel Hospital for heart and kidney trouble in 1968. Doctors advised him not to play but Armstrong continued to practice every day in his Corona, Queens home, where he had lived with his fourth wife, Lucille, since 1943. He returned to performing in 1970 but it was too much, too soon and he passed away in his sleep on July 6, 1971, a few months after his final engagement at the Waldorf-Astoria in New York City.