Keith Jarrett Solo Tribute FULL CONCERT (1987) The 100th Performance in Japan
1.”The Night We Called It A Day”
2.”I love you”
3.”Things Ain’t What They Used To Be”
4.”Sound” (K. Jarrett)
5.”I Loves You, Porgy”
6.”There Is No Greater Love”
7.”‘Round About Midnight”
8.”Solar”
9.”Then I’ll Be Tired Of You”
10.”Sweet And Lovely”
11.”The Wind”
12.”Do Nothing Till You Hear From Me”
13.”I Got It Bad And That Ain’t Good”
14.”Summertime”
Captured live at Tokyo’s Suntory Hall, renowned piano virtuoso Keith Jarrett performs some of his most memorable and haunting standards before an enthusiastic crowd. Performed entirely solo, these numbers clearly reveal the breadth and power of his immense musical skills.
Keith Jarrett’s discography embraces solo improvisation, duets, trios, quartets, original compositions, multi-instrumental ventures, masterpieces of the classical repertoire and wide-ranging explorations of the Great American Songbook.
Jarrett was born in Allentown, Pennsylvania, in May 1945. He took his first piano lesson before his third birthday and gave his debut solo recital aged seven. “I grew up with the piano,” he has said, “I learned its language while I learned to speak.”
His earliest training was classical, but by the age of 15 his piano lessons had ceased and Jarrett’s interest in jazz was burgeoning. He turned down an opportunity to study with Nadia Boulanger in Paris and in 1964 took the decisive step of moving to New York to establish himself in the jazz world.
After a spell touring with Art Blakey’s New Jazz Messengers, Jarrett joined Charles Lloyd’s quartet in 1966. He also played organ and electric piano with Miles Davis in 1970 and 1971.
Jarrett’s association with ECM dates from November 1971, when he and producer Manfred Eicher first collaborated on the hugely influential solo piano album Facing You, eight short pieces which, in Eicher’s words, “hold together like a suite”. The album also prefigured the solo piano concerts which would be such a defining aspect of Jarrett’s career.
In 1973 ECM organised an eighteen-concert European tour, consisting solely of Jarrett’s solo improvisations. The Köln Concert (1975) has unsurprisingly passed into legend: a multi-million-selling album that has been the subject of books and a complete transcription. But Köln should not eclipse the achievement of the whole sequence of improvised concerts, a genre which Jarrett effectively created.
After the success of that first solo tour, Jarrett has continued to pursue the improvised solo concert format, the decades of his career studded with records of his endlessly fertile imagination, usually referred to simply by where they took place: Paris, Vienna, Lausanne, Carnegie Hall, La Scala…
Jarrett has been a member of several outstanding groups. In the mid-1970s he began recording with his so-called “European Quartet” consisting of saxophonist Jan Garbarek, bassist Palle Danielsson and drummer Jon Christensen. Their recordings include Belonging, My Song, Nude Ants, Personal Mountains and Sleeper.
No less essential is his contemporaneous “American Quartet” work with Charlie Haden (bass), Paul Motian (drums) and Dewey Redman (sax), whose output included The Survivors’ Suite and Eyes of the Heart (both 1976). The American Quartet extended the range of Jarrrett’s trio with Haden and Motian. The early trio’s work is documented on Hamburg ’72.
In the early 1980s Jarrett formed his “Standards Trio” with bassist Gary Peacock and drummer Jack DeJohnette, which proved to be one of the most fertile and long-lasting partnerships in jazz history.
Over the years they have toured and released an unparalleled series of albums of standards and freely improvised sets, including the 6-CD set At the Blue Note, an extraordinary record of three extraordinary nights in June 1994, about which the New York Times wrote: “Jarrett makes each new note sound like a discovery… The music whispered and glimmered, seeking a pure, incorporeal song.”
In 1987, Jarrett initiated a series of recordings of some of the great monuments of the classical keyboard repertoire with Bach’s Wohltempierte Klavier, Book I, which was followed by the Goldberg Variations (1989) and the second book of Wohltempierte Klavier (1990).
For a pianist with such a fine command of voicing, Shostakovich’s 24 Preludes and Fugues, Op. 87, was perhaps a natural next step: “It didn’t feel like I was playing someone else’s music,” Jarrett said of his first encounter with these works. “[The pieces] are coming from some strange quirky place that I’m familiar with.” The New York Times was just one of many to hail this award-winning recording: no mere crossover curiosity, “Jarrett has finally staked an indisputable claim to distinction in the realm of classical music”.
Browse in the Library:
Artist or Composer / Score name | Cover | List of Contents |
---|---|---|
Will B. Morrison – Melody in F (Syncopated Waltz) sheet music | ||
Will Young – Anything Is Possible | ||
William Best I Love You For Sentimental Reasons (Jazz Standard) | William Best I Love You For Sentimental Reasons (Jazz Standard) | |
William Eveleth – Blues Jazz and Rock Riffs For Keyboards | ||
William Gillock In Old Vienna Musescore File.mscz | ||
William Gillock Valse Etude In Romantic Style Musescore File.mscz | ||
William Joseph – Within (Songbook) (William Joseph) | William Joseph – Within (Songbook) (William Joseph) | |
William Robinson – My Girl | ||
William Russo Composing Music A New Approach (ebook) | ||
Willie Dixon Preacher Of The Blues (2011) Mitsutoshi Inaba (Book) Biography | ||
Willie Fugal S Blues Piano transcription | ||
Willie Nelson – Always on My Mind Sheet Music | ||
Willie Nelson – On My Mind | ||
Willie The Lion Smith – Finger Buster transcription | ||
Willie The Lion Smith Echo of Spring transcription | ||
Willow Weep For Me Words And Music By Ann Ronell 1932 Jazz Standard (Vintage sheet music) | ||
Wim Mertens – American Minimal Music La Monte Young Terry Riley Steve Reich Philip Glass | Book La Monte Young Terry Riley Steve Reich Philip Glass | |
Wim Mertens – Close Cover | Wim Mertens – Close Cover | |
Wim Mertens – Struggle For Pleasure | Wim Mertens – Struggle For Pleasure | |
Wim Mertens – Time Passing | ||
Wim Mertens Humility | ||
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Windham Hill piano sampler | Windham Hill piano sampler | |
Windy Whistle (Le Renard et l’Enfant OST) Alice Lewis | ||
Wings (McCartney) – Greatest Hits | Wings sheet music | |
Winifred Atwell Album Of Rags No 1 Original arrangements Vintage songbook | Winifred Atwell Album Of Rags No 1 Original arrangements Vintage songbook | |
Winifred Atwell Marguerite Monnot The Poor People Of Paris ( La Goualante Du Pauvre Jean) Piano Solo | ||
Winnie The Pooh The Honey Tree Sheet Music (Disney) | Winnie The Pooh The Honey Tree Sheet Music (Disney) | |
Winter Sonata O.S.T. (Ryu) | ||
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Within Temptation – Our Solemn Hour | ||
Without you (Maria Carey) | ||
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Wolfe Richard Legit Professional Fake Book More Than 1010 Songs | Wolfe Richard Legit Professional Fake Book More Than 1010 Songs | |
Wolfenzon – Stücke für Klavier | Wolfenzon – Stücke für Klavier | |
Womack, Bobby – Midnight Mover My Autobiography The True Story of the Greatest Soul Singer in the World (Book) | ||
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Wonderful Christmastime -Paul Mccartney (Wings) (Musescore File).mscz | ||
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Woody Guthrie This Land Is Your Land (Easy and Intermediate Piano Solo) | ||
World Hits Of Jazz Standard | World Hits Of Jazz Standard | |
Wuthering Heights (Ryuichi Sakamoto) | ||
Wynton Kelly – Autumn Leaves Solo transcription | Wynton Kelly – Autumn Leaves Solo transcription | |
Wynton Kelly – Dark Eyes Solo Piano transcription | ||
Wynton Kelly – Dark Eyes Solo Piano Transcription (Musescore File).mscz | ||
Wynton Kelly – Full transcriptions | Wynton Kelly – Full transcriptions | |
Wynton Kelly – I Dig of You Solo transcription | ||
Wynton Kelly – If I should Love You Solo transcription | ||
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Wynton Kelly – Someday my prince will come (Piano solo) | ||
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Wynton Marsalis – Caravan (Solo) | ||
Wynton Marsalis – Darn That Dream (Solo) | Wynton Marsalis – Darn That Dream (Solo) | |
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Wynton Marsalis – Standards (sheet music transcriptions) | Wynton Marsales – Standards (sheet music transcriptions) | |
Wynton Marsalis In The Court Of King Oliver (Trumpet and rhythm section) | ||
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Yann Tiersen Tabarly Complete Book For Piano | ||
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Yaron Herman – Hallelujah (Leonard Cohen) transcription | ||
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YES – Complete Deluxe Edition | YES – Complete Deluxe Edition | |
Yes Close To The Edge The Story Of Yes (Book) | ||
Yes The Best Of Guitar Songbook with TABs | Yes The Best Of Guitar Songbook | |
Yesterday Piano Cello – Piano Sheet Music – Paul McCartney | ||
Yesterday Piano vocal guitar Songbook Featuring Music From the OST | ||
Yesterday The Beatles For Jazz Piano (Musescore File).mscz | ||
Yesterday when I was young (Charles Aznavour) | ||
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Yiruma – 27 May | ||
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Yiruma – Falling |