Chet Baker & Paul Bley – Diane (1985)
Liste des pistes :
A1 If I Should Lose You 0:00 A2 You Go to My Head 7:16 A3 How Deep Is the Ocean? 14:18 A4 Pent-Up House 19:37 B1 Everytime We Say Goodbye 23:34 B2 Diane 31:29 B3 Skidadidlin’ 37:02 B4 Little Girl Blue 41:16
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Diane (album)
Diane est un album du trompettiste Chet Baker et du pianiste Paul Bley enregistré au Danemark en 1985 et sorti sur le SteepleChase label
Réception critique
Les auteurs de The Penguin Guide to Jazz Recordings décrivent Bley comme un partenaire de duo idéal pour Baker et affirment que seul un “son trouble” a empêché l’album de recevoir une note de quatre étoiles.
Personnel
- Chet Baker – trumpet, vocals (track 2)
- Paul Bley – piano
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Wynton Kelly – Dark Eyes Solo Piano transcription | ||
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Wynton Kelly – Full transcriptions | Wynton Kelly – Full transcriptions | |
Wynton Kelly – I Dig of You Solo transcription | ||
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Yiruma – Falling |
Chet Baker
Chesney Henry « Chet » Baker Jr. (23 décembre 1929 – 13 mai 1988) était un jazz trompettiste et chanteur Il est connu pour ses innovations majeures dans le cool jazz , ce qui l’a amené à être surnommé le « prince du cool ».
Baker a attiré beaucoup d’attention et d’éloges critiques au cours des années 1950, en particulier pour les albums mettant en vedette sa voix ( Chet Baker Sings , It Could Happen to You ). L’historien du jazz Dave Gelly a décrit la promesse du début de carrière de Baker comme « James Dean , Sinatra et Bix , réunis en un ». Son habitude de drogue très médiatisée a également conduit sa notoriété et sa renommée. Baker a été fréquemment emprisonné avant de connaître une résurgence de sa carrière à la fin des années 1970 et 1980.
Paul Bly
Paul Bley , CM (10 novembre 1932 – 3 janvier 2016) était un pianiste de jazz connu pour ses contributions au mouvement free jazz des années 1960 ainsi que pour ses innovations et son influence sur le jeu en trio et ses premières performances live sur le Moog et Synthétiseurs audio Arp. Sa musique a été décrite par Ben Ratliff du New York Times comme « profondément originale et esthétiquement agressive ». La production prolifique de Bley comprend des enregistrements influents des années 1950 à ses enregistrements pour piano solo des années 2000.