Table of Contents
King Crimson – Starless (Live)
King Crimson – Radical Action (To Unseat The Hold Of Monkey Mind)
Mel Collins: Saxes & Flute Tony Levin: Basses & Stick Jakko Jakszyk: Guitar, Voice & Flute Robert Fripp: Guitar & Keyboards Pat Mastelotto: Drums Bill Rieflin: Drums & Keyboards Gavin Harrison: Drums
Dave Salt: Tour manager Mark Vreeken: FOH sound design Trevor Wilkins: Video/Audio Recording Jason Birnie: Stage Manager/drums Biff Blumfumgagne: Guitars/Sax & Flute Michele Russotto: Bass/drums John Armitage: Guitars/backline Ian Bond: Audio Tech Russ Wilson: Audio Tech Adrian Holmes: Merchandise Katrina Doy: Production Assistant David Bushong: Driver
Audio pre-production – Jakko Jakszyk & Gavin Harrison Digital Assembly – Alex R Mundy Mixing Engineer – Chris Porter Mixed by Chris Porter, Robert Fripp and David Singleton
“Cyclops” Cover Painting – Francesca Sundsten Additional Artwork & Cyclops re-imagining – Ben Singleton DGM logo – Steve Ball Booklet photography by Claudia Hahn www.heliocyan.com (P. 5, 9, 11, 12 left, 14, 16, 17, 18, 19) and Trevor Wilkins (P. 2, 6, 10, 12 centre, 13, 15, 20, 22) Gatefold inner sleeve photos by Scarlet Page Design and layout – Hugh O’Donnell All artists own the copyright in their work. Produced by Robert Fripp and David Singleton on behalf of King Crimson.
King Crimson: Starless
The original chords and melody for “Starless” were written by John Wetton, who intended the song to be the title track of the group’s previous album Starless and Bible Black. Robert Fripp and Bill Bruford initially disliked the song and declined to record it for that album. Instead the group chose an instrumental improvisation as the title track.
However, “Starless” was later revived, its lyrics altered and a long instrumental section (based on a bass riff written by Bruford) added to it, and performed live between March and June 1974. For the Red recording sessions, the lyrics were again altered (with contributions by Richard Palmer-James). The introductory theme, originally played by David Cross, was taken over by the guitar, with Fripp making minor alterations to the melody. As the title “Starless and Bible Black” had already been used, the original title was shortened to “Starless”.
The piece is 12 minutes and 18 seconds in length, the longest on the Red album. It starts with mellotron strings, electric guitar and a saxophone. These introduce a vocal segment in conventional verse-chorus structure.
The middle section of the song builds, in 13/4. Starting with John Wetton’s bass, shortly after joined by Bill Bruford on percussion. Robert Fripp’s guitar repeats a single note theme on two adjacent guitar strings. Bruford’s drumming maintains its irregularity.
The song’s final section begins with an abrupt transition to a fast, jazzy saxophone solo with distorted guitars and bass, expressive tribal drumming, and the tempo doubling up to a time signature of 13/8. Variations of the middle section’s bassline are played under Fripp’s layered and overdriven guitar parts. The saxophone returns to play a reprise of the vocal melody, then the final section is repeated with more overdubs from Fripp. Finally, the song ends with a reprise of the opening melody, played on the saxophone instead of the guitar.
Though the phrase “Starless and Bible Black” serves both as the chorus for the song’s vocal segment and as the title of an instrumental track on the album Starless and Bible Black, there is little apparent similarity between the two pieces.
Recorded cover versions of Starless include those by: Neal Morse, Mike Portnoy, and Randy George; Craig Armstrong, on his album As If to Nothing as “Starless II”; Banco de Gaia, on their album Memories Dreams Reflections; The Unthanks, on their 2011 album Last; the Crimson Jazz Trio, on their album King Crimson Songbook Volume One (2005).
The song has been covered live by Asia, a supergroup of which John Wetton was a founding member; 21st Century Schizoid Band, a group made up of earlier members of King Crimson (save for Jakko Jakszyk, who would later join King Crimson); After Crying, a Hungarian symphonic rock band, with guest vocals by Wetton; U.K., one of whose members was once again Wetton; and District 97, yet again featuring vocals from Wetton.
The Canadian band FM performed a live version of “Starless” in concert in 1977 which was captured on reel-to-reel by band member Nash the Slash, shortly after the recording their classic 1st album Black Noise . It came to light as part of a rarities CD, Lost In Space in 2001. It is a unique cover version as the band consisted of a non-traditional trio; Cameron Hawkins (vocals, bass, keyboards/synthesizers, bass pedals), Martin Deller (Drums & Percussion) and Nash the Slash (electric mandolin, electric violin, synthesizers).