Louis Armstrong – Hello Dolly LIVE
Louis Armstrong
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Artist or Composer / Score name | Cover | List of Contents |
---|---|---|
Waltz – Noce i Dnie OST (Nights and days) | ||
Waltz For Debby Bill Evans (Musescore File).mscz | ||
Waltz For Debby – Bill Evans (Complete) (Musescore File).mscz | ||
Waltz For Debby – Bill Evans (Musescore File).mscz | ||
Waltz From The Balet ‘coppelia’ (Musescore File).mscz | ||
Waltz In A Minor F. Chopin (Musescore File).mscz | ||
Waltz In E Minor Op. 39 No. 4 – Johannes Brahms (Musescore File).mscz | ||
Ward-Jackson’s Gymnastics For The Fingers And Wrist – based On Anatomical Principles (By Edwin Ward-Jackson) 1874 | ||
Watermark (Musescore File).mscz | ||
Watermelon Man (Musescore File).mscz | ||
Waters of Irrawaddy (Hans Zimmer) from the movie Beyond Rangoon | ||
Wave – Vou Te Contar Jobim (Musescore File).mscz | ||
Wayne Shorter – Ana Maria | ||
Wayne Shorter Artist Transcriptions The New Best of | Wayne Shorter Artist Transcriptions The New Best of | |
Wayward Sisters – Nocturnal Animals OST (Abel Korzeniowski) | ||
We are the champions (Queen) | ||
We Are The World Songbook | we are the world | |
We Shall Overcome Essays on a Great American Song (Book) by Victor B.Bobetsky | ||
We Wish You A Merry Christmas | ||
We Wish You A Merry Christmas – Anonymous (Guitar arr. sheet music with TABs) | We Wish You A Merry Christmas – Anonymous (Guitar arr. sheet music with TABs) | |
We Wish You A Merry Christmas – Guitar TABlature | ||
We Wish You A Merry Christmas (piano solo sheet music) | ||
We Wish You A Merry Christmas Trad. English Christmas carol | ||
We Wish You A Merry Christmas Trad. English Christmas carol.mscz | ||
Weather Report – A Remark You Made (Guitar TABS) | Weather Report – A Remark You Made (Guitar TABS) | |
Weather Report – The best of Weather Report (Full score) | Weather Report – The best of Weather Report (Full score) | |
Weather Report Best Of Weather Report Band Score Book | Best Of Weather Report Us Book | |
Weber – Der Freischütz (Ouvertüre) Piano Solo arr | ||
Weber – Der Freischütz (Ouvertüre) Piano Solo arr.mscz | ||
Weber – Der Freischutz Overture piano solo arr. | ||
Weber op 65 Invitation to the Dance (Invitation to the Waltz) | ||
Weber’s Last Thought – C.M. von Weber | ||
Wedding Collection for Piano Solo | Wedding Collection for Piano Solo | |
Wednesday Morning 3 A M – Simon & Garfunkel (Musescore File).mscz | ||
Weight Of The World – Nier Automata Piano Collections (Musescore File).mscz | ||
Weissenberg En Avril A Paris (April In Paris) Charles Trenet | ||
Well Tempered Praise – Mark Hayes piano | Well Tempered Praise – Mark Hayes piano | |
Well Tempered Praise II by Mark Hayes | Well Tempered Praise II by Mark Hayes | |
Well Tempered Praise III – Mark Hayes piano | Well Tempered Praise III – Mark Hayes piano | |
Well Tempered Praise Vol 4 Gospel Classics by Mark Hayes | Well Tempered Praise Vol 4 Gospel Classics by Mark Hayes | |
Well-Known Piano Solos – How To Play Them (By Charles W Wilkinson) (1915) | ||
Wes Montgomery Wine And Roses By Henry Mancini Solo Guitar | ||
Wes Montgomery – Unit 7 Solo Transcription | Wes Montgomery – Unit 7 Solo Transcription | |
Wes Montgomery – Artist Transcriptions for guitar by fred Sokolow | Wes Montgomery – Artist Transcriptions for guitar by fred Sokolow | |
Wes Montgomery – Au Privave transcription | ||
Wes Montgomery – Days of wine and roses transcription | ||
Wes Montgomery – Take The A Train transcription | ||
Wes Montgomery Essential Jazz Lines (Mel Bay) | Wes Montgomery Essential Jazz Lines (Mel Bay) | |
Wes Montgomery Jazz Guitar Artistry arr. by Zafar Soood with TABs | Wes Montgomery Jazz Guitar Artistry arr. by Zafar Soood | |
Wes Montgomery Jazz No Blues Guitar | ||
Wes Montgomery The Early Years (Mel Bay) Jazz Guitar Solos Tablature | Wes Montgomery The Early Years (Mel Bay) Jazz Guitar Solos Tablature | |
Wes Montgomery The End Of A Love Affair Guitar Tabs | ||
West Side Story – Somewhere (Voice and Piano) Leonard Bernstein | West Side Story – Somewhere | |
West Side Story (The Musical) Vocal Score Arthur Laurents, Leonard Bernstein, Stephen Sondheim | West Side Story Vocal Score – Leonard Bernstein | |
Westlife – Cant Lose What You Never Had | ||
Westlife – Flying Without Wings | ||
Westlife – If I Let You Go | ||
Westlife – Mandy | ||
Westlife – You Raise Me Up Guitar arr. with TABs | Westlife – You Raise Me Up Guitar arr. with TABs | |
Westlife Unbreakable Greatest Hits | ||
Wet Wet Wet – Love Is All Around | ||
Wexford Carol (Musescore File).mscz | ||
Wham , George Michael And Me By Andrew Ridgeley (Book) | ||
Wham Make It Big Piano Vocal Guitar Chords | Wham Make It Big Piano Vocal Guitar Chords | |
What a Wonderful World – Thiele & Weiss | ||
What a wonderful world – Louis Armstrong.mscz | ||
What A Wonderful World (Lead Sheet With Lyrics ) Musescore File.mscz | ||
What a Wonderful World (lead sheet) – Thiele & Weiss | What a Wonderful World (lead sheet) – Thiele & Weiss | |
What A Wonderful World (Musescore File).mscz | ||
What a wonderfull World (Jazz Standard) Guitar Tablature TABs | What a wonderfull World (Jazz Standard) Guitar Tablature TABs | |
What A Wonderlful World (Lead Sheet) (Musescore File).mscz | ||
What You’re Made Of – Même Si (Lucie Silvas – Grégory Lemarchal | ||
What’s That Sound An Introduction To Rock And Its History By John Covach And Andrew Flory (Book) | ||
When A Man Loves A Woman Calvin Lewis & Andrew Wright | ||
When Almonds Blossomed – Giya Kancheli | When Almonds Blossomed – Giya Kancheli-1 | |
When Almonds Blossomed (Musescore File).mscz | ||
When I Fall In Love – Victor Young (Bill Evans Ver.) (Musescore File).mscz | ||
When I fall in love Bill Evans version | When I fall in love Bill Evans version | |
When I’m Sixty-Four (Beatles) | ||
When Lights Are Low (Benny Carter) As Played By Miles Davis (Musescore File).mscz | ||
When The Saints Go Marchin In – Gospel Traditional Folk song (Piano solo with Lyrics) | When The Saints Go Marchin In – Gospel Traditional Folk song (Piano solo with Lyrics) SAMPLE | |
When The Saints Go Marching In – Fun piano arrangement | When The Saints Go Marching In – Fun piano arrangement | |
When you told me you loved me (Jessica Simpson) | ||
When You Wish Upon A Star (Musescore File).mscz | ||
When You Wish Upon A Star (From The Film Pinocchio) Easy Piano Solo Arr. Sheet Music (Musescore File).mscz | ||
When You Wish Upon A Star (Leigh Harline and Ned Washington) from Pinocchio Jazz Piano Solo arr. sheet music | When You Wish Upon A Star (Leigh Harline and Ned Washington) from Pinocchio Jazz Piano Solo arr. sheet music | |
When You Wish Upon A Star (Solo Piano Arr ) David Dinh | ||
When You’re Gone (Avril Lavigne) | ||
When You’re Smilling (Musescore File).mscz | ||
Where have all the-flowers gone (guitar & voice) | Where-have-all-the-flowers-gone (guitar & voice) | |
While your lips are still red (Nightwish) | ||
Whistling away the dark (Darling Lili OST) Henry Mancini | ||
White Album 2 Ending 3 Sayonara No Koto | ||
White Christmas -Irving Berlin – Piano sheet music | ||
White Christmas Irving Berlin (Musescore File).mscz | ||
White Christmas Medley (Liberace) | ||
White skin like the moon (Jane Eyre 2011 OST) Dario Marianelli | ||
Whitesnake – Here I Go Again | ||
Whitesnake Guitar Collection with TABs | Whitesnake Guitar Collection with TABs | |
Whitesnake Is This Love Piano Vocal Guitar Chords | Whitesnake Is This Love Piano Vocal Guitar Chords | |
Whitney Houston – Jesus Loves Me Sheet Music | ||
Whitney Houston The Best Of | Whitney Houston, The Best Of | |
Whitney Houston – I Will Always Love You | ||
Whitney Houston – It’s Easy To Play Whitney Houston | Whitney Houston – It’s Easy To Play Whitney Houston | |
Whitney Houston – Saving All My Love For You | ||
Whitney Houston – The Greatest Hits | Whitney – The Greatest Hits | |
Whitney Houston – The Greatest Love Of All | ||
Whitney Houston I will always love you | Whitney Houston – I Will Always Love You | |
Whitney Houston My Love Is Your Love | Whitney Houston My Love Is Your Love | |
Who wants to live forever (Queen) | ||
Whole New World Sheet Music, A – Alan Menken | ||
Why Jazz? A Concise Guide – Kevin Whitehead (book) | ||
Wicked The Musical Sheet Music Full song Book Music and lyrics by Stephen Schwartz | Wicked the musical contents — Wicked The Musical Sheet Music Full Book | |
Wieck – Piano Studies | ||
Wiklund Adolf Fran Mitt Fonster (From my Window) Piano Solo | ||
Wild – Fantasy On Gershwin’s Porgy And Bess | Wild Fantasy On Gershwin’s Porgy And Bess | |
Wild Gershwin Seven Virtuoso Etudes | Wild Gershwin Seven Virtuoso Etudes | |
Wild, Earl – Gershwin Étude No. 4 based on Embraceable You Piano | Wild, Earl – Gershwin Etude No. 4 based on Embraceable You Piano | |
Wilde Theme (Debbie Wiseman) | ||
Wilhelm Kempff Musik Des Barock Und Rokoko – Nr. 13 Menuett G-Moll G.F. Händel (Musescore File).mscz |
Louis Armstrong was born in New Orleans, Louisiana on August 4, 1901. He was raised by his mother Mayann in a neighborhood so dangerous it was called “The Battlefield.” He only had a fifth-grade education, dropping out of school early to go to work. An early job working for the Jewish Karnofsky family allowed Armstrong to make enough money to purchase his first cornet.
On New Year’s Eve 1912, he was arrested and sent to the Colored Waif’s Home for Boys. There, under the tutelage of Peter Davis, he learned how to properly play the cornet, eventually becoming the leader of the Waif’s Home Brass Band. Released from the Waif’s Home in 1914, Armstrong set his sights on becoming a professional musician. Mentored by the city’s top cornetist, Joe “King” Oliver, Armstrong soon became one of the most in-demand cornetists in town, eventually working steadily on Mississippi riverboats.
In 1922, King Oliver sent for Armstrong to join his band in Chicago. Armstrong and Oliver became the talk of the town with their intricate two-cornet breaks and started making records together in 1923. By that point, Armstrong began dating the pianist in the band, Lillian Hardin. In 1924, Armstrong married Hardin, who urged Armstrong to leave Oliver and try to make it on his own. A year in New York with Fletcher Henderson and His Orchestra proved unsatisfying so Armstrong returned to Chicago in 1925 and began making records under his own name for the first time.
Hotter Than That
The records by Louis Armstrong and His Five–and later, Hot Seven–are the most influential in jazz. Armstrong’s improvised solos transformed jazz from an ensemble-based music into a soloist’s art, while his expressive vocals incorporated innovative bursts of scat singing and an underlying swing feel. By the end of the decade, the popularity of the Hot Fives and Sevens was enough to send Armstrong back to New York, where he appeared in the popular Broadway revue, “Hot Chocolates.” He soon began touring and never really stopped until his death in 1971.
The 1930s also found Armstrong achieving great popularity on radio, in films, and with his recordings. He performed in Europe for the first time in 1932 and returned in 1933, staying for over a year because of a damaged lip. Back in America in 1935, Armstrong hired Joe Glaser as his manager and began fronting a big band, recording pop songs for Decca, and appearing regularly in movies. He began touring the country in the 1940s.
Ambassador Satch
In 1947, the waning popularity of the big bands forced Armstrong to begin fronting a small group, Louis Armstrong and His All Stars. Personnel changed over the years but this remained Armstrong’s main performing vehicle for the rest of his career. He had a string of pop hits beginning in 1949 and started making regular overseas tours, where his popularity was so great, he was dubbed “Ambassador Satch.”
In America, Armstrong had been a great Civil Rights pioneer for his race, breaking down numerous barriers as a young man. In the 1950s, he was sometimes criticized for his onstage persona and called an “Uncle Tom” but he silenced critics by speaking out against the government’s handling of the “Little Rock Nine” high school integration crisis in 1957.
Armstrong continued touring the world and making records with songs like “Blueberry Hill” (1949), “Mack the Knife” (1955) and “Hello, Dolly! (1964),” the latter knocking the Beatles off the top of the pop charts at the height of Beatlemania.
Good Evening Everybody
The many years of constant touring eventually wore down Armstrong, who had his first heart attack in 1959 and returned to intensive care at Beth Israel Hospital for heart and kidney trouble in 1968. Doctors advised him not to play but Armstrong continued to practice every day in his Corona, Queens home, where he had lived with his fourth wife, Lucille, since 1943. He returned to performing in 1970 but it was too much, too soon and he passed away in his sleep on July 6, 1971, a few months after his final engagement at the Waldorf-Astoria in New York City.