Keith Jarrett Trio Jazz in Copenhagen ’99 (sheet music)
Keith Jarrett – piano
Gary Peacock – bass
Jack DeJohnette – drum
00:00 Hallucinations
05:57 Doxy
13:51 Only the Lonely
20:02 Between the Devil and Deep Blue Sky
28:48 Sandu
36:42 All My Tomorrows
Copenhagen Jazz Festival
Copenhagen Jazz Festival is a jazz event every July in Copenhagen, the capital of Denmark. Copenhagen Jazz Festival was established in 1979, but beginning in 1964 Tivoli Gardens presented a series of concerts under the name Copenhagen Jazz Festival with Thelonious Monk, Miles Davis and many others.
According to reports, the total attendance was 240,000 people during Copenhagen Jazz Festival in 2004. In 2006 the number of concerts increased to 850, and today Copenhagen Jazz Festival numbers more than 100 venues, 1100 concerts, and approximately 260,000 guests, making it one of the largest music events in Europe.
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Musicians who have performed at the Copenhagen Jazz Festival include Sonny Rollins, Oscar Peterson, Ray Charles, Michel Petrucciani, Niels-Henning Ørsted Pedersen, Keith Jarrett, Wayne Shorter, Dizzy Gillespie, John Scofield, Herbie Hancock, Pat Metheny, Michel Camilo, Ornette Coleman, Annette Peacock, Svend Asmussen Quartet, Richard Bona, Tony Allen, Chick Corea and Daniel Puente Encina.
History
The founding of Copenhagen Jazz Festival in 1979 is closely linked to the jazz scene that evolved in Copenhagen in the 1960s, when the city served as a European home for American jazz musicians like Dexter Gordon, Ben Webster and Kenny Drew. An inspired music scene attracted even more American musicians and educated and inspired the whole Danish scene as well.
Through the 70s jazz music expanded in terms of genres and audiences, and reaching 1978 lawyer and project manager Poul Bjørnholt (from Københavns City Center) took the initiative to Copenhagen Jazz Festival, when realizing how local jazz clubs, public spaces, theaters and large venues could contribute to this collaborative event.
From 1979 and until the 90s the festival grew at a steady pace – making room for both international artists and local bands – and today Copenhagen Jazz Festival is its biggest ever with more than 100 venues in Copenhagen and over 1000 concerts. That makes Copenhagen Jazz Festival one of Copenhagen’s most important public festivals, attracting a broad international audience.
1999 Concert
Keith Jarrett, Herbie Hancock, Tony Bennett, Dianne Reeves, Ralph Izizarry & Timbalaye, Gary Peacock, Jack DeJohnette, Thomas Franck Quartet, Chick Corea & Origin feat. Gary Burton, Ed Thigpen Trio, Niels-Henning Ørsted Pedersen, Svend Asmussen, Palle Mikkelborg, Adam Nussbaum Trio, Ginman/Steen Jørgensen, Tys Tys.
More information on Jazz in Coopenhagen (DK).
Keith Jarrett and Denmark
Keith Jarrett was known, respected and loved by the Danish jazz public – as he also was but lovers of classical music – for with Michala Petri he recorded in 1992 six Bach flute sonatas, and in 1999 flute sonatas by Händel.
The year that Michala Petri received the Sonning Music Prize, Jarrett had just been in Copenhagen to give a concert, but he had in fact been here several times since 1966, including a concert in Tivoli Concert Hall and at the Copenhagen Jazz Festival in 1999, when he gave a concert in the Circus Building, Copenhagen with great success.
The daily press
wrote, among other things:
“It was a revitalised Keith Jarrett who first received the Sonning Music Prize with the words: ‘Well, that’s nice’ and then sat down at the black Steinway, where he through his playing demonstrated what he had said in his speech: that he had not been put on this earth to receive prizes but to translate music […] Jarrett was very much alive. Almost danced at his grand piano. Got up, bent at the knees, ducked down, stood on tip-toe, sat down on the stool again. Improvised so the hairs rose on the back of one’s neck. And constantly emitted his characteristic laments during his playing. Was serious, yet went as far as to parody Victor Borge […]”
(Ivan Rod, Jyllands-Posten)
“Jarrett has a fantastic touch, a fluid and light playing style that allows him to be present even in the most diminutive ballad playing – yes, even when he scarcely touched the keys in Peacock’s and DeJohnette’s solo he could be noticed. Always curious to explore just how far the elastic could stretch, how far out he could entice himself and his musical companions. For almost two hours the elastic was stretched to breaking point, but not once did it snap.”
(Anders Jørgensen, Information)
“[…] At times he stands up when he is playing, at other times he is completely hunched over the keys. In that way he is part of his heart-rending phrasings, taking them further than the listener at first imagines, in the same way that a singer can impress one by singing incredibly long phrases at a single breath.”
(Eva Hvidt, Kristeligt Dagblad)
“[…] And yes, the trio comes in and goes out, and goes out and comes in to receive the standing ovation of the audience, and fortunately the three musicians return to their respective instruments. And yes indeed – here comes the loveliest imaginable interpretation of Victor Young’s beautiful ‘When I fall in Love’. The trio takes us on a fairytale excursion that is rounded off by Keith Jarrett – unaccompanied. A quite unique postlude that saves stars – at the finish.”
(Kjeld Frandsen, Berlingske Tidende)