Browse in the Library:
Artist or Composer / Score name | Cover | List of Contents |
---|---|---|
Antonio Carlos Jobim – Luiza Guitar Arr with Tablature | ||
Antonio Carlos Jobim – One Note Samba (Guitar Arr.) | ||
Antonio Carlos Jobim – One Note Samba (guitar TABS sheet music) | Jobim – One Note Samba (guitar TABS sheet music) | |
Antonio Carlos Jobim – Samba De Uma Nota So | ||
Antonio Carlos Jobim – Se Todos Fossem Iguais A Voce arr. by Baden Powell (Guitar arr. sheet music with TABs) | Antonio Carlos Jobim – Se Todos Fossem Iguais A Voce arr. by Baden Powell (Guitar arr. sheet music with TABs) | |
Antonio Carlos Jobim – Tom Jobim For solo Guitar with TABs | Tom Jobim for Solo Guitar | |
Antonio Carlos Jobim – Triste (Guitar Solo Arr. With Tabs Sheet Music) (Musescore File).mscz | ||
Antonio Carlos Jobim 9 Pieces Guitar TABs | Jobim 9 pieces guitar | |
Antonio Carlos Jobim And Chico Buarque Eu Te Amo (Arr. For Guitar By Carles Trepat) | ||
Antonio Carlos Jobim and the art of Bossa Nova Jazz Play Along Volume 08 with audio MP3 | Antonio Carlos Jobim Jazz Play-Along Volume 08 – with audio MP3_compressed | |
Antonio Carlos Jobim Anthology (Piano vocal and guitar) | Antonio Carlos Jobim Anthology (Piano vocal and guitar) | |
Antonio Carlos Jobim for Classical Guitar (Paulo Bellinati Mel Bay 2008) | Antonio Carlos Jobim for Classical Guitar | |
Antonio Carlos Jobim Jazz Piano solos Vol. 17 | Antonio Carlos Jobim Jazz Piano solos Vol. 17 sheet music pdf | |
Antonio Carlos Jobim Jazz Play Along Vol. 08 with audio MP3 | Antonio Carlos Jobim Jazz Play-Along Volume 08 – with audio MP3_compressed | |
Antonio Carlos Jobim Quebra Pedra (Stone Flower) – Tom Jobim Piano and Guitar chords | ||
Antonio Carlos Jobim Stone Flower (Songbook) Quebra-pedra Tom Jobim Piano Vocal guitar Chords | Antonio Carlos Jobim Stone Flower (Songbook) Tom Jobim Piano Vocal guitar Chords | |
Antonio Carlos Jobim Tom Jobim – Luiza Guitar Solo | ||
Antonio Carlos Jobim Tom Jobim Corcovado arr. for Guitar Violao by Rubinho | Antonio Carlos Jobim Tom Jobim Corcovado arr. for Guitar Violao by Rubinho | |
Antonio Carlos Jobim Wave (Piano Guitar) | Antonio Carlos Jobim Wave (Piano Guitar) | |
Anywhere the heart goes (The Thorn birds – Uccelli di rovo) | ||
Aphex Twin – aisatsana | ||
Aphex Twin – Avril 14th | ||
Aphex Twin – Avril 14th (Musescore File).mscz | ||
Aphex Twin – Kesson Daslef | ||
April In Paris Vernon Duke E.Y. Harburg 1932 Jazz Standard (Vintage sheet music) | ||
Aqua – Doctor Jones | ||
Aquaman Everything I Need Skylar Grey Piano solo | ||
Aram Khachaturian – Sabeltanz Aus Gayaneh (Pianoforte 4 hands) | Aram Khachaturian – Sabeltanz Aus Gayaneh (Pianoforte A 4 Mani) | |
Aranjuez Ma Pensee (ver. for voice and guitar by the composer) | Aranjuez Ma Pensee | |
Aretha Franklin – Chain Of Fools | ||
Aretha Franklin – Respect | ||
Aretha Franklin Songbook | Aretha Franklin Songbook | |
Aretha Franklin Songbook 1 | Aretha Franklin Songbook 1 | |
Aretha Franklin Songbook 2 | Aretha Franklin Songbook 2 | |
Aretha Franklin The Very Best of The 60s | Aretha Franklin best of 60s | |
Ari Hoenig Songbook | Ari Hoenig Songbook | |
Ari Pulkkinen – Angry Birds Theme Song | Ari Pulkkinen – Angry Birds Theme Song | |
Aria (Cantilena) by Heitor Villa-Lobos.mscz | ||
Aria di neve (Sergio Endrigo) | ||
Ariana Grande – 7 Rings Sheet Music | ||
Ariana Grande – Bang Bang Sheet Music piano Vocal Guitar chords | ||
Ariana Grande – No Tears Left to Cry Sheet Music | ||
Ariana Grande Tattooed Heart | Ariana Grande-Tattooed heArt | |
Ariel Ramírez – Alfonsina Y El Mar (Guitar) arr. by Roland Dyens | Ariel Ramírez – Alfonsina Y El Mar (Guitar) arr. by Roland Dyens | |
Ariel Ramírez – Alfonsina Y El Mar (Piano) | Ariel Ramírez – Alfonsina Y El Mar (Piano) | |
Arlen, Harold Stormy weather – piano | Stormy weather – piano | |
Armageddon (Piano & Guitar Chords) | Armageddon (Piano & Guitar Chords) | |
Arnold Schoenberg, Gerald Strang, Leonard Stein-Fundamentals of Musical Composition-Faber & Faber (1982) Book | ||
Around The Campfire Peter, Paul and Mary – Guitar songbook | Around The Campfire Peter Paul & Mary songbook | |
Arpeggios For The Modern Guitarist Tabs by Will Johnson | Arpeggios For The Modern Guitarist Tabs by Will Johnson | |
Arranging And Composing for the small ensemble Jazz R&B Jazz-Rock (by David Baker) | ||
Arrival Of The Birds from The Crimson Wing Mystery of the Flamingos piano solo | ||
Arrival Of The Birds The Theory of Everything – The Cinematic Orchestra Piano Solo | ||
Arrival Of The Birds The Theory of Everything Ending Scene Music – The Cinematic Orchestra Piano Solo | ||
Art Blakey And The Jazz Messanger Bobby Timmons – Moanin’ | ||
Art Of Composing Music (Published In London (1751) | ||
Art Of Gospel Guitar – El McMeen with Tablature | Gospel guitar | |
Art of Jazz improvisation book 3 Intermadiate by Bob Taylor | ||
Art Pepper Collection Solos Artist Transcriptions Saxophone | art pepper solos sheet music | |
Art Tatum As Time Goes By | ||
Art Tatum – Tiger Rag (Jazz Standard by the Original Dixieland Jass Band) (piano sheet music) | Art Tatum – Tiger Rag (Jazz Standard by the Original Dixieland Jass Band) (piano sheet music) | |
Art Tatum – All The Things You Are | ||
Art Tatum – Cherokee | ||
Art Tatum – Gershwin – The Man I Love (Piano as played by) | Art Tatum Gershwin The-Man-I-Love-Piano | |
Art Tatum – Jazz Piano solos Vol. 2 | Art Tatum Jazz piano solos vol. 2 | |
Art Tatum – New Beginnings A Piano Imrovisation | Art Tatum – New Beginnings A Piano Imrovisation | |
Art Tatum – Tea For Two (Sheet Music) (Musescore File).mscz | ||
Art Tatum – Tiger Rag (Sheet Music) (Musescore File).mscz | ||
Art Tatum – Too Marvelous for Words The Life and Genius of Art Tatum (Book by James Lester) | ||
Art Tatum 5 Jazz Piano Solos transcribed By Frank Paparelli | Art Tatum 5 Jazz Solos By Frank Paparelli – 1944 Songbook | |
Art Tatum Artist Transcriptions Solo Book | Art Tatum | |
Art Tatum Improvisations Piano sheet music | Art Tatum Improvisations Piano sheet music | |
Art Tatum Jazz Arr. Begin The Beguine (Musescore File).mscz | ||
Art Tatum Jazz Arr. Cole Porte Begin The Beguine | ||
Art Tatum New Beginnings (Musescore File).mscz | ||
Art Tatum Stormy Weather Ted Koehler – Harold Arlen | T.Koehler-H.Arlen – Stormy Weather (arr. A.Tatum) | |
Art Tatum Tea For Two (Vincent Youmans) | ||
Arthur A. Reblitz – Piano servicing, tuning, and rebuilding for the professional, the student, and the hobbyist | ||
Artic Monkeys – Only Ones Who Know | ||
Artie Shaw – Jazz Technic Book 1 Scales and Exercises | Artie Shaw – Jazz Technic Book 1 Scales and Exercises | |
Artie Shaw – Clarinet Method | ||
Artie Shaw – Concerto for Clarinet for solo Bb Clarinet with Piano accompaniment | ||
Artie Shaw – Moonglow Clarinet sheet music | ||
Artie Shaw His Life And Music by John White (Book) Biography | ||
Artpop Lady Gaga Songbook | ||
Arturo Sandoval – Sandunga Alto Sax | Arturo Sandoval – Sandunga Alto Sax | |
Arturo Sandoval – Trumpet Method | ||
Arvo Part Fratres Piano Sheet music | ||
Arvo Pärt Partita For Piano, Op 2 (1960) | ||
Arvo Pärt Spiegel Im Spiegel (Violoncello And Piano) | ||
Arvo Part Summa for Strings | Arvo Part Summa for Strings | |
Arvo Part – Fur Alina Variations | Arvo Part – Fur Alina Variations | |
Arvo Pärt – Zwei Sonatinen Für Klavier Op. 1 | ||
Arvo Pärt Out Of Silence (Peter C. Bouteneff) Book | ||
Arvo Pärt Sounding The Sacred Book by Peter C. Bouteneff Jeffers Engelhardt Robert Saler | ||
Arvo Pärt Spiegel Im Spiegel (arranged for Piano Solo) | Arvo Pärt – Spiegel Im Spiegel (arranged for Piano Solo) | |
Arvo Pärt Spiegel Im Spiegel Violin Piano | ||
Ary Barroso – Amor Fatal Fox triste (piano) | ||
Ary Barroso – Aquarela Do Brasil (Samba) Guitar Solo | ||
Ary Barroso – Aquarela Do Brasil (Samba) Guitar Solo TABs | ||
Ary Barroso – Aquarela Do Brasil (Samba) Guitar Solo.mscz | ||
Ary Barroso – Aquarela do Brasil Piano Vocal | Ary Barroso-Aquarela do Brasil | |
Ary Barroso – Tenho Saudade! Samba Cançao (piano) | ||
Ary Barroso Aquarela Do Brasil Arr Carlos Barbosa Lima for guitar | Ary Barroso Aquarela Do Brasil Arr Carlos Barbosa Lima for guitar | |
Ary Barroso Guitar 1 songbook (arr. by Almir Chediak) | Ary Barroso Guitar 2 songbook (arr. by Almir Chediak) | |
Ary Barroso Guitar 2 songbook (arr. by Almir Chediak) | Ary Barroso Guitar 2 songbook (arr. by Almir Chediak) | |
As 101 Melhores Canções Do Século XX – Vol 2 – Almir Chediak (Guitar) | As 101 Melhores Canções Do Século XX – Vol 2 | |
As 101 melhores cançoes do século XX Vol. 1 (Almir Chediak) | As 101 Melhores Canções Do Século XX – Vol 2 | |
As Time Goes By (Musescore File).mscz | ||
Ashanti – The Way That I Love | ||
Asking you (Green Card OST) Hans Zimmer | ||
Assassin’s Creed Rogue – Main Theme | ||
ASSASSINS – The Musical Sondheim-Weidman (Piano & Vocal) | ASSASSINS – The Musical Sondheim-Weidman (Piano & Vocal) | |
Assassins Creed 2 – Ezios Family | ||
Assassins Creed III Main Theme | ||
Astor Piazolla – Adios Nonino | ||
Astor Piazolla Libertango Violin And Piano | Astor Piazolla Libertango Violin And Piano | |
Astor Piazzola – Libertango (piano arr.) | ||
Astor Piazzola – Libertango (Piano Solo) | ||
Astor Piazzola – Play Piazzolla 13 Tangos By Astor Piazzolla EASY GUITAR ARR. | Astor Piazzola – Play Piazzolla 13 Tangos By Astor Piazzolla EASY GUITAR ARR. |
Buddy Holly: the 100 most inspiring musicians of all time
American singer and songwriter Charles Hardin Holley, professionally known as Buddy Holly, (b. Sept. 7, 1936, Lubbock, Texas, U.S.—d. Feb. 3, 1959, near Clear Lake, Iowa) produced some of the most distinctive and influential work in rock music.
Buddy Holly (the e was dropped from his last name—probably accidentally—on his first record contract) was the youngest of four children in a family of devout Baptists in the West Texas town of Lubbock, and gospel music was an important part of his life from an early age. A good student possessed of infectious personal charm, Holly was declared “King of the Sixth Grade” by his classmates.
He became seriously interested in music at about age 12 and pursued it with remarkable natural ability. The African American rhythm and blues that Holly heard on the radio had a tremendous impact on him, as it did on countless other white teenagers in the racially segregated United States of the 1950s. Already well versed in country music, bluegrass, and gospel and a seasoned performer by age 16, he became a rhythm-and-blues devotee.
By 1955, after hearing Elvis Presley, Holly was a full-time rock and roller. Late that year, he bought a Fender Stratocaster electric guitar and developed a style of playing featuring ringing major chords that became his
trademark. In 1956, he signed with Decca Records’ Nashville, Tennessee, division, but the records he made for them were uneven in quality, and most sold poorly.
In 1957, Buddy Holly and his new group, the Crickets (Niki Sullivan on second guitar and background vocals, Joe B. Mauldin on bass, and the great Jerry Allison on drums), began their association with independent producer Norman Petty at his studio in Clovis, New Mexico. Together they created a series of recordings that display an emotional intimacy and sense of detail that set them apart from other 1950s rock and roll. As a team, they threw away the rule book and let their imaginations loose.
Unlike most independent rock-and-roll producers of the time, Petty did not own any cheap equipment. He wanted his recordings to sound classy and expensive, but he also loved to experiment and had a deep bag of sonic tricks. The Crickets’ records feature unusual microphone placement
techniques, imaginative echo chamber effects, and overdubbing, a process that in the 1950s meant superimposing one recording on another. While crafting tracks such as “Not Fade Away,” “Peggy Sue,” “Listen to Me,” and “Everyday,” Holly and the Crickets camped out at Petty’s studio for days at a time, using it as a combination laboratory and playground.
They were the first rock and rollers to approach the recording process in this manner. When the Crickets’ first single, “That’ll Be the Day,” was released in 1957, their label, Brunswick, did nothing to promote it. Nevertheless, the record had an irrepressible spirit, and by year’s end it became an international multimillion-seller. Soon after, Holly became a star and an icon.
Holly and the Crickets’ association with Petty (who, serving as their manager, songwriting partner, and publisher, owned their recordings) was far from all beneficial, however. According to virtually all accounts, Petty collected the Crickets’ royalty checks and kept the money. By 1959, the hit records tapered off, and Holly was living in New York with his new bride. Estranged from the Crickets and broke, he was also contemplating legal action against Petty. This left him little choice but to participate in the doomed “Winter Dance Party of 1959” tour through the frozen Midwest,
during which he and coheadliners Ritchie Valens and the Big Bopper (J.P. Richardson) were killed in a plane crash.
The music of Buddy Holly and the Crickets, their innovative use of the studio, and the fact that they wrote most of their songs themselves made them the single most important influence on the Beatles, who knew every Holly record backward and forward. In 1986 Holly was inducted into the Rock and Roll Hall of Fame, and in 1996 he was honored by the National Academy of Recording Arts and Sciences with a lifetime achievement award.