Keith Jarrett European Quartet LIVE “Spiral Dance“
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| Artist or Composer / Score name | Cover | List of Contents |
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| Waltz – Noce i Dnie OST (Nights and days) | ||
| Waltz For Debby Bill Evans (Musescore File).mscz | ||
| Waltz For Debby – Bill Evans (Complete) (Musescore File).mscz | ||
| Waltz For Debby – Bill Evans (Musescore File).mscz | ||
| Waltz From The Balet ‘coppelia’ (Musescore File).mscz | ||
| Waltz In A Minor F. Chopin (Musescore File).mscz | ||
| Waltz In E Minor Op. 39 No. 4 – Johannes Brahms (Musescore File).mscz | ||
| Ward-Jackson’s Gymnastics For The Fingers And Wrist – based On Anatomical Principles (By Edwin Ward-Jackson) 1874 |
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| Watermark (Musescore File).mscz | ||
| Watermelon Man (Musescore File).mscz | ||
| Waters of Irrawaddy (Hans Zimmer) from the movie Beyond Rangoon | ||
| Wave – Vou Te Contar Jobim (Musescore File).mscz | ||
| Wayne Shorter – Ana Maria |
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| Wayne Shorter Artist Transcriptions The New Best of |
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Wayne Shorter Artist Transcriptions The New Best of |
| Wayward Sisters – Nocturnal Animals OST (Abel Korzeniowski) | ||
| We are the champions (Queen) | ||
| We Are The World Songbook |
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we are the world |
| We Shall Overcome Essays on a Great American Song (Book) by Victor B.Bobetsky |
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| We Wish You A Merry Christmas | ||
| We Wish You A Merry Christmas – Anonymous (Guitar arr. sheet music with TABs) | We Wish You A Merry Christmas – Anonymous (Guitar arr. sheet music with TABs) | |
| We Wish You A Merry Christmas – Guitar TABlature |
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| We Wish You A Merry Christmas (piano solo sheet music) |
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| We Wish You A Merry Christmas Trad. English Christmas carol |
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| We Wish You A Merry Christmas Trad. English Christmas carol.mscz | ||
| Weather Report – A Remark You Made (Guitar TABS) | Weather Report – A Remark You Made (Guitar TABS) | |
| Weather Report – The best of Weather Report (Full score) |
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Weather Report – The best of Weather Report (Full score) |
| Weather Report Best Of Weather Report Band Score Book |
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Best Of Weather Report Us Book |
| Weber – Der Freischütz (Ouvertüre) Piano Solo arr |
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| Weber – Der Freischütz (Ouvertüre) Piano Solo arr.mscz | ||
| Weber – Der Freischutz Overture piano solo arr. |
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| Weber op 65 Invitation to the Dance (Invitation to the Waltz) | ||
| Weber’s Last Thought – C.M. von Weber |
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| Wedding Collection for Piano Solo |
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Wedding Collection for Piano Solo |
| Wednesday Morning 3 A M – Simon & Garfunkel (Musescore File).mscz | ||
| Weight Of The World – Nier Automata Piano Collections (Musescore File).mscz | ||
| Weissenberg En Avril A Paris (April In Paris) Charles Trenet |
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| Well Tempered Praise – Mark Hayes piano |
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Well Tempered Praise – Mark Hayes piano |
| Well Tempered Praise II by Mark Hayes |
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Well Tempered Praise II by Mark Hayes |
| Well Tempered Praise III – Mark Hayes piano |
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Well Tempered Praise III – Mark Hayes piano |
| Well Tempered Praise Vol 4 Gospel Classics by Mark Hayes |
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Well Tempered Praise Vol 4 Gospel Classics by Mark Hayes |
| Well-Known Piano Solos – How To Play Them (By Charles W Wilkinson) (1915) |
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| Wes Montgomery Wine And Roses By Henry Mancini Solo Guitar |
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| Wes Montgomery – Unit 7 Solo Transcription | Wes Montgomery – Unit 7 Solo Transcription | |
| Wes Montgomery – Artist Transcriptions for guitar by fred Sokolow |
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Wes Montgomery – Artist Transcriptions for guitar by fred Sokolow |
| Wes Montgomery – Au Privave transcription |
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| Wes Montgomery – Days of wine and roses transcription |
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| Wes Montgomery – Take The A Train transcription |
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| Wes Montgomery Essential Jazz Lines (Mel Bay) |
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Wes Montgomery Essential Jazz Lines (Mel Bay) |
| Wes Montgomery Jazz Guitar Artistry arr. by Zafar Soood with TABs |
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Wes Montgomery Jazz Guitar Artistry arr. by Zafar Soood |
| Wes Montgomery Jazz No Blues Guitar |
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| Wes Montgomery The Early Years (Mel Bay) Jazz Guitar Solos Tablature |
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Wes Montgomery The Early Years (Mel Bay) Jazz Guitar Solos Tablature |
| Wes Montgomery The End Of A Love Affair Guitar Tabs |
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| West Side Story – Somewhere (Voice and Piano) Leonard Bernstein | West Side Story – Somewhere | |
| West Side Story (The Musical) Vocal Score Arthur Laurents, Leonard Bernstein, Stephen Sondheim |
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West Side Story Vocal Score – Leonard Bernstein |
| Westlife – Cant Lose What You Never Had | ||
| Westlife – Flying Without Wings | ||
| Westlife – If I Let You Go | ||
| Westlife – Mandy | ||
| Westlife – You Raise Me Up Guitar arr. with TABs | Westlife – You Raise Me Up Guitar arr. with TABs | |
| Westlife Unbreakable Greatest Hits |
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| Wet Wet Wet – Love Is All Around | ||
| Wexford Carol (Musescore File).mscz | ||
| Wham , George Michael And Me By Andrew Ridgeley (Book) |
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| Wham Make It Big Piano Vocal Guitar Chords |
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Wham Make It Big Piano Vocal Guitar Chords |
| What a Wonderful World – Thiele & Weiss |
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| What a wonderful world – Louis Armstrong.mscz | ||
| What A Wonderful World (Lead Sheet With Lyrics ) Musescore File.mscz | ||
| What a Wonderful World (lead sheet) – Thiele & Weiss | What a Wonderful World (lead sheet) – Thiele & Weiss | |
| What A Wonderful World (Musescore File).mscz | ||
| What a wonderfull World (Jazz Standard) Guitar Tablature TABs | What a wonderfull World (Jazz Standard) Guitar Tablature TABs | |
| What A Wonderlful World (Lead Sheet) (Musescore File).mscz | ||
| What You’re Made Of – Même Si (Lucie Silvas – Grégory Lemarchal | ||
| What’s That Sound An Introduction To Rock And Its History By John Covach And Andrew Flory (Book) |
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| When A Man Loves A Woman Calvin Lewis & Andrew Wright |
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| When Almonds Blossomed – Giya Kancheli | When Almonds Blossomed – Giya Kancheli-1 | |
| When Almonds Blossomed (Musescore File).mscz | ||
| When I Fall In Love – Victor Young (Bill Evans Ver.) (Musescore File).mscz | ||
| When I fall in love Bill Evans version | When I fall in love Bill Evans version | |
| When I’m Sixty-Four (Beatles) | ||
| When Lights Are Low (Benny Carter) As Played By Miles Davis (Musescore File).mscz | ||
| When The Saints Go Marchin In – Gospel Traditional Folk song (Piano solo with Lyrics) | When The Saints Go Marchin In – Gospel Traditional Folk song (Piano solo with Lyrics) SAMPLE | |
| When The Saints Go Marching In – Fun piano arrangement | When The Saints Go Marching In – Fun piano arrangement | |
| When you told me you loved me (Jessica Simpson) | ||
| When You Wish Upon A Star (Musescore File).mscz | ||
| When You Wish Upon A Star (From The Film Pinocchio) Easy Piano Solo Arr. Sheet Music (Musescore File).mscz | ||
| When You Wish Upon A Star (Leigh Harline and Ned Washington) from Pinocchio Jazz Piano Solo arr. sheet music | When You Wish Upon A Star (Leigh Harline and Ned Washington) from Pinocchio Jazz Piano Solo arr. sheet music | |
| When You Wish Upon A Star (Solo Piano Arr ) David Dinh |
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| When You’re Gone (Avril Lavigne) | ||
| When You’re Smilling (Musescore File).mscz | ||
| Where have all the-flowers gone (guitar & voice) | Where-have-all-the-flowers-gone (guitar & voice) | |
| While your lips are still red (Nightwish) | ||
| Whistling away the dark (Darling Lili OST) Henry Mancini | ||
| White Album 2 Ending 3 Sayonara No Koto |
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| White Christmas -Irving Berlin – Piano sheet music |
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| White Christmas Irving Berlin (Musescore File).mscz | ||
| White Christmas Medley (Liberace) | ||
| White skin like the moon (Jane Eyre 2011 OST) Dario Marianelli | ||
| Whitesnake – Here I Go Again |
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| Whitesnake Guitar Collection with TABs |
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Whitesnake Guitar Collection with TABs |
| Whitesnake Is This Love Piano Vocal Guitar Chords | Whitesnake Is This Love Piano Vocal Guitar Chords | |
| Whitney Houston – Jesus Loves Me Sheet Music |
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| Whitney Houston The Best Of |
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Whitney Houston, The Best Of |
| Whitney Houston – I Will Always Love You | ||
| Whitney Houston – It’s Easy To Play Whitney Houston |
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Whitney Houston – It’s Easy To Play Whitney Houston |
| Whitney Houston – Saving All My Love For You | ||
| Whitney Houston – The Greatest Hits |
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Whitney – The Greatest Hits |
| Whitney Houston – The Greatest Love Of All | ||
| Whitney Houston I will always love you | Whitney Houston – I Will Always Love You | |
| Whitney Houston My Love Is Your Love |
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Whitney Houston My Love Is Your Love |
| Who wants to live forever (Queen) | ||
| Whole New World Sheet Music, A – Alan Menken |
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| Why Jazz? A Concise Guide – Kevin Whitehead (book) |
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| Wicked The Musical Sheet Music Full song Book Music and lyrics by Stephen Schwartz |
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Wicked the musical contents — Wicked The Musical Sheet Music Full Book |
| Wieck – Piano Studies | ||
| Wiklund Adolf Fran Mitt Fonster (From my Window) Piano Solo |
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| Wild – Fantasy On Gershwin’s Porgy And Bess | Wild Fantasy On Gershwin’s Porgy And Bess | |
| Wild Gershwin Seven Virtuoso Etudes | Wild Gershwin Seven Virtuoso Etudes | |
| Wild, Earl – Gershwin Étude No. 4 based on Embraceable You Piano | Wild, Earl – Gershwin Etude No. 4 based on Embraceable You Piano | |
| Wilde Theme (Debbie Wiseman) | ||
| Wilhelm Kempff Musik Des Barock Und Rokoko – Nr. 13 Menuett G-Moll G.F. Händel (Musescore File).mscz |
Also known as the Scandinavian quartet, Jarrett’s alliance with Jan Garbarek (tenor and soprano sax), Palle Danielsson (bass), and Jon Christensen (drums) stood in smooth contrast to the American quartet’s restlessness. Common to both groups was Jarrett’s brilliant writing and a few free and ethnic tangents.
Their first album Belonging was recorded in the heyday of the American quartet, but they only became a working unit after the Americans had dissembled. Considering all the compositions Jarrett wrote for both groups, it cements him as one of the most creative jazz artists of the 1970s, all without playing a lick of fusion. Not that the history books or politicians make much mention of it.
Discography
Belonging
Apr. 1974 / ECM
This is one of the most accessible and just plain fun albums in the KJ catalog. The six compositions feature Jarrett’s knack for gospelized grooves (“Long as You Know You’re Living Yours”) along with a new lyrical realm (“Blossom”, “Belonging”). “Solstice” is geared to the players’ pensive romanticism and develops a heavenly vamp at the end.
“The Windup” is an ebullient hoedown with partly unaccompanied solos, and the taut “Spiral Dance” features what might be my favorite Jarrett melody ever. The only improv in “Spiral Dance” is Palle Danielsson’s bass solo, but the track is more about groove than soloing.
Jarrett sounds completely at home with this group. He’s very supportive of Jan Garbarek, whose icy sax tones, in turn, sound like a spiritual extension of Jarrett. I find Garbarek intriguing and bit puzzling, even after years of exposure. His sound is steely cold, but he can come down to earth in his tougher phrases. In the end, along with the compositions, the piano really makes the record as enjoyable as it is. From the hip comping in “Spiral Dance” to the joyousness of “The Windup”, Jarrett’s enthusiasm is irresistible.
My Song
Nov. 1977 / ECM
Even though I prefer Belonging, I’d say My Song has certain superiorities: the band is more unified, the solos are generous and superb, and the recording exemplifies ECM at its best. (By the way, even though I’ve probably used the phrase elsewhere, I don’t hold “the ECM sound” as a constant. Some of the label’s records sound much better than others.
I have no idea what the engineers were trying to do to Dave Holland’s drummers in the 1980s, for example. But generally speaking, the ECM honchos do pay more attention to ambience and detail than the norm. My Song is a near perfect recording. Belonging is good, too, it just feels a little boxed in.) You can’t really blame Jarrett for setting smooth jazz in motion with such consonant ditties as “My Song” and “Country”, even though they have a sweet face value.
Better are the mysterious auras of “Questar” and “Tabarka”, the latter nodding to third world folk. “Questar” contains an exceptional piano solo, whose frictionless lines preview Keith’s future standards trio. Garbarek plays gracefully on this tune as well. “Mandala” attempts to mimic the free-form style of the American quartet; it’s a little forced, perhaps, but the snaky melody is great and the album needed a shake-up of this sort.
All comes together in “The Journey Home”, which pines, dances, and muses in three parts. My Song is a lyrical album, occasionally profound, and very consistent. Not counting “Mandala”, I think it lacks tension, but you don’t have to go far into Jarrett’s past or future to get a fix of that.
Nude Ants
May 1979 / ECM
This rather messy two-disc live set from the Village Vanguard takes a step backward from the refined studio records, where not a note was wasted. Here, Jarrett instigates a lot of indulgence. He leaps from the piano to add percussion, prompts at least ten unnecessary minutes of the endless “Oasis”, and goes completely overboard with a melodramatic piano vamp in “Processional”.
If these new tunes were intended to place the quartet in new pastures, Jarrett does the most running around, while his bandmates trot behind, or in Garbarek’s case, mostly watch from a distance. It’s like Fort Yawuh in that a lot of chances are taken with mixed results. On top of that is a thinner recording quality, and it’s the one European quartet album where Jarrett’s piano vocalizations are noticeable and distracting.
All that being said, the brave listener will still find some strong parts, like the funky groove of “Chant of the Soil” – the way Danielsson and Christensen twist that beat around is sick. “New Dance” echoes the childlike joy of the sappier My Song material, and “Sunshine Song” is similarly lighthearted with good performances from all members. On the other hand, “Innocence” is disposable, and the overlong jaunts “Oasis” and “Processional” betray lot of anxiety.
Personal Mountains
Apr. 1979 / ECM
This CD of five live tracks from Tokyo was actually recorded before the Nude Ants gig, but it wasn’t released until 1989. It puts a proper cap on the quartet’s legacy, and it’s a high point of Jarrett’s ‘70s era. Two tracks overlap with Nude Ants, one being the sugary “Innocence”, which isn’t much different, and “Oasis”, which is. At the Vanguard, “Oasis” lasted a half-hour thanks to Jarrett’s nagging vamps, while this version has more focus. Garbarek plays a lot better in contrast to his warbles on the Vanguard version.
The exclusive material is among the best that Jarrett ever penned, including the austere jig of the title track, all displaced melodies and chords as stern as a memory of medieval Europe. “Prism” ascends beyond standard ballad status, even though it’s played in that style, and Jarrett’s solo is marvelous. In the soulful groove piece “Late Night Willie”, Jarrett again delivers a solo as well constructed as the tune itself. Much emotion echoes through these Personal Mountains and it’s far easier to recommend than its sister.