Browse in the Library:
Artist or Composer / Score name | Cover | List of Contents |
---|---|---|
Will B. Morrison – Melody in F (Syncopated Waltz) sheet music | ||
Will Young – Anything Is Possible | ||
William Best I Love You For Sentimental Reasons (Jazz Standard) | William Best I Love You For Sentimental Reasons (Jazz Standard) | |
William Eveleth – Blues Jazz and Rock Riffs For Keyboards | ||
William Gillock In Old Vienna Musescore File.mscz | ||
William Gillock Valse Etude In Romantic Style Musescore File.mscz | ||
William Joseph – Within (Songbook) (William Joseph) | William Joseph – Within (Songbook) (William Joseph) | |
William Robinson – My Girl | ||
William Russo Composing Music A New Approach (ebook) | ||
Willie Dixon Preacher Of The Blues (2011) Mitsutoshi Inaba (Book) Biography | ||
Willie Fugal S Blues Piano transcription | ||
Willie Nelson – Always on My Mind Sheet Music | ||
Willie Nelson – On My Mind | ||
Willie The Lion Smith – Finger Buster transcription | ||
Willie The Lion Smith Echo of Spring transcription | ||
Willow Weep For Me Words And Music By Ann Ronell 1932 Jazz Standard (Vintage sheet music) | ||
Wim Mertens – American Minimal Music La Monte Young Terry Riley Steve Reich Philip Glass | Book La Monte Young Terry Riley Steve Reich Philip Glass | |
Wim Mertens – Close Cover | Wim Mertens – Close Cover | |
Wim Mertens – Struggle For Pleasure | Wim Mertens – Struggle For Pleasure | |
Wim Mertens – Time Passing | ||
Wim Mertens Humility | ||
Wim Mertens Lir | ||
Windham Hill piano sampler | Windham Hill piano sampler | |
Windy Whistle (Le Renard et l’Enfant OST) Alice Lewis | ||
Wings (McCartney) – Greatest Hits | Wings sheet music | |
Winifred Atwell Album Of Rags No 1 Original arrangements Vintage songbook | Winifred Atwell Album Of Rags No 1 Original arrangements Vintage songbook | |
Winifred Atwell Marguerite Monnot The Poor People Of Paris ( La Goualante Du Pauvre Jean) Piano Solo | ||
Winnie The Pooh The Honey Tree Sheet Music (Disney) | Winnie The Pooh The Honey Tree Sheet Music (Disney) | |
Winter Sonata O.S.T. (Ryu) | ||
Winter Wonderland Other Christmas Favorites Songbook Piano Vocal guitar Chords | Winter Wonderland and Other Christmas Favorites Songbook Piano Vocal guitar Chords | |
Wish You Were Here – Pink Floyd (Musescore File).mscz | ||
Within Temptation – Our Solemn Hour | ||
Without you (Maria Carey) | ||
Without You (Mariah Carey Piano Arr ) (Musescore File).mscz | ||
Wiz Khalifa & Charlie Puth See You Again (Solo Piano) | ||
Wolf Wagner Paraphrase Über Die Walküre | ||
Wolfe Richard Legit Professional Fake Book More Than 1010 Songs | Wolfe Richard Legit Professional Fake Book More Than 1010 Songs | |
Wolfenzon – Stücke für Klavier | Wolfenzon – Stücke für Klavier | |
Womack, Bobby – Midnight Mover My Autobiography The True Story of the Greatest Soul Singer in the World (Book) | ||
Woman in love (Barbra Streisand) | ||
Women Of Pop Rock Songbook Twenty-Two Hot Hits for Easy Piano | Women Of Pop Rock Songbook Twenty-Two Hot Hits for Easy Piano | |
Wonderful Christmastime -Paul Mccartney (Wings) (Musescore File).mscz | ||
Wonderful Life – Black (Easy Piano Solo Sheet Music) (Musescore File).mscz | ||
Woody Allen – A propósito de nada (autobiografía)(2020) | ||
Woody Allen – Apropos of Nothing (2020) Autobiography | Woody Allen – Apropos of Nothing-Simon and Schuster (2020) Cover | |
Woody Guthrie This Land Is Your Land (Easy and Intermediate Piano Solo) | ||
World Hits Of Jazz Standard | World Hits Of Jazz Standard | |
Wuthering Heights (Ryuichi Sakamoto) | ||
Wynton Kelly – Autumn Leaves Solo transcription | Wynton Kelly – Autumn Leaves Solo transcription | |
Wynton Kelly – Dark Eyes Solo Piano transcription | ||
Wynton Kelly – Dark Eyes Solo Piano Transcription (Musescore File).mscz | ||
Wynton Kelly – Full transcriptions | Wynton Kelly – Full transcriptions | |
Wynton Kelly – I Dig of You Solo transcription | ||
Wynton Kelly – If I should Love You Solo transcription | ||
Wynton Kelly – Jazz Piano Collection | Wynton Kelly Piano Collection- | |
Wynton Kelly – Someday my prince will come (Piano solo) | ||
Wynton Marsalis Trumpet Genius Gourse, Leslie (Book) | ||
Wynton Marsalis – Caravan (Solo) | ||
Wynton Marsalis – Darn That Dream (Solo) | Wynton Marsalis – Darn That Dream (Solo) | |
Wynton Marsalis – Dealfayos Dillema (Solo) | ||
Wynton Marsalis – Standards (sheet music transcriptions) | Wynton Marsales – Standards (sheet music transcriptions) | |
Wynton Marsalis In The Court Of King Oliver (Trumpet and rhythm section) | ||
Wynton Marsalis Omnibook For B Flat Instruments Transcribed exactly from his recorded solos | Wynton Marsalis Omnibook For B Flat Instruments Transcribed exactly from his recorded solos | |
Wynton Marsalis Struttin’ With Some Barbeque (Live) Wynton Marsalis’ Trumpet Solo | ||
Xenoblade Chronicles 2 Loneliness Kenji Hiramatsu | Xenoblade Chronicles Opening Theme Game sheet music | |
Xenoblade Chronicles Opening Theme Game sheet music Yoko Shimomura | ||
Yamaha E443 Songbook digital keyboard PSR-E443 | ||
Yamaha Keyboard Songbook | Yamaha Keyboard Songbook | |
Yamaha Keyboard Songbook Song-Buch | ||
Yamaha PSR E373 YPT-370 PSR-EW310 Song book | ||
Yamaha Song Book | Yamaha Song Book | |
Yamaha Song book | Yamaha Songbook | |
Yamaha Songbook | Yamaha-Songbook | |
Yamaha songbook 50 Piano Greats for the piano (Yamaha collection) | 50 Piano Greats for the piano (Yamaha collection) | |
Yamaha Songbook Contemporary Vol. 1 | Yamaha Songbook Contemporary Vol. 1 | |
Yana Bobalik Mysterious Music Я.Бобалік Songbook | ||
Yana Bobalik Secret Music From Mysterious Music Я.Бобалік Таемна Музыка | ||
Yann Tiersen Rue des Cascades (sheet music) | yann tiersen cascades sheet-music | |
Yann Tiersen Mother’s Journey | ||
Yann Tiersen – Tabarly Sheet Music | ||
Yann Tiersen – Comptine Dun Autre ete | ||
Yann Tiersen – La Dispute – Amelie Poulain | ||
Yann Tiersen – La Valse d’Amelie Poulain | Yann Tiersen – La Valse Damelie | |
Yann Tiersen – Le moulin – Amelie Poulain | Le Moulin – Amelie Poulain | |
Yann Tiersen – Six pièces pour piano – Volume 2 – Amélie Poulain | Yann Tiersen – Six pieces pour piano – Volume 2 – Music Sheet | |
Yann Tiersen – Summer 78 | ||
Yann Tiersen – Sur Le Fil | ||
Yann Tiersen – Pièces pour piano vol 1 et 2 + divers | Yann Tiersen – pièces pour piano vol 1 et 2 + divers | |
Yann Tiersen Eusa 2015 Songbook | ||
Yann Tiersen J’Y Suis Jamais Alle piano solo (Amélie) | ||
Yann Tiersen Onze Pièces Pour Piano | Yann Tiersen Onze Pièces Pour Piano | |
Yann Tiersen Partitions intégrales Piano Works 1993-2004 | Yann Tiersen Partitions intégrales Piano Works 1993-2004 | |
Yann Tiersen Tabarly Complete Book For Piano | ||
Yanni In My Time (Piano Solos) Sheet Music | Yanni In my time piano solos | |
Yanni One Man’s Dream | ||
Yanni – Per Piano (Piano book) | Yanni – Per Piano | |
Yanni – In The Morning Light | ||
Yanni – Nostalgia | ||
Yanni – One Man’s Dream (Musescore File).mscz | ||
Yanni -The Best of | ||
Yanni Ethnicity Book | Yanni Ethnicity Book | |
Yaron Herman – Hallelujah (Leonard Cohen) transcription | ||
Yashal (Elisa) | ||
Yasuharu Takanashi – Naruto Shippuden OST – Loneliness | ||
Yedidia, Ronn Piano Sonata No 3 outcries (manuscrit) | ||
Yehezkel Raz Ballerina Piano Solo sheet music | ||
YES Fragile | YES Fragile | |
YES – Complete Deluxe Edition | YES – Complete Deluxe Edition | |
Yes Close To The Edge The Story Of Yes (Book) | ||
Yes The Best Of Guitar Songbook with TABs | Yes The Best Of Guitar Songbook | |
Yesterday Piano Cello – Piano Sheet Music – Paul McCartney | ||
Yesterday Piano vocal guitar Songbook Featuring Music From the OST | ||
Yesterday The Beatles For Jazz Piano (Musescore File).mscz | ||
Yesterday when I was young (Charles Aznavour) | ||
Yimkin Law ( Et maintenant on va où OST) Racha Rizk | ||
Yiruma – 27 May | ||
Yiruma – Destiny Of Love | ||
Yiruma – Dream | ||
Yiruma – Dream A Little Dream Of Me | Yiruma – Dream A Little Dream Of Me | |
Yiruma – Falling |
Vince Guaraldi and the Christmas Jazz (1928-1976)
Vince Guaraldi – Linus and Lucy (piano solo) Peanuts Theme (sheet music)
Vince Guaraldi
In 1963, producer Lee Mendelson’s professional career was at a crossroads. That same year he had successfully founded his own company, whose first project, a documentary about the figure of the legendary baseball player Willie Mays, had received critical acclaim.
Just a few weeks after NBC’s A Man Named Mays aired, Mendelson was reading the Peanuts comic strip when its protagonist’s umpteenth sports fiasco suggested a most outlandish idea. After making a documentary about what he considered the best baseball player in the world, he decided that the time had come to dedicate another to the worst of them all: Charlie Brown.
From their first appearance in a handful of American newspapers back in 1950, the Peanuts comics had evolved into an internationally significant cultural phenomenon, cementing the growing prestige of their creator, cartoonist Charles M. Schulz.
Knowing his number was in the phone book, Mendelson called Schulz, who invited him to his Sebastopol, California, studio to meet and discuss his proposal. As a great baseball fan, Schulz had seen A Man Named Mays and agreed to a request to shoot a half-hour documentary about his life and work written and directed by Mendelson.
One of Mendelson’s boldest moves was to include a short animated segment. On Schulz’s recommendation, the task fell to the experienced Bill Meléndez, with whom he had collaborated on an ad for the Ford automobile company. That assignment had required him to give the Peanuts characters movement for the first and only time to date, making him the ideal candidate for this role.
On the musical side, Mendelson wanted a jazz-dominated soundtrack, but failed in his attempts to involve Dave Brubeck and Cal Tjader, who claimed other commitments. Just a few days after his refusal, the producer was returning from Schulz’s house when, at the height of the Golden Gate Bridge in San Francisco, he heard an instrumental called Cast Your Fate to the Wind on the radio. According to the program’s announcer, its author was a local pianist named Vince Guaraldi, winner of the Grammy Award for Best Original Jazz Composition for that score.
A Boy Named Charlie Brown had found its composer.
Vincent Anthony Guaraldi was born in San Francisco (California) in 1928. His early interest in music had the unconditional support of his mother, from whom he received his first piano lessons at the age of seven. Already in his adolescence, Guaraldi would expand his training under the baton of the pianist and composer Leonard Auletti.
After graduating from Lincoln High School, Guaraldi served his two-year military service stationed in Korea. Upon his return to the United States in 1949, he attended college at San Francisco State College, but dropped out to concentrate on his career as a jazz musician, born of countless concerts in the city’s clubs.
Throughout the 1950s, Guaraldi would combine live performances in different jazz groups with his participation in dozens of records, either as accompanist or as leader of the band in question.
The Cal Tjader Trio (Fantasy Records, 1953) would mark his studio album debut, while Modern Music from San Francisco (Fantasy Records, 1956) would give him the unprecedented opportunity to record a couple of songs leading his own band, among them Calling Dr. Funk, alluding to his established nickname among the jazz community of the bay.
The album Jazz Impressions of Black Orpheus (Fantasy Records, 1962) would constitute a turning point in his career. Inspired by Black Orpheus (1959), a feature film by Marcel Camus based on the drama by Vinícius de Moraes, the album is essentially a reinterpretation of its soundtrack, composed by Antônio Carlos Jobim and Luiz Bonfá.
However, the most important piece of the album belonged to its B-side, whose first track, an original composition by Guaraldi titled Cast Your Fate to the Wind, would bring with it the definitive recognition of the artist.
Fascinated by the subject, Mendelson turned to the wisdom of San Francisco Chronicle jazz critic Ralph J. Gleason, who put him in touch with the pianist. The producer and musician met at a San Francisco restaurant called Original Joe’s, where Guaraldi confessed his deep admiration for Schulz’s work and accepted Mendelson’s offer to compose the music for A Boy Named Charlie Brown.
Guaraldi’s dedication was absolute. His enthusiasm was evident when, weeks later, the pianist excitedly called Mendelson and insisted on interpreting his latest creation, the iconic Linus and Lucy -in reference to the brothers Linus and Lucy van Pelt-, through the telephone. ‘I have to play this for someone right now, or I’ll explode!’ Were his words. His euphoria was more than justified: Linus and Lucy, considered Peanuts’ signature tune today, is also one of the most popular jazz standards in history.
Merry Christmas, Charlie Brown!
Despite the good work of the team brought together by Mendelson and the expectation generated after the screening of A Boy Named Charlie Brown before the San Francisco Advertising Club, none of this was enough to convince the main television networks and sponsors who, against all odds, rejected The movie.
However, such an unexpected setback did not prevent the release of Guaraldi’s soundtrack, Jazz Impressions of ‘A Boy Named Charlie Brown’ (Fantasy Records, 1964), which enjoyed a better reception.
Dejected, Mendelson had given up all hope of selling his documentary when, a year and a half later, he received a call from John Allen of the McCann-Erickson advertising agency. To his surprise, Allen had no intention of buying the film. Instead, he asked if he and Schulz had discussed shooting a Peanuts Christmas special. The multinational Coca-Cola, one of his clients, had shown interest in financing such a program, but needed a draft at its Atlanta headquarters by Monday. They were on Wednesday.
Mendelson took on the challenge without even consulting Schulz, whom he immediately telephoned. In the meeting that both held the following day, the cartoonist set a whole series of guidelines for the making of the special.
Schulz, of firm religious convictions, wanted the central theme of the film to be the true meaning of Christmas, as well as to present scenes in the snow and ice skating – echoes of his childhood in Minnesota – against a musical background that reconciled jazz, and traditional music. With this approach in mind, they drew up a general outline and sent it to Coca-Cola headquarters.
After three anxious weeks, Allen told them that A Charlie Brown Christmas had received the go-ahead from Coca-Cola on the condition that it be ready for release in early December. As a consequence, they would have a period of about six months to animate a half-hour program. Mendelson, Schulz and Meléndez – now in charge of Bill Melendez Productions – therefore rushed to finalize the details of the story, which did not stray too far from the initial premise.
One of the novelties consisted of the introduction of a tree, suggested by Mendelson as a result of his reading of The Fir Tree, by Hans Christian Andersen, which Schulz incorporated into his script. Once again, Meléndez would be responsible for transferring the aesthetics of the comic to the audiovisual format, a delicate task since he aspired to reproduce, as faithfully as possible, the cartoonist’s peculiar style. Guaraldi would resume his role as composer of the soundtrack with the challenge of harmonizing jazz and Christmas music. As for the cast, it was agreed that all the characters – with the exception of Snoopy, dubbed by Meléndez – would be played by children, a criterion that was extended to the songs.
The montage concluded a week before the premiere. Mendelson then flew to New York to present the special to two CBS executives. At the end of the projection, his disappointment was evident. With its leisurely action, its criticism of Christmas consumerism, its emphasis on the religious background of the holiday and its daring soundtrack, the episode aroused the suspicions of the network, which resigned itself to broadcasting it for the mere fact that it had already been announced in the national magazine TV Guide.
A Charlie Brown Christmas was released on December 9, 1965. Despite the bad omens, the program became the second most watched of that night with an audience of just over fifteen million households -a 45% audience share screen-, second only to Bonanza. CBS retracted its mistake by ordering four new Peanuts specials – with many more to follow – and a few months later, A Charlie Brown Christmas won the Emmy Award for Best Animated Special. A classic was born.
One of the ingredients that elevated A Charlie Brown Christmas to classic status was its unique soundtrack, an unusual mix of instrumentals and songs that converge contemporary West Coast jazz and traditional Christmas music. Given the immense impact that the special had on the American public, there are not a few who affirm that the work of the Vince Guaraldi Trio -with Fred Marshall on double bass, Jerry Granelli on percussion and Guaraldi himself on piano- constituted the initiation to jazz of millions of people.
The special opens with the moving Christmas Time Is Here, a composition with a melancholy air that perfectly captures the contradictory feelings that the celebration arouses in its protagonist, the troubled Charlie Brown. Originally conceived as an instrumental theme, Christmas Time Is Here benefited from the verses of producer Lee Mendelson, author of the lyrics. The song was performed by the St. Paul Church Choir, a children’s choir that had collaborated with Guaraldi on At Grace Cathedral (Fantasy Records, 1965), his recent live album.
To the annoyance of Barry Mineah, director of the group, Mendelson and Guaraldi put the spontaneity of the children before the formal excellence of the choir, which goes out of tune in the closing song, Hark, the Herald Angels Sing, thus gaining in authenticity. His vocals are also heard on My Little Drum, a version of Menino Pequeno da Bateria in which Guaraldi dispenses with the guitar line of the original theme, the result of his association with the Brazilian Bola Sete.
The lively Skating shares the festive spirit of Linus and Lucy, recovered on the occasion of the lively dance of the Peanuts characters in what is perhaps the most evoked scene of the special. Shroeder, a devotee of Beethoven -and in a way a copy of Guaraldi-, interprets a fragment of Für Elise, one of Schulz’s demands for the soundtrack.
The jazz key arrangement of the Christmas carol O Tannenbaum, by the German musician Ernst Anschütz, whose presence in the repertoire is explained by the important role played by the fir tree in the plot, offers a revealing example of the genre’s capacity for reinvention. With the help of Marshall and Granelli, Guaraldi moves from a conventional approach to his referent towards his metamorphosis into a new entity.
But the music of A Charlie Brown Christmas does not end in the special. Preceded by a single with the songs Christmas Time Is Here and What Child Is This, the original album -released by Fantasy Records in 1965- has its own identity and houses gems such as the energetic Christmas Is Coming or the warm and comforting The Christmas Song, not to mention his masterful version of the folk ballad Greensleeves -with the help of double bass player Monty Budgwig and drummer Colin Bailey- or the alternative takes on several of the original songs, which would surface in later years.
Vince Guaraldi passed away in 1976 at the young age of forty-seven. ‘I don’t think I’m a great pianist, but I would like to be able to please people, play nice melodies and reach the public,’ he said in 1958. In 2012, A Charlie Brown Christmas was recognized by the United States Library of Congress for its preservation as one of the most outstanding milestones in the musical history of the country.
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Browse in the Library:
Artist or Composer / Score name | Cover | List of Contents |
---|---|---|
(500) Days Of Summer Piano Theme ( Mychael Danna, Rob Simonsen) | (500) Days Of Summer Piano Theme ( Mychael Danna, Rob Simonsen) | |
10,000 Maniacs Because The Night Piano Solo sheet music | ||
100 Golden Standards The World’s Best Piano Arrangements by the greatest pianists of the Century | The World’s Best Piano Arrangements | |
100 Great Keyboard Intros Songbook | 100 Great Keyboard Intros Songbook | |
100 Greatest Film Scores (Book) by Matt Lawson & Laurence E. MacDonald | ||
100 greatest POP songs | 100 greats pop songs | |
100 Greatest Songs of Rock & Roll, Selections From Piano Vocal Guitar Sheet Music | 100 Greatest Songs of Rock & Roll, Selections From Piano Vocal Guitar Sheet Music | |
100 Hits Simply The Best – Guitar (Die besten Songs aus Pop Rock) German | 100 Hits Simply The Best (Die besten Songs aus Pop | |
100 Jazz & Blues Greats Book | 100 Jazz & Blues Greats | |
100 Jazz Solos & Etudes by Jacob Wise | 100 Jazz solos | |
100 Light Classics For Piano Solo | 100 Light Classics For Piano Solo | |
100 Most Beautiful Christmas Songs Easy Piano Vocal | 100 Most Beautiful Christmas Songs Easy Piano Vocal | |
100 Most Beautiful Christmas Songs Piano Vocal Guitar | 100 Most Beautiful Christmas Songs Piano Vocal Guitar | |
100 Must-Know Jazz Tunes with MP3 audio tracks to Play Along | 100 Must-Know Jazz Tune – C version | |
100 of the Best Movie Songs Ever! Piano Vocal Guitar | 100 best movie songs 1&100 best movie songs 2 | |
100 Of The Best Songs Ever For The Keyboard by Daniel Scott | 100 Of The Best Songs Ever For The Keyboard | |
100 Piano Solos (100 popular standards of today arr. by Frank Booth) with guitar chords | 100 piano solos 1 | |
100 Pop Hits Of The 90’s by Dan Coates | 100 Pop Hits Of The 90’s by Dan Coates | |
100 Rock N Roll Standards Piano Vocal Guitar chords | 100 Rock N Roll Standards Piano Vocal Guitar chords contents | |
100 Songs For Kids – Easy Guitar Lyrics with Tablature | 100 Songs For Kids – Easy Guitar Lyrics | |
100 Tunes Every Musician Should Know Professional Chord Changes And Substitutions By Dick Hyman | 100 Tunes Every Musician Should Know Professional Chord Changes And Substitutions By Dick Hyman | |
100 Ultimate Blues Riffs For Piano Keyboards | 100 ultimate riffs jazz piano | |
100 Women Of Pop And Rock 100 songs by 100 artists | 100 Women Of Pop And Rock 100 songs by 100 artists Piano Vocal Guitaral Leonard | |
100 Years Of Popular Music 1980s Part Two Piano Vocal Guitar Chords | 100 Years Of Popular Music 1980s Part Two Piano Vocal Guitar Chords | |
1000 Examples of Musical Dictation (Ladukhin, Nikolay) | 1000 Examples of Musical Dictation | |
1000 Words – Final Fantasy X-2.mscz | ||
1001 Blues Licks by Toby Wine – Piano | 1001 Blues Licks by Toby Wine – Piano | |
1001 Jazz Licks A Complete Jazz Vocabulary For The Improvising Musician (Jack Shneidman) | 1001 Jazz Licks A Complete Jazz Vocabulary For The Improvising Musician (Jack Shneidman) | |
101 Cançoes Que Tocaram O Brasil Nelson Motta (Book) (Brazilian Portuguese) | ||
101 Frank Sinatra Hits For Buskers | 101 Frank Sinatra Hits For Buskers | |
101 Mississippi Delta Blues Fingerpicking Licks Guitar and TAB by Larry McCabe | Larry McCabe – 101 Mississippi Delta Blues Fingerpicking Licks | |
101 Must-Know Blues Licks (Guitar Educational) (Wolf Marshall) PDF + MP3 audio tracks Play Along with Tablature | 101 Must-Know Blues Licks (Guitar Educational) (Wolf Marshall) | |
1015 Songs – The Original Musicians’s (Musicals) | 1015 Songs – The Original, Musicians’s (Musicals) | |
106 Songs Everybody Plays | 106 Songs Everybody Plays | |
11 Short Classical Piano Pieces | 11 Short Classical Piano Pieces | |
116 Arrangements Of Baroque, Classical & Ballet Pieces For Piano Solo | 116 Arrangements Of Baroque, Classical & Ballet Pieces For Piano Solo | |
129 Easy Pieces For Piano Solo, also for beginners | 129 easy pieces for piano solo | |
12th Street RAG – Liberace Collection Book of 5 compositions | ||
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150 Best Songs For Acoustic Guitar | ||
150 More Of The Most Beautiful Songs Ever (Songbook) Piano Vocal Guitar | 150 More Of The Most Beautiful Songs Ever (Songbook) Piano Vocal Guitar | |
150 Of The Best Jazz Standards Ever | 150 Of The Best Jazz Standards Ever | |
150 Of The Most Beautiful Songs Ever 3rd Edition | 150 Of The Most Beautiful Songs Ever 3rd Edit1 and 150 Of The Most Beautiful Songs Ever 3rd Edit2 | |
16 Pop and Movies Hits Keyboard Piano Book (Mike Emerson) | 16 Pop and Movies Hits Keyboard Piano Book (Mike Emerson) | |
1600 Pennsylvania Avenue The Musical By Leonard Bernstein And Alan Jay Lerner Vocal Selections | ||
17 Moments of Spring – Mgnovenia (Mikael Tariverdiev) | ||
1812 Overture Op. 49 Thaikovsky (arr. piano solo) | ||
1950s Jazz (Fake Book lead sheet music) | 1950s Jazz (Fake Book lead sheet music) | |
20 Century Fox Theme Transcription By Deusde Coppen | ||
20 Modern BEBOP Licks – by Noah Kellman All Keys with left hands chords | 20 Modern BEBOP Licks – by Noah Kellman All Keys with left hands chords | |
200 Jazz Standards Tunes (chords progressions for C Instruments) Bob Taylor | 200 Jazz Standards Tunes (chords progressions for C Instruments) Bob Taylor | |
200 Of The Best Songs From Jazz Of The ’50s | jazz of the 50s | |
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2016 Top Hits Of 2016 Songbook Piano Vocal Guitar | 2016 Top Hits Of 2016 Songbook Piano Vocal Guitar | |
2018 Greatest Pop Movie Hits Songbook For Piano | 2018 Greatest Pop Movie Hits Songbook For Piano | |
2019 GREATEST POP MOVIE HITS SONGBOOK FOR PIANO PART 2 Piano sheet music (Jim Presley) | 2019 GREATEST POP MOVIE HITS SONGBOOK FOR PIANO PART 2 Piano sheet music (Jim Presley) | |
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20th Century Classics Volume 1 | 20th Century Classics Volume 1 | |
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24 Etudes Op.35 – Fernando Sor (1778 – 1839) (Musescore File).mscz | ||
24_Preludes_Op.34 Shostakovich.mscz | ||
25 Short Classical Guitar Pieces (with Tablature) | 25 Short Classical Guitar Pieces | |
262 Classic Piano Rags Various Composers | 262 Classic Piano Rags Various Composers | |
273 Easy And Intermediate Piano Pieces | 273 Easy And Intermediate Piano Pieces contents | |
28 Modern Jazz Trumpet Solos Book 2 | 28 Modern Jazz Trumpet Solos Book 2 | |
3.10 to Yuma (Marco Beltrami) | ||
30 Best Rock Guitar Songs Ever (Guitar TABs) | 30 Best Rock Guitar Songs Ever (Guitar TABs) | |
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36 Christmas Carols Songs | 36 christmas carols songs | |
38 Special Guitar Anthology Guitar Recorded Vers. with Tablature | 38 special guitar anthology | |
39 Progressive Solos For Classical Guitar (with Tablature) | 39 Progressive Solos For Classical Guitar | |
39 Progressive Solos For Classical Guitar Book 2 (with Tablature) | 39 Progressive Solos For Classical Guitar Book 2 sheet music pdf | |
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557 Jazz Standards (Sheet Music – in C for all instruments) swing to bop (lead sheet) | Standards (Sheet Music – Piano) | |
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750.000 anni fa.l’Amore (Banco del Mutuo Soccorso) | ||
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A Dictionary of Music and Musicians Vol. 4 (A.D. 1450-1880) Edited in 1889 |