Wynton Kelly
Wynton Kelly ( Jamaica , December 2 , 1931 – Toronto , Canada , 12 April 1971 ) was an American jazz pianist and composer.
Biography
After a childhood in Brooklyn , Wynton Kelly began professionally in 1943. He worked with the rhythm and blues orchestras of Eddie “Lockjaw” Davis and Hal Singer. He then accompanied singer Dinah Washington from 1951 to 1954 .
From 1951 , he recorded a few titles for Blue Note . He also accompanies Lester Young and the following year Dizzy Gillespie . After his military service from 1952 to 1954 , he became one of the most sought-after accompanists on the jazz scene.
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He accompanies the greatest hard bop soloists such as Sonny Rollins , Cannonball Adderley and Johnny Griffin . In 1959 he was recruited by Miles Davis .
Wynton Kelly remained there until 1963, continuing after his departure his collaboration with bassist Paul Chambers and drummer Jimmy Cobb .
Together, they formed one of the best rhythm sections in the history of jazz . From 1958 to 1963 , he recorded many discs under his name and participated in no fewer sessions as a sideman.
Wynton Kelly died of an epileptic seizure on 12 April 1971 at the age of 39.
Style
A pianist of great subtlety, his playing is deeply rooted in the roots of the blues .
Cannonball Adderley said of him, ” He’s a wonderful soloist, capable of playing the subtle stuff as well as swinging. Wynton is also the best accompanist in the world. ” He was an influential pianist in the style of hard bop rhythms.
An extraordinary accompanist and distinctive soloist (decades later he would be a strong influence on Benny Green, among many others), Wynton Kelly was also one of the most prolific musicians of his time.
His participation in the recording of Kind of Blue, considered by many to be the best album in the history of jazz, made him go down in history, and his impeccable and elegant style created a school among many pianists. His early death deprived jazz of one of its most inventive figures, and critics have highlighted the scant attention his enormous figure has received.
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John Coltrane & Wynton Kelly – On Green Dolphin Street
Wynton Kelly – Dark Eyes
Discography
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Africa And The Blues (Book) | ||
Afro Cuban Keyboard Grooves by Manny Patiño and Jorge Moreno | Afro Cuban Keyboard Grooves by Manny Patiño and Jorge Moreno | |
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As a leader
1951: Piano Interpretations (Blue Note)
1958: Piano (Riverside)
1959: Kelly Blue (Riverside)
1959: Kelly Great (Vee-Jay)
1960: Kelly at Midnight (Vee-Jay)
1961: Wynton Kelly! (Vee-Jay)
1961: Someday My Prince Will Come (Vee-Jay)
1963: Comin' in the Back Door (Verve)
1964: It's All Right! (Verve)
1965: Undiluted (Verve)
1965: Smokin' at the Half Note (Verve)
1965: Blues on Purpose (Xanadu Records)
1967: Full View (Milestone Records)
1968: Last Trio Session (Delmark)
As a sideman
With Julian Cannonball Adderley
Things Are Getting Better (1958)
Cannonball Adderley Quintet in Chicago (1959)
Cannonball Takes Charge (1959)
African Waltz (1961)
The Cannonball Adderley Quintet Plus (1961)
With Nat Adderley
Much Brass (1959)
That's Right! (1960)
Naturally! (1961)
With Lorez Alexandria
Alexandria the Great (1964)
More of the Great (1964)
With Gene Ammons
Night Lights (1970)
With Walter Benton
Out of This World (1960)
With Bob Brookmeyer
Jazz is a Kick (1960)
With Joy Bryan
Make the Man Love Me (1961)
With Donald Byrd
Off to the Races (1958)
With Betty Carter
Out There (1958)
With Paul Chambers
Go... (1959)
1st Bassman (1960)
With James Clay
The Sound of the Wide Open Spaces!!! (1960)
With Jimmy Cleveland
Cleveland Style (1957)
With John Coltrane
Coltrane Jazz (1961)
With King Curtis
The New Scene of King Curtis (1960)
Soul Meeting (1960)
With Miles Davis
Kind of Blue (1959)
Someday My Prince Will Come (1961)
With Dizzy Gillespie
Dizzy and Strings (1954)
Dizzy Atmosphere (1957)
Birks' Works (1957)
Dizzy in Greece (1957)
Dizzy Gillespie at Newport (1957)
With Benny Golson
Benny Golson's New York Scene (1957)
The Modern Touch (1957)
Turning Point (1962)
With Paul Gonsalves
Gettin' Together! (1960)
With Dexter Gordon
The Jumpin' Blues (1970)
With Grant Green
First Session (1960)
With Johnny Griffin
Introducing Johnny Griffin (1956)
A Blowin' Session (1957)
With Eddie Harris
Cool Sax, Warm Heart (1964)
Avec Jimmy Heath
On the Trail (1964)
With Bill Henderson
Bill Henderson Sings (1959)
With Joe Henderson
Four (1968)
Straight, No Chaser (1968)
With Ernie Henry
Seven Standards and a Blues (1957)
Last Chorus (1957)
With Billie Holiday
Lady Sings the Blues (1956)
With Helen Humes
Swingin' with Humes (1961)
With Illinois Jacquet
The Blues That's Me (1969)
With Eddie Jefferson
Letter From Home (1962)
With JJ Johnson
The Eminent Jay Jay Johnson Volume 2 (1954)
Avec Elvin Jones & Philly Joe Jones
Together! (1961)
With Sam Jones
The Chant (1961)
With Roland Kirk
Domino (1962)
With Steve Lacy
Soprano Saxophone (1957)
With Abbey Lincoln
That's Him (1957)
It's Magic (1958)
With Booker Little
Booker Little (1960)
Avec Chuck Mangione
I Remember (1962)
With Blue Mitchell
Big 6 (1958)
Blue Soul (1959)
Blue's Moods (1960)
A Sure Thing (1962)
With Hank Mobley
Peckin' Time (1958)
Soul Station (1960)
Roll Call (1961)
Workout (1961)
Another Workout (1961)
With Wes Montgomery
Bags Meets Wes! (1961)
Full House (1962)
Smokin' at the Half Note (1965)
With Lee Morgan
Here's Lee Morgan (1960)
With Mark Murphy
Rah (1961)
With David Newman
Staight Ahead (1960)
With Art Pepper
Gettin' Together (1960)
With Sonny Red
Out of the Blue (1959)
With Dizzy Reece
Star Bright (1959)
With Wayne Shorter
Introducing Wayne Shorter (1959)
With Sonny Rollins
Sonny Rollins, Vol. 1 (1956)
Newk's Time (1957)
With Don Sleet
All Members (1961)
With Frank Strozier
Fantastic Frank Strozier (1959)
With Art Taylor
A.T.'s Delight (1960)
With Teri Thornton
Devil May Care (1960)
With Phil Upchurch
Feeling Blue (1967)
With Dinah Washington
Back to the Blues (1962)