Table of Contents
Mascarade: 1. Valse (Khatchatourian)(partition, sheet music)
Téléchargement des meilleures partitions dans notre bibliothèque.
Masquerade
a été écrite en 1941 par Aram Khatchatourian comme musique de scène pour une production de la pièce du même nom du poète et dramaturge russe Mikhail Lermontov. Il a été créé le 21 juin 1941 au Théâtre Vakhtangov de Moscou. La musique est mieux connue sous la forme d’une suite en cinq mouvements.
Background
Khatchatourian a été invité à écrire de la musique pour une production de Masquerade produite par le réalisateur Ruben Simonov. Le célèbre thème de la valse en particulier a donné beaucoup de fil à retordre à Khatchatourian dans sa création : émue par les mots de l’héroïne de la pièce, Nina – « Comme la nouvelle valse est belle ! … quelque chose entre le chagrin et la joie m’a saisi le cœur. – le compositeur a eu du mal à « trouver un thème que je considérais comme beau et nouveau ».
Son ancien professeur, Nikolai Myaskovsky, a tenté d’aider Khatchatourian en lui donnant une collection de romans et de valses de l’époque de Lermontov; bien que ceux-ci n’aient pas donné une inspiration immédiate, Khatchatourian a admis que « sans la recherche acharnée » du style approprié et de l’inspiration mélodique, il n’aurait pas découvert le deuxième thème de sa valse qui a agi « comme un lien magique, me permettant pour tirer toute la chaîne. Le reste de la valse m’est venu facilement, sans aucun problème. Khatchatourian a dédié la valse à l’actrice qui jouait Nina, Alla Kazanskaya.
Masquerade était la dernière production mise en scène par le théâtre avant l’invasion de l’URSS par l’Allemagne, et la production a été écourtée.
Suite
Plus tard, en 1944, Khatchatourian extrait cinq mouvements pour en faire une suite symphonique. Les mouvements sont :
- Valse
- Nocturne
- Mazurka
- Romance
- Galop
Enregistrements
En 1954, Khatchatourian enregistra la Valse, la Nocturne et la Mazurka de la Suite, dirigeant le Philharmonia Orchestra pour Columbia (établissant également certaines de ses autres partitions au cours des mêmes sessions).
1958, RCA Victor Symphony Orchestra, Kirill Kondrashin (CD), RCA 09026 63302 2
1992, Orchestre national écossais, Neeme Järvi (CD), Chandos 8542
2008, Orchestre Philharmonique d’Arménie, Loris Tjeknavorian (CD), ASV CDDCA 773
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| Artist or Composer / Score name | Cover | List of Contents |
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| Barber, Samuel Adagio for Strings full score | Samuel Barber-Adagio for Strings full score | |
| Barber, Samuel Adagio For Strings Samuel Barber (Musescore File).mscz | ||
| Barber, Samuel Agnus Dei Adagio for strings op. 11 for mixed chorus |
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| Barber, Samuel Nocturne Op. 33 |
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| Barber, Samuel Op 26 Piano Sonata |
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Streisand, Barbra – The Broadway album (Piano and voice) |
| Barbra Streisand – The Way We Were | ||
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Book Barbra Streisand Collection |
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| Barry Harris Jazz Workshop Part 2 |
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| BARRY WHITE – (THE COLLECTION) |
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| Beach Boys The Best Of Book |
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| Beauty And The Beast – Main Theme – Alan Menken | ||
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| Bebo Valdes – El Manisero – Piano solo | El Manisero – Bebo Valdes | |
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| Bebop Exercise.mscz | ||
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| Bee Gees – Stayin Alive | ||
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| Beegie Adair It Never Entered My Mind (Jazz Standard Transcription) |
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| Beethoven Ode To Joy (Jazz Version) |
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| Beethoven Piano Concerto No. 4 1st Movement Arr. For 2 Pianos |
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| Beethoven Piano Concerto No. 4 3rd Movement Arr. For 2 Pianos |
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| Beethoven Variations In E Flat Major Eroica Op. 35 Piano Solo arr. |
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| Beethoven L.V. – Piano Sonata 15 |
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| Beethoven Piano Concerto No. 5 In E-Flat Major Emperor Op. 73 – Piano Solo (Musescore File).mscz | ||
| Beethoven – 6 Sonatinas |
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| Beethoven – A First Book of Beethoven Easy Piano arr. favorite pieces by David Dutkanicz |
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