Table of Contents
Wagner (sheet music in the #smlpdf)
Wagner – Die Meistersinger von Nürnberg
Wagner – Isoldens Liebestod For Two Pianos
Wagner – Meistersinger-Vorspiel for two pianos
Wagner – Parsifal – Entrance into the Castle of the Holy Grail (arr. piano)
Wagner – Prélude to Lohengrin (piano solo arr.)
Wagner – Ride of the Valkyries (Piano solo)
Wagner – Ride of the Valkyries – adapté pour piano
Wagner – Tannhäuser Pilgrims Chorus – Richard Wagner Piano Solo with guitar Chords
Wagner – Tristan und Isolde (piano)
Wagner OPERA 4 HANDS PIANO 2a PArt
Wagner OPERA 4 HANDS PIANO 3a PArt
Wagner OPERA 4 HANDS PIANO
Wagner Tannhauser Piano Solo arr.
WAGNER, RICHARD TANNHÄUSER Piano soloarr. J. Doebber
WAGNER, RICHARD TANNHÄUSER version for Piano solo
Wagner-Busoni – Marche fun bre Cr puscule des dieux
Wagner-Busoni – Marcia Funebre di Sigfrido ed.Lucca
Wagner-Tristan-Prelude-Liebestod-2-pianos
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Wagner: Complete Piano Music (Full Album)
Track List:
00:00:00 Eine Sonate für das Album von Frau M.W., WWV 85 00:13:37 Piano Sonata in A Major, WWV 26 Op.4 ‘Große Sonate’: I. Allegro con moto 00:22:21 Piano Sonata in A Major, WWV 26 Op.4 ‘Große Sonate’: II. Adagio molto, e assai espressivo 00:36:01 Piano Sonata in A Major, WWV 26 Op.4 ‘Große Sonate’: III. Maestoso – Allegro molto 00:45:36 Piano Sonata in B-Flat Major, WWV 21 Op. 1: I. Allegro con brio 00:54:25 Piano Sonata in B-Flat Major, WWV 21 Op. 1: II. Larghetto
01:03:05 Piano Sonata in B-Flat Major, WWV 21 Op. 1: III. Menuetto: Allegro 01:06:52 Piano Sonata in B-Flat Major, WWV 21 Op. 1: IV. Allegro vivace 01:13:02 Schluß zum Vorspiel, from Tristan und Isolde 01:17:33 Fantasia in F-Sharp Minor, WWV 22 Op. 3 01:46:04 Albumblatt für Ernst Benedikt Kietz, WWV 64 ‘Lied ohne Worte’ 01:48:13 Polonaise in D Major, WWV 23a 01:51:10 In das Album der Fürstin M., WWV 94 01:54:14 Züricher Vielliebchen-Walzer, WWV 88
01:55:31 Ankunft bei den schwarzen Schwänen, WWV 95 02:00:42 Polka in G Major, WWV 84 02:01:17 Notenbrief für Mathilde Wesendonck 02:02:40 Polonaise for Piano Four Hands in D Major, WWV 23b Op.2 02:07:59 Elegy in A-Flat Major 02:09:37 Albumblatt für Frau Betty Schott, WWV 108 02:15:12 Piano Sonata in A Major, WWV 26 Op. 4 ‘Große Sonate’: III. Maestoso: Tempo moderato e maestoso – Allegro molto (alternative version)
Today Richard Wagner is best known for his extraordinary operas; any success in other domains was dwarfed by these compositional feats in the world of musical theatre. But Wagner’s piano works can be seen to be just as important in understanding the evolution of his style and musical thought, and thus the development of this dominating figure of the 19th century.
The collection brings together Wagner’s entire output for solo piano. The earliest sonata on the recording is the Piano Sonata in B flat, which shows evidence of Wagner’s music education, with much indebted to the Beethovian model as well as to the great pianist-composers Weber and Pleyel. These influences are heard again in the more mature and complex Große Sonate – a work that Wagner intended to turn into a symphony, though this attempt was later abandoned. A regular dedicatee of Wagner’s works was Mathilde Wesendock – the relationship between the two is still much debated today – and among the works in this collection, three are dedicated to Mathilde: the ‘masterpiece’ Eine Sonate für das Album von Frau Mathilde Wesendock, Notenbrief für Mathilde Wesendonck and the ‘Schluß zum Vorspiel’ from Tristan und Isolde.
The ‘Tristan chord’ at the beginning of the latter has become considered a clear attestation of Wagner’s infatuation with Mathilde, for whom he stopped work on the Ring cycle to begin that great testament of love, Tristan und Isolde. The works are performed by the Italian pianist Pier Paolo Vincenzi, whose busy concert schedule takes him all over his native country. He is joined for the Polonaise for 4 hands in D by Federica Ferrati.