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Chick Corea & Bill Frisell duo live 2013 It Could Happen To You.
A very rare meeting between two influential musical giants.
Live in January 2013, at the opening of SF JAZZ.
Piano: Chick Corea, guitar: Bill Frisell. It Could Happen To You.
Music by Jimmy Van Heusen.

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Here’s a breakdown of two iconic, yet distinctly different, jazz masters: Chick Corea and Bill Frisell.
Chick Corea (1941 – 2021)
- Instrument: Primarily Acoustic & Electric Piano, Keyboards (also occasional percussion).
- Style & Contribution:
- Versatility: A true chameleon, Corea mastered and innovated across an astonishing range: bebop, post-bop, avant-garde, Latin jazz, jazz fusion, classical, and beyond.
- Harmonic Genius: Renowned for his sophisticated, complex, yet often lyrical harmonic language. His chord voicings and reharmonizations were instantly recognizable and hugely influential.
- Latin Fusion Pioneer: Deeply influenced by Spanish and Latin American music, he seamlessly blended these rhythms and harmonies into jazz, most famously with his band Return to Forever.
- Electric Innovator: With Return to Forever (especially the “Romantic Warrior” era) and later the Chick Corea Elektric Band, he was a major force in jazz-rock fusion, pushing the boundaries of synthesizers and electric pianos.
- Prodigious Composer: Wrote countless jazz standards, including “Spain,” “La Fiesta,” “Windows,” “500 Miles High,” and “Armando’s Rhumba.”
- Acoustic Mastery: His acoustic work, from the landmark trio album “Now He Sings, Now He Sobs” (1968) to the long-running Chick Corea Akoustic Band and countless duo/trio projects, showcased dazzling technique and deep swing.
- Collaborator: Played pivotal roles in bands led by Miles Davis (contributing to landmark albums like Bitches Brew and In a Silent Way), Stan Getz, and Herbie Mann, among others.
- Key Bands/Projects:
- Return to Forever (multiple lineups: Latin-flavored, then high-energy fusion)
- Circle (avant-garde with Anthony Braxton, Dave Holland, Barry Altschul)
- Chick Corea Elektric Band / Akoustic Band
- Numerous Duo projects (Gary Burton, Herbie Hancock, Bobby McFerrin, Hiromi, etc.)
- Origin (acoustic sextet)
- Vigil (later fusion band)
- Legacy: One of the most prolific, decorated (26 Grammy Awards), and influential pianists and composers in jazz history. His boundless curiosity, technical brilliance, and joyful musical spirit left an indelible mark on generations. He constantly reinvented himself while maintaining a core identity.
Bill Frisell (Born 1951)
- Instrument: Electric Guitar (known for extensive use of effects: delay, reverb, loopers, volume pedal, octavers).
- Style & Contribution:
- Sonic Architect: Frisell is defined by his instantly recognizable, atmospheric, and textured sound. He uses effects not for noise, but to create lush, ambient soundscapes, harmonic ambiguity, and unique timbres.
- Genre-Blurring Pioneer: While deeply rooted in jazz, his music effortlessly incorporates elements of Americana (country, folk, bluegrass), rock, blues, noise, soundtrack work, and even classical minimalism. He redefines what “jazz guitar” can be.
- Melodic Lyricism: Possesses a profoundly beautiful and often understated melodic sense. His lines can be simple yet deeply evocative, often bending notes with his volume pedal.
- Collaborative Catalyst: Thrives in collaborative settings, known for his empathetic listening and ability to blend seamlessly into diverse ensembles while still imprinting his unique sound.
- Reinterpreter: Has a gift for radically reimagining familiar songs from folk tunes, pop standards (The Beach Boys, Madonna), film themes, and jazz classics, filtering them through his unique sonic lens.
- Composer: Writes evocative, often cinematic original compositions that reflect his wide-ranging influences.
- Key Bands/Projects/Associations:
- Long association with ECM Records in the 80s (albums like In Line, Rambler).
- Seminal trio with Paul Motian (drums) and Joe Lovano (saxophone).
- Collaboration with composer John Zorn (Naked City, Masada Book of Angels).
- Numerous solo projects exploring specific themes (Good Dog, Happy Man – Americana, The Intercontinentals – global folk, Disfarmer – documentary soundtrack).
- Power trio with Tony Scherr (bass) and Kenny Wollesen (drums).
- Countless sideman appearances (Ginger Baker, Elvis Costello, Lucinda Williams, Ron Carter, etc.).
- Legacy: A uniquely original voice who expanded the vocabulary and sonic possibilities of the electric guitar in jazz and beyond. He bridged the gap between jazz and American roots music like no one before him. Revered for his distinctive sound, open-minded musicality, and ability to create deeply atmospheric and emotionally resonant music.
Comparison & Contrast:
- Instrument: Corea = Pianist (harmonic focus), Frisell = Guitarist (sonic/textural focus).
- Core Strength: Corea = Harmonic complexity, rhythmic drive, technical virtuosity across styles. Frisell = Sonic texture, melodic lyricism, atmospheric depth, genre synthesis.
- Approach: Corea often led with clear, defined harmonic structures and virtuosic lines. Frisell often explores harmonic ambiguity, texture, and space, creating more atmospheric and sometimes abstract landscapes.
- Roots: Corea’s foundation was bebop and Latin jazz, expanding outwards. Frisell’s foundation includes jazz, but rock, country, and folk are equally deep roots woven into his core sound.
- Bandleader: Corea led many iconic, often high-energy, virtuosic bands (Return to Forever, Elektric Band). Frisell often leads smaller, more intimate, texturally focused groups exploring specific concepts.
- Chick Corea was a towering pianist-composer whose brilliant technique, harmonic mastery, and boundless energy propelled him through virtually every major jazz style of the last 50 years, leaving behind a treasure trove of standards and influential recordings.
- Bill Frisell is a singular guitarist whose instantly recognizable, effects-laden sound and unique blend of jazz, Americana, and atmospheric textures have created a deeply personal and influential musical world, redefining the role of the guitar.
Both are giants of modern music, representing different but equally vital pathways in the ever-evolving story of jazz. Listening to Corea is often an exhilarating journey through complex harmony and rhythm, while listening to Frisell is often a contemplative immersion in evocative sound and melody.