Browse in the Library:
Artist or Composer / Score name | Cover | List of Contents |
---|---|---|
Beethoven – Moonlight Sonata | ||
Beethoven – Moonlight Sonata 1st Mov. Guitar arr. with TABs | ||
Beethoven – Moonlight Sonata 1st Mov. Guitar arr. with TABs.mscz | ||
Beethoven – Ode to joy – Piano arr. | Beethoven – Ode to joy – Piano arr. | |
Beethoven – Ode To Joy (Piano solo arr.) | ||
Beethoven – Piano concerto 4 (Theme Easy piano solo) | ||
Beethoven – Piano Concerto 4 (Theme Easy Piano Solo) (Musescore File).mscz | ||
Beethoven – Piano Concerto No 4 in G Op 58 (arr. for 2 pianos) | Beethoven – Piano Concerto No 4 | |
Beethoven – Sonata No 23 Op 57 (Appassionata) Piano Solo (Musescore File).mscz | ||
Beethoven – Sonata No. 8 Op. 13 Pathétique (Musescore File).mscz | ||
Beethoven – Sonata Pathétique arr. for Guitar (Piano Sonata no. 8 in C minor op. 13 ) | Beethoven – Sonata Pathétique arr. for Guitar (Piano Sonata no. 8 in C minor op. 13 ) | |
Beethoven – Sonata Pathétique arr. for Guitar (Piano Sonata no. 8 in C minor op. 13 ).mscz | ||
Beethoven – Sonate Op 111 – Arietta (Liszt) | ||
Beethoven – Symphony n. 9 D 2H Pauer | ||
Beethoven – Symphony No. 5 (1st movement) Piano solo arr. | ||
Beethoven – Symphony No. 7 2nd Movement Piano Solo Arr. | Beethoven – Symphony No. 7 2nd Movement Piano Solo Arr. | |
Beethoven – Symphony No. 9 3rd movement arr. for piano solo by Ernst Pauer | Beethoven – Symphony No. 9 3rd movement arr. for piano solo by Ernst Pauer | |
Beethoven 2 cadenzas from Piano Concerto n 4 op 58 (arr. piano solo by Beethoven) | Beethoven 2 cadenzas from Piano Concerto n 4 | |
BEETHOVEN ADAGIO from Piano Concerto Eb arr. piano solo | ||
Beethoven Analyse Pathetique | Beethoven Analyse Pathetique | |
Beethoven by George Alexander Fischer (1905) Book | ||
Beethoven Duo For 2 Flutes Woo 26 (Musescore File).mscz | ||
Beethoven Egmont Ouverture Piano solo Arr. Henselt | ||
Beethoven Egmont Overture Opus 84 Piano Solo arr. sheet music | Egmont Overture Opus 84 Beethoven 1st page | |
Beethoven Fantasia G Minor Op.77 | ||
Beethoven Fingerpicking For Guitar Solo with TABs | Beethoven Fingerpicking For Guitar Solo with TABs | |
Beethoven His Spiritual Development by J.W.N. Sullivan (Book) 1936 | ||
Beethoven L.V. Op 68 SYMPHONY VI arr. for 2 pianos | ||
Beethoven Leonore Overture No. 3 Piano Solo | ||
Beethoven Leonore Overture No. 3 Piano Solo Musescore File.mscz | ||
Beethoven Liszt 5th Symphony Piano Solo arr (Complete) | ||
Beethoven Liszt 5th Symphony Piano Solo arr.mscz | ||
Beethoven Liszt – Symphony no. 9, 4th Movement Piano Solo arr. | ||
Beethoven Liszt – Symphony No.9 4th Movement (Musescore File).mscz | ||
Beethoven Liszt Marche Funebre | ||
Beethoven Liszt Symphony No. 9 – 1st Movement (S. 464) Piano Solo arr. | Beethoven_Liszt Symphony No. 9 – 1st Movement (S. 464) – Franz Liszt | |
Beethoven Liszt Symphony No. 9 – 2nd Movement (S. 464) Piano Solo arr. | Beethoven_Liszt Symphony No. 9 – 2nd Movement (S. 464) – Franz Liszt | |
Beethoven Moonlight Sonata 3rd Movement Guitar Tabs arr. | Beethoven Moonlight Sonata 3rd Movement Guitar Tabs arr. cover | |
Beethoven Pastoral Symphony (piano reduction) | Beethoven Pastoral Symphony (piano reduction) | |
Beethoven Piano Book 10 Musical selections (easy piano) | Beethoven Piano Book 10 Musical selections | |
Beethoven Piano Concerto 5 Piano Solo Reduction | ||
Beethoven Piano Concerto No 4 1st Movement (Arr For 2 Pianos) (Musescore File).mscz | ||
Beethoven Piano Concerto No 4 3rd Mvmt (Arr For 2 Pianos) (Musescore File).mscz | ||
Beethoven Piano Concerto No 4 Op 58 Piano Solo Reduction | ||
Beethoven Piano Concerto No 5 (1st Movement) Arr For 2 Pianos (Musescore File).mscz | ||
Beethoven Piano Concerto No 5 2nd Movement Fragment (Piano Solo) (Musescore File).mscz | ||
Beethoven Piano Concerto No. 4 1st Movement Arr. For 2 Pianos.mscz | ||
Beethoven Piano Concerto No. 4 3rd Movement Arr. For 2 Pianos.mscz | ||
Beethoven Piano Sonata No.17 “tempest” 1st Movt. (Musescore File).mscz | ||
Beethoven Sonata Op 49 No 2 (Musescore File).mscz | ||
Beethoven Sonate No 8 “pathétique” Op. 13 1st Movement (Musescore File).mscz | ||
Beethoven Symphony n.6 F 2H Pauer | ||
Beethoven Symphony No 5 (1st Movement) Piano Solo (Musescore File).mscz | ||
Beethoven Symphony No 6 Pastoral (1st Movement) Piano Solo (Musescore File).mscz | ||
Beethoven Symphony No 6 Pastoral (3rd Movement) Piano Solo (Musescore File).mscz | ||
Beethoven Symphony No 6 Pastoral (4th Movement) Piano Solo (Musescore File).mscz | ||
Beethoven Symphony No 6 Pastoral (5th Movement) Piano Solo(1) (Musescore File).mscz | ||
Beethoven Symphony No 7 (2nd Movement) Piano Solo (Musescore File).mscz | ||
Beethoven Symphony No 9 (1st Movement) Piano Solo (Musescore File).mscz | ||
Beethoven Symphony No 9 (2nd Movement-Scherzo) Piano Solo (Musescore File).mscz | ||
Beethoven Symphony No. 5 (1st Movement) Piano Solo (Musescore File).mscz | ||
Beethoven Symphony No. 6 Pastoral (2nd Movement) Piano Solo (Musescore File).mscz | ||
Beethoven Symphony No. 6 Pastoral 2nd Movement (Musescore File).mscz | ||
Beethoven Symphony No. 7 2nd Movement Piano Solo Arr. (Musescore File).mscz | ||
Beethoven Symphony No.6 Op.68 piano solo arr. by Liszt | ||
BEETHOVEN The Complete Variations For Piano Solo | BEETHOVEN The Complete Variations For Piano Solo_compressed | |
Beethoven Variations and Fugue in E-flat major (Eroica Variations) Op. 35.mscz | ||
Beethoven Virus Jazz | ||
Beethoven_Liszt Symphony No. 9 – 1st Movement (S. 464) – Franz Liszt Piano Solo arr.mscz | ||
Beethoven_Liszt Symphony No. 9 – 2nd Movement (S. 464) – Franz Liszt Piano Solo arr.mscz | ||
Beethoven_Symphony_No._9_3rd_movement_for_piano_solo.mscz | ||
Beethoven- Liszt Symphony no. 6 Pastorale piano solo arr. | ||
Beethoven-Liszt Symphony 9 Choral (arr. for piano) | ||
Beethoven-Ludwig-van – Sonaten alle complete Band 1 (1-15) | ||
Beethoven-Ludwig-Van – Sonaten Alle Complete Band 2 (16-32) | ||
Beethoven-Moszkowski – Emperor piano solo Transcription | ||
Beethoven’s 32 Piano Sonatas A Handbook For Performers (BOOK) | ||
Beethoven’s Arrangements For Solo Piano Of The 9 Symphonies By E. Pauer | ||
Beethoven’s Last Piano Sonatas, Piano Sonata In A Major, Op. 101 An Edition With Elucidation, Volume 4 | ||
Beethoven’s Last Piano Sonatas, Piano Sonata In E Major, Op. 109 An Edition With Elucidation, Volume 1 | ||
Beetlejuice – Obituaries – Danny Elfman | Beetlejuice – Obituaries – Danny Elfman | |
Beetlejuice Theme – Danny Elfman | ||
Beetoven – Klaviersonate Nr. 14 Mondscheinsonate (Piano Sonata No. 14 Moonlight) 3rd Mov. (Musescore File).mscz | ||
Beginning Gospel For Piano Easy Piano | Beginning Gospel For Piano Easy Piano | |
Beginning Jazz Guitar The Complete Jazz Guitar Method by Jody Fisher (with audio MP3 audio tracks and Tablature) | Beginning Jazz Guitar | |
Beginning Solo Guitar Merry Christmas with Tablature | Beginning Solo Guitar Merry Christmas | |
Béla Bartók Romanian Folk Dances Sz. 56 Piano Solo Sheet Music | ||
Bela Bartok – Music For Strings, Percussion And Celesta Sz. 106 (Piano Transcription) | Bela Bartok – Music For Strings, Percussion And Celesta Sz. 106 (Piano Transcription) | |
Béla Bartók An Analysis Of His Music (Book) By Ernö Lendvai | ||
Bella Ciao – As Performed In La Casa De Papel (Traditional Italian Anti-Fascist Song) (Musescore File).mscz | ||
Bella Ciao (As performed in La Casa de Papel – Money Heist) Traditional Italian song (Anti-fascist) | Bella Ciao | |
Bella Ciao Ukulele with Tablature TABs | Bella Ciao Ukulele with Tablature TABs | |
Bella gioventù (Renato Zero) | ||
Bella’s Lullaby (Carter Burwell) | ||
Belle OST – A Million Miles Away by Rachel Portman | ||
Bellini Casta Diva (piano) | Bellini-CastaDiva | |
Bellini – Casta diva (Norma) Easy Piano Solo arr. | ||
Bellini – Casta Diva (Norma) Easy Piano Solo Arr. (Musescore File).mscz | ||
Bellini – Norma Casta Diva arr. piano solo | ||
Beltrami, Marco – The Giver – Rosemary’s Piano | ||
Ben (Michael Jackson) | ||
Ben E King – Stand By Me | ||
Ben Folds – Annie Waits | ||
Ben Folds – Brick | ||
Ben Folds – Carrying Cathy | ||
Ben Folds – Effington (Solo) | ||
Ben Folds – Fired | ||
Ben Folds – Gone | ||
Ben Folds – Losing Lisa | ||
Ben Folds – Not The Same | ||
Ben Folds – Rockin The Suburbs | ||
Ben Folds – Still Fighting It | ||
Ben Folds – The Luckiest | ||
Ben Folds – Zak And Sara | ||
Ben Harper – Fight For Your Mind (Songbook) (Ben Harper) Guitar TABs | Ben Harper – Fight For Your Mind (Songbook) (Ben Harper) Guitar TABs | |
Ben Webster – Better Go The Quintet Studio Sessions | ||
Ben Webster – Solo on Solitude By Duke Ellington | Ben Webster – Solitude By Duke Ellington | |
Ben Webster – Someone to Watch Over Me The Life and Music of Ben Webster (Jazz Perspectives) (Frank Buchmann-Moller) Book | ||
Ben Webster Stormy Weather – (solo Tenor Sax)I Cant Get Started | Ben Webster Stormy Weather – (solo Tenor Sax)I Cant Get Started | |
Benjamin Waldmann Circles |
Buddy Holly: the 100 most inspiring musicians of all time
American singer and songwriter Charles Hardin Holley, professionally known as Buddy Holly, (b. Sept. 7, 1936, Lubbock, Texas, U.S.—d. Feb. 3, 1959, near Clear Lake, Iowa) produced some of the most distinctive and influential work in rock music.
Buddy Holly (the e was dropped from his last name—probably accidentally—on his first record contract) was the youngest of four children in a family of devout Baptists in the West Texas town of Lubbock, and gospel music was an important part of his life from an early age. A good student possessed of infectious personal charm, Holly was declared “King of the Sixth Grade” by his classmates.
He became seriously interested in music at about age 12 and pursued it with remarkable natural ability. The African American rhythm and blues that Holly heard on the radio had a tremendous impact on him, as it did on countless other white teenagers in the racially segregated United States of the 1950s. Already well versed in country music, bluegrass, and gospel and a seasoned performer by age 16, he became a rhythm-and-blues devotee.
By 1955, after hearing Elvis Presley, Holly was a full-time rock and roller. Late that year, he bought a Fender Stratocaster electric guitar and developed a style of playing featuring ringing major chords that became his
trademark. In 1956, he signed with Decca Records’ Nashville, Tennessee, division, but the records he made for them were uneven in quality, and most sold poorly.
In 1957, Buddy Holly and his new group, the Crickets (Niki Sullivan on second guitar and background vocals, Joe B. Mauldin on bass, and the great Jerry Allison on drums), began their association with independent producer Norman Petty at his studio in Clovis, New Mexico. Together they created a series of recordings that display an emotional intimacy and sense of detail that set them apart from other 1950s rock and roll. As a team, they threw away the rule book and let their imaginations loose.
Unlike most independent rock-and-roll producers of the time, Petty did not own any cheap equipment. He wanted his recordings to sound classy and expensive, but he also loved to experiment and had a deep bag of sonic tricks. The Crickets’ records feature unusual microphone placement
techniques, imaginative echo chamber effects, and overdubbing, a process that in the 1950s meant superimposing one recording on another. While crafting tracks such as “Not Fade Away,” “Peggy Sue,” “Listen to Me,” and “Everyday,” Holly and the Crickets camped out at Petty’s studio for days at a time, using it as a combination laboratory and playground.
They were the first rock and rollers to approach the recording process in this manner. When the Crickets’ first single, “That’ll Be the Day,” was released in 1957, their label, Brunswick, did nothing to promote it. Nevertheless, the record had an irrepressible spirit, and by year’s end it became an international multimillion-seller. Soon after, Holly became a star and an icon.
Holly and the Crickets’ association with Petty (who, serving as their manager, songwriting partner, and publisher, owned their recordings) was far from all beneficial, however. According to virtually all accounts, Petty collected the Crickets’ royalty checks and kept the money. By 1959, the hit records tapered off, and Holly was living in New York with his new bride. Estranged from the Crickets and broke, he was also contemplating legal action against Petty. This left him little choice but to participate in the doomed “Winter Dance Party of 1959” tour through the frozen Midwest,
during which he and coheadliners Ritchie Valens and the Big Bopper (J.P. Richardson) were killed in a plane crash.
The music of Buddy Holly and the Crickets, their innovative use of the studio, and the fact that they wrote most of their songs themselves made them the single most important influence on the Beatles, who knew every Holly record backward and forward. In 1986 Holly was inducted into the Rock and Roll Hall of Fame, and in 1996 he was honored by the National Academy of Recording Arts and Sciences with a lifetime achievement award.