“Easy Money” by BENNIE CARTER

“Easy Money” by BENNIE CARTER Performed by SANT ANDREU JAZZ BAND & JESSE DAVIS – JOAN CHAMORRO, conductor (Nov. 30th, 2011)

“Easy Money”, the jazz song

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Aebersold Phil Degreg – Jazz keyboard harmony – A practical method for all musicians Aebersold Phil Degreg - Jazz keyboard harmony--a practi jazz keyboard harmony
Aebersold RAPID REFERENCE Aebersold RAPID REFERENCE
Aebersold vol 1 Cómo improvisar y tocar JAZZ Spanish edition – Español SHEET MUSIC PDF Aebersold vol 1 Cómo improvisar y tocar JAZZ Spanish edition
Aebersold Vol. 01 – Jazz improvisation A New Approach To Jazz Improvisation Aebersold Vol. 01 – Jazz improvisation
Aebersold Vol. 60 Dan Haerle & Mark Levine – Jazz Piano Voicings sheet music
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – All complete Chick Corea
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 02 – Nothin’ But Blues Jazz Play Along Vol 002 – [Nothin’ But Blues]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 03 – The II-V7-I Progression Jazz Play Along Vol 003 – [The II-V7-I Progression]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 04 – Movin’ On Jazz Play Along Vol 004 – [Movin’ On]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 05 – Time To Play Music! Jazz Play Along Vol 005 – [Time To Play Music!]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 06 – Charlie Parker Jazz Play Along Vol 006 – [Charlie Parker – All Bird]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 07 – Miles Davis sheet music pdf Jazz Play Along Vol 007 – [Miles Davis]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 08 – Sonny Rollins Jazz Play Along Vol 008 – [Sonny Rollins]
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Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 10 – David Baker Jazz Play Along Vol 010 – [David Baker]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 100 – St. Louis Blues Jazz Play Along Vol 011 – [Herbie Hancock]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 101 – Secret of the Andes Jazz Play Along Vol 012 – [Duke Ellington]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 102 – Jerry Bergonzi Jazz Play Along Vol 102 – [Jerry Bergonzi]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 103 – David Sanborn Jazz Play Along Vol 103 – [David Sanborn]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 104 – Kenny Werner Jazz Play Along Vol 104 – [Free Play – 13 Musical Landscapes]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 105 – Dave Brubeck Jazz Play Along Vol 105 – [Dave Brubeck]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 106 – Lee Morgan Jazz Play Along Vol 106 – [Lee Morgan]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 107 – STANDARDS FOR SINGERS Jazz Play Along Vol 109 [Fusion] Jazz Play Along Vol 110 [When i Fall in Love] Aebersold – Vol 107 – IT HAD TO BE YOU
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 108 – Joe Henderson Jazz Play Along Vol 108 – [Joe Henderson] – C-Bb
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 109 – Fusion Jazz Play Along Vol 109 [Fusion]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 11 – Herbie Hancock Jazz Play Along Vol 011 – [Herbie Hancock]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 111 – J.J. Johnson Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 111 – J.J. Johnson
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 112 – [Cole Porter] sheet music pdf Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 112 – [Cole Porter]_compressed
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – vol 115 – Ron Carter Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – vol 115 – Ron Carter
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 12 – Duke Ellington Jazz Play Along Vol 012 – [Duke Ellington]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 13 – Cannonball Adderley Jazz Play Along Vol 013 – [Cannonball Adderley]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 14 – Benny Golson Aebersold – Vol 14 – Benny Golson
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 15 – Payin’ Dues Aebersold – Vol 15 – Payin’ Dues
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 15 – Payin’ Dues – Complete Bass Lines Aebersold – Vol 15 – Payin’ Dues – Complete Bass Lines
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 16 -Turnarounds, Cycles & II V7’s Jazz Play Along Vol 016 – [Turnarounds, Cycles & II-V7’s]
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Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 27 – John Coltrane Jazz Play Along Vol 027 – [John Coltrane]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 28 Jazz Play Along Vol 028 – [Giant Steps] Jazz Play Along Vol 029 – [Play Duets With Jimmy Raney] Jazz Play Along Vol 028 – [Giant Steps]
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Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 41 – Body and Soul Jazz Play Along Vol 041 – [Body and Soul] Jazz Play Along Vol 041 – [Body and Soul – Jazz Piano Voicings]
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Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 92-Lennie Neihaus Jazz Play Along Vol 092 – [Lennie Neihaus]
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Aerith’s Theme – F.F. Vii エアリスのテーマ (Musescore File).mscz
Aerosmith – Amazing
Aerosmith – Angel
Aerosmith – Crazy
Aerosmith – Dream On

Bennie Carter originally composed and arranged this famous melody for the Count Basie band, who recorded it in 1961. In 1982 Benny revised his earlier arrangement to be used for concerts and master classes he was giving. In 1987 this arrangement was recorded by the American Jazz Orchestra. The melody remains largely the same as the 1961 chart; however, he added additional ensemble choruses and gave the brass a larger role throughout. Benny considered this arrangement to be the definitive version of this song. Bennett Lester Carter (August 8, 1907 – July 12, 2003) was an American jazz saxophonist, clarinetist, trumpeter, composer, arranger, and bandleader. With Johnny Hodges, he was a pioneer on the alto saxophone. From the beginning of his career in the 1920s he was a popular arranger, having written charts for Fletcher Henderson’s big band that shaped the swing style. He had an unusually long career that lasted into the 1990s. During the 1980s and ’90s, he was nominated for eight Grammy Awards, which included receiving a Lifetime Achievement Award.

Bennie Carter’s life

Born in New York City in 1907, he was given piano lessons by his mother and others in the neighborhood. He played trumpet and experimented briefly with C-melody saxophone before settling on alto saxophone. In the 1920s, he performed with June Clark, Billy Paige, and Earl Hines, then toured as a member of the Wilberforce Collegians led by Horace Henderson. He appeared on record for the first time in 1927 as a member of the Paradise Ten led by Charlie Johnson. He returned to the Collegians and became their bandleader through 1929, including a performance at the Savoy Ballroom in New York City.

In his early 20s, Carter worked as arranger for Fletcher Henderson after that position was vacated by Don Redman. He had no formal education in arranging, so he learned by trial and error, getting on his knees and looking at the existing charts, “writing the lead trumpet first and the lead saxophone first—which, of course, is the hard way. It was quite some time that I did that before I knew what a score was.”

He left Henderson to take Redman’s former job as leader of McKinney’s Cotton Pickers in Detroit. In 1932 he formed a band in New York City that included Chu Berry, Sid Catlett, Cozy Cole, Bill Coleman, Ben Webster, Dicky Wells, and Teddy Wilson. Carter’s arrangements were complex. Among the most significant were “Keep a Song in Your Soul”, written for Henderson in 1930, and “Lonesome Nights” and “Symphony in Riffs” from 1933, both of which show Carter’s writing for saxophones.

By the early 1930s, Carter and Johnny Hodges were considered the leading alto saxophonists. Carter also became a leading trumpet soloist, having rediscovered the instrument. He recorded extensively on trumpet in the 1930s. Carter’s short-lived Orchestra played the Harlem Club in New York but only recorded a handful of records for Columbia, OKeh and Vocalion. The OKeh sides were issued under the name The Chocolate Dandies.
Carter stands with Robert Goffin, Louis Armstrong, and Leonard Feather in 1942.

In 1933 Carter participated in sessions with British band leader Spike Hughes, who went to New York City to organize recordings with prominent African American musicians. These 14 sides plus four by Carter’s big band, titled at the time Spike Hughes and His Negro Orchestra, were initially only issued in England. The musicians were from Carter’s band and included Red Allen, Dicky Wells, Wayman Carver, Coleman Hawkins, J. C. Higginbotham, and Chu Berry.

Carter moved to London and spent two years as arranger for the BBC Big Band. In England, France, and Scandinavia he recorded with local musicians, and he took his band to the Netherlands. In these settings Carter played trumpet, clarinet, piano, alto and tenor saxophone, and provided occasional vocals. In 1938 he returned to America. He found regular work leading his band at the Savoy Ballroom in Harlem through 1941. The band included Shad Collins, Sidney De Paris, Vic Dickenson, and Freddie Webster. After this engagement he led a seven-piece band which included Eddie Barefield, Kenny Clarke, and Dizzy Gillespie.
Portrait of Benny Carter, Apollo Theatre, New York City, c. October 1946

In the middle 1940s, he made Los Angeles his home, forming another big band, which at times included J. J. Johnson, Max Roach, and Miles Davis. But these would be his last big bands. With the exception of occasional concerts, performing with Jazz at the Philharmonic,[3] and recording, he ceased working as a touring big band bandleader. Los Angeles provided him many opportunities for studio work, and these dominated his time during the decades. He wrote music and arrangements for television and films, such as Stormy Weather in 1943. During the 1950s and ’60s, he wrote arrangements for vocalists such as Louis Armstrong, Ray Charles, Ella Fitzgerald, Peggy Lee, and Sarah Vaughan. On something of a comeback in the 1970s,Carter returned to playing saxophone again and toured the Middle East courtesy of the U.S. State Department. He began making annual visits to Europe and Japan.
Carter performs at the North Sea Jazz Festival in 1985.

In 1969, Carter was persuaded to spend a weekend at Princeton University by Morroe Berger, a sociology professor at Princeton who wrote about jazz. This led to a new outlet for Carter’s talent: teaching. For the next nine years he visited Princeton five times, most of them brief stays except for one in 1973 when he spent a semester there as a visiting professor. In 1974 Princeton gave him an honorary doctorate. He conducted teaching at workshops and seminars at several other universities and was a visiting lecturer at Harvard for a week in 1987. Morroe Berger wrote Benny Carter – A Life in American Music (1982), a two-volume work about Carter’s career.

Time had little effect on Carter’s abilities. During the 1980s he wrote the long composition Central City Sketches which was performed at Cooper Union by the American Jazz Orchestra. Another long composition, Glasgow Suite, was performed in Scotland. Lincoln Center commission him to write “Good Vibes” in 1990. The National Endowment for the Arts gave him a grant that led Tales of the Rising Sun Suite and Harlem Renaissance Suite. This music was performed in 1992 when he was 85 years old.

Carter had an unusually long career. He was perhaps the only musician to have recorded in eight different decades. Another characteristic of his career was its versatility as musician, bandleader, arranger, and composer. He helped define the sound of alto saxophone, but he also performed and recorded on soprano saxophone, tenor saxophone, trumpet, trombone, clarinet, and piano. He helped establish a foundation for arranging as far back as 1930 when he arranged “Keep a Song in Your Soul” for Fletcher Henderson’s big band. His compositions include the novelty hit “Cow-Cow Boogie” recorded by Ella Mae Morse, and the expansive Central City Sketches, written when he was 80 years old and recorded with the American Jazz Orchestra.

Carter died at the age of 95 in Los Angeles at Cedars-Sinai Medical Center on July 12, 2003 from complications of bronchitis.

On June 25, 2019, The New York Times Magazine listed Benny Carter among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire.

Sant Andreu Jazz Band

Sant Andreu Jazz Band is a youth jazz band from Barcelona, featuring 7- to 20-year-old children and teenagers. The bandleader is Joan Chamorro.

The band was founded in 2006 at Escola Municipal de Música de Sant Andreu. The band has performed at numerous concerts and festivals in Catalonia and other regions of Spain as well as in neighbouring countries. They released their first live CD/DVD Jazzing: Live at Casa Fuster in 2009, featuring alongside established jazz musicians, the precocious 14-year-old, Andrea Motis among other young talents.

2010 was a breakthrough year for the band, with appearances at more than 20 festivals including Valls, Terrassa, Girona, Barcelona, Platja d’Aro, and legendary venues like el Jamboree, Palau de la Música Catalana, JazzSi, Hotel Casa Fuster, featuring international performers like Dick Oatts, Ken Peplowski, Bobby Gordon, Perico Sambeat, Ignasi Terraza, Matthew Simon, and Esteve Pi. The band also released their second recording Jazzing vol.2.

In 2012 the film director Ramón Tort made the documentary A film about kids and music based on the band’s work and efforts. The film was awarded best feature film at the Lights. Camera. Help. festival in Austin, Texas, in 2013.

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