- Guitar Songwriting: A compassionate Guide (Part 1)
- Writing your first guitar song
- MODIFYING AN EXISTING SONG
- FINDING INSPIRATION
- SONG STRUCTURE
- LYRICS
- And remember, the Sheet Music Library is here to help you with thousands of guitar, piano and voice scores!
Guitar Songwriting: A compassionate Guide (Part 1)
Writing your first guitar song
Writing a song is a gift to yourself—and sometimes a gift to the world. Song is one of the most powerful communication tools we have as human beings: a slice of life encapsulated in words, melody, and accompaniment. Many of us would like to write songs but find it
hard to get started. We find it very intimidating to commit ourselves to words, notes, and chords and then to paper, recordings, and listeners’ ears. Or, once we have started, we find it pretty much impossible to develop ideas into satisfactory songs. Here are some simple techniques that will help you get started and help you develop your ideas into songs that work.
MODIFYING AN EXISTING SONG
If getting the ball rolling is particularly intimidating, I encourage you to pick out a song that you admire and know the lyrics and melody to. It doesn’t matter if you can’t play the song. Remember that this is an exercise with the sole purpose of easing you slowly into your own creativity. The results will not be judged. Once you’ve chosen the song, choose a verse you like the feel of and rewrite it. One approach is to keep the same melody and write new words that fit the rhythm and the narrative purpose for that part of the song. You can also try leaving the words alone and rewriting the melody.
This might be a little harder because the melodies of our favorite songs tend to get deeply entrenched in our memory. One way to help make this technique work is to change the key of the song. A third approach is to create a new chord structure that fits with the original lyrics and melody. This can be a lot of fun for more experienced players who understand chord pro-gressions, inversions, and modes, but it might be intimidating to the less experienced musician. If you ever do feel intimidated during these exercises, try taking a small step–just changing one line or even one or two words, for example—rather than a huge stride.
FINDING INSPIRATION
OK, so you’re ready to go solo. What are you going to write about? The single most com-mon inspiration for songs is love: the lack of it, the hope for it, the experience of it, the loss of it. You might not want to bare your soul so intimately in your first song, though, so let’s look at some other options.
- Experiences. Has anything notable happened to you lately? Some happenstance that changed your way of seeing life, yourself, someone else, the world? Did you witness some-thing unusual? Remember a childhood memory, perhaps? There’s lots of potential here.
Political causes. Do you feel strongly about a particular cause? Write a song about it. This is a deep well of inspiration for the folk movement.
- History. Another great source for folkies. Lots of rich material.
- People. Think about someone you admire, someone who inspires you.
- Objects. This may sound like an odd suggestion, but objects have inspired many great songs. Artists write songs about bridges, buildings, ships … day-old banana pudding.
- Fantasies and made-up occurrences. They can be impossible, fanciful, or just plain untrue. One of my favorite songs, “Something About Him” by Brady Earnhart, was written about a school days experience the writer invented.
- Dreams. I was going to put this under fantasies, but there are invented situations that can and do come true.
Whatever subject you choose, you need to look carefully at how you think and feel about it. This is what actors mean when they ask, “What’s my motivation?” Does the sub-ject make you feel anger, pain, joy, tenderness? Where do your thoughts take you con-cerning this subject? At this point it would be a good idea to take notes on your thoughts and feelings. They’ll help you build a framework for the song and give shape to the way your words and melody develop.
SONG STRUCTURE
Writing a song is almost always an exercise that involves alternating structured thought with unstructured: intermittently letting go of intellectual control and expectations and allowing your creativity to flow. Structured thought allows order to be maintained, and unstructured brings in the unexpected or unconscious.
At this point, you need to decide what kind of song structure you’re going to use. Do you want to use a structure you’re familiar with from another artist’s work? Or do you want to let your poetic and melodic muse run free and just see what structure comes out? If there’s any doubt concerning structure, I’d recommend starting with a simple 12-bar blues. This structure has been hardwired into the musical awareness of the Western world for the last half century. It’s also sparse, so it encourages minimal use of words and limited melodic movement. Repetition is fundamental to the form.
In a 12-bar blues, the first line (sung over the first four bars) usually introduces the core subject matter and then comments on it, often in a way that brings tension to the subject. Most of the third bar and all of the fourth bar are generally instrumental. The next four bars might repeat the subject and expand on the comments and tension, and the last word usually rhymes with the last word of the first line. The seventh and eighth bars are usually instrumental. The last line should bring some kind of resolution to the subject, much as the melody and chordal turnaround brings resolution to the music. The 12th bar is most often the turnaround—a chordal/melodic progression, usually without words, that brings the song back to the top, to the next verse, which is structured like the first.
LYRICS
For most songwriters, the words of a song come first. Others start with the melody or with a chord progression and add the other elements one at a time. And for some, lyrics and melody come at the same time. Let’s start with the lyrics.
Go back to your notes on the general subject matter of the song you want to write. Do any of the words and phrases jump out at you? Do some of them seem to fit together either because of their meaning or because of their sound or rhythm?
For our 12-bar blues, I wrote down a few words about being a new songwriter, what it might mean and what it might feel like: trying to write a song I love songs want to do it music in my soul scary new going to do it determined. Looking at these words, I came up with the line:
I’m tryin’ to write a song and it’s kinda new to me
OK, that works. Note that I picked an easy rhyme (“me”) and remembered that this has to fit over three or so bars of a midpaced blues. For the second line, I wanted to repeat the core subject and comment further. I looked at the word scary and got:
I’m tryin’ to write a song and I’m scared as I can be
In order to stick to the standard 12-bar blues arrangement (which is now playing in my head), we need to add a brief pause to the lyrics after the word it’s in the first line and I’m in the second. This leaves us with:
I’m tryin’ to write a song and it’s… kinda new to me I’m tryin’ to write a song and I’m … scared as I can be
Hmm. That’s fine. Now I need a resolution. Going back to my original notes, I find the obvious resolution of “going to do it.” An alliteration—several words in a row starting with the same consonant—jumps out at me:
But I’m gonna get it goin’
I’ve got to admit that I’m a sucker for nice alliterations, and this one is particularly appealing because gonna get it goin’ comes with a built-in rhythm. Another look at my notes does nothing for me, so I write down the first thing that comes into my head:
But I’m gonna get it goin’… and I’m almost there you see
Now, I quite like the almost, but the there you see is pretty lame. Still, I never intended to leave things like that. I just wrote this line to help me come up with something more appropriate. Next I decide to be positive and note that I’ve come to this point fairly eas-ily—almost painlessly—and get excited about:
But I’m gonna get it goin’ almost painlessly
A few minutes’ detachment gets me to see that it’s an untidy rhyme and that painlessly somehow doesn’t fit with gonna get it goin’. So I fiddle with painlessly and find pain-free, which I like the feel of. When I attach it to the line, I get:
But I’m gonna get it goin’… and I’m almost there pain-free
So, now we have:
I’m tryin’to write a song and it’s… kinda new to me
I’m tryin’ to write a song and I’m… scared as I can be But I’m gonna get it goin”… and I’m almost there pain-free
A brief go at singing this verse shows me that tryin’ falls on the 1 of the first and fifth bars and that the pause in each line falls on the 1, with the next word starting on the off-beat. I’m fairly certain that the blues arrangement in my head will work best for this song, but I’ll try a few different feels and even recite the words aloud a few times (as straight as I can) to see if any other feel comes up. No, the blues feel seems to work best, but one thing that did jump out at me is that gonna get it goin’ begs to have the pace of the rhythm accelerated for those words.
Now I’ll sing the verse aloud unaccompanied until I’m happy with the way it flows. Only after this step do I pick up my guitar. It turns out I’m singing in the key of E minor, which leads me to a standard blues chord progression with Em, A7, and B7.
Alright! Our song is begun. I say our because I encourage you to write further verses based on the same structure. Perhaps when you’re done with this song, you’ll write your own from scratch. Remember to follow the steps we’ve discussed and not to bite off more than you can chew at any given moment. Good luck!
And remember, the Sheet Music Library is here to help you with thousands of guitar, piano and voice scores!
3 Hour Relaxing Guitar Music: Meditation Music, Instrumental Music, Calming Music, Soft Music
Browse in the Library:
Artist or Composer / Score name | Cover | List of Contents |
---|---|---|
Verdi – Libiamo Ne Lieti Calici (La Traviata) (Musescore File).mscz | ||
Verdi – Va pensiero Piano Solo arr. NABUCCO ACTE III Choeur des ésclaves hébreux.mscz | ||
Verdi La dona e mobile Rigoletto Piano Solo with lyrics | ||
Verdi La Dona E Mobile Rigoletto Piano Solo With Lyrics Musescore File.mscz | ||
Verdi Requiem Cambridge Music Handbooks (Book) | ||
Vernon Duke Autumn In New York | ||
Vernon Duke – Autumn In New York (guitar arr. with TABs) | ||
Vertical Horizon – Best I Ever Had | ||
Via con me (Paolo Conte) | ||
Via del Campo (Fabrizio De Andrè) | ||
Vianne Sets Up Shop (Chocolat OST) Rachel Portman | ||
Vicente Amigo Ciudad De Las Ideas (Guitar TAB) | ||
Victor Herbert’s masterpiece Ah Sweet Mystery Of Life | ||
Victor Jara Un Canto Truncado Joan Jara (Book) Español – Spanish Biography – Biografía | ||
Victor Labenske Piano Miniatures 24 Short Solos In All Major And Minor Keys (Intermediate Piano) | Victor Labenske Piano Miniatures 24 Short Solos In All Major And Minor Keys (Intermediate Piano) | |
Victor Wooten Best of – transcribed by Victor Wooten Guitar Tabs | Victor Wooten Best of – transcribed by Victor Wooten Guitar Tabs | |
Victor Young When I Fall In Love | ||
Victor Young – Blue Star The Medic Theme | ||
Victor Young – Stella By Starlight Jazz Standard | ||
Victor Young – When I Fall In Love | ||
Victor young – When I Fall In Love Sheet Music as recorded by Celine Dion and Clive Griffin (fromm Sleepless in Seate) | ||
Victor Young (Bill Evans) – When I Fall In Love (Musescore File).mscz | ||
Victor Young And Peggy Lee Johnny Guitar | ||
Victor Young Around the World (piano solo sheet music) | Victor Young Around the World (piano solo sheet music) | |
Victor Young Around The World In 80 Days Easy Piano Solo | ||
Victor Young Love Letters (Piano Solo arr.) | ||
Victor Young Stella by Starlight | Stella-By-Starlight-Victor-Young | |
Victor Young Stella By Starlight Easy Piano Solo | ||
Victor Young Stella By Starlight Victor Young & Ned Washington Sheet Music 1946 Jazz Standard (Vintage sheet music) | ||
Vida Y Arte De Glenn Gould – by Bazzana Kevin (Español Spanish) | ||
Viktor Semenuita Suite The Spring Awakening for Guitar quartet | ||
Villa-Lobos – 12 Guitar Etudes (Doze Estudios para Violao) | ||
Villa-Lobos – Bachiana Brasileira no. 4 | ||
Villa-Lobos – Bachianas Brasileiras No. 5 – Aria (Cantilena) partitura | ||
Villa-Lobos – Choros (N°1) Guitar Sheet Music (Musescore File).mscz | ||
Villa-Lobos – Prelude N° 3 (Musescore File).mscz | ||
Villa-Lobos -Etude №1 (Musescore File).mscz | ||
Villa-Lobos A Lenda do Caboclo | Villa-Lobos Lenda do Caboclo | |
Villa-Lobos Five Preludes for Guitar, W419 | Wes Montgomery The Early Years (Mel Bay) Jazz Guitar Solos Tablature | |
Villa-Lobos Guia Patrico Album 2 | Villa-Lobos-GP-Album-2 | |
Villa-Lobos Guia Patrico Album 3 | Villa-Lobos Guia Patrico Album 3 | |
Villa-Lobos Prelude 1 for Guitar | Villa-Lobos prelude 1 | |
Villa-Lobos Prelude No 1 (Musescore File).mscz | ||
Villa-Lobos Tristorosa Guitar arr. by Gorbunov | ||
Villa-Lobos, Heitor – Obras Completas (complete works for GUITAR) | Villa-Lobos obra completa guitarra | |
Villa-Lobos, Heitor – Aria (Cantilena) arr. for voice and guitar | Villa-Lobos, Heitor – Aria (Cantilena) arr. for voice and guitar | |
Villa-Lobos, Heitor – Bachianas Brasileiras No 4 No 2 – Choral Song Of The Jungle | ||
Villa-Lobos, Heitor – Saudades das selvas brasileras (pour piano) | Villa-Lobos – Saudades das selvas brasileras | |
Vince Guaraldi A Charlie Brown Christmas | Vince Guaraldi A Charlie Brown Christmas | |
Vince Guaraldi Christmas Time Is Here | ||
Vince Guaraldi Linus And Lucy (Piano Solo) Peanuts Theme | Vince Guaraldi Linus And Lucy (Piano Solo) Peanuts Theme | |
Vince Guaraldi – Cast Your Fate To The Wind | Vince Guaraldi – Cast Your Fate To The Wind | |
Vince Guaraldi – Linus And Lucy (Piano Solo) Peanuts Theme (Musescore File).mscz | ||
Vince Guaraldi A Charlie Brown Christmas For Solo Jazz Guitar with TAB | Vince Guaraldi A Charlie Brown Christmas For Solo Jazz Guitar with TAB | |
Vince Guaraldi A Charlie Brown Christmast Beginning Piano Solos | Vince Guaraldi A Charlie Brown Christmast Beginning Piano Solos | |
Vince Guaraldi Collection 9 transcriptions | Vince Guaraldi Collection 9 transcriptions | |
Vince Guaraldi The Christmas Song | ||
Vince Guaraldi The Christmas Song (Mel Tormé and Robert Wells) Piano Solo | Vince Guaraldi The Christmas Song (Mel Tormé and Robert Wells) Piano Solo | |
Vineyard Songbook (2011) Guitar Songchords | Vineyard Songbook (2011) Guitar Songchords | |
Vinicius De Moraes Vols 1,2 & 3 Guitar | Vinicius de Moraes 1,2 & 3 books | |
Vinnie Moore Masterclass (audio Mp3 Tab And Backing Track) GUITAR TABS and Al Di Meola Reh Video Booklet | ||
Violin Songs Big Book Of (Songbook) 130 songs | Violin Songs Big Book Of (Songbook) 130 songs | |
Virtuosity And The Musical Work The Transcendental Studies Of Liszt By Jim Samson Book | ||
Vittorio Monti Czardas (Piano Solo arr.) | ||
Vittorio Monti Czardas Piano violin arr. by J. Godderis | ||
Viva Italia Songbook A Travelogue In Song Piano Vocal Chordsby Curt Appelgren | Viva Italia Songbook A Travelogue In Song Piano Vocal Chordsby Curt Appelgren | |
Viva La Vida – Coldplay (Musescore File).mscz | ||
Vivaldi Largo Concerto D Guitar Arr | ||
Vivaldi Summer The Four Seasons Piano Solo Arr. | Vivaldi Summer The Four Seasons Piano Solo Arr. | |
Vivaldi The Four Seasons (Piano Solo Arrangement) | ||
Vivaldi The Four Seasons Guitar arr. (A Suite of Themes) by Alxander Glüklikh | ||
Vivaldi Violin Concerto In F Major Op. 8 No. 3 Rv. 293 Autumn For Solo Piano | Vivaldi Violin Concerto In F Major Op. 8 No. 3 Rv. 293 Autumn For Solo Piano | |
Vivaldi – Concert in G minor Summer arr. violin and piano | ||
Vivaldi – Concerto No. 2 In G Minor Op. 8 Rv 315mov. 3 Presto Summer L’estate Piano Solo Arr. (Musescore File).mscz | ||
Vivaldi – Concerto No. 2 in G minor, Op. 8, RV 315 mov. 3 Presto Summer L’estate Piano Solo arr. sheet music | Vivaldi – Concerto No. 2 in G minor, Op. 8, RV 315 mov. 3 Presto Summer L’estate Piano Solo arr. sheet music | |
Vivaldi – Summer The Four Seasons Piano Solo arr..mscz | ||
Vivaldi – Winter Guitar Arr. Based On Violin Concerto In F Minor Rv 297 L’inverno (Sheet Music) (Musescore File).mscz | ||
Vivaldi – Winter Guitar arr. based on Violin Concerto in F minor, RV 297 L’inverno (sheet music) | Vivaldi – Winter Guitar arr. based on Violin Concerto in F minor, RV 297 L’inverno (sheet music) | |
Vivaldi Gloria Piano Reduction | ||
Vivaldi Master Musicians Series (Book) Biography by Michael Talbot | ||
Vivo Per Lei – Bocelli | ||
Vivo per lei (Bocelli – Giorgia) | ||
VK Vanros Kloud Wings Of Piano | ||
Vladimir Cosma Les Musiques De Films Vol 2 | Vladimir Cosma Les Musiques De Films Vol 2 | |
Vladimir’s Blues (Musescore File).mscz | ||
Volker Bertelmann – Lion Main Theme sheet music | ||
Volodos Mozart’s Turkish March From Sonata No. 11 | ||
Volodos – Rachmaninoff Where Beauty Dwells Melodiya Op. 21 No. 7 Version Putsmeiser Piano Solo | ||
Volumia – Afscheid | ||
Volumia – Hou Me Vast | ||
Vorrei (Lunapop) | ||
W.C. Handy The St. Louis Blues | W.C. Handy The St. Louis Blues | |
W.C. Handy – The St. Louis Blues (Musescore File).mscz | ||
W.E. – Evgenis Waltz Abel Korzeniowski | ||
Wagner – Die Meistersinger von Nürnberg – complete (arr. for piano solo & voice) | Wagner – Die Meistersinger… | |
Wagner – Die Meistersinger von Nürnberg -Vorspiel (arr. 2 for pianos) | Wagner – Die Meistersinger…Vorspiel | |
Wagner – Die Walküre Ride of the Valkyries (arr. 2 for pianos) | Wagner – Die Walküre | |
Wagner – Isoldens Liebestod For Two Pianos | ||
Wagner – Parsifal – Entrance into the Castle of the Holy Grail (arr. piano) | ||
Wagner – Prélude To Lohengrin (Musescore File).mscz | ||
Wagner – Prélude to Lohengrin (piano solo arr.) | ||
Wagner – Ride of the Valkyries – piano solo arr. | Wagner Ride of the Valkyries | |
Wagner – Ride of the Valkyries (Piano solo) | Wagner – Ride of the Valkyries (Piano solo) | |
Wagner – Ride Of The Valkyries (Piano Solo) (Musescore File).mscz | ||
Wagner – Tannhäuser Pilgrims Chorus – Richard Wagner Piano Solo with guitar Chords | ||
Wagner – Tristan und Isolde – Isoldes Liebestod (arr. piano solo) | ||
Wagner – Tristan und Isolde Prelude & Isoldes Liebestod (arr. for 2 pianos) | Wagner – Tristan und Isolde | |
Wagner Ouverture Thanhauser (Musescore File).mscz | ||
Wagner Siegfried’s Funeral March From Götterdämmerung (Piano Solo) (Musescore File).mscz | ||
Wagner Tannhauser Piano Solo arr. | Wagner Tannhauser Piano Solo arr. | |
Wagner-Busoni – Funeral March (Il Crepuscolo degli Dei) arr. piano solo | Wagner-Busoni Funeral March | |
Wagner, Richard TANNHÄUSER Piano solo arr. J. Doebber | ||
Waiss Elena Andante From Mi Amigo El Piano (Musescore File).mscz | ||
Waiss, Elena Mi Amigo El Piano | ||
Waitress (The Musical) – Opening Up Sara Bareilles (Voice and Piano) | Waitress sheet music | |
Walking In The Footsteps Of Paul Chambers (Bass technique) | Walking In The Footsteps Of Paul Chambers | |
Walt Disney Pictures Intro (Musescore File).mscz | ||
Walter Carroll Tunes From Nature First Piano Lessons Easy Pieces For Beginners (Vintage sheet music) | ||
Walter Kent – White Cliffs Of Dover | ||
Waltz – Boston (Alexander Rozenbaum) |