Browse in the Library:
Artist or Composer / Score name | Cover | List of Contents |
---|---|---|
Antonio Carlos Jobim – Luiza Guitar Arr with Tablature | ||
Antonio Carlos Jobim – One Note Samba (Guitar Arr.) | ||
Antonio Carlos Jobim – One Note Samba (guitar TABS sheet music) | Jobim – One Note Samba (guitar TABS sheet music) | |
Antonio Carlos Jobim – Samba De Uma Nota So | ||
Antonio Carlos Jobim – Se Todos Fossem Iguais A Voce arr. by Baden Powell (Guitar arr. sheet music with TABs) | Antonio Carlos Jobim – Se Todos Fossem Iguais A Voce arr. by Baden Powell (Guitar arr. sheet music with TABs) | |
Antonio Carlos Jobim – Tom Jobim For solo Guitar with TABs | Tom Jobim for Solo Guitar | |
Antonio Carlos Jobim – Triste (Guitar Solo Arr. With Tabs Sheet Music) (Musescore File).mscz | ||
Antonio Carlos Jobim 9 Pieces Guitar TABs | Jobim 9 pieces guitar | |
Antonio Carlos Jobim And Chico Buarque Eu Te Amo (Arr. For Guitar By Carles Trepat) | ||
Antonio Carlos Jobim and the art of Bossa Nova Jazz Play Along Volume 08 with audio MP3 | Antonio Carlos Jobim Jazz Play-Along Volume 08 – with audio MP3_compressed | |
Antonio Carlos Jobim Anthology (Piano vocal and guitar) | Antonio Carlos Jobim Anthology (Piano vocal and guitar) | |
Antonio Carlos Jobim for Classical Guitar (Paulo Bellinati Mel Bay 2008) | Antonio Carlos Jobim for Classical Guitar | |
Antonio Carlos Jobim Jazz Piano solos Vol. 17 | Antonio Carlos Jobim Jazz Piano solos Vol. 17 sheet music pdf | |
Antonio Carlos Jobim Jazz Play Along Vol. 08 with audio MP3 | Antonio Carlos Jobim Jazz Play-Along Volume 08 – with audio MP3_compressed | |
Antonio Carlos Jobim Quebra Pedra (Stone Flower) – Tom Jobim Piano and Guitar chords | ||
Antonio Carlos Jobim Stone Flower (Songbook) Quebra-pedra Tom Jobim Piano Vocal guitar Chords | Antonio Carlos Jobim Stone Flower (Songbook) Tom Jobim Piano Vocal guitar Chords | |
Antonio Carlos Jobim Tom Jobim – Luiza Guitar Solo | ||
Antonio Carlos Jobim Tom Jobim Corcovado arr. for Guitar Violao by Rubinho | Antonio Carlos Jobim Tom Jobim Corcovado arr. for Guitar Violao by Rubinho | |
Antonio Carlos Jobim Wave (Piano Guitar) | Antonio Carlos Jobim Wave (Piano Guitar) | |
Anywhere the heart goes (The Thorn birds – Uccelli di rovo) | ||
Aphex Twin – aisatsana | ||
Aphex Twin – Avril 14th | ||
Aphex Twin – Avril 14th (Musescore File).mscz | ||
Aphex Twin – Kesson Daslef | ||
April In Paris Vernon Duke E.Y. Harburg 1932 Jazz Standard (Vintage sheet music) | ||
Aqua – Doctor Jones | ||
Aquaman Everything I Need Skylar Grey Piano solo | ||
Aram Khachaturian – Sabeltanz Aus Gayaneh (Pianoforte 4 hands) | Aram Khachaturian – Sabeltanz Aus Gayaneh (Pianoforte A 4 Mani) | |
Aranjuez Ma Pensee (ver. for voice and guitar by the composer) | Aranjuez Ma Pensee | |
Aretha Franklin – Chain Of Fools | ||
Aretha Franklin – Respect | ||
Aretha Franklin Songbook | Aretha Franklin Songbook | |
Aretha Franklin Songbook 1 | Aretha Franklin Songbook 1 | |
Aretha Franklin Songbook 2 | Aretha Franklin Songbook 2 | |
Aretha Franklin The Very Best of The 60s | Aretha Franklin best of 60s | |
Ari Hoenig Songbook | Ari Hoenig Songbook | |
Ari Pulkkinen – Angry Birds Theme Song | Ari Pulkkinen – Angry Birds Theme Song | |
Aria (Cantilena) by Heitor Villa-Lobos.mscz | ||
Aria di neve (Sergio Endrigo) | ||
Ariana Grande – 7 Rings Sheet Music | ||
Ariana Grande – Bang Bang Sheet Music piano Vocal Guitar chords | ||
Ariana Grande – No Tears Left to Cry Sheet Music | ||
Ariana Grande Tattooed Heart | Ariana Grande-Tattooed heArt | |
Ariel Ramírez – Alfonsina Y El Mar (Guitar) arr. by Roland Dyens | Ariel Ramírez – Alfonsina Y El Mar (Guitar) arr. by Roland Dyens | |
Ariel Ramírez – Alfonsina Y El Mar (Piano) | Ariel Ramírez – Alfonsina Y El Mar (Piano) | |
Arlen, Harold Stormy weather – piano | Stormy weather – piano | |
Armageddon (Piano & Guitar Chords) | Armageddon (Piano & Guitar Chords) | |
Arnold Schoenberg, Gerald Strang, Leonard Stein-Fundamentals of Musical Composition-Faber & Faber (1982) Book | ||
Around The Campfire Peter, Paul and Mary – Guitar songbook | Around The Campfire Peter Paul & Mary songbook | |
Arpeggios For The Modern Guitarist Tabs by Will Johnson | Arpeggios For The Modern Guitarist Tabs by Will Johnson | |
Arranging And Composing for the small ensemble Jazz R&B Jazz-Rock (by David Baker) | ||
Arrival Of The Birds from The Crimson Wing Mystery of the Flamingos piano solo | ||
Arrival Of The Birds The Theory of Everything – The Cinematic Orchestra Piano Solo | ||
Arrival Of The Birds The Theory of Everything Ending Scene Music – The Cinematic Orchestra Piano Solo | ||
Art Blakey And The Jazz Messanger Bobby Timmons – Moanin’ | ||
Art Of Composing Music (Published In London (1751) | ||
Art Of Gospel Guitar – El McMeen with Tablature | Gospel guitar | |
Art of Jazz improvisation book 3 Intermadiate by Bob Taylor | ||
Art Pepper Collection Solos Artist Transcriptions Saxophone | art pepper solos sheet music | |
Art Tatum As Time Goes By | ||
Art Tatum – Tiger Rag (Jazz Standard by the Original Dixieland Jass Band) (piano sheet music) | Art Tatum – Tiger Rag (Jazz Standard by the Original Dixieland Jass Band) (piano sheet music) | |
Art Tatum – All The Things You Are | ||
Art Tatum – Cherokee | ||
Art Tatum – Gershwin – The Man I Love (Piano as played by) | Art Tatum Gershwin The-Man-I-Love-Piano | |
Art Tatum – Jazz Piano solos Vol. 2 | Art Tatum Jazz piano solos vol. 2 | |
Art Tatum – New Beginnings A Piano Imrovisation | Art Tatum – New Beginnings A Piano Imrovisation | |
Art Tatum – Tea For Two (Sheet Music) (Musescore File).mscz | ||
Art Tatum – Tiger Rag (Sheet Music) (Musescore File).mscz | ||
Art Tatum – Too Marvelous for Words The Life and Genius of Art Tatum (Book by James Lester) | ||
Art Tatum 5 Jazz Piano Solos transcribed By Frank Paparelli | Art Tatum 5 Jazz Solos By Frank Paparelli – 1944 Songbook | |
Art Tatum Artist Transcriptions Solo Book | Art Tatum | |
Art Tatum Improvisations Piano sheet music | Art Tatum Improvisations Piano sheet music | |
Art Tatum Jazz Arr. Begin The Beguine (Musescore File).mscz | ||
Art Tatum Jazz Arr. Cole Porte Begin The Beguine | ||
Art Tatum New Beginnings (Musescore File).mscz | ||
Art Tatum Stormy Weather Ted Koehler – Harold Arlen | T.Koehler-H.Arlen – Stormy Weather (arr. A.Tatum) | |
Art Tatum Tea For Two (Vincent Youmans) | ||
Arthur A. Reblitz – Piano servicing, tuning, and rebuilding for the professional, the student, and the hobbyist | ||
Artic Monkeys – Only Ones Who Know | ||
Artie Shaw – Jazz Technic Book 1 Scales and Exercises | Artie Shaw – Jazz Technic Book 1 Scales and Exercises | |
Artie Shaw – Clarinet Method | ||
Artie Shaw – Concerto for Clarinet for solo Bb Clarinet with Piano accompaniment | ||
Artie Shaw – Moonglow Clarinet sheet music | ||
Artie Shaw His Life And Music by John White (Book) Biography | ||
Artpop Lady Gaga Songbook | ||
Arturo Sandoval – Sandunga Alto Sax | Arturo Sandoval – Sandunga Alto Sax | |
Arturo Sandoval – Trumpet Method | ||
Arvo Part Fratres Piano Sheet music | ||
Arvo Pärt Partita For Piano, Op 2 (1960) | ||
Arvo Pärt Spiegel Im Spiegel (Violoncello And Piano) | ||
Arvo Part Summa for Strings | Arvo Part Summa for Strings | |
Arvo Part – Fur Alina Variations | Arvo Part – Fur Alina Variations | |
Arvo Pärt – Zwei Sonatinen Für Klavier Op. 1 | ||
Arvo Pärt Out Of Silence (Peter C. Bouteneff) Book | ||
Arvo Pärt Sounding The Sacred Book by Peter C. Bouteneff Jeffers Engelhardt Robert Saler | ||
Arvo Pärt Spiegel Im Spiegel (arranged for Piano Solo) | Arvo Pärt – Spiegel Im Spiegel (arranged for Piano Solo) | |
Arvo Pärt Spiegel Im Spiegel Violin Piano | ||
Ary Barroso – Amor Fatal Fox triste (piano) | ||
Ary Barroso – Aquarela Do Brasil (Samba) Guitar Solo | ||
Ary Barroso – Aquarela Do Brasil (Samba) Guitar Solo TABs | ||
Ary Barroso – Aquarela Do Brasil (Samba) Guitar Solo.mscz | ||
Ary Barroso – Aquarela do Brasil Piano Vocal | Ary Barroso-Aquarela do Brasil | |
Ary Barroso – Tenho Saudade! Samba Cançao (piano) | ||
Ary Barroso Aquarela Do Brasil Arr Carlos Barbosa Lima for guitar | Ary Barroso Aquarela Do Brasil Arr Carlos Barbosa Lima for guitar | |
Ary Barroso Guitar 1 songbook (arr. by Almir Chediak) | Ary Barroso Guitar 2 songbook (arr. by Almir Chediak) | |
Ary Barroso Guitar 2 songbook (arr. by Almir Chediak) | Ary Barroso Guitar 2 songbook (arr. by Almir Chediak) | |
As 101 Melhores Canções Do Século XX – Vol 2 – Almir Chediak (Guitar) | As 101 Melhores Canções Do Século XX – Vol 2 | |
As 101 melhores cançoes do século XX Vol. 1 (Almir Chediak) | As 101 Melhores Canções Do Século XX – Vol 2 | |
As Time Goes By (Musescore File).mscz | ||
Ashanti – The Way That I Love | ||
Asking you (Green Card OST) Hans Zimmer | ||
Assassin’s Creed Rogue – Main Theme | ||
ASSASSINS – The Musical Sondheim-Weidman (Piano & Vocal) | ASSASSINS – The Musical Sondheim-Weidman (Piano & Vocal) | |
Assassins Creed 2 – Ezios Family | ||
Assassins Creed III Main Theme | ||
Astor Piazolla – Adios Nonino | ||
Astor Piazolla Libertango Violin And Piano | Astor Piazolla Libertango Violin And Piano | |
Astor Piazzola – Libertango (piano arr.) | ||
Astor Piazzola – Libertango (Piano Solo) | ||
Astor Piazzola – Play Piazzolla 13 Tangos By Astor Piazzolla EASY GUITAR ARR. | Astor Piazzola – Play Piazzolla 13 Tangos By Astor Piazzolla EASY GUITAR ARR. |
Thelonious Monk: The Top 25 icons in Jazz history
Recognized as one of the most original musicians in American history, Thelonious Sphere Monk fashioned a startlingly unique, inimitable playing and composing style that influenced virtually every succeeding jazz generation.
His playing technique offered a percussive approach to the piano, identified by sparse, complex, sometimes dissonant harmonies, developed from unusual intervals and rhythms, and imbued with warmth and playfulness. (His motto was “There are no wrong notes on the piano.”)
Monk‘s name is synonymous with the creation of modern jazz; many of his compositions are jazz standards including, “Round Midnight,” “Well You Needn’t,” “Straight, No Chaser,” and “Epistrophy.” His bold musical conceptions sought to bind harmony and rhythm seamlessly to melody. A classically trained pianist, he was deeply influenced by Harlem’s stride piano tradition. Monk‘s Blue Note recording sessions between 1947 and 1948, and 1951 and 1952, netted two volumes, numerically titled Genius of Modern Music. He cut outstanding albums for Riverside and Prestige in the ’50s (Brilliant Corners), and Columbia in the ’60s (Monk’s Dream).
On-stage, he was in constant motion: he’d leave his piano to dance during another player’s solo, wiggle on his piano bench to emphasize a rhythm, and even bash elbows and forearms onto the keys in search of different tones. Monk released the charting Criss-Cross and Monk’s Dream in 1963 and landed on the cover of Time a year later. After leaving Columbia in 1971, he recorded and played live only sporadically. From 1976 until his death in 1982, Monk lived at the home of longtime friend Pannonica de Koenigswarter. In 1978, he was honored by President Jimmy Carter during a White House jazz party.
Monk was born in Rocky Mount, North Carolina in October 1917. His family moved to New York City when he was five. He started playing piano a year later and received formal classical tutoring from age 11. He also received rigorous gospel training accompanying his church choir (in which his mother sang), and attended Stuyvesant High School, where he excelled at physics and math. Near his home were several jazz clubs, as well as the residence of Harlem stride pianist James P. Johnson, from whom Monk learned a great deal. By age 13 he was playing in a local bar and grill with a trio. A year later he was playing rent parties.
Monk gained distinction while performing at the Apollo Theater’s weekly amateur contests: He won so often, he was ultimately banned from the competition. Subsequently, he accompanied a faith healer and preacher for a year-long tour that revealed to him the subtleties and intricacies of rhythm & blues accompaniment. During the late ’30s he toured as a pianist with a gospel group, then began playing stride and swing in clubs where drummer Kenny Clarke heard and hired him for the house band at Minton’s Playhouse in 1941.
Minton’s was home to the late-night jam sessions frequented by young lions Dizzy Gillespie, Charlie Parker, Max Roach, and Bud Powell; the club served as an incubator for the emergent bebop. Monk was hired by Lucky Millinder‘s orchestra in 1942 and he also worked with the Coleman Hawkins Sextet between 1943 and 1945, making his recording debut on the 78 “Flyin’ Hawk.” Monk was a member of Dizzy Gillespie‘s big band in 1946, and started leading his own groups in 1947.
The period between 1945 and 1954 was difficult for Monk. Because his rhythmic solos reflected an uncommon use of space, and a somewhat percussive technique, some musicians and critics erroneously thought him an inferior pianist. His compositions were so harmonically and rhythmically advanced — even when employing a 12-bar blues or 32-bar ballad architecture — they confused lesser and/or lazier players.
Add to this the systemic racism of the era, his unusual name, his large physical stature, and iconic fashion sense: He wore a stylish goatee, and had a constantly changing array of colorful hats, bamboo sunglasses, and sharp cut suits. His personality that rendered him an occasionally uncommunicative introvert but also the ultimate hipster who spoke in the jazz vernacular.
All served to brand him an outsider. A trumped-up charge for drug possession (he took the rap for Powell) didn’t help, either, as it deprived Monk of his New York cabaret license in 1951, forcing him to seek work in Brooklyn and elsewhere for six years. He was also forced to rely on the freely offered financial assistance of his patron, Baroness Pannonica de Koenigswarter.
Blue Note’s Alfred Lion paid no mind to critics. He believed in Monk and recorded him extensively between 1947 and 1948 and again in 1951 and 1952. His singles were eventually compiled onto two 10″ vinyl LPs released as Genius of Modern Music, Vols. 1 & 2. The initial release, issued when Monk was 35, offered eight originals including “Epistrophy” “‘Round Midnight,” “Well You Needn’t,” Ruby My Dear,” and “Off Minor”; the second featured “Criss-Cross,” “Four in One,” and “Straight, No Chaser.”
Each of these titles reflected Monk’s trademark playing style, which incorporated silence and dissonance as forms of self-expression. Soon after that first recording session, Monk married Nellie Smith, who gave birth to his two children Barbara and T.S. Monk II.
During his time with Blue Note, Monk recorded a host of titles for Prestige including Thelonious Monk Plays and Sonny Rollins and Thelonious Monk. In 1955, Prestige sold his contract to Riverside where he released Plays the Music of Duke Ellington to appease the label. By 1956, Monk had come into his own with Brilliant Corners, considered to be his first masterpiece (due in part to its complex title track). It proved so technically demanding and harmonically complex that the album version had to be edited together from separate takes.
In 1957, he recorded Mulligan Meets Monk with Gerry Mulligan; the release helped expose him to a wider audience. With the Riverside release of the solo Thelonious Himself and Thelonious Monk with John Coltrane, the artist received belated but well-deserved acclaim. In 1957 and 1958, he won the Down Beat Critics Poll as Best Jazz Pianist. Monk also worked with classical composer Hall Overton to present his music orchestrally for 1959’s At Town Hall.
The pianist signed to Columbia in late 1961 and toured Europe for the first time with a quartet that included saxophonist Charlie Rouse, drummer Frankie Dunlop, and bassist John Ore. (Later rhythm sections would include bassists Butch Warren or Larry Gales, and drummer Ben Riley). He issued two long-players in 1962, Monk’s Dream and Criss-Cross, both compiled from EP and single sessions.
They both charted and were received enthusiastically by critics. In 1964, Monk, at the peak of his popularity, appeared on the cover of Time Magazine: He is one of only five jazz musicians to have done so. (The others were Louis Armstrong, Dave Brubeck, Duke Ellington, and much later, Wynton Marsalis.)
Columbia issued two charting titles by him that year, including Big Band and Quartet in Concert and It’s Monk’s Time. 1965 saw the release of Monk, comprised of a pair of striking originals (Teo” and “Pannonica”) and standards. It’s one of the artist’s most unjustly underrated offerings, and it’s still a radical album.
Critics complained that he wasn’t writing new music, but Monk re-recorded tunes to reinvigorate them using fresh harmonic and rhythmic approaches. His approach to standards here was to strip them to basic harmonies and rhythms then rebuild them in his own musical image. In 1965, the release of Solo Monk appeased them.
A standout in his catalog, most of its sides were cut during breaks on a 1964 West Coast quartet tour in October and November. The jaunt netted two masterful live quartet releases as well: Live at the It Club and Live at the Jazz Workshop (unreleased until the ’80s).
By 1965, Columbia had become enthralled with rock and R&B artists on its roster thanks to administrative vice-president and general manager Clive Davis, who took the helm in 1966. Jazz was losing its place of import. Still, Monk continued to record and tour for the label. The seminal Straight, No Chaser was released in 1967.
Underground, Monk‘s last Columbia record to receive acclaim during his lifetime was released in 1968 at the pinnacle of the counterculture, its iconic Norman Griner cover shot featured Monk in a makeshift bunker (actually an upscale New York photo studio) with a rifle strapped to his back and assorted grenades and handguns on a table, a cow, a tied-up Nazi, and a broken piano that he played for 90 minutes. Monk spoke only to the cow during the entire shoot.
1969’s Monk’s Blues was his last outing for the label. Recorded by Monk‘s quartet with a big band in Los Angeles, it was deemed a commercial failure. Columbia‘s disinterest, combined with Monk‘s deteriorating mental and physical health, kept him out of the studio. In January of 1970, Rouse left the band, and less than two years later, the label quietly dropped Monk from its roster.
In 1971, Japan’s Express signed him and issued Monk in Tokyo with a pick-up quartet comprised of saxophonist Paul Jeffrey, bassist Larry Ridley, and drummer Lenny McBrowne on one side, and with Toshiyuki Miyama & His New Herd Orchestra on the flip. He recruited saxophonist Pat Patrick and son Thelonious, Jr. for his quartet. Monk toured widely in 1972 with the “Giants of Jazz,” a bop supergroup consisting of Dizzy Gillespie, Kai Winding, Sonny Stitt, Al McKibbon, and Art Blakey, resulting in the Atlantic-issued live set Giants of Jazz.
That said, he accepted ever fewer live engagements. Monk cut two outings for Black Lion in London, comprised of solo and trio recordings with Blakey and McKibbon. Commercially they appeared as Something in Blue in 1972 and The Man I Love in 1973. (A final recording from these sessions appeared as Blue Sphere in 1977.)
This material, all but ignored during his lifetime, was collected for a box set by Mosaic after his death and acclaimed for the inspiration and quality in his playing. After appearances at both Carnegie Hall and Lincoln Center in 1974 and 1975, and the Newport Jazz Festivals in 1975 and 1976, Monk quit performing altogether.
With the full approval of his wife Nellie, he retired to a single room in Baroness Pannonica’s New Jersey mansion. The room contained a piano, but he seldom touched it. He spoke even less. Monk, seriously ailing, would rise, shower, put on a fresh suit, and return to bed where he spent the day watching television. In 1979, Columbia issued the two-fer Always Know, a compilation of unreleased material from his tenure with the label.
Monk died from a stroke in 1982. Having lived in the same ground floor apartment on West 63rd St. for years, New York City named it “Thelonius Monk Circle” (sic). The spelling wasn’t corrected until 2013. The year of his death, Columbia issued two stellar double-length live offerings from its vaults: Live at the It Club and Live at the Jazz Workshop.
Two years later, producer Hal Willner‘s seminal tribute to the musician, That’s the Way I Feel Now, was issued by A&M. Its track list included performances by jazz musicians such as the Carla Bley Big Band with Johnny Griffin; Steve Lacy with Elvin Jones or Gil Evans, and many others, but it also included rock and funk musicians like Was (Not Was), Joe Jackson, and NRBQ interpreting Monk‘s tunes. Mulligan Meets Monk was released by Milestone that same year.
Download the best Jazz sheet music and transcriptions from this Library.
It contained the original album appended with alternate takes — including a 21-minute version of the title tune in the process of being recorded. Mosaic, the jazz collector’s label, offered The Complete Blue Note Recordings of Thelonious Monk as its debut release. It sold out almost instantly. A few years later they followed with The Complete Vogue Recordings/The Black Lion Sessions, fomenting a major critical reappraisal of the work; they were once maligned as inferior.
In 1988, director Charlotte Zwerin‘s biographical documentary Straight, No Chaser appeared to thunderous acclaim and awards; Clint Eastwood was a executive producer.
Virtually all of Monk‘s officially released recordings have been remastered and reissued several times. In 2005, Blue Note released The Thelonious Monk Quartet with John Coltrane at Carnegie Hall to unanimous critical acclaim and chart success. Recorded during a benefit concert in 1957, the tape sat untouched in the Library of Congress until recording lab supervisor Larry Appelbaum unearthed it for restoration by Michael Cuscuna and T.S. Monk.
In 2013, Robin D.G. Kelley’s award-winning biography Thelonious Monk: The Life and Times of an American Original, was published. In 2017, the release of Les Liaisons Dangereuses 1960 contained 30 unreleased minutes of Monk‘s music cut in a single day by his quartet for Roger Vadim‘s film of the same name. In 2019, a long-lost 1968 recording of the Thelonious Monk Quartet (with Rouse, Gales, and Riley) at Palo Alto High School by Danny Scher emerged. Simply titled Palo Alto: Live at Palo Alto High School, it was set for release by Impulse! during the summer, but a dispute between Monk‘s estate and the label delayed its issue indefinitely.
The best of Thelonious Monk
Browse in the Library:
Artist or Composer / Score name | Cover | List of Contents |
---|---|---|
(500) Days Of Summer Piano Theme ( Mychael Danna, Rob Simonsen) | (500) Days Of Summer Piano Theme ( Mychael Danna, Rob Simonsen) | |
10,000 Maniacs Because The Night Piano Solo sheet music | ||
100 Golden Standards The World’s Best Piano Arrangements by the greatest pianists of the Century | The World’s Best Piano Arrangements | |
100 Great Keyboard Intros Songbook | 100 Great Keyboard Intros Songbook | |
100 Greatest Film Scores (Book) by Matt Lawson & Laurence E. MacDonald | ||
100 greatest POP songs | 100 greats pop songs | |
100 Greatest Songs of Rock & Roll, Selections From Piano Vocal Guitar Sheet Music | 100 Greatest Songs of Rock & Roll, Selections From Piano Vocal Guitar Sheet Music | |
100 Hits Simply The Best – Guitar (Die besten Songs aus Pop Rock) German | 100 Hits Simply The Best (Die besten Songs aus Pop | |
100 Jazz & Blues Greats Book | 100 Jazz & Blues Greats | |
100 Jazz Solos & Etudes by Jacob Wise | 100 Jazz solos | |
100 Light Classics For Piano Solo | 100 Light Classics For Piano Solo | |
100 Most Beautiful Christmas Songs Easy Piano Vocal | 100 Most Beautiful Christmas Songs Easy Piano Vocal | |
100 Most Beautiful Christmas Songs Piano Vocal Guitar | 100 Most Beautiful Christmas Songs Piano Vocal Guitar | |
100 Must-Know Jazz Tunes with MP3 audio tracks to Play Along | 100 Must-Know Jazz Tune – C version | |
100 of the Best Movie Songs Ever! Piano Vocal Guitar | 100 best movie songs 1&100 best movie songs 2 | |
100 Of The Best Songs Ever For The Keyboard by Daniel Scott | 100 Of The Best Songs Ever For The Keyboard | |
100 Piano Solos (100 popular standards of today arr. by Frank Booth) with guitar chords | 100 piano solos 1 | |
100 Pop Hits Of The 90’s by Dan Coates | 100 Pop Hits Of The 90’s by Dan Coates | |
100 Rock N Roll Standards Piano Vocal Guitar chords | 100 Rock N Roll Standards Piano Vocal Guitar chords contents | |
100 Songs For Kids – Easy Guitar Lyrics with Tablature | 100 Songs For Kids – Easy Guitar Lyrics | |
100 Tunes Every Musician Should Know Professional Chord Changes And Substitutions By Dick Hyman | 100 Tunes Every Musician Should Know Professional Chord Changes And Substitutions By Dick Hyman | |
100 Ultimate Blues Riffs For Piano Keyboards | 100 ultimate riffs jazz piano | |
100 Women Of Pop And Rock 100 songs by 100 artists | 100 Women Of Pop And Rock 100 songs by 100 artists Piano Vocal Guitaral Leonard | |
100 Years Of Popular Music 1980s Part Two Piano Vocal Guitar Chords | 100 Years Of Popular Music 1980s Part Two Piano Vocal Guitar Chords | |
1000 Examples of Musical Dictation (Ladukhin, Nikolay) | 1000 Examples of Musical Dictation | |
1000 Words – Final Fantasy X-2.mscz | ||
1001 Blues Licks by Toby Wine – Piano | 1001 Blues Licks by Toby Wine – Piano | |
1001 Jazz Licks A Complete Jazz Vocabulary For The Improvising Musician (Jack Shneidman) | 1001 Jazz Licks A Complete Jazz Vocabulary For The Improvising Musician (Jack Shneidman) | |
101 Cançoes Que Tocaram O Brasil Nelson Motta (Book) (Brazilian Portuguese) | ||
101 Frank Sinatra Hits For Buskers | 101 Frank Sinatra Hits For Buskers | |
101 Mississippi Delta Blues Fingerpicking Licks Guitar and TAB by Larry McCabe | Larry McCabe – 101 Mississippi Delta Blues Fingerpicking Licks | |
101 Must-Know Blues Licks (Guitar Educational) (Wolf Marshall) PDF + MP3 audio tracks Play Along with Tablature | 101 Must-Know Blues Licks (Guitar Educational) (Wolf Marshall) | |
1015 Songs – The Original Musicians’s (Musicals) | 1015 Songs – The Original, Musicians’s (Musicals) | |
106 Songs Everybody Plays | 106 Songs Everybody Plays | |
11 Short Classical Piano Pieces | 11 Short Classical Piano Pieces | |
116 Arrangements Of Baroque, Classical & Ballet Pieces For Piano Solo | 116 Arrangements Of Baroque, Classical & Ballet Pieces For Piano Solo | |
129 Easy Pieces For Piano Solo, also for beginners | 129 easy pieces for piano solo | |
12th Street RAG – Liberace Collection Book of 5 compositions | ||
12th Street Rag by Euday Bowman (Piano Solo sheet music, Noten, partition, partitura, spartito).mscz | ||
150 Best Songs For Acoustic Guitar | ||
150 More Of The Most Beautiful Songs Ever (Songbook) Piano Vocal Guitar | 150 More Of The Most Beautiful Songs Ever (Songbook) Piano Vocal Guitar | |
150 Of The Best Jazz Standards Ever | 150 Of The Best Jazz Standards Ever | |
150 Of The Most Beautiful Songs Ever 3rd Edition | 150 Of The Most Beautiful Songs Ever 3rd Edit1 and 150 Of The Most Beautiful Songs Ever 3rd Edit2 | |
16 Pop and Movies Hits Keyboard Piano Book (Mike Emerson) | 16 Pop and Movies Hits Keyboard Piano Book (Mike Emerson) | |
1600 Pennsylvania Avenue The Musical By Leonard Bernstein And Alan Jay Lerner Vocal Selections | ||
17 Moments of Spring – Mgnovenia (Mikael Tariverdiev) | ||
1812 Overture Op. 49 Thaikovsky (arr. piano solo) | ||
1950s Jazz (Fake Book lead sheet music) | 1950s Jazz (Fake Book lead sheet music) | |
20 Century Fox Theme Transcription By Deusde Coppen | ||
20 Modern BEBOP Licks – by Noah Kellman All Keys with left hands chords | 20 Modern BEBOP Licks – by Noah Kellman All Keys with left hands chords | |
200 Jazz Standards Tunes (chords progressions for C Instruments) Bob Taylor | 200 Jazz Standards Tunes (chords progressions for C Instruments) Bob Taylor | |
200 Of The Best Songs From Jazz Of The ’50s | jazz of the 50s | |
2014 Top Hits Of 2014 Songbook Piano Vocal Guitar | 2014 Top Hits Of 2014 Songbook Piano Vocal Guitar | |
2016 Top Hits Of 2016 Songbook Piano Vocal Guitar | 2016 Top Hits Of 2016 Songbook Piano Vocal Guitar | |
2018 Greatest Pop Movie Hits Songbook For Piano | 2018 Greatest Pop Movie Hits Songbook For Piano | |
2019 GREATEST POP MOVIE HITS SONGBOOK FOR PIANO PART 2 Piano sheet music (Jim Presley) | 2019 GREATEST POP MOVIE HITS SONGBOOK FOR PIANO PART 2 Piano sheet music (Jim Presley) | |
2020 Greatest Pop Piano Sheet Music Book Songbooks For Piano | 2020 Greatest Pop Piano Sheet Music Book Songbooks For Piano | |
20th Century Classics Volume 1 | 20th Century Classics Volume 1 | |
20th Century Jazz Guitar by Richie Zellon (with Tablature) | 20th Century Jazz Guitar by Richie Zellon | |
20th Century Masters Of Fingerstyle Guitar by John Stropes | 20th Century Masters Of Fingerstyle Guitar by John Stropes | |
20th Century Piano Music – Book (1990) David Burge | 20th Century Piano Music Book (1990) David Burge | |
24 Etudes Op.35 – Fernando Sor (1778 – 1839) (Musescore File).mscz | ||
24_Preludes_Op.34 Shostakovich.mscz | ||
25 Short Classical Guitar Pieces (with Tablature) | 25 Short Classical Guitar Pieces | |
262 Classic Piano Rags Various Composers | 262 Classic Piano Rags Various Composers | |
273 Easy And Intermediate Piano Pieces | 273 Easy And Intermediate Piano Pieces contents | |
28 Modern Jazz Trumpet Solos Book 2 | 28 Modern Jazz Trumpet Solos Book 2 | |
3.10 to Yuma (Marco Beltrami) | ||
30 Best Rock Guitar Songs Ever (Guitar TABs) | 30 Best Rock Guitar Songs Ever (Guitar TABs) | |
300 Sacred Songs Melody Lyrics Chords Fake Book Melody Lyrics Chords | 300 Sacred Songs Melody Lyrics Chords Fake Book Melody Lyrics Chords_compressed | |
36 Christmas Carols Songs | 36 christmas carols songs | |
38 Special Guitar Anthology Guitar Recorded Vers. with Tablature | 38 special guitar anthology | |
39 Progressive Solos For Classical Guitar (with Tablature) | 39 Progressive Solos For Classical Guitar | |
39 Progressive Solos For Classical Guitar Book 2 (with Tablature) | 39 Progressive Solos For Classical Guitar Book 2 sheet music pdf | |
40 Easy Guitar Pieces (Painted with the Sound) | ||
49 Most Popular Jazz Songs | 49 Most Popular Jazz Songs | |
5 Christmas Songs Sheet Music Trumpet in B & Piano accompaniment (Viktor Dick) | 5 Christmas Songs Sheet Music Trumpet in B & Piano accompaniement (Viktor Dick) | |
50 Broadway Shows 50 Broadway Songs | 50 Broadway Shows 50 Broadway Songs | |
50 Classical Guitar Solos In Tablature (Howard Wallach) with Tablature | 50 Classical Guitar Solos In Tablature (Howard Wallach) | |
50 Essential Bebop Heads Arranged For Guitar Tablature (best lines Charlie Parker, Dizzy Gillespie, Thelonious Monk and more) | 50 Essential Bebop Heads Arranged For Guitar Tablature (best lines Charlie Parker, Dizzy Gillespie, Thelonious Monk and more) | |
50 Jazz Standards Every Jazz Musician Needs To Know with MP3 audio tracks to Play Along | 50 Jazz Standards Every Jazz Musician Needs To Know – C version | |
50 Most Popular Classical Melodies (Easy Piano) | 50 Most Popular Classical Melodies | |
50 Of The Most Beautiful Piano Love Songs Solos Ever. | 50 OF THE MOST BEAUTIFUL PIANO LOVE SONGS SOLOS EVER | |
50 Piano Arrangements Of Hymns And Gospel Songs (Fred Bock’s Best) | 50 Piano Arrangements Of Hymns sheet music | |
50 Piano Classics – Easy | 50 piano classics | |
50 Riffs For Blues Guitar – Martin Shellard with MP3 audio to Play Along with Tablature | 50 riffs for blues guitar | |
500 Piano Intros For The Great Standards – Steinway | 500 piano intros | |
55 Country Classics (Voice, piano, Guitar) | 55 Country Classics (Voice, piano, Guitar) | |
557 Jazz Standards (Sheet Music – in C for all instruments) swing to bop (lead sheet) | Standards (Sheet Music – Piano) | |
60 Progressive Solos For Classical Guitar By Mark Phillips (with Tablature) | ||
67 Fun Songs arranged by Jon Schmidt (Piano) | ||
70’s Hits (Easy Piano Solos) – Hans-Gunter Heumann [Piano, Vocal, Chords] | ||
750.000 anni fa.l’Amore (Banco del Mutuo Soccorso) | ||
75th Anniversary A Tribute In Music From The 20s Through The 90s Various Artists Warner Bros | 75th Anniversary A Tribute In Music From The 20s Through The 90s Various Artists Warner Bros | |
78 Quarterly No 1 and 2 (1967) Book magazine | ||
8 ½ Theme (Nino Rota) | ||
8 Femmes (Krishna Levy) | ||
8 Jazz scales you need to know.mscz | ||
80 Most Requested LDS Songs (Mormon music) | 80 Most Requested LDS Songs (Mormon music) | |
88 Piano Classics For Beginners – David Dutkanicz | 88 Piano Classics For Beginners – David Dutkanicz | |
88 The Giants Of Jazz Piano by Robert L. Foerschuk (Book) foreword by Keith Jarrett | ||
9 easy guitar pieces – Sveinn Eythorsson | ||
97 Oeuvres pour Guitare de Jean Francois DELCAMP | 97 Oeuvres pour Guitare de Jean Francois DELCAMP | |
99 Easy Piano Pieces | 99 Easy Piano Pieces | |
A Beautiful Mind – A Kalidoscope of Mathematics | ||
A Beautiful Mind – All Love Can Be | A Beautiful Mind – All Love Can Be | |
A Beautiful Mind – Kalidoscope | ||
A Child Is Born – Oscar Peterson (Musescore File).mscz | ||
A Chordal Concept For Jazz Guitar by Peter O’Mara | A Chordal Concept For Jazz Guitar by Peter O’Mara | |
A Ciascuno il Suo (Luis Bacalov) | ||
A Clare Benediction – John Rutter – Piano Solo Arr. (Musescore File).mscz | ||
A Clockwork Orange (Beethoviana) | A Clockwork Orange (Beethoviana) | |
A Clockwork Orange (Beethoviana) (Musescore File).mscz | ||
A Comparative Study Of The 24 Preludes Of A. Scriabin And Sergei Rachmaninoff (book) | ||
A Complete Course of Instruction For The Piano-Forte (Dr Karl Merz) (1885) | Instruction… | |
A Cool Yule. Ten Jazzy Christmas Songs | A Cool Yule. Ten Jazzy Christmas Songs | |
A Creative Approach To Jazz Piano Harmony Bill Dobbins | A Creative Approach To Jazz Piano Harmony Bill Dobbins | |
A Creative Approach To Practicing JAZZ – by David Baker | A Creative Approach To pravtising Jazz | |
A Dance of Dragons – Blood of the Dragon (Game of Thrones) Piano solo arr. | ||
A Dictionary of Music and Musicians Vol. 4 (A.D. 1450-1880) Edited in 1889 |