The Doobie Brothers – Listen To The Music (Reprise) [Live 2018 From The Beacon Theater]
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Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 109 – Fusion | Jazz Play Along Vol 109 [Fusion] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 11 – Herbie Hancock | Jazz Play Along Vol 011 – [Herbie Hancock] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 111 – J.J. Johnson | Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 111 – J.J. Johnson | |
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Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – vol 115 – Ron Carter | Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – vol 115 – Ron Carter | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 12 – Duke Ellington | Jazz Play Along Vol 012 – [Duke Ellington] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 13 – Cannonball Adderley | Jazz Play Along Vol 013 – [Cannonball Adderley] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 14 – Benny Golson | Aebersold – Vol 14 – Benny Golson | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 15 – Payin’ Dues | Aebersold – Vol 15 – Payin’ Dues | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 15 – Payin’ Dues – Complete Bass Lines | Aebersold – Vol 15 – Payin’ Dues – Complete Bass Lines | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 16 -Turnarounds, Cycles & II V7’s | Jazz Play Along Vol 016 – [Turnarounds, Cycles & II-V7’s] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 17 – Horace Silver | Jazz Play Along Vol 017 – [Horace Silver] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 18 – Horace Silver | Jazz Play Along Vol 018 – [Horace Silver] | |
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Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 21 – Gettin’ It Together (& Supplement) | Jazz Play Along Vol 021 – [Gettin It Together] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 22 – Favorite Standards | Jazz Play Along Vol 022 – [Favorite Standards] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 23 – One Dozen Standards | Jazz Play Along Vol 023 – [One Dozen Standards] | |
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Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 26 – Scale Syllabus | Jazz Play Along Vol 026 – [Scale Syllabus] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 27 – John Coltrane | Jazz Play Along Vol 027 – [John Coltrane] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 28 Jazz Play Along Vol 028 – [Giant Steps] | Jazz Play Along Vol 029 – [Play Duets With Jimmy Raney] Jazz Play Along Vol 028 – [Giant Steps] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 29 – Play Duets With Jimmy Raney | Jazz Play Along Vol 029 – [Play Duets With Jimmy Raney] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 30 – Rhythm Section Workout | Jazz Play Along Vol 030 – [Rhythm Section Workout] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 31 – Bossa Novas | Jazz Play Along Vol 031 – [Bossa Novas] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 32 – Ballads | Jazz Play Along Vol 032 – [Ballads] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 33 – Wayne Shorter | Jazz Play Along Vol 033 – [Wayne Shorter] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 34 – Jam Session | Jazz Play Along Vol 034 – [Jam Session] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 35 – Cedar Walton | Jazz Play Along Vol 035 – [Cedar Walton] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 36 – Bebop & Beyond | Jazz Play Along Vol 036 – [Bebop & Beyond] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 37 – Sammy Nestico | Jazz Play Along Vol 037 – [Sammy Nestico] | |
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Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 39 – Swing Swing Swing | Jazz Play Along Vol 039 – [Swing, Swing, Swing] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 40 – ‘Round Midnight | Jazz Play Along Vol 040 – [‘Round Midnight] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 41 – Body and Soul | Jazz Play Along Vol 041 – [Body and Soul] | Jazz Play Along Vol 041 – [Body and Soul – Jazz Piano Voicings] |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 42 – Blues in All Keys | Jazz Play Along Vol 042 – [Blues In All Keys] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 44 – [Autumn Leaves] | Jazz Play Along Vol 044 – [Autumn Leaves] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 45 – Bill Evans – COMPLETE | Jazz Play Along Vol 045 – [Bill Evans] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 46 – Out Of This World | Jazz Play Along Vol 046 – [Out Of This World] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 47 – Rhythm changes in all keys | Jazz Play Along Vol 047 – [I Got Rhythm Changes In All Keys] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 48 – In a Mellow Tone | Jazz Play Along Vol 048 – [In A Mellow Tone] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 49 – Sugar | Jazz Play Along Vol 049 – [Sugar] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 50 – The Magic Of Miles | Jazz Play Along Vol 050 – [The Magic of Miles] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 51 – Night And Day | Jazz Play Along Vol 051 – [Night and Day] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 52 – Collector’s Items | Jazz Play Along Vol 052 – [Collector’s Items] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 53 – Clifford Brown | Jazz Play Along Vol 053 – [Clifford Brown] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 54 – Maiden Voyage | Jazz Play Along Vol 054 – [Maiden Voyage] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 55 – Yesterdays -Jerome Kern | Jazz Play Along Vol 055 – [Yesterdays – Jerome Kern] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 56 – Thelonious Monk (Book Cd) | Jazz Play Along Vol 056 – [Thelonious Monk] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 57 – Minor Blues in All 12 Keys | Jazz Play Along Vol 057 – [Minor Blues In All Keys] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 58 – Unforgettable Standards | Jazz Play Along Vol 058 – [Unforgettable Standards] | |
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Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 60 – Freddie Hubbard | Jazz Play Along Vol 060 – [Freddie Hubbard] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 61 – Burnin’!!! | Jazz Play Along Vol 061 – [Burnin’] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 62 – Wes Montgomery | Jazz Play Along Vol 062 – [Wes Montgomery] | |
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Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 66 – Billy Strayhorn | Jazz Play Along Vol 066 – [Billy Strayhorn] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 67 – Tune Up | Jazz Play Along Vol 067 – [Tune Up] | |
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Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 70 – Killer Joe | Jazz Play Along Vol 070 – [Killer Joe] | |
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The Doobie Brothers (official site)
Born out of Northern California’s chaotic, late-1960s musical stew, The Doobie Brothers’ rugged, real and authentic approach to rock and roll made them biker bar stalwarts. But their self-titled debut album in ’71 went beyond just leather and motorcycles, revealing even more musical layers; sweet three-part harmonies and rootsy, introspective, acoustic flavors.
The Doobie Brothers’ legacy has been built upon not just hit records, but also an unrivaled commitment to musical integrity and a steadfast allegiance to their enthusiastic fan base. The bands ability to evolve in a constantly changing industry and connections to generations of listening audiences is a testament to their craft.
It all began in 1969, when a drummer named John Hartman arrived in Northern California. He was there to meet Skip Spence from the band Moby Grape and become part of a supposed band reunion that never quite got off the ground. But it wasn’t all for naught. Spence (who had also played in the Jefferson Airplane) introduced Hartman to his friend Tom Johnston, a local singer/songwriter/guitarist -and they connected. Hartman and Johnston began playing local Bay Area bars. They soon met singer/guitarist Pat Simmons, whose finger-style playing richly complimented Johnston’s R&B strumming-style, and the foundation for The Doobie Brothers was set.
While their debut album in 1971 did not chart, just a year a later, their second record, Toulouse Street, became a breakout sensation. Producer Ted Templeman helped the band craft a sound that was organic, yet radio friendly, and brought in Little Feat keyboardist Bill Payne to add unique musical textures.
From there The Doobies hit the road, tirelessly working their way around the world. They established themselves with a breathtaking run of hits on Warner Bros. Records that tapped into a myriad of American styles. “Listen to the Music,” “Jesus is Just Alright,” “China Grove,” “Black Water,” “Rockin’ Down the Highway,” “Long Train Runnin’” and other anthemic singles confirmed their status as fine craftsman who could also rock arenas.
In 1974, Steely Dan co-lead guitarist and session legend Jeff “Skunk” Baxter joined the band as third guitarist, one of many unique and talented players who would revolve in and out of the band over the years. The group’s expanded lineup was augmented in 1975 by Michael McDonald, whose soulful vocals and songwriting led to the hits “What a Fool Believes,” “Minute by Minute,” “Takin’ It To The Streets,” and “You Belong To Me.” Multi-instrumentalist and vocalist, John McFee, joined in 1978 bringing his wide range of musical styles and experience recording with Van Morrison, Steve Miller, Elvis Costello, and The Grateful Dead to The Doobies’ sound.
The collaborative, almost communal sense of family within the band allowed them to stay fresh and unpredictable over the years, while never forsaking their deep American musical roots, boogie-jams and all.
After a respite in the early 80s, the band reunited in 1987 for a series of gigs benefiting veterans’ groups and children’s charities (ultimately raising millions). Those shows at the Hollywood Bowl were the fastest sell-outs since the Beatles had played there more than 20 years earlier. In a Los Angeles Times poll the year before, fans voted Led Zeppelin and The Doobie Brothers the bands they wanted most to see reunite.
Continuing to record, The Doobies released World Gone Crazy in 2010, produced by Ted Templeman, and Southbound on Arista Nashville in 2014. Southbound, produced by David Huff, featured new recordings of the band’s iconic hits, with country music’s biggest stars including Blake Shelton, Zac Brown Band, Brad Paisley, and Toby Keith.
The Doobie Brothers were inducted into the Vocal Group Hall of Fame in 2004, have won four GRAMMY® Awards and sold more than 48 million records worldwide (including three multi-platinum, seven platinum, and 14 gold albums). Their 1976 Best of the Doobies has sold more than 12 million copies, earning rare RIAA Diamond status. Their No. 1 gold-certified singles “Black Water” (1974) and “What a Fool Believes” (1979) lead a catalog of hits that includes “Listen to the Music,” “Jesus Is Just All Right,” “Rockin’ Down the Highway,” “Long Train Runnin’,” “China Grove,” “Take Me In Your Arms,” Takin’ It to the Streets,” “Minute by Minute,” “You Belong to Me,” and “The Doctor.” In all, The Doobies have tallied five Top 10 singles and 16 Top 40 hits.
“We’re basically an American band – we cover a lot of areas,” says Johnston. “We cover blues, R&B, country, bluegrass, and rock ‘n’ roll. It’s based on rhythms, rhythm structures, picking, and harmonies. That’s been the signature of the band.” He continues, “You take Pat, who comes from a folk/blues background, with a lot of picking and stuff like that; he was a big fan of Rev. Gary Davis and Dave Van Ronk. I come from a blues, soul, R&B, and rock ‘n’ roll background. Then you stick John McFee into that mix. John came from a country background when he started out and was in the country band Southern Pacific. And he is a session musician – he’s played with everybody from Steve Miller to Van Morrison to Elvis Costello. If it’s got strings, he can play it.”
“We all have the same work ethic,” says multi-instrument virtuoso McFee, self-described as the “new guy.” “Tom, Pat and I are still surging ahead. We’ve stayed together as friends as well as musicians. We are compelled to challenge ourselves. I mean, I love playing the old songs. But when we’re working on new material now, I think we’re coming up with better parts. The band has always been good, so it’s kind of like we’re competing with ourselves. But honestly, we’re playing better than ever.”
Simmons notes, “We didn’t really sit around and think, ‘Oh, we need this element or that element.’ The music has always been an honest representation of whatever we happen to be working on at the time. We had all been playing music for a long time before we put the band together, and our roots influences are what come out. Those influences always overtake whatever conceptual ideas you might have. It’s always been that way with this band — you always return to who you really are.”
The ability of The Doobie Brothers’ music to connect with the essentials of people’s lives in tuneful, affecting songs has developed an audience that spans generations today. Known for their dynamic live performances, the band plays close to 100 shows a year touring worldwide, delighting concert goers of all ages.
Simmons adds, “We have a hardcore fan base that has handed our music down through the years to their children and their children’s children. Repeatedly, people go to our concerts and come up to us and say, ‘My dad turned me on to you guys years ago, and I’ve loved you guys all this time, and my kids are listening to you now.”
“And the songs that people all know, be it ‘Listen to the Music,’ ‘Black Water’ or ‘China Grove,’ are still getting played,” Johnston adds. “Any song that stands the test of time for 40 years or is getting played around the country on a daily basis – that to me is a testament to the quality of the tunes, and that they have something to say that resonates with people. I’d like to say this band has been relevant – it’s been relevant musically, it’s been relevant lyrically, and we’ve always put out a high quality of music.”
They take none of it for granted. And their music has proven to be relatable for generations since they first came together, which is why they continue to make new music. The fundamental appeal that has drawn listeners to this group for four decades may be best expressed by Simmons:
“In a certain sense, what this band has always had in common with everyone else is the word ‘hope.’ We hoped we would make some good music, and we hoped there would be some acceptance, and we hoped that things would get better in the world. In that respect, we’re just the same – we’re still hopeful about the future.”
The mere name of the band gives one hope. And it makes you think, it makes you feel, and makes you appreciate the efforts of one of America’s most dependable musical outfits. It takes you back, while also helping you look ahead.
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