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Carousel Waltz — from the Musical Carousel by Richard Rodgers (Piano Solo sheet music, Noten)

Carousel is the second musical from the team of Richard Rodgers (music) and Oscar Hammerstein II (book and lyrics). The 1945 work was adapted from Ferenc Molnár’s 1909 play Liliom, which transplanted its Budapest setting to the Maine coast.
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It is a love story between Billy Bigelow, the worker of a horse attraction and a miller, Julie Jordan, which puts their jobs in danger. In order to help Julie and her unborn child, he tries to pull off a robbery, which goes wrong. Despite everything, he is given the opportunity to do things right.
A secondary plot line deals with mill worker Carrie Pipperidge and her romance with ambitious fisherman Enoch Snow. The show includes the well-known songs ‘If I Loved You’, ‘June Is Bustin’ Out All Over’ and ‘Never Walk Alone’. Richard Rodgers later wrote that Carousel was his favorite of all his musicals.
After the spectacular success of Rodgers and Hammerstein’s early musicals, Oklahoma! (1943), the pair sought to collaborate on another piece, knowing that any resulting work would be compared to Oklahoma!, most likely unfavorably. Initially they were reluctant to seek the rights to Liliom; Molnár had refused permission to adapt the play in the past, and the original ending was considered depressing for musical theater.
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After acquiring the rights, the team created a work with long music sequences and made the ending more hopeful.
The musical required considerable modification during out-of-town tryouts, but once it opened on Broadway on April 19, 1945, it was an immediate hit with critics and audiences. Carousel initially ran for around 890 performances and doubled its success in the West End in 1950. Although it has never achieved as much commercial success as Oklahoma!, the play has been repeated and recorded several times.
A production by Nicholas Hytner was successful in 1992 in London, in 1994 in New York and on tour. In 1999, Time magazine named Carousel the best musical of the 20th century.
Rodgers designed Carousel to be an almost continuous stream of music, especially in Act 1. In later years, Rodgers was asked if he had considered writing an opera. He stated that he had been sorely tempted to, but saw Carousel in operatic terms. He remembered, “We came very close to opera in the Majestic Theatre. … There’s much that is operatic in the music.”
Artist or Composer / Score name | Cover | List of Contents |
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Bullet For My Valentine – Forever And Always | ||
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Burgmüller – Innocence ABRSM Grade 3 Piano (Musescore File).mscz | ||
Burgmüller 12 Brilliant And Melodious Studies Op 105 Piano |
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Burgmuller Arabesque | Burgmuller-Arabesque | |
Burgmuller F. – 109 – 18 Etudes de genre (ed.Litolff) |
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Burkhard Oh My Papa (O Mein Papa) |
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Burlesque (Music from the picture Soundtrack) |
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Burt Bacharach Raindrops Keep Fallin On My Head (Guitar) |
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Burt Bacharach – I Say A Little Prayer | ||
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Burt Bacharach – Raindrops Keep Falling On My Head (from the film Butch Cassidy and the Sundance Kid) |
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Burt Bacharach – That’s What Friends are For (Piano Solo arr.) |
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Burt Bacharach – That’s What Friends Are For (Piano Solo Arr.) (Musescore File).mscz | ||
Burt Bacharach – The Look Of Love | ||
Burt Bacharach – The Piano Solos (Piano and guitar chords symbols) |
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Burt Bacharach Anthology Songbook |
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Byrd – Charlie Byrd Jazz and Samba For Guitar The Music Of Jobim |
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Byrd – Charlie Byrd Jazz and Samba For Guitar The Music Of Jobim sheet music pdf |
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C64 Elektra Glide – Gil Scott Heron |
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Cabaret Piano Vocal Score from the film Cabaret music by John Kander |
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Caetano Veloso vol 1 (Guitar songbook) |
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Caetano Veloso vol 1 (Guitar songbook) |
Caetano Veloso vol 2 (GUITAR songbook) |
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Calamity Jane by Sammy Fain Piano Vocal Score (Musical Operetta in two acts) | Calamity Jane by Sammy Fain Piano Vocal Score (Musical Operetta in two acts) | |
Calming Piano Solos 35 beautiful solos |
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Calming Piano Solos Easy Piano Edition |
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Cambridge companion to blues and Gospel music – Allan Moore (book) |
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Cambridge Companion to Mozart – Simon P.Keefe (book) |
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Camel Songbook (Guitar Tabs) Melody-Lyrics-Guitar |
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Camel Songbook (Guitar Tabs) Melody-Lyrics-Guitar |
Camello Larrea – Camino Verde (Guitar) Bolero |
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Camila Cabello – Havana Sheet Music – sheet music |
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Camila Cabello Camila Songbook (Cabello Camila) |
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Camila Cabello Camila Songbook (Cabello Camila) |
Camille Saint-Saëns – The Swan (Piano solo arr.) |
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Camille Saint-Saens On Music And Musicians (Book) by Roger Nichols (Biography) |
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Camillo Bargoni Concerto D’autunno (Autumn Concerto) Piano Solo |
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Can’t Take My Eyes Off You by Bob Crewe and Bob Gaudio |
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Canarios – Gaspar Sanz (1640 – 1710) (Musescore File).mscz | ||
Canarios – Gaspar Sanz Guitar Tablature.mscz | ||
Cançao Italiana Italian Songs |
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Italians songs |
Cancionero Rock (Español – Spanish) |
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Cançó de bres per a una princesa negra – Voice & Piano acc. |
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Candido Pej – Ave Maria | ||
Candlelight Beautiful Piano Solos Vol 1 Tom Roed |
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Candlelight Beautiful Piano Solos Vol 1 Tom Roed |
Candlelight Jazz Jazz Piano Solos Series Volume 43 |
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Candyman – Candyman Theme – Philip Glass | ||
Cannonball Adderley – Omnibook For Eb E Flat Instruments (Cannonball Adderley) |
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Cannonball Adderley – Omnibook For E-Flat Instruments (Cannonball Adderley) |
Cannonball Adderley Solo Transcriptions |
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Cannonball Adderley Solo Transcriptions |
Canon (Pachelbel) D Major Variation by Thomas Andersen | Canon (Pachelbel) D Major Variation by Thomas Andersen | |
Canon in D – Pachelbel – Guitar Tabs |
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Canon In D – Pachelbel – Guitar Tabs (Musescore File).mscz | ||
Canon in D–Piano or Organ Solo (Sheet Music) – Johann Pachelbel & Marion Verhaalen |
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Canon Pachelbel D Major | Canon-Pachelbel-D-Major | |
Cantique De Jean Racine – G. Fauré (Musescore File).mscz | ||
Canzone arrabbiata (Nino Rota) | ||
Canzone per Donatella – Quando l’amore è sensualità OST (Ennio Morricone ) | ||
Canzone per la Sera (La Piovra 4) Ennio Morricone | ||
Canzone per te (Sergio Endrigo) | ||
Canzonetta (Violin concerto 2nd mov.) P. I. Tchaikovsky | ||
Captain America March by Alan Silvestri Piano Solo arr. |
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Caravan (Chocolat OST) Rachel Portman | ||
Caravan Jazz Standard Duke Ellngton Juan Tizol arr. Carsten Gerlitz |
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Careless whisper (George Michael) | ||
Carillon – For a few dollars more (Ennio Morricone) | ||
Carl Czerny – 100 Progressive Studies Op. 139 No. 26 To No. 30 (Musescore File).mscz | ||
Carl Czerny – 100 Progressive Studies Op.139 No. 16 To No. 20 (Musescore File).mscz | ||
Carl Davis Pride And Prejudice Main Theme Piano Solo Sheet Music |
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Carl Orff – Carmina Burana – Voice & Piano (Arr Piano Solo Erik Chumachenco) |
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Carl Orff – Carmina Burana – Full Score | Carmina Burana (complete score) | |
Carl Tausig Study 91 For Piano |
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Carla Bley by Amy C Beal (Book) |
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Carla Bley More Lead Sheets Songbook | Carla Bley More Lead Sheets Songbook | |
Carla Bley Songbook (20 LEAD SHEETS Carla Bley favorite works) |
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Carlos Gardel -Por una cabeza (guitar) |
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Carlos Gardel -Por una cabeza (piano) |
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Carlos Gardel Tangos Guitar |
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Carlos Gardel Tangos |
Carlos Guastavino Tres Romances Argentinos for two pianos |
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Carlos Guastavino – Tres Romance Nuevos (Piano Solo) |
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Carlos Lyra Harmonia Pratica Da Bossa Nova Metodo para Violao (Portugues) |
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Carlos Lyra Songbook – Almir Chediak (Guitar) |
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Carlos Santana – In Session with Carlos Santana with audio MP3 |
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Carlos Santana – Jam with Playback Guitar with audio MP3 |
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Carlos Santana – Supernatural |
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Carlos Santana Best Of Carlos Santana Guitar TABs by Wolf Marshall Signature licks |
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Santana – Best Of Carlos Santana Signature licks by Wolf Marshall |
Carlos Santana Best Of Santana Piano Vocal Guitar |
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Carlos Santana Best Of Santana Piano Vocal Guitar |
Carlos Santana Greatest Hits 10 full score transcriptions Guitar TABs |
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Carlos Santana Off The Record Full Score |
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Carlos Santana Shaman Guitar Songbook |
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Carlos Santana Shaman |
Carlos Santana Teaches The Art And Soul Of The Guitar (Guitar TABS) Masterclass |
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Carlos Santana The Very Best Of Santana Guitar Tablature |
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Carly Comando Everyday |
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Carly Simon – Anthology (Piano Vocal Guitar Artist Songbook) |
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Carol Of The Bells – M.D. Leontovych (Ucranian Christmas Carol Easy Piano) (Musescore File).mscz | ||
Carole King – Beautiful – sheet music The Musical |
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Carole King – Best of Carole King (Songbook) |
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Carole King – Tapestry Piano, Vocal and Guitar Chords |
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Carole King – Tapestry Piano, Vocal and Guitar Chords Contents |
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Carole King Classics Piano, Vocal and Guitar Chords | Carole King Classics Piano, Vocal and Guitar Chords | |
Carole King Collection Songbook For Guitar |
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Carole King Deluxe Anthology Piano Vocal Guitar |
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Carole King Keyboard Book Note For Note Keyboard Transcriptions |
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Carole King The Best Of Song Book |
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Carole King You Make Me Feel Like A Natural Woman Piano Vocal Guitar (Goffin, King, Wexler) | Carole King You Make Me Feel Like A Natural Woman Piano Vocal Guitar (Goffin, King, Wexler) | |
Caroline Shaw And The Swallow (Psalm 84) | Caroline Shaw And The Swallow (Psalm 84) | |
Caroline Shaw To The Hands Full Score | Caroline Shaw To The Hands Full Score | |
Carols For Guitar Arr John Duarte |
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Carolyn Miller Dreams And Imagination 10 Original Piano Solos Later Elementary to early intermediate |
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Carousel A Musical Play Piano Conductor by Rodgers and Hammerstein 2nd |
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Carousel Musical Vocal Selections Richard Rodgers And Oscar Hammerstein II |
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Carousel Musical Vocal Selections Richard Rodgers And Oscar Hammerstein II |
Carousel Waltz – from the Musical Carousel by Richard Rodgers.mscz | ||
Carousel Waltz – Prologue from the Musical Carousel by Richard Rodgers (Piano Solo) |
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Carpenters Anthology |
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Carpenters Anthology |
Carpenters I Need To Be In Love Piano Vocal guitar |
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Carpenters The – (They Long to Be) Close To You Another ver. | Carpenters, The – (They Long to Be) Close To You | |
Carpenters – (They Long To Be) Close To You Piano, guitar & vocal (2 versions) | Carpenters – (They Long To Be) Close To You |
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Carpenters – Close To You | ||
Carpenters – Crystal Lullaby | ||
Carpenters – For All We Know |
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Carpenters – Hurting Each Other |
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Carpenters – I Won’t Last a Day Without You |
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Carpenters – It’s easy to play Carpenters |
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Carpenters – It’s easy to play Carpenters |
Carpenters – Rainy Days & Mondays |
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Carpenters – Sing (from Sesame Street) |
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Carpenters – Superstar |
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Carpenters – There’s Kind of a Hush |
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Carpenters – Top Of The World |
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Carpenters – We’ve Only Just Begun |
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Carpenters – Yesterday Once More |
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Carpenters The – Love Songs |
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Carpenters |
Carpenters The Musical Legacy (Book) by Mike Cidoni Lennox & Chris May |
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Carrie Underwood – Ill Stand By You | ||
Carrillo Isolina Dos Gardenias |
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Carroll, Walter Forest Fantasies |
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CARS (Disney) Our Town – James Taylor |
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Carsten Gerlitz – Best of Bar Piano |
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Best of bar piano |
Carsten Gerlitz – Chanson d’Amour 16 Famous French Pop songs |
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Carsten Gerlitz – Chanson d’Amour 16 Famous French Pop songs contents |
Carsten Gerlitz – Christmas Time (25 Famous Christmas songs) |
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Carsten Gerlitz Christmas Time contents |
Musical numbers
Act I “The Carousel Waltz” – Orchestra “You’re a Queer One, Julie Jordan” – Carrie Pipperidge and Julie Jordan “(When I Marry) Mister Snow” – Carrie “If I Loved You” – Billy Bigelow and Julie “June Is Bustin’ Out All Over” – Nettie Fowler and Chorus “(When I Marry) Mister Snow” (reprise) – Carrie, Enoch Snow and Female Chorus “When the Children Are Asleep” – Enoch and Carrie “Blow High, Blow Low” – Jigger Craigin, Billy and Male Chorus “Soliloquy” – Billy | Act II “This Was a Real Nice Clambake” – Carrie, Nettie, Julie, Enoch and Chorus “Geraniums in the Winder” – Enoch * “There’s Nothin’ So Bad for a Woman” – Jigger and Chorus “What’s the Use of Wond’rin’?” – Julie “You’ll Never Walk Alone” – Nettie “The Highest Judge of All” – Billy Ballet: “Billy Makes a Journey” – Orchestra “If I Loved You” (reprise) – Billy Finale: “You’ll Never Walk Alone” (reprise) – Company |
Rodgers uses music in Carousel in subtle ways to differentiate characters and tell the audience of their emotional state.
In “You’re a Queer One, Julie Jordan”, the music for the placid Carrie is characterized by even eighth-note rhythms, whereas the emotionally restless Julie’s music is marked by dotted eighths and sixteenths; this rhythm will characterize her throughout the show. When Billy whistles a snatch of the song, he selects Julie’s dotted notes rather than Carrie’s.
Reflecting the close association in the music between Julie and the as-yet unborn Louise, when Billy sings in “Soliloquy” of his daughter, who “gets hungry every night”, he uses Julie’s dotted rhythms. Such rhythms also characterize Julie’s Act 2 song, “What’s the Use of Wond’rin’”.
The stable love between Enoch and Carrie is strengthened by her willingness to let Enoch not only plan his entire life, but hers as well. This is reflected in “When the Children Are Asleep”, where the two sing in close harmony, but Enoch musically interrupts his intended’s turn at the chorus with the words “Dreams that won’t be interrupted”.
Rodgers biographer Geoffrey Block, in his book on the Broadway musical, points out that though Billy may strike his wife, he allows her musical themes to become a part of him and never interrupts her music.
Block suggests that, as reprehensible as Billy may be for his actions, Enoch requiring Carrie to act as “the little woman”, and his having nine children with her (more than she had found acceptable in “When the Children are Asleep”) can be considered to be even more abusive.
The twelve-minute “bench scene”, in which Billy and Julie get to know each other and which culminates with “If I Loved You”, according to Hischak, “is considered the most completely integrated piece of music-drama in the American musical theater”.
The scene is almost entirely drawn from Molnár and is one extended musical piece; Stephen Sondheim described it as “probably the single most important moment in the revolution of contemporary musicals”. “If I Loved You” has been recorded many times, by such diverse artists as Frank Sinatra, Barbra Streisand, Sammy Davis Jr., Mario Lanza and Chad and Jeremy.
The D-flat major theme that dominates the music for the second act ballet seems like a new melody to many audience members. It is, however, a greatly expanded development of a theme heard during “Soliloquy” at the line “I guess he’ll call me ‘The old man’ “.
When the pair discussed the song that would become “Soliloquy”, Rodgers improvised at the piano to give Hammerstein an idea of how he envisioned the song. When Hammerstein presented his collaborator with the lyrics after two weeks of work (Hammerstein always wrote the words first, then Rodgers would write the melodies), Rodgers wrote the music for the eight-minute song in two hours.
“What’s the Use of Wond’rin’ “, one of Julie’s songs, worked well in the show but was never as popular on the radio or for recording, and Hammerstein believed that the lack of popularity was because he had concluded the final line, “And all the rest is talk” with a hard consonant, which does not allow the singer a vocal climax.
Irving Berlin later stated that “You’ll Never Walk Alone” had the same sort of effect on him as the 23rd Psalm. When singer Mel Tormé told Rodgers that “You’ll Never Walk Alone” had made him cry, Rodgers nodded impatiently. “You’re supposed to.” The frequently recorded song has become a widely accepted hymn.
The cast recording of Carousel proved popular in Liverpool, like many Broadway albums, and in 1963, the Brian Epstein-managed band, Gerry and the Pacemakers had a number-one hit with the song. At the time, the top ten hits were played before Liverpool F.C. home matches; even after “You’ll Never Walk Alone” dropped out of the top ten, fans continued to sing it, and it has become closely associated with the soccer team and the city of Liverpool.
A BBC program, Soul Music, ranked it alongside “Silent Night” and “Abide With Me” in terms of its emotional impact and iconic status.
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