Table of Contents
Ray Charles (1930-2004) Greatest Hits
Leon Russell and Ray Charles – A song for you (piano solo sheet music)
Ray Charles – Song For You by Leon Russell (LIVE at Montreux 1997)
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Ray Charles (22 Greatest Hits)
RAY CHARLES (short biography)
(Ray Charles Robinson; Albany, 1932 – Los Angeles, 2004) American singer, instrumentalist and composer, one of the most important figures in black music of the 20th century. His repertoire can be found from the most traditional blues or gospel to jazz or soul, a style in which he developed a dizzying career.
It is difficult to catalog the hundreds of recordings of him, perhaps because of the eclecticism that always characterized him. During his long career, he was awarded twelve Grammy Awards.
Blind from the age of seven, Ray Charles learned to read and compose music in the Braille system. He studied in Florida, at a San Agustín Institute, and from a very young age he participated in different musical events. Influenced by his idol King Cole, he founded a trio called the McSon Trio (also known as the Maxim Trio) in Seattle in 1948.
In 1950, he associated with Lowell Fulson, a blues singer and guitarist and perhaps his best influence, with whom he began a series of tours around the country. He was also in the bands of T-Bone Walker and Joe Turner, who were then among the standard-bearers of the blues.
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His recording career began in 1953, when he was hired by the agent Ahmet Ertegun, who introduced him to the Atlantic Records company. From then on, Ray Charles would be known as one of the leading and essential figures of rhythm & blues. He successively lived in various cities (New Orleans, Texas) and, after joining Ruth Brown, formed a band that also included David Newman (sax) and Joe Bridgewater (trumpet). In the mid-1950s, Ray Charles created that kind of magnificent fusion between blues, gospel and swing, and imposed the frenetic rock & roll on his music as well.
Already with his song I got a woman (1954) he was at the top of black music. However, this was only the beginning. Later, other great successes would come, such as Hallelujah or I love her so , in which she introduced the electric piano in rhythm & blues bands as a novelty.
These bands, on the other hand, already resembled large orchestras, in which it was possible to find trumpeters like Joe Hunt or Marcus Belgrave, sax players like Hank Crawford, David Newman or Don Wilkerson, and double bass players like Edgar Willis, as well as some another female choir (the so-called Raelets ) with singers as outstanding as Mary Ann Fisher or Marjorie Hendrix.
During the fifties, which were mostly of international projection, he participated in projects of well-known jazz musicians, such as Milt Jackson (with whom he recorded the famous Soul Brothers ), Betty Carter, Oscar Pettiford, Kenny Burrell or Billy Mitchell.
He also triumphed in some charismatic festivals such as the one in Newport (1958) or in the temple of jazz, the well-known Carnegie Hall (1959). In 1960 she visited Europe and was successful with her hit , De Ella Georgia in my mind ; in the old continent, in the eighties, he would be even more recognized than in the United States.
Ray Charles was one of the myths of rhythm & blues. His style, very personal and effective, influenced in the first instance by Louis Jordan, Charles Brown and the ineffable Nat King Cole, continued to gain followers for half a century and has made him one of the most charismatic characters in the history of cinema music. His fusion of various musical styles was a find. He perfectly combined rhythm & blues and rock & roll, without forgetting his nods to jazz (for example, in his collaboration with Benny Carter) or other styles such as country, operetta, gospel or pop.
Owner of a singular voice that is recognizable by all, his figure in a suit became one of the most representative icons of 20th century music. His broken voice, marked and tragic at times, melodious and sweet at others, and installed on the border of his own interpretative resources, constituted one of his best gifts, and can be compared to those of Louis Armstrong , Nat King Cole or Bessie Smith. He also collaborated with Frank Sinatra or Ella Fitzgerald , as well as Stevie Wonder.
As a pianist, his also marked and percussive style was almost unsurpassed within the black blues style. Overlapping chords, frenetic rhythm or soft and rhythmic melodies in ballads are the most characteristic musical traits of Ray Charles at the piano. He also played, although very anecdotally, the sax. His immense popularity led him to enter the cinema: some of his films were Charles Barton’s Swingin’ Alone (1960), or Ballad in Blue Paul Henried’s (1964).
In 1978, he published his autobiography, Brother Ray.
A liver disease, which dragged on for a long time, did not prevent him, a few weeks before his death, from celebrating his 10,000th concert at the Greek Theater in Los Angeles, a milestone in the world of music. His funeral, which was attended by 1,500 people inside the religious compound and hundreds of admirers outside, featured the heartfelt musical contributions of other music legends, such as BB King , Steve Gander or Willie Nelson.
The last recording he made in life, an album of duets entitled Genius loves company (in which Norah Jones, Van Morrison and BB King participated, among others) was a real bestseller that was placed at number 2 on the charts of the America’s bestsellers.
In February 2005, the album was awarded eight Grammy Awards at the 47th edition of this competition, including the best album, to which must be added the duet he formed with the singer Norah Jones, which was awarded another prize for the best recording of the year. In January 2005, a feature film about his life entitled Ray, directed by Taylor Hackford and played by Jamie Foxx , who would win the Oscar for best actor for his role.
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Artist or Composer / Score name | Cover | List of Contents |
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Bach J.S. Cello Suite No. 6 arr. piano solo by Joachim Raff | ||
Bach J.S. Cello Suite No.1 arr. for piano solo | ||
Bach J.S. D’Albert Siciliano from BWV 1031 Piano solo transcription | ||
Bach J.S. Das Musikalisches Opfer BWV 1070 | ||
Bach J.S. Fifield Transcription Cantata BWV 147 Jesu, Joy of Man’s Desiring piano solo | ||
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Bach J.S. J.S.- Das Wohltemperierte Klavier I (Urtext) | ||
Bach J.S. Marcello – BWV 974 Concert no. 3 | ||
Bach J.S. My First Book of Bach favorite pieces in easy piano arrangements by D. Dutkanicz | Bach J.S. My First Book of Bach favorite pieces in easy piano arrangements by D. Dutkanicz | |
Bach J.S. Parodi Siciliano from BWV 1031 Piano solo transcription | ||
Bach J.S. Prelude XXIV | ||
Bach J.S. Ricercar 6 BWV 1079 from “The Musical Offering | ||
Bach J.S. Sarabande for cello | ||
Bach J.S. Ten Choral Preludes KiV B 27 | ||
BACH J.S. The Art Of Fugue Bach Fugues For Keyboard, 1715 1750 | ||
BACH J.S. The little music book of Anna Magdalena (20 easy pieces) | ||
Bach J.S. Toccata & Fugue Dminor for Piano | ||
Bach J.S. Two Transcriptions Of St. Matthew Passion For Piano Solo | ||
Bach J.S. Two-Voice Inventions | ||
Bach J.S.-Busoni BVB36 Prelude Fugue and Allegro BWV998 | ||
Bach J.S.-Busoni BWV 933-938 | ||
Bach J.S.-Busoni Prelude in C minor BWV 999 | ||
Bach J.S.-BWV 1055 4 hands | ||
Bach J.S.-Choral-BWV-639-Transcr-Busoni | ||
Bach J.S.-Lipatti – Two Transcriptions of Bach J.S.’s Cantatas 208 | Bach-Lipatti – Two Transcriptions of Bach’s Cantatas 208 | |
Bach J.S.-Petri – Cantata 208 “Sheep May Safely Graze” Piano solo arr. | Bach-Petri – Cantata 208 Sheep May Safely Graze | |
Bach J.S.-Siloti- Andante from Sonata for Solo Violin BWV 1003 | ||
Bach JS “Sheep May Safely Graze” from Cantata 208 (easy piano) | ||
Bach Liszt Prelude & Fugue In A Minor, Bwv 543 | ||
BACH Master Musicians Series by Malcom Boyd (eBook) Biography | ||
Bach Prelude Iv Bwv 849 Wtc I (Musescore File).mscz | ||
Bach The Goldberg Variations Cambridge Music Handbooks (eBook) | ||
Bach The Goldberg Variations Cambridge Un. Press (Book) | ||
Bach The New Bach Reader A Life Of Johann Sebastian Bach In Letters And Documents (Arthur Mendel Hans T. David Christoph Wolff) Book | ||
Bach Toccata And Fugue In D Minor (Piano Solo) (Musescore File).mscz | ||
Bach Toccata and Fugue in D Minor BWV 565 (Piano solo arr.) | ||
Bach Toccata And Fugue In D Minor Bwv 565 (Piano Solo Arr.) (Musescore File).mscz | ||
Bach Two Part Inventions (No. 1 Bwv 772) (Musescore File).mscz | ||
Bach-Bauer Die Seele Ruht..Cantata 127 for piano solo | ||
Bach-Busoni – Chaconne D minor arr. piano solo | ||
Bach-Busoni Ich Ruf’ Zu Dir Herr Bwv 639 Piano Solo Arr. (Musescore File).mscz | ||
Bach-Gouin – Harpsichord Concerto in F Minor (Arioso) BWV1056 piano | ||
Bach-Rummel Ertodt-Uns BWV22 | ||
Bach-Siloti – Praeludium In B Minor BWV 855a | Bach-Siloti – Praeludium In B Minor Bwv 855a | |
Bach-Siloti – Praeludium In B Minor Bwv 855a (Musescore File).mscz | ||
Bach-Siloti Transcription of Bach’s Air from Suite for String Orchestra No.3, BWV 1068 | ||
Bach-Stradal Trio Sonata No 4 in E minor BWV 528 | ||
Bach, Johann Sebastian – Complete Lute Music (transcribed for Guitar) | ||
Bach, J. S. Concert In D Minor Bwv 1043 For Two Violins And Piano Musescore File.mscz | ||
Bach, J.S. Jesus Bleibet Meine Freude Easy Guitar Arr. Jesu, Joy Of Man’s Desiring Cantata Nr. 147 | Bach, J.S. – – Jesu Bleibet Meine Freude Guitar arr. | |
Bach, J.S. Jesus Bleibet Meine Freude Guitar Arr. Jesu, Joy Of Man’s Desiring Cantata Nr. 147 | Bach, J.S. Jesus Bleibet Meine Freude Guitar Arr. Jesu, Joy Of Man’s Desiring Cantata Nr. 147 | |
Bach, J.S. Orchestral Suite No. 1 In C Major Bwv 1066 Passepied (Easy Piano Solo) | ||
Bach, J.S. Arioso For Piano Solo BWV 156 | ||
Bach, J.S. For Electric Guitar [Guitar SongBook] | Bach, J.S. For Electric Guitar | |
Bach, J.S. Myra Hess Chorale from Cantata 147 Jesu Joy Of Man’s desiring Hess Myra piano solo Arrangement | ||
Bach, J.S. – Jesus bleibet meine Freude Guitar arr. Jesu, Joy of Man’s Desiring Cantata Nr. 147.mscz | ||
Bach, J.S. – Jesus_bleibet_meine_Freude_Cantata_Bwv147_10_Choral SATB with Piano by Johann_Sebastian_Bach.mscz | ||
Bach, J.S. – Toccata and Fugue in D Minor (Piano Solo) | ||
Bach, J.S. Arioso (Guitar) from Cantata BWV 156 Guitar arr. by Per Orlov Kindgren | ||
Bach, J.S. Awake, tu us the Voice is calling – Wachet Auf, ruft uns die Stimme Piano solo arr. (Borwick) | ||
Bach, J.S. Chorale from Cantata 147 Jesu Joy Of Man’s desiring Easy piano solo Arr. | ||
Bach, J.S. Dinu Lipatti Pastorale in F ( Piano solo transcription) | ||
Bach, Johann Sebastian (bio book LUX-Lesebogen) (Deutsch-German) Biography | ||
Bach, JS Partitas Partita 1 | ||
Bach’s Well-tempered Clavier The 48 Preludes and Fugues (Book ) David Ledbetter | ||
Bachianas Brasileiras No. 5 (Heitor Villa-Lobos) | ||
Bachianas Brasileiras No. 5 (Heitor Villa-Lobos) 2 pianos | ||
Back To The Future | Back To The Future | |
Backstreet Boys – All I Have To Give | ||
Backstreet Boys – As Long As You Love Me | ||
Backstreet Boys – Drowning | ||
Backstreet Boys – How Did I Fall In Love With You | ||
Backstreet Boys – I Need You Tonight | ||
Backstreet Boys – I Want It That Way | ||
Backstreet Boys – Incomplete | ||
Backstreet Boys – Quit Playing Games With My Heart | ||
Backstreet Boys – Show Me The Meaning Of Being Lonely | ||
Backstreet Boys As Long As You Love Me | ||
Backstreet Boys Backstreets Back | ||
Backstreet Boys Black Blue | ||
Backstreet Boys Drowning | ||
Backstreet Boys Everybody | ||
Backstreet Boys I Want It That Way | ||
Backstreet Boys Shape Of My Heart | ||
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Baden Powell – Samba Do Aviao (Jobim) Guitar arr | ||
Baden Powell – Samba Em Preludio Guitar TAB | ||
Baden Powell – Serenata Do Adeus Guitar TABs | ||
Baden Powell Complete Brazil On Guitar transcriptions with Tablature | Baden Powell complete sheet music | |
Baden Powell Contemporary solo guitar (Book In Japanese) | ||
Baden Powell Prelude In A Minor (guitar) | ||
Baden Powell Retrato Brasileiro Choro Lento (Guitar) | ||
Baden Powell Songbook – Volume 1 (Guitar) | Baden Powell 1 | |
Baden Powell Songbook – Volume 2 (Guitar) | Baden Powell 2 | |
Baden Powell Songbook Volume 3 (Guitar) | Baden Powell songbook 3 | |
Badfinger – No Matter What | ||
Baghdarsaryan, Eduard 24 Preludes For Piano | ||
Baker’s Biographical Dictionary Of Popular Musicians 1990 Complete Vol 1 A L and Vol 2 M Z | ||
Balada Para Alessandro (Raul Di Blasio) | ||
Balázs Havasidom Freedom Piano Solo Sheet Music | ||
Ballad No Name (William Joseph) | ||
Ballade No. 1 In G Minor (Musescore File).mscz | ||
Ballads Big Book Of Ballads 2nd Edition Piano Vocal Guitar | Ballads Big Book Of Ballads 2nd Edition Piano Vocal Guitar | |
Ballads For Classical Guitar | Ballads For Classical Guitar | |
Ballads Really easy piano (24 great songs) | Ballads Really easy piano (24 great songs) | |
Ballads The Big Book Of Ballads 3rd Edition Piano Vocal Guitar | Ballads The Big Book Of Ballads 3rd Edition Piano Vocal Guitar | |
Bambina (Lara Fabian) | ||
Banana Boat Day-O – Guitarr Arr. With Tabs (Traditional Jamaican Folk Song (Sheet Music) | ||
Banana Boat Day-O – Guitarr Arr. With Tabs (Traditional Jamaican Folk Song (Sheet Music)) (Musescore File).mscz | ||
Banana phone (Raffi) | ||
Bangles – Eternal Flame | ||
Bar Piano Susi’s – Band 1 – Swing Evergreens and Pop Classics by Susi Weiss | Bar Piano Susi’s – Band 1 – Swing Evergreens and Pop Classics by Susi Weiss | |
Bar Piano Susi’s – Band 2 – Swing Evergreens and Pop Classics by Susi Weiss | Bar Piano Susi’s – Band 2 – Swing Evergreens and Pop Classics by Susi Weiss | |
Bar Piano Susi’s – Band 3 – Swing Evergreens and Pop Classics by Susi Weiss | Bar Piano Susi’s – Band 3 – Swing Evergreens and Pop Classics by Susi Weiss | |
Bar Piano Susi’s – Band 4 – Swing Evergreens and Pop Classics by Susi Weiss | Bar Piano Susi’s – Band 4 – Swing Evergreens and Pop Classics by Susi Weiss | |
Bar Piano Susi’s Merry Christmas by Susi Weiss | Bar Piano Susi’s Merry Christmas by Susi Weiss | |
Bar Piano, Susi’s – Band 5 – Swing, Evergreens and Pop Classics by Susi Weiss | Bar Piano, Susi’s – Band 5 – Swing, Evergreens and Pop Classics | |
Barbara Livre D’or 18 Chansons Partition Musicale | Barbara Livre D’or 18 Chansons Partition Musicale | |
Barbara Arens Moonbeams |