Louis Armstrong – Hello Dolly LIVE
Louis Armstrong
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Alan Silvestri Contact Main Thitle Piano Solo | ||
Alan Silvestri The Avengers | Alan Silvestri The Avengers | |
Alan Walker – Faded | ||
Alan-Menken – Enchanted (Disney) | Enchanted Piano Vocal Guitar | |
Alanis Morisette – Hand In My Pocket | ||
Alanis Morisette – Hands Clean | ||
Alanis Morisette – Ironic | ||
Alanis Morisette – Thank You | ||
Alanis Morisette – That I Would Be Good | ||
Alanis Morisette – Uninvited | ||
Alanis Morisette – You Oughta Know | ||
Alanis Morrissete You Oughta Know Sheet Music | ||
Alban Berg – Schliesse Mir Die Augen Beide (Musescore File).mscz | ||
Alban Berg – Schliesse mir die Augen beide (Piano and voice Noten) | ||
Albeniz Isaac – Tango In D – Para Piano | Albeniz, Isaac – Tango In D – Para Piano | |
Albeniz For Acoustic Guitar with Audio MP3 by Laurindo Almeida | Albeniz for acoustic guitar with audio MP3 | |
Albeniz Suite Española V (Musescore File).mscz | ||
Albéniz, Isaac – Capricho Catalán (Op. 165 no. 5) (Guitarra – Guitar) | ||
Albéniz, Isaac – Capricho Catalán (Op. 165 no. 5) (Piano) | ||
Albert Ammons 5 Boogie Woogie Piano Solos Sheet Music | Albert Ammons 5 Boogie Woogie Piano Solos Sheet Music | |
Albert Ammons – Boogie Woogie Stomp | ||
Albert Ammons – Monday Struggle | Albert Ammons – Monday Struggle | |
Albert Ammons – Shout For Joy | Albert Ammons – Shout For Joy | |
Albert Ammons – Swanee River Boogie Woogie | ||
Albert Harris Sonatina Guitar Solo | ||
Albert Harris Variations And Fugue On A Theme Of Haendel (Guitar) | ||
Albert King The Very Best Of Albert King (Guitar TABs) | Albert King The Very Best Of Albert King | |
Albert Lee – The Best Of Albert Lee Guitar Tabs | Albert Lee – The Best Of Albert Lee Guitar Tabs | |
Albinoni – Adagio (Piano Solo Version) | ||
ALBINONI-Adagio | ||
Album of Russian piano music | Russian music 1 | Russian music 2 |
Album Of Scandinavian Piano Music By Louis Oesterle Vol. 1 (25 Pieces) 1902 | Album Of Scandinavian Piano Music By Louis Oesterle Vol. 1 (25 Pieces) 1902 | |
Alegre Magín – Americana (Guitarra) Habanera (Musescore File).mscz | ||
Alegria Cirque Du Soleil Piano Vocal Guitar Chords Sheet Music | ||
Alejandro Sanz – Amiga Mia | ||
Alejandro Sanz – La Margarita Dijo No | ||
Alejandro Sanz – Y Si Fuera Ella | ||
Aleksander Vertinskiy songbook | Aleksander Vertinskiy songbook | |
Alex North – Spartacus Love Theme (piano sheet music) | Alex North Spartacus Love Theme | |
Alex North Spartacus Love Theme (Lead sheet) | Alex Norrth SpArtacus | |
Alexander Scriabin 24 Preludes Op. 11 1 To 12 Musescore File.mscz | ||
Alexandra Streliski Burnout Fugue | ||
Alexandra Streliski Le Noveau Dèpart | ||
Alexandra Streliski Par La Fenêtre De Théo | ||
Alexandra Streliski Plus Tôt | ||
Alexandra Strevisky Pianoscope | Alexandra Strevisky Pianoscope | |
Alexandre Desplat Elisas Theme Piano from The shape of water | ||
Alexandre Desplat The Shape Of Water Main Theme | ||
Alexandre Desplat – Lust Caution | Alexandre Desplat – Lust Caution | |
Alexandre Desplat – The Imitation Game | ||
Alexandre Desplat – The Meadow New Moon Piano solo Sheet Music | ||
Alexandre Desplat Almost A Kiss (From The Film New Moon) | ||
Alexandre Desplat and Lang Lang Kitty,s Theme from The Painted Veil | Alexandre Desplat and Lang Lang Kitty,s Theme from The Painted Veil | |
Alexandre Desplat Brunos Theme From Suite Fran?aise | ||
Alexandre Desplat Full Moon (From The Film New Moon) | ||
Alexandre Desplat My Week With Marilyn – Marilyn’s Theme | ||
Alexandre Desplat Ost Godzilla Main Theme | ||
Alexandre Desplat The Danish Girl Theme Piano Solo | ||
Alexandre Desplat The Imitation Game | ||
Alexandre Desplat The King Speech | Alexandre Desplat The King Speech | |
Alexandre Desplat The Power Plant from Godzilla | ||
Alexandre Desplat The Wonder Of Life | ||
Alexandrov Piano Works Vol I | ||
Alexandrov Works for Piano Vol II | ||
Alexandrov Works for Piano Vol III Sonatas | ||
Alexandrov, Anatoly 6 Preludes For Piano Op. 1 (1961) | ||
Alexis Ffrench – Bluebird | ||
Alfred Basic Adult Christmas Book Level 1 | ||
Alfred Basic Repertoire Level 4 | ||
Alfred Brendel A Pianists A-Z A Piano Lovers Reader Book | Andrew Hill 21 Piano Compositions | |
Alfred’s Basic Adult Piano Course Level 1 | Lessons Alfred’s Basic Adult Piano Course Level 1 | |
Alfred’s Basic Adult Piano Course Level 2 | Lessons Alfred’s Basic Adult Piano Course Level 2 | |
Alfred’s Basic Adult Piano Course Level 3 | Lessons Alfred’s Basic Adult Piano Course Level 3 | |
Alfred’s Basic Piano Level 2B | ||
Alfred’s Basic Piano Level 4 Jazz Rock Course | ||
Alfred’s Basic Piano Library Essentials Of Jazz Theory Book 2 | Alfred’s Basic Piano Library Essentials Of Jazz Theory Book 2 | |
Alfred’s Basic Piano Library – Solo Book Complete Levels 2 & 3 for the later beginner | Alfred’s Basic Piano Library – Solo Book Complete Levels 2 & 3 for the later beginner | |
Alfred’s Basic Piano Library – Top Hits! Solo Book – Level 4 | ||
Alfred’s Basic Piano Library Essentials Of Jazz Theory Book 1 | Alfred’s Basic Piano Library Essentials Of Jazz Theory Book 1 | |
Alfred’s Basic Piano Library Essentials Of Jazz Theory Book 3 | Alfred’s Basic Piano Library Essentials Of Jazz Theory Book 3 | |
Alfred’s Basic Piano Library Lesson Book Level 3 | ||
Alfred’s Teach Yourself To Play Guitar Everything You Need To Know To Start Playing The Guitar! (with Tablature) | ||
Alfred’s Essentials Of Music Theory, Complete (Andrew Surmani, Karen Farnum Surmani Etc.) Sheet Music | ||
Ali and Nino (Dario Marianelli) | ||
Alice Coltrane Monument Eternal (book) The Music of – by Franya J. Berkman | ||
Alice In Chains Dirt Full album Guitar TAB with lyrics | Alice In Chains Dirt Full album Guitar TAB with lyrics | |
Alicia Keys – A Woman’s Worth | Alicia Keys – A Woman’s Worth | |
Alicia Keys – A Womans Worth | ||
Alicia Keys – And I | ||
Alicia Keys – As I Am (Songbook) | ALICIA KEYS SONGBOOK | |
Alicia Keys – Butterflyz | ||
Alicia Keys – Diary | ||
Alicia Keys – Fallin | ||
Alicia Keys – Fallin’ (Sheet Music – Piano) | Alicia Keys – Fallin’ (Sheet Music – Piano) | |
Alicia Keys – Goodbye | ||
Alicia Keys – How Come You Dont Call Me | ||
Alicia Keys – If I Aint Got You | ||
Alicia Keys – Impossible | ||
Alicia Keys – Never Felt This Way | ||
Alicia Keys Diary Song Book | ALICIA KEYS DIARY SONGBOOK | |
Alicia Keys The Element Of Freedom Songbook | ALICIA KEYS | |
Alicia Keys Unplugged | ALICIA KEYS UNPLUGGED | |
Alkan, Charles Valentin Concerto For Solo Piano 1st Movement Opus 39 No. 8 In G Minor (Piano Solo Reduction) | ||
All 4 One – I Can Love You Like That | ||
All 4 One – I Swear | ||
All American Folk Complete Sheet Music Editions Volume One (Creative Concepts Publishing Corp.) | All American Folk Complete Sheet Music Editions Volume One (Creative Concepts Publishing Corp.) ( | |
All Blues For Jazz Guitar Comping Styles Chords And Grooves by Jim Ferguson Guitar Tablature | All Blues For Jazz Guitar Comping Styles Chords And Grooves by Jim Ferguson Guitar Tablature | |
All Blues Soloing For Jazz Guitar – Jim Gerguson Play Along (Book + audio MP3) with Tablature | All Blues Soloing jazz guitar | |
All By Myself – Celine Dion (Musescore File).mscz | ||
All I Want For Christmas Is You (Musescore File).mscz | ||
All Of Me – Jazz Standard Stride Piano arr. Gerald Marks and Seymour Simons | All of me (Gerald Marks and Seymour Simons) Jazz Piano Solo arr. sheet music | |
All Of Me – Jazz Standard Stride Piano Arr. Gerald Marks And Seymour Simons (Musescore File).mscz | ||
All Of Me Fingerstyle Guitar TABs By Lucas Brar Jazz Standard (Gerald Marks and Seymour Simons) | All Of Me Fingerstyle Guitar TABs By Lucas Brar Jazz Standard | |
All Of Me Gerald Marks & Seymour Simons 1931 Jazz Standard (Vintage sheet music) | All Of Me Gerald Marks & Seymour Simons 1931 Jazz Standard (Vintage sheet music) | |
All Of The Jazz Standard Vol. 1 | All Of The Jazz Standard Vol. 1 | |
All Of The Jazz Standard Vol. 2 | All Of The Jazz Standard Vol. 2 | |
All Saints – Never Ever | ||
All Sondheim Vol I Music and lyrics | All Sondheim Vol I Music and lyrics | |
All Sondheim Vol II Music and lyrics | All Sondheim Vol II Music and lyrics | |
All Sondheim Vol III Music and lyrics | All Sondheim Vol III Music and lyrics |
Louis Armstrong was born in New Orleans, Louisiana on August 4, 1901. He was raised by his mother Mayann in a neighborhood so dangerous it was called “The Battlefield.” He only had a fifth-grade education, dropping out of school early to go to work. An early job working for the Jewish Karnofsky family allowed Armstrong to make enough money to purchase his first cornet.
On New Year’s Eve 1912, he was arrested and sent to the Colored Waif’s Home for Boys. There, under the tutelage of Peter Davis, he learned how to properly play the cornet, eventually becoming the leader of the Waif’s Home Brass Band. Released from the Waif’s Home in 1914, Armstrong set his sights on becoming a professional musician. Mentored by the city’s top cornetist, Joe “King” Oliver, Armstrong soon became one of the most in-demand cornetists in town, eventually working steadily on Mississippi riverboats.
In 1922, King Oliver sent for Armstrong to join his band in Chicago. Armstrong and Oliver became the talk of the town with their intricate two-cornet breaks and started making records together in 1923. By that point, Armstrong began dating the pianist in the band, Lillian Hardin. In 1924, Armstrong married Hardin, who urged Armstrong to leave Oliver and try to make it on his own. A year in New York with Fletcher Henderson and His Orchestra proved unsatisfying so Armstrong returned to Chicago in 1925 and began making records under his own name for the first time.
Hotter Than That
The records by Louis Armstrong and His Five–and later, Hot Seven–are the most influential in jazz. Armstrong’s improvised solos transformed jazz from an ensemble-based music into a soloist’s art, while his expressive vocals incorporated innovative bursts of scat singing and an underlying swing feel. By the end of the decade, the popularity of the Hot Fives and Sevens was enough to send Armstrong back to New York, where he appeared in the popular Broadway revue, “Hot Chocolates.” He soon began touring and never really stopped until his death in 1971.
The 1930s also found Armstrong achieving great popularity on radio, in films, and with his recordings. He performed in Europe for the first time in 1932 and returned in 1933, staying for over a year because of a damaged lip. Back in America in 1935, Armstrong hired Joe Glaser as his manager and began fronting a big band, recording pop songs for Decca, and appearing regularly in movies. He began touring the country in the 1940s.
Ambassador Satch
In 1947, the waning popularity of the big bands forced Armstrong to begin fronting a small group, Louis Armstrong and His All Stars. Personnel changed over the years but this remained Armstrong’s main performing vehicle for the rest of his career. He had a string of pop hits beginning in 1949 and started making regular overseas tours, where his popularity was so great, he was dubbed “Ambassador Satch.”
In America, Armstrong had been a great Civil Rights pioneer for his race, breaking down numerous barriers as a young man. In the 1950s, he was sometimes criticized for his onstage persona and called an “Uncle Tom” but he silenced critics by speaking out against the government’s handling of the “Little Rock Nine” high school integration crisis in 1957.
Armstrong continued touring the world and making records with songs like “Blueberry Hill” (1949), “Mack the Knife” (1955) and “Hello, Dolly! (1964),” the latter knocking the Beatles off the top of the pop charts at the height of Beatlemania.
Good Evening Everybody
The many years of constant touring eventually wore down Armstrong, who had his first heart attack in 1959 and returned to intensive care at Beth Israel Hospital for heart and kidney trouble in 1968. Doctors advised him not to play but Armstrong continued to practice every day in his Corona, Queens home, where he had lived with his fourth wife, Lucille, since 1943. He returned to performing in 1970 but it was too much, too soon and he passed away in his sleep on July 6, 1971, a few months after his final engagement at the Waldorf-Astoria in New York City.