Louis Armstrong – Hello Dolly LIVE
Louis Armstrong
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Artist or Composer / Score name | Cover | List of Contents |
---|---|---|
All Sondheim Vol IV Music and lyrics | All Sondheim Vol IV Music and lyrics | |
All That Jazz piano-vocal Arrangement | ||
All The Things You Are (Guitar And Tabs) | All The Things You Are (Guitar And Tabs) | |
All The Things You Are (Guitar And Tabs) (Musescore File).mscz | ||
All The Things You Are By Jerome Kern Guitar Transcription | ||
All The Things You Are Jerome Kern Oscar Hammerstein 2nd 1940 Jazz Standard (Vintage sheet music) | ||
All Time Standards (Songbook) Jazz Guitar Tablature Chord Melody Solos (Jeff Arnold) | All Time Standards (Songbook) Jazz Guitar Tablature Chord Melody Solos (Jeff Arnold) | |
All Time Standards Piano (Arr. Gabriel Bock) | All Time Standards Piano (Arr. Gabriel Bock) | |
All You Need Is Ears George Martin with Jeremy Hornsby 1979 (Book) The story o the recording genius who created The Beatles | ||
Allan Holdsworth Just for the curious book Guitar with Tablature | ||
Allan Holdsworth Melody Chords For Guitar | ||
Allan Holdsworth Super Guitarist with TABs | Allan Holdsworth Super Guitarist with TABs | |
Alle prese con una verde Milonga (Paolo Conte) | ||
Allevi, Giovanni – Back To Life | ||
Allie Wrubel – Gone with the Wind | ||
Allman Brothers Guitar Songbook | Allman Brothers Guitar Songbook | |
Allman Brothers, Best Of The (Piano, Vocal, Guitar) | Allman Brothers, Best Of The (Piano, Vocal, Guitar) | |
Allman Brothers, The – The Definitive Collection For Guitar Vol 1 with Tablature | Allman Brothers, The – The Definitive Collection For Guitar Vol 1 | |
Alma Redemptoris Mater | ||
Almeno tu nell’universo (Mia Martini) | ||
Almir Chediak Ivan Lins Guitar Songbook Vol 2 | Ivan Lins Guitar Songbook Vol 1 by Almir Chediak | |
Alok – Hear Me Now Sheet Music | ||
Alone together (Howard Dietz & Arthur Schwartz) | Alone together (Howard Dietz Arthur SchwArtz) | |
Alone Together (Musescore File).mscz | ||
Alone Togheter Guitar Solo Transcription Jazz Standard | ||
Alphaville Forever Young (piano & Guitar) | Alphaville Forever Young (piano & Guitar) | |
Also Sprach Zarathustra Op. 30 – Richard Strauss (Musescore File).mscz | ||
Alternative Rock Sheet Music Collection | Alternative Rock Sheet Music Collection | |
Always on my mind – Elvis Presley – easy arrangement for piano, with fingering | ||
Amadeus – W.A. Mozart (film score arr. for piano solo by D. Fox) | Amadeus – W.A.Mozart | |
Amadeus (original soundtrack piano solo arrangements) | Amadeus (Film score book) Piano Solos | |
Amalia Rodriguez FADOS Melodias De Sempre (GUITAR) | Amalia Rodriguez FADOS Melodias De Sempre (GUITAR) | |
Amando amando (Renato Zero) | ||
Amar Pelos Dois (Salvador Sobral) | ||
Amarcord (Nino Rota) | ||
Amazing Grace – Tradicional (Piano ) | ||
Amazing Grace Traditional (Jazzy ver. sheet music) | ||
Amazing Phrasing – Guitar 50 Ways to Improve Your Improvisational Skills (Guitar TABs Amazing Phrasing) (Tom Kolb) | Amazing Phrasing – Guitar 50 Ways to Improve Your Improvisational Skills (Guitar TABs Amazing Phrasing) (Tom Kolb) | |
Amelie Poulain – 6 pieces for piano – Yann Tiersen – Yann Tiersen | ||
America (My Country ‘Tis of Thee Easy Piano Level 2 | ||
America Greatest Hits Piano Vocal Guitar chords | America Greatest Hits Piano Vocal Guitar chords | |
America Greatest Hits (piano & Guitar) | America greatest | |
America Horse With No Name Piano vocal | America Horse With No Name Piano vocal | |
America’s Songs The Stories Behind The Songs Of Broadway, Hollywood, And Tin Pan Alley (Philip Furia, Michael Lasser) Book | ||
American Folk Songs For Guitar with Tablature | American Folk songs | |
American Folk Songs, My First Book of – Bergerac | ||
American Indian Melodies A. Farwell Op.11 (1901) | American Indian Melodies A. Farwell Op.11-min | |
American Pie (sheet music) | ||
American Popular Music (Book) by Larry Starr and Christopher Waterman | ||
Americana – Alegre, Magín (Guitarra) | Americana – Alegre, Magín (Guitarra) | |
Amici Miei (Carlo Rustichelli) | ||
Amor mio (Battisti) | ||
Amore bello (Claudio Baglioni) | ||
Amy Beach – Op.15 Four Sketches in Autumn | ||
Amy Grant – Breath Of Heaven | ||
Amy MacDonald This Is The Life | AMY MACDONLAD | |
Amy Winehouse – Valerie | ||
Amy Winehouse – Valerie (sheet music) | ||
Amy Winehouse Amy Amy Amy | ||
Amy Winehouse Back To Black Songbook | Amy Winehouse Back To Black Songbook | |
Amy Winehouse Frank Songbook | Amy Winehouse Frank | |
Amy Winehouse I Heard Love Is Blind | ||
Amy Winehouse Just Friends | ||
Amy Winehouse Rehab | ||
Amy Winehouse You Know Im No Good | ||
An affair to remember (Harry Warren) | ||
An American In Paris An George Gershwin (Concert Band)An American In Paris An George Gershwin (Concert Band) Arr. by Naohiro Iwai | ||
An American Tail – The Marketplace – James Horner | ||
An Introduction To Bach Studies (eBook) | ||
An Irish Blessing (Musescore File).mscz | ||
An Irish Blessing (SATB) Choral | An Irish Blessing (SATB) | |
Analisis musical claves para entender e interpretar la Música (M. y A. Lorenzo) Español | ||
Analysis Of Tonal Music An Schenkerian Approach Allen Cadwallader and David Gagné (Book) | ||
Analyzing Bach Cantatas by Eric Chafe (eBook) | ||
Analyzing Schubert by Suzannah Clark (Cambridge Un. Press) (eBook) | ||
Anastacia Not That Kind Songbook | Anastacia songbook | |
Anastasia Once Upon A December arr. by John Brimhall (Piano Solo 2 Versions Easy And Intermediate) | ||
Anastasia Sheet Music songbook Piano & vocal | Anastasia Sheet Music songbook Piano & vocal | |
Ancora ancora ancora (Mina) | ||
Ancora qui (Django Unchained) Elisa – Ennio Morricone | ||
And the Waltz goes on (Anthony Hopkins) | ||
Andante (from String Quartet op. 22) P. I. Tchaikovsky | ||
Anderson Freire – So Voce Piano | ||
Andras Schiff – Music Comes Out Of Silence Book | ||
Andre Gagnon – L’air Du Soir | ||
Andre Gagnon – Le Reve De L’automne (sheet music Collection) | Andre Gagnon – Le Reve De L’automne (sheet music Collection) | |
Andre Gagnon – Les Jours Tranquilles | Andre Gagnon – Les Jours Tranquilles | |
Andre Gagnon – Meguriai | ||
Andre Gagnon – Nelligan | ||
Andre Gagnon – Petite Nostalgie | ||
Andre Gagnon – Reves D’Automne | Andre Gagnon – Reves D’Automne | |
Andre Gagnon – The Very Best Of Andre Gagnon (Sheet Music Songbook) | Andre Gagnon – The Very Best Of Andre Gagnon (Sheet Music Songbook) | |
Andre Gagnon Ciel D’Hiver | ||
Andre Gagnon Entre Le Boeuf et l’Ane Gris Musique Traditionelle | ||
André Gagnon L’air Du Soir | ||
Andre Gagnon Neiges | ||
André Gagnon Nelligan | ||
André Gagnon Origami | ||
André Gagnon Pensées Fugitives | ||
Andre Gagnon Pensées Fugitives | ||
André Gagnon Piano Solitude | Gagnon, André Piano Solitude | |
Andre Gagnon Prologue | ||
André Gagnon Selection Speciale de chansons (partitions musicales) | André Gagnon Selection Speciale de chansons (partitions musicales) | |
André Gagnon Un Piano Sur La Mer (Piano Solo Partition Sheet Music) | Gagnon André Un Piano Sur La Mer (Piano Solo Partition Sheet Music) | |
Andre Popp Paul Mauriat Love Is Blue Piano Solo Arr. | ||
André Previn – Play Like André Previn no. 1 | Andre Previn sheet music | |
Andre Previn – The Genius of (Piano Solos sheet music) | The genius of André Previn | |
Andre Rieu La Vie Est Belle (Songbook Collection As Performed By André Rieu) | Andre Rieu La Vie Est Belle (Songbook Collection As Performed By André Rieu) | |
Andrea Bocceli – Time To Say Goodbye | ||
Andrea Boccelli – Time To Say Goodbye | ||
Andrea Bocelli Romanza songbook (Guitar & Voice) | Andrea Bocelli Romanza songbook | |
Andrea Bocelli – Anthology (songbook) | ||
Andrea Bocelli – Con te partiro (Time to say Goodbye) Piano Solo arr | Andrea Bocelli – Con te partiro (Time to say Goodbye) Piano Solo | |
Andrea Bocelli – Con te partiro (Time to say Goodbye) Piano Solo.mscz | ||
Andrea Bocelli – The Best Of Songbook | Andrea Bocelli best of | |
Andrea Bocelli Celine Dion The Prayer Easy Piano And Vocal By David Foster, Carole Bayer Sager, Alberto Testa And Tony Renis | ||
Andrea Bocelli Celine Dion – The Prayer – Easy Piano and Vocal by David Foster, Carole Bayer Sager, Alberto Testa and Tony Renis.mscz | ||
Andrea Bocelli Cieli Di Toscana (Piano, guitar & Vocal) | Andrea Bocelli Cieli Di Toscana | |
Andrea Bocelli Sogno Songbook | Andrea Bocelli sogno | |
Andrea Bocelli The Prayer |
Louis Armstrong was born in New Orleans, Louisiana on August 4, 1901. He was raised by his mother Mayann in a neighborhood so dangerous it was called “The Battlefield.” He only had a fifth-grade education, dropping out of school early to go to work. An early job working for the Jewish Karnofsky family allowed Armstrong to make enough money to purchase his first cornet.
On New Year’s Eve 1912, he was arrested and sent to the Colored Waif’s Home for Boys. There, under the tutelage of Peter Davis, he learned how to properly play the cornet, eventually becoming the leader of the Waif’s Home Brass Band. Released from the Waif’s Home in 1914, Armstrong set his sights on becoming a professional musician. Mentored by the city’s top cornetist, Joe “King” Oliver, Armstrong soon became one of the most in-demand cornetists in town, eventually working steadily on Mississippi riverboats.
In 1922, King Oliver sent for Armstrong to join his band in Chicago. Armstrong and Oliver became the talk of the town with their intricate two-cornet breaks and started making records together in 1923. By that point, Armstrong began dating the pianist in the band, Lillian Hardin. In 1924, Armstrong married Hardin, who urged Armstrong to leave Oliver and try to make it on his own. A year in New York with Fletcher Henderson and His Orchestra proved unsatisfying so Armstrong returned to Chicago in 1925 and began making records under his own name for the first time.
Hotter Than That
The records by Louis Armstrong and His Five–and later, Hot Seven–are the most influential in jazz. Armstrong’s improvised solos transformed jazz from an ensemble-based music into a soloist’s art, while his expressive vocals incorporated innovative bursts of scat singing and an underlying swing feel. By the end of the decade, the popularity of the Hot Fives and Sevens was enough to send Armstrong back to New York, where he appeared in the popular Broadway revue, “Hot Chocolates.” He soon began touring and never really stopped until his death in 1971.
The 1930s also found Armstrong achieving great popularity on radio, in films, and with his recordings. He performed in Europe for the first time in 1932 and returned in 1933, staying for over a year because of a damaged lip. Back in America in 1935, Armstrong hired Joe Glaser as his manager and began fronting a big band, recording pop songs for Decca, and appearing regularly in movies. He began touring the country in the 1940s.
Ambassador Satch
In 1947, the waning popularity of the big bands forced Armstrong to begin fronting a small group, Louis Armstrong and His All Stars. Personnel changed over the years but this remained Armstrong’s main performing vehicle for the rest of his career. He had a string of pop hits beginning in 1949 and started making regular overseas tours, where his popularity was so great, he was dubbed “Ambassador Satch.”
In America, Armstrong had been a great Civil Rights pioneer for his race, breaking down numerous barriers as a young man. In the 1950s, he was sometimes criticized for his onstage persona and called an “Uncle Tom” but he silenced critics by speaking out against the government’s handling of the “Little Rock Nine” high school integration crisis in 1957.
Armstrong continued touring the world and making records with songs like “Blueberry Hill” (1949), “Mack the Knife” (1955) and “Hello, Dolly! (1964),” the latter knocking the Beatles off the top of the pop charts at the height of Beatlemania.
Good Evening Everybody
The many years of constant touring eventually wore down Armstrong, who had his first heart attack in 1959 and returned to intensive care at Beth Israel Hospital for heart and kidney trouble in 1968. Doctors advised him not to play but Armstrong continued to practice every day in his Corona, Queens home, where he had lived with his fourth wife, Lucille, since 1943. He returned to performing in 1970 but it was too much, too soon and he passed away in his sleep on July 6, 1971, a few months after his final engagement at the Waldorf-Astoria in New York City.