Be creative at the Piano (Part 1)

Table of Contents

    Browse in the Library:

    Total Records Found in the Library: 12472, showing 120 per page
    Artist or Composer / Score nameCoverList of Contents
    Autum Song (October) – Tchaikovsky The Seasons (Musescore File).mscz
    Autumn In New York (Guitar Arr. With Tab) Autumn In New York (Guitar Arr. With Tab)
    Autumn In New York (Guitar Arr.) (Musescore File).mscz
    Autumn Leaves Joseph Kosma Jazz Standard Piano Solo arr sheet music download
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    Autumn Leaves Joseph Kosma Jazz Standard Piano Solo arr.mscz
    Autumn Leaves Piano Bar Arr. Johnny Mercer Joseph Kosma Jacques André Marie Prévert Autumn Leaves Piano Bar Arr. Johnny Mercer Joseph Kosma Jacques André Marie Prévert
    Autumn Leaves – Jazz Play Along LEAD SHEET MUSIC free sheet music pdf Audio MP3 included in Aebersold’s Vol. 44 (Autumn Leaves)
    Autumn Leaves – Piano Bar Arr. Johnny Mercer Joseph Kosma Jacques André Marie Prévert (Musescore File).mscz
    Autumn leaves (Eva Cassidy)
    Autumn Leaves As Played By Bill Evans (Musescore File).mscz
    Autumn Leaves Cannonball Adderley And Miles Davis Sax Alto free sheet music & scores pdf
    Autumn Leaves Music by Joseph Kosma
    Autumn Leaves Piano Solo – as played by Hank Jones.mscz
    Autunm Leaves (Musescore File).mscz
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    Avatar sheet music Book James Horner free download sheet music & scores pdf Avatar
    Ave Maria (Joyeux Noël OST) Philippe Rombi
    Avenged Sevenfold Nightmare Guitar TAB sheet music partitura partition noten spartiti Avenged Sevenfold Nightmare Guitar TAB
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    Avishai Cohen Songbook Vol I free scores Avishai Cohen Songbook Vol I free sheet music pdf
    Avril Lavigne – Complicated
    Avril Lavigne – Freak Out
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    Avril Lavigne – Innocence
    Avril Lavigne – My Happy Ending
    Avril Lavigne – When Youre Gone
    Avril Lavigne – Why
    Avril Lavigne the Best Damn Thing Songbook free sheet music pdf Avril Lavigne the Best Damn Thing Songbook
    Avril Lavigne Under My Skin sheet music pdf Avril Lavigne Under My Skin
    Awaken (Jane Eyre OST 2011) Dario Marianelli
    Awakenings Dexter’s Tune by Randy Newman free sheet music partitura partition noten
    Away In A Manger – Guitar TABlature sheet music download
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    Ayumi Hamasaki – Voyage Ayumi Hamasaki – Voyage
    Ayumi Hamasaki All In Ayumi Hamasaki All In
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    Aziza Mustafa Zadeh – Barabashka free score
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    B Witched – Cest La Vie
    B Witched – Rollercoaster
    B. B. King Live At The Regal Guitar TAB free scores B. B. King Live At The Regal Guitar TAB
    B.B. King Anthology Guitar TAB free sheet music partitura partition noten B.B. King Anthology Guitar TAB
    B.B. King Greatest Hits sheet music pdf B.B. King Greatest Hits
    B.B. King Guitar Play Along Vol. 100 – with MP3 audio embedded with Tablature sheet music score download partitura partition spartiti Guitar Play Along Vol. 100 – B.B. King
    B.B. King The Definitive Collection Guitar Signature Licks with TABs By Wolf Marshall B.B. King The Definitive Collection Guitar Signature Licks By Wolf Marshall sheet music B.B. King The Definitive Collection Guitar Signature Licks By Wolf Marshall_compressed
    Baby Elephant Walk (Hatari OST) Henry Mancini
    Baby Elephant Walk Mancini (Musescore File).mscz
    Babyface, The Songs Of (Kenneth Brian Edmonds) free downloadsheet music & scores pdf Babyface, The Songs Of (Kenneth Brian Edmonds)
    Bach – Jesu Bleibet Meine Freude Guitar arr.mscz
    Bach – Siciliano In G Minor (Musescore File).mscz
    Bach – Siciliano in G minor Piano solo (Intermediate) sheet music
    Bach J.S. – Aria Mit Variationen Goldberg Variationen Bwv 988 Mit Noten – Sheet Music (Musescore File).mscz
    Bach J.S. – Orchestral Suite No. 1 In C Major Bwv 1066 Passepied (Easy Piano Solo) (Musescore File).mscz
    Bach J.S. For Bass Guitar Mel May Publications free sheet music & scores pdf download
    Bach – Analysis of J.S. Bach’s Wohltemperirtes clavier (48 preludes & fugues) ( Book ) Riemann sheet music download
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    Bach – Cello Suite No. 1 In G Major Bwv 1007 Arr. Guitar (Musescore File).mscz
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    Bach – Masterworks of Johann Sebastian Bach ( Book) sheet music download
    Bach – Music in the Castle of Heaven by John Eliot Gardiner (Book) sheet music free download
    Bach – Praeludium Et Fuga In D Bwv 539 Piano Solo (Musescore File).mscz
    Bach – Prelude And Fugue In A Minor (Bwv 543) (Musescore File).mscz
    Bach – Sheep May Safely Graze (Schafe Könen Sicher Beiden) Aria From The Cantata Bwv 208 Easy Piano sheet music score download partitura partition spartiti noten
    Bach – Siciliano (Easy Piano arr. from Flute Sonata BWV 1031 with sheet music) sheet music download
    Bach – Siciliano (Easy Piano Arr. From Flute Sonata Bwv 1031 With Sheet Music) (Musescore File).mscz
    Bach A Life In Music by Peter Williams (2006) Biography Book free sheet music & scores pdf
    Bach Baden Powell Jesus Bleibet Meine Freude Guitar Tablature Tabs partition
    Bach Bourée (Piano Solo) Jethro Tull (Musescore File).mscz
    Bach Busoni Complete Transcriptions free downloadsheet music & scores pdf Bach Busoni Complete Transcriptions
    Bach Bwv 22 – Sanctify Us By Thy Goodness Piano Arr. Harriet Cohen (Musescore File).mscz
    Bach Cello Suite No. 1 In G Major For Guitar (Musescore File).mscz
    Bach Chaconne BWV 1004 Abel Carlevaro Guitar Masterclass IV free sheet music & scores pdf download
    Bach Chaconne D minor arr. for guitar
    Bach Forty Chorales Arr. For Piano Solo sheet music score download partitura partition spartiti noten
    Bach Fugue In G Minor Bwv 578 (Piano Solo) (Musescore File).mscz
    Bach Fugue Iv Bwv 849 Wtc I (With Sheet Music Noten) (Musescore File).mscz
    Bach Goedicke – Prelude Fugue BWV 539 transcribed for piano noten
    Bach Gounod Prelude 1 Ave Maria Jazz Improvisation sheet music score download partitura partition spartiti
    Bach Guitar – Fingerpicking Bach (with Tablature) sheet music Bach Guitar – Fingerpicking Bach
    Bach J.S. J.S. – French Suites (I to VI) free sheet music pdf
    Bach J.S. JS – BWV 208 – Sheep May Safely Graze (arr Friedman) BACH JS BWV 208
    Bach J.S. Air from Orchestral Suite no. 3 in D Major (trans. D. Weymouth) Bach J.S. -Air-Weymouth
    Bach J.S. Jesu, Joy of Man’s Desiring – Piano Arr Groban, Josh free sheet music pdf
    Bach J.S. – Jazz Play Along Vol. 120 Pdf + Mp3 Audio Tracks sheet music Jazz_Play_Along_Vol_120_-_J_S_Bach
    Bach J.S. – Air on a G String sheet music pdf
    Bach J.S. – Busoni Chaconne (piano solo arr.) Bach sheet music
    Bach J.S. – BWV 565 Piano – Toccata E Fuga In Re Min Bach – Bwv 565 Piano – Toccata E Fuga In Re Min
    Bach J.S. – Cantata BWV 147 – Coral ‘Jesus Bleibet Meine Freude’ (Easy Piano Solo) Bach Jesu Joy Of Mans Desiring Cantata Bwv.147 Piano Solo Page 1 Of 5
    Bach J.S. – Das Wohltemperierte Klavier HENLE VERLAG
    Bach J.S. – Easy Pieces for Classical Guitar – Notes & Tablature sheet music pdf Bach – Easy Pieces pieces for guitar
    Bach J.S. – English Suites Inglesi (piano) BWV 806-811 sheet music pdf
    Bach J.S. – Nun komm, der Heiden Heiland, BWV 659 Bach, J.S. – Nun komm, der Heiden Heiland, BWV 659
    Bach J.S. – Toccata and Fugue in D minor BWV565 (Piano solo arr. Grainger) free sheet music pdf
    Bach J.S. – Two Part Inventions Busoni
    Bach J.S. – Well-Tempered Klavier Analysis Part II Dr. H. Riemann
    Bach J.S. – Wilhelm Kempff 10 Bach Transcriptions for piano sheet music pdf Kempff – 10 Bach Transcriptions
    Bach J.S. (H Bauer) – Corale Dalla Cantata no. 147 “Jesu, Joy of man’s desiring” BWV 7 (Piano Solo) free sheet music pdf
    Bach J.S. (Marcello) – BWV 974 -Adagio Bach (Marcelo) – BWV 974 -Adagio
    Bach J.S. 12 Small Preludes
    Bach J.S. 15 Three-voice Inventions bach sheet music
    Bach J.S. 15 Two part Inventions Pure Text Ed. Allan Peterson sheet music pdf
    Bach J.S. 6 Partitas( I to VI) free sheet music pdf
    Bach J.S. AIR ON THE G STRING ARR. SILOTI
    Bach J.S. ARIA SUITE EN RE (arr. for 2 PIANOS) Bach ARIA SUITE EN RE 2 PIANOS
    BACH J.S. Art Fugue Die Kunst der Fuge (Ed. Czerny ) BWV 1080 sheet music
    Bach J.S. Art Of Fugue Czerny (Ed. Kalmus) BWV 1080 sheet music pdf
    Bach J.S. Busoni BWV564
    Bach J.S. BWV 1055 keyborad concerto n 4
    Bach J.S. BWV 971 Italian Concerto
    Bach J.S. Cantata 147 arr. for Easy piano solo Bach-Jesu-Joy-of-Mans-Desiring-Cantata-BWV.147-Piano-Solo
    BACH J.S. CANTATA 22 ARR. PIANO SANCTIFY US BY THY GOODNESS arr. by Harried Cohen sheet music

    Be creative at the Piano (Part 1)

    Here’s the method I use every time I want to capture an idea. I draw out 8-bars (or measures) first. Why eight bars? Because it is an ideal framework to work in. Eight bars of music are enough to generate a complete musical
    sentence and can usually be repeated once or twice. Next, I improvise and see what comes up. THEN, I will write down the chords I am playing and the first 2-bars of melody.

    Writing down the first 2-bars of melody helps me remember the entire theme for the 8-bar phrase. I usually stay within one key to make it easy. This means I’ll have 6 chords to work with. In C Major, the chords would be, C Maj. -D min. -E min. -F Maj. -G Maj. and A min. This is more than enough material to work with. In fact, I rarely use more than 3 or 4 chords for the first 8-bars.

    Browse in the Library:

    Total Records Found in the Library: 12472, showing 120 per page
    Artist or Composer / Score nameCoverList of Contents
    (500) Days Of Summer Piano Theme ( Mychael Danna, Rob Simonsen) (500) Days Of Summer Piano Theme ( Mychael Danna, Rob Simonsen)
    10,000 Maniacs Because The Night Piano Solo sheet music free sheet music partitura partition noten
    100 Golden Standards The World’s Best Piano Arrangements by the greatest pianists of the Century sheet music The World’s Best Piano Arrangements
    100 Great Keyboard Intros Songbook free sheet music 100 Great Keyboard Intros Songbook
    100 Greatest Film Scores (Book) by Matt Lawson & Laurence E. MacDonald sheet music download
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    100 Greatest Songs of Rock & Roll, Selections From Piano Vocal Guitar Sheet Music free scores 100 Greatest Songs of Rock & Roll, Selections From Piano Vocal Guitar Sheet Music
    100 Hits Simply The Best – Guitar (Die besten Songs aus Pop Rock) German free download sheet music & scores pdf 100 Hits Simply The Best (Die besten Songs aus Pop
    100 Jazz & Blues Greats Book sheet music pdf 100 Jazz & Blues Greats
    100 Jazz Solos & Etudes by Jacob Wise sheet music pdf 100 Jazz solos
    100 Light Classics For Piano Solo free sheet music & scores pdf download 100 Light Classics For Piano Solo
    100 Most Beautiful Christmas Songs Easy Piano Vocal free scores 100 Most Beautiful Christmas Songs Easy Piano Vocal
    100 Most Beautiful Christmas Songs Piano Vocal Guitar free scores 100 Most Beautiful Christmas Songs Piano Vocal Guitar
    100 Must-Know Jazz Tunes with MP3 audio tracks to Play Along sheet music 100 Must-Know Jazz Tune – C version
    100 of the Best Movie Songs Ever! Piano Vocal Guitar free scores 100 best movie songs 1&100 best movie songs 2
    100 Of The Best Songs Ever For The Keyboard by Daniel Scott 100 Of The Best Songs Ever For The Keyboard
    100 Piano Solos (100 popular standards of today arr. by Frank Booth) with guitar chords free scores 100 piano solos 1
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    100 Rock N Roll Standards Piano Vocal Guitar chords sheet music partitura partition noten spartiti 100 Rock N Roll Standards Piano Vocal Guitar chords contents
    100 Songs For Kids – Easy Guitar Lyrics with Tablature sheet music pdf 100 Songs For Kids – Easy Guitar Lyrics
    100 Tunes Every Musician Should Know Professional Chord Changes And Substitutions By Dick Hyman sheet music partitura partition noten spartiti 100 Tunes Every Musician Should Know Professional Chord Changes And Substitutions By Dick Hyman
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    100 Years Of Popular Music 1980s Part Two Piano Vocal Guitar Chords noten 100 Years Of Popular Music 1980s Part Two Piano Vocal Guitar Chords
    1000 Examples of Musical Dictation (Ladukhin, Nikolay) 1000 Examples of Musical Dictation
    1000 Words – Final Fantasy X-2.mscz
    1001 Blues Licks by Toby Wine – Piano free sheet music pdf 1001 Blues Licks by Toby Wine – Piano
    1001 Jazz Licks A Complete Jazz Vocabulary For The Improvising Musician (Jack Shneidman) sheet music download 1001 Jazz Licks A Complete Jazz Vocabulary For The Improvising Musician (Jack Shneidman)
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    101 Frank Sinatra Hits For Buskers free scores download 101 Frank Sinatra Hits For Buskers
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    A Dictionary of Music and Musicians Vol. 4 (A.D. 1450-1880) Edited in 1889 free sheet music & scores pdf

    Once you get your first 8-bars down, you’re more than halfway home. Why? Because you already have the beginning. The rest of the piece, if there is a rest of the piece, can be finished by drawing more bar lines AND LISTENING FOR THE NEXT SECTION OF MUSIC. This is always accomplished through improvisation. Your best material will ALWAYS come from improvisation because you are not thinking about creating something.

    Instead, you are allowing the music that is inside you to come to the surface, without forcing it or willing it into being. You use the 8-bar framework to hold your ideas. There is no rule that says you must work within 8-bars. You can use four or even sixteen bar phrases, however, its
    good to be able to feel the form and structure of an 8-bar phrase first. It is the structure used by most composers, and it is wise to understand it.

    Compose Music the Easy Way!

    There are basically two ways to compose music. One way is by starting from the bottom or the harmonic approach. A composer/arranger takes a few chords, a phrase to hang them on and arranges the harmony in some kind of pattern. An example of this is the “loop” you oft en hear in contemporary music. A loop is simply a harmonic background over which a melody (or not) is played.

    The second way to compose music is by starting with the melody. Composers may or may not have some idea of the finished idea (I prefer not to) but the melodic idea is fitted into some kind of phrase. The e most common phrase used is the 8-bar phrase. I find that starting with the melody to be the easier approach. Why? Because melody is easier to move forward then harmony. Sure, you can block out a few chords and arrange them to create a loop, but this becomes static over time. Melody is much easier to go forward with.

    By using the principles of repetition and contrast, we can create a simple ABA form in no time at all. Then we can go back and harmonize each section. I used to favor the harmonic approach at first. It was very easy to simply jot down chord changes on an 8-bar phrase, create some kind of arrangement, and improvise a melody on top. The ere is nothing wrong with this approach at all. But I soon found myself learning towards the melody first. Not because I think it’s better, but simply because it’s the method I like right now.

    Either way, it’s a good idea to compose music using one approach or the other. If you try to harmonize a melody while you’re creating it, it will slow you down and may stop the creative flow.

    A student writes: “You always say, ‘let the music tell you where it wants to go’ but when I try to do this nothing comes. What to do?”

    This is an excellent question because it really cuts to the core of my whole teaching philosophy, which is -never force or try and “will” music into being. Instead, let it come of its own accord. To illustrate this, I’ll share with you my own process with “coming up” with material.

    Usually, I never have problems with the first 8-bars of music – sometimes called the (A) section. But once this section is down, so to speak, the rest of the music (if there is more to come) is usually more difficult for me.
    I know from experience that if I try and force the music to move forward, I may get somewhere, but this music will usually sound stilted or lifeless. At this point, I can do one of two things… I can walk away and hope for fresh inspiration at a later time, or I can begin improvising without worrying or wondering about “more” music to come. I know there is a school of thought that suggests you plunge forward and “make it happen.” This can work and does work to get a product out there. The problem with this approach is what I mentioned previously. When your ego is
    involved in the creation process, your creation will be exactly that – ego centered.

    When it comes from the source or spirit, you get a music that has that X factor. That indefinable quality that you can hear but quite can’t put your finger on. It really all comes down to process or product. Do you want a nice, neat product that can be admired by friends and family? Then it doesn’t matter how you create music. But if you want a music that comes from a deeper place, don’t force … allow.

    creative at the piano free sheet music & scores pdf download

    Composing Music – How To Compose A Theme and Variations for Piano

    Recently, I posted a lesson where I show students how to compose a theme and variations for piano. Now, most composers today do not compose using this musical form. That’s not to say it isn’t still used, but … it can sound antiquated if certain harmonies and sounds are used.

    For example, in the lesson, “August Reflections,” I use the A harmonic minor scale and three chords from that scale to create a theme with three variations. This particular sound has been used for quite a while. I chose it because it does sound familiar, and some students wanted to learn something using a minor sounding scale. Notice that the theme itself is quite simple. It consists of two 8-bar phrases that can be called A and B sections. The two sections are played through and then the first variation begins. It consists of broken chords in the left hand.

    The second variation is a simple crossover pattern using the same chords -only this time, it’s spread out. This gives the necessary contrast without breaking the “mood” of the piece. The last variation is a play on the melody itself. I think I’m using eighth or sixteenth notes here, as I just play around with breaking up the melody.

    Finally, we return to the theme and there you have it… a complete piece of music using the theme and variations technique. A complete step by step breakdown of this lesson is available to course members.

    Composing Using Chord Charts

    A chord chart is a navigation tool. It’s a way for the composer to chart out musical phrases and notate where chord changes occur. It can be anywhere from 2-bars to 200 bars or more, depending on how long the composition is or how many bars it takes to notate a musical idea.

    For example, in the piece “Egrets,” we have an 8-bar phrase with chord changes on top. This is a chord chart. It tells the performer where the chord changes occur, what the melody is, and when to change chords. This is all that is necessary to create a full arrangement of the music. We don’t need to write out every single note. We use the chord changes to create fresh arrangements of how we want the music to sound. Notice that the first 2-bars of melody are written out.

    This was the initial idea. I then drew out 8-bars and finished by putting the chord changes on top. Now, whenever I want to play this little piece, I can play the initial melody and the whole thing comes together. Of course, I could have written the whole thing out note for note, but this would have taken 30 times as long as just notating where the chords change. Another benefit of this method is that the music is left elastic and fluid -that is, the aliveness of the music comes to you each and every time you play it. Why? Because each and every note is not written out. You can play it a little differently each time, and each time the music will speak a little differently to you.

    Composing Your Own Music – Easier Than You Think

    Most teachers make composition so mysterious. First you have to learn harmony… then theory… then form and on and on it goes. But do you really have to learn all of this before launching your own creations? Absolutely not, and I’m living proof of that.

    So, how did I do this? Well, first, I had the desire. If you don’t have this ingredient, most anything you try and undertake will fail. Why? Because you need to have persistence. And persistence is something that works better when you want something badly. And I very badly wanted to create my own solo piano music. Now, everyone has their own way and method of going about this. Mine was to first listen to pianists I love and admired – namely George Winston and John Herberman. You see, besides persistence, you also need inspiration.

    And what better inspiration is there than to actually hear music you love and admire. In fact, I would listen to these CDs over and over. The music eventually seeped into me, but this in and of itself is not enough. Don’t get me wrong … there’s nothing wrong with listening and saying to yourself, “how did he do that?” In fact, I suggest students do exactly this. But you can jump over all this analyzing by learning just a little theory. And when I say little, I mean it.

    What I have my students learn is something called the 8-bar phrase. And this is exactly what it sounds like. Once they get this -and it isn’t hard to get -inroads into composition are quickly discovered.

    For example, in the free workbook I offer with my course, you get tons of experience working with 8-bar phrases. You learn how to first improvise through them using chords. When you can do this – and it’s pretty easy as well – you begin to “feel” how a composition is made up. This approach has worked very well for me over the years as well as for my students.

    Composing for Piano – Learn How to Improvise First!

    When most people hear the word composer, they automatically think of classical composers like Mozart or Beethoven. This is the point where many “would be” composers freeze up because they tell themselves
    that their music could never be as good. And, this is also the point where would be music makers and their desire to create.

    When you compare yourself to another person, you are really defeating the whole idea of creating to begin with. Why? Because your music is as unique as you are! There will never be another person like you and there
    will never be anyone else who can create music like you. So give up your notions of becoming a great composer. Instead, focus on the joy that comes from being in the moment and creating your own music. To do this, learn how to improvise first.

    You must have the ability to move forward without censoring what is coming out of you. Just like writers do with freewriting, so you too must do with improvisation. Once you are able to just sit down at the piano and play without worrying if it’s good enough, you’ll be ready to put pen to paper and compose. Of course, you could compose without learning how to improvise, but chances are the music will sound stodgy and foursquare. It may not have the “life” that most composers shoot for.

    Composing for Piano Using Small ABA Form

    One of the most daunting tasks for beginners is composing music. Just the thought of it creates scary scenarios that demand perfection. But what if you actually knew what you were doing? Instead of fear, joy and a spirit of adventure would guide you to a finished piece of music. Let’s look at how we might compose a small ABA form for piano.

    The first thing I do is draw out 8-bars on a piece of paper. Any paper will do. You don’t have to have ruled sheet music paper to compose…at least not the way I teach it. The reason I tell students to begin with 8-bars is that it’s a very good space to work in. In fact, 8-bars is quite enough to give you your first (A) section. As an example, look at the lesson piece “A
    Peaceful Path.”Here, we have 3-4 minutes of music. We use the art of repetition and contrast, and a small ABA form is generated.

    If you listen to the piece, you’ll hear where the (A) section ends and the (B) section begins. In fact, listening is very important. Most people listen to music as a complete aural experience, and that’s fine. But if you’re interested in musical composition, you should also listen for the form of the piece.

    Most piano music is composed using sectional form. For instance, here is the arrangement of the piece, “A Peaceful Path,” – 2A2BA. This is a shorthand way of notating the amount of repeating that goes on in the piece. The first (A) section, 8-bars, is repeated twice, then the (B) section
    gets repeated twice and finally, we end up back where we started. The e reason ABA form works so well is that it gives the listener a complete musical experience. And it gives them a sense of finality.

    Sadly, the music must end somewhere, and composers have been working on different ways to do this via the form of the piece. Many innovative composers have tried to abolish form, but the question you must ask yourself is “Is this music giving the listener an emotional experience?” There’s a good reason ABA form has been around for hundreds of years. Because it works!

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    Keith Jarrett – The Art of Improvisation COMPLETE (full documentary* including the extra interviews)

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