Browse in the Library:
Artist or Composer / Score name | Cover | List of Contents |
---|---|---|
All Sondheim Vol IV Music and lyrics | All Sondheim Vol IV Music and lyrics | |
All That Jazz piano-vocal Arrangement | ||
All The Things You Are (Guitar And Tabs) | All The Things You Are (Guitar And Tabs) | |
All The Things You Are (Guitar And Tabs) (Musescore File).mscz | ||
All The Things You Are By Jerome Kern Guitar Transcription | ||
All The Things You Are Jerome Kern Oscar Hammerstein 2nd 1940 Jazz Standard (Vintage sheet music) | ||
All Time Standards (Songbook) Jazz Guitar Tablature Chord Melody Solos (Jeff Arnold) | All Time Standards (Songbook) Jazz Guitar Tablature Chord Melody Solos (Jeff Arnold) | |
All Time Standards Piano (Arr. Gabriel Bock) | All Time Standards Piano (Arr. Gabriel Bock) | |
All You Need Is Ears George Martin with Jeremy Hornsby 1979 (Book) The story o the recording genius who created The Beatles | ||
Allan Holdsworth Just for the curious book Guitar with Tablature | ||
Allan Holdsworth Melody Chords For Guitar | ||
Allan Holdsworth Super Guitarist with TABs | Allan Holdsworth Super Guitarist with TABs | |
Alle prese con una verde Milonga (Paolo Conte) | ||
Allevi, Giovanni – Back To Life | ||
Allie Wrubel – Gone with the Wind | ||
Allman Brothers Guitar Songbook | Allman Brothers Guitar Songbook | |
Allman Brothers, Best Of The (Piano, Vocal, Guitar) | Allman Brothers, Best Of The (Piano, Vocal, Guitar) | |
Allman Brothers, The – The Definitive Collection For Guitar Vol 1 with Tablature | Allman Brothers, The – The Definitive Collection For Guitar Vol 1 | |
Alma Redemptoris Mater | ||
Almeno tu nell’universo (Mia Martini) | ||
Almir Chediak Ivan Lins Guitar Songbook Vol 2 | Ivan Lins Guitar Songbook Vol 1 by Almir Chediak | |
Alok – Hear Me Now Sheet Music | ||
Alone together (Howard Dietz & Arthur Schwartz) | Alone together (Howard Dietz Arthur SchwArtz) | |
Alone Together (Musescore File).mscz | ||
Alone Togheter Guitar Solo Transcription Jazz Standard | ||
Alphaville Forever Young (piano & Guitar) | Alphaville Forever Young (piano & Guitar) | |
Also Sprach Zarathustra Op. 30 – Richard Strauss (Musescore File).mscz | ||
Alternative Rock Sheet Music Collection | Alternative Rock Sheet Music Collection | |
Always on my mind – Elvis Presley – easy arrangement for piano, with fingering | ||
Amadeus – W.A. Mozart (film score arr. for piano solo by D. Fox) | Amadeus – W.A.Mozart | |
Amadeus (original soundtrack piano solo arrangements) | Amadeus (Film score book) Piano Solos | |
Amalia Rodriguez FADOS Melodias De Sempre (GUITAR) | Amalia Rodriguez FADOS Melodias De Sempre (GUITAR) | |
Amando amando (Renato Zero) | ||
Amar Pelos Dois (Salvador Sobral) | ||
Amarcord (Nino Rota) | ||
Amazing Grace – Tradicional (Piano ) | ||
Amazing Grace Traditional (Jazzy ver. sheet music) | ||
Amazing Phrasing – Guitar 50 Ways to Improve Your Improvisational Skills (Guitar TABs Amazing Phrasing) (Tom Kolb) | Amazing Phrasing – Guitar 50 Ways to Improve Your Improvisational Skills (Guitar TABs Amazing Phrasing) (Tom Kolb) | |
Amelie Poulain – 6 pieces for piano – Yann Tiersen – Yann Tiersen | ||
America (My Country ‘Tis of Thee Easy Piano Level 2 | ||
America Greatest Hits Piano Vocal Guitar chords | America Greatest Hits Piano Vocal Guitar chords | |
America Greatest Hits (piano & Guitar) | America greatest | |
America Horse With No Name Piano vocal | America Horse With No Name Piano vocal | |
America’s Songs The Stories Behind The Songs Of Broadway, Hollywood, And Tin Pan Alley (Philip Furia, Michael Lasser) Book | ||
American Folk Songs For Guitar with Tablature | American Folk songs | |
American Folk Songs, My First Book of – Bergerac | ||
American Indian Melodies A. Farwell Op.11 (1901) | American Indian Melodies A. Farwell Op.11-min | |
American Pie (sheet music) | ||
American Popular Music (Book) by Larry Starr and Christopher Waterman | ||
Americana – Alegre, Magín (Guitarra) | Americana – Alegre, Magín (Guitarra) | |
Amici Miei (Carlo Rustichelli) | ||
Amor mio (Battisti) | ||
Amore bello (Claudio Baglioni) | ||
Amy Beach – Op.15 Four Sketches in Autumn | ||
Amy Grant – Breath Of Heaven | ||
Amy MacDonald This Is The Life | AMY MACDONLAD | |
Amy Winehouse – Valerie | ||
Amy Winehouse – Valerie (sheet music) | ||
Amy Winehouse Amy Amy Amy | ||
Amy Winehouse Back To Black Songbook | Amy Winehouse Back To Black Songbook | |
Amy Winehouse Frank Songbook | Amy Winehouse Frank | |
Amy Winehouse I Heard Love Is Blind | ||
Amy Winehouse Just Friends | ||
Amy Winehouse Rehab | ||
Amy Winehouse You Know Im No Good | ||
An affair to remember (Harry Warren) | ||
An American In Paris An George Gershwin (Concert Band)An American In Paris An George Gershwin (Concert Band) Arr. by Naohiro Iwai | ||
An American Tail – The Marketplace – James Horner | ||
An Introduction To Bach Studies (eBook) | ||
An Irish Blessing (Musescore File).mscz | ||
An Irish Blessing (SATB) Choral | An Irish Blessing (SATB) | |
Analisis musical claves para entender e interpretar la Música (M. y A. Lorenzo) Español | ||
Analysis Of Tonal Music An Schenkerian Approach Allen Cadwallader and David Gagné (Book) | ||
Analyzing Bach Cantatas by Eric Chafe (eBook) | ||
Analyzing Schubert by Suzannah Clark (Cambridge Un. Press) (eBook) | ||
Anastacia Not That Kind Songbook | Anastacia songbook | |
Anastasia Once Upon A December arr. by John Brimhall (Piano Solo 2 Versions Easy And Intermediate) | ||
Anastasia Sheet Music songbook Piano & vocal | Anastasia Sheet Music songbook Piano & vocal | |
Ancora ancora ancora (Mina) | ||
Ancora qui (Django Unchained) Elisa – Ennio Morricone | ||
And the Waltz goes on (Anthony Hopkins) | ||
Andante (from String Quartet op. 22) P. I. Tchaikovsky | ||
Anderson Freire – So Voce Piano | ||
Andras Schiff – Music Comes Out Of Silence Book | ||
Andre Gagnon – L’air Du Soir | ||
Andre Gagnon – Le Reve De L’automne (sheet music Collection) | Andre Gagnon – Le Reve De L’automne (sheet music Collection) | |
Andre Gagnon – Les Jours Tranquilles | Andre Gagnon – Les Jours Tranquilles | |
Andre Gagnon – Meguriai | ||
Andre Gagnon – Nelligan | ||
Andre Gagnon – Petite Nostalgie | ||
Andre Gagnon – Reves D’Automne | Andre Gagnon – Reves D’Automne | |
Andre Gagnon – The Very Best Of Andre Gagnon (Sheet Music Songbook) | Andre Gagnon – The Very Best Of Andre Gagnon (Sheet Music Songbook) | |
Andre Gagnon Ciel D’Hiver | ||
Andre Gagnon Entre Le Boeuf et l’Ane Gris Musique Traditionelle | ||
André Gagnon L’air Du Soir | ||
Andre Gagnon Neiges | ||
André Gagnon Nelligan | ||
André Gagnon Origami | ||
André Gagnon Pensées Fugitives | ||
Andre Gagnon Pensées Fugitives | ||
André Gagnon Piano Solitude | Gagnon, André Piano Solitude | |
Andre Gagnon Prologue | ||
André Gagnon Selection Speciale de chansons (partitions musicales) | André Gagnon Selection Speciale de chansons (partitions musicales) | |
André Gagnon Un Piano Sur La Mer (Piano Solo Partition Sheet Music) | Gagnon André Un Piano Sur La Mer (Piano Solo Partition Sheet Music) | |
Andre Popp Paul Mauriat Love Is Blue Piano Solo Arr. | ||
André Previn – Play Like André Previn no. 1 | Andre Previn sheet music | |
Andre Previn – The Genius of (Piano Solos sheet music) | The genius of André Previn | |
Andre Rieu La Vie Est Belle (Songbook Collection As Performed By André Rieu) | Andre Rieu La Vie Est Belle (Songbook Collection As Performed By André Rieu) | |
Andrea Bocceli – Time To Say Goodbye | ||
Andrea Boccelli – Time To Say Goodbye | ||
Andrea Bocelli Romanza songbook (Guitar & Voice) | Andrea Bocelli Romanza songbook | |
Andrea Bocelli – Anthology (songbook) | ||
Andrea Bocelli – Con te partiro (Time to say Goodbye) Piano Solo arr | Andrea Bocelli – Con te partiro (Time to say Goodbye) Piano Solo | |
Andrea Bocelli – Con te partiro (Time to say Goodbye) Piano Solo.mscz | ||
Andrea Bocelli – The Best Of Songbook | Andrea Bocelli best of | |
Andrea Bocelli Celine Dion The Prayer Easy Piano And Vocal By David Foster, Carole Bayer Sager, Alberto Testa And Tony Renis | ||
Andrea Bocelli Celine Dion – The Prayer – Easy Piano and Vocal by David Foster, Carole Bayer Sager, Alberto Testa and Tony Renis.mscz | ||
Andrea Bocelli Cieli Di Toscana (Piano, guitar & Vocal) | Andrea Bocelli Cieli Di Toscana | |
Andrea Bocelli Sogno Songbook | Andrea Bocelli sogno | |
Andrea Bocelli The Prayer |
Buddy Holly: the 100 most inspiring musicians of all time
American singer and songwriter Charles Hardin Holley, professionally known as Buddy Holly, (b. Sept. 7, 1936, Lubbock, Texas, U.S.—d. Feb. 3, 1959, near Clear Lake, Iowa) produced some of the most distinctive and influential work in rock music.
Buddy Holly (the e was dropped from his last name—probably accidentally—on his first record contract) was the youngest of four children in a family of devout Baptists in the West Texas town of Lubbock, and gospel music was an important part of his life from an early age. A good student possessed of infectious personal charm, Holly was declared “King of the Sixth Grade” by his classmates.
He became seriously interested in music at about age 12 and pursued it with remarkable natural ability. The African American rhythm and blues that Holly heard on the radio had a tremendous impact on him, as it did on countless other white teenagers in the racially segregated United States of the 1950s. Already well versed in country music, bluegrass, and gospel and a seasoned performer by age 16, he became a rhythm-and-blues devotee.
By 1955, after hearing Elvis Presley, Holly was a full-time rock and roller. Late that year, he bought a Fender Stratocaster electric guitar and developed a style of playing featuring ringing major chords that became his
trademark. In 1956, he signed with Decca Records’ Nashville, Tennessee, division, but the records he made for them were uneven in quality, and most sold poorly.
In 1957, Buddy Holly and his new group, the Crickets (Niki Sullivan on second guitar and background vocals, Joe B. Mauldin on bass, and the great Jerry Allison on drums), began their association with independent producer Norman Petty at his studio in Clovis, New Mexico. Together they created a series of recordings that display an emotional intimacy and sense of detail that set them apart from other 1950s rock and roll. As a team, they threw away the rule book and let their imaginations loose.
Unlike most independent rock-and-roll producers of the time, Petty did not own any cheap equipment. He wanted his recordings to sound classy and expensive, but he also loved to experiment and had a deep bag of sonic tricks. The Crickets’ records feature unusual microphone placement
techniques, imaginative echo chamber effects, and overdubbing, a process that in the 1950s meant superimposing one recording on another. While crafting tracks such as “Not Fade Away,” “Peggy Sue,” “Listen to Me,” and “Everyday,” Holly and the Crickets camped out at Petty’s studio for days at a time, using it as a combination laboratory and playground.
They were the first rock and rollers to approach the recording process in this manner. When the Crickets’ first single, “That’ll Be the Day,” was released in 1957, their label, Brunswick, did nothing to promote it. Nevertheless, the record had an irrepressible spirit, and by year’s end it became an international multimillion-seller. Soon after, Holly became a star and an icon.
Holly and the Crickets’ association with Petty (who, serving as their manager, songwriting partner, and publisher, owned their recordings) was far from all beneficial, however. According to virtually all accounts, Petty collected the Crickets’ royalty checks and kept the money. By 1959, the hit records tapered off, and Holly was living in New York with his new bride. Estranged from the Crickets and broke, he was also contemplating legal action against Petty. This left him little choice but to participate in the doomed “Winter Dance Party of 1959” tour through the frozen Midwest,
during which he and coheadliners Ritchie Valens and the Big Bopper (J.P. Richardson) were killed in a plane crash.
The music of Buddy Holly and the Crickets, their innovative use of the studio, and the fact that they wrote most of their songs themselves made them the single most important influence on the Beatles, who knew every Holly record backward and forward. In 1986 Holly was inducted into the Rock and Roll Hall of Fame, and in 1996 he was honored by the National Academy of Recording Arts and Sciences with a lifetime achievement award.