Browse in the Library:
Artist or Composer / Score name | Cover | List of Contents |
---|---|---|
Aebersold Phil Degreg – Jazz keyboard harmony – A practical method for all musicians | jazz keyboard harmony | |
Aebersold RAPID REFERENCE | Aebersold RAPID REFERENCE | |
Aebersold vol 1 Cómo improvisar y tocar JAZZ Spanish edition – Español | Aebersold vol 1 Cómo improvisar y tocar JAZZ Spanish edition | |
Aebersold Vol. 01 – Jazz improvisation A New Approach To Jazz Improvisation | Aebersold Vol. 01 – Jazz improvisation | |
Aebersold Vol. 60 Dan Haerle & Mark Levine – Jazz Piano Voicings | ||
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – All complete Chick Corea | ||
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 02 – Nothin’ But Blues | Jazz Play Along Vol 002 – [Nothin’ But Blues] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 03 – The II-V7-I Progression | Jazz Play Along Vol 003 – [The II-V7-I Progression] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 04 – Movin’ On | Jazz Play Along Vol 004 – [Movin’ On] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 05 – Time To Play Music! | Jazz Play Along Vol 005 – [Time To Play Music!] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 06 – Charlie Parker | Jazz Play Along Vol 006 – [Charlie Parker – All Bird] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 07 – Miles Davis | Jazz Play Along Vol 007 – [Miles Davis] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 08 – Sonny Rollins | Jazz Play Along Vol 008 – [Sonny Rollins] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 09 – Woody Shaw | Jazz Play Along Vol 009 – [Woody Shaw] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 10 – David Baker | Jazz Play Along Vol 010 – [David Baker] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 100 – St. Louis Blues | Jazz Play Along Vol 011 – [Herbie Hancock] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 101 – Secret of the Andes | Jazz Play Along Vol 012 – [Duke Ellington] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 102 – Jerry Bergonzi | Jazz Play Along Vol 102 – [Jerry Bergonzi] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 103 – David Sanborn | Jazz Play Along Vol 103 – [David Sanborn] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 104 – Kenny Werner | Jazz Play Along Vol 104 – [Free Play – 13 Musical Landscapes] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 105 – Dave Brubeck | Jazz Play Along Vol 105 – [Dave Brubeck] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 106 – Lee Morgan | Jazz Play Along Vol 106 – [Lee Morgan] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 107 – STANDARDS FOR SINGERS | Jazz Play Along Vol 109 [Fusion] Jazz Play Along Vol 110 [When i Fall in Love] Aebersold – Vol 107 – IT HAD TO BE YOU | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 108 – Joe Henderson | Jazz Play Along Vol 108 – [Joe Henderson] – C-Bb | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 109 – Fusion | Jazz Play Along Vol 109 [Fusion] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 11 – Herbie Hancock | Jazz Play Along Vol 011 – [Herbie Hancock] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 111 – J.J. Johnson | Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 111 – J.J. Johnson | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 112 – [Cole Porter] | Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 112 – [Cole Porter]_compressed | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – vol 115 – Ron Carter | Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – vol 115 – Ron Carter | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 12 – Duke Ellington | Jazz Play Along Vol 012 – [Duke Ellington] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 13 – Cannonball Adderley | Jazz Play Along Vol 013 – [Cannonball Adderley] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 14 – Benny Golson | Aebersold – Vol 14 – Benny Golson | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 15 – Payin’ Dues | Aebersold – Vol 15 – Payin’ Dues | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 15 – Payin’ Dues – Complete Bass Lines | Aebersold – Vol 15 – Payin’ Dues – Complete Bass Lines | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 16 -Turnarounds, Cycles & II V7’s | Jazz Play Along Vol 016 – [Turnarounds, Cycles & II-V7’s] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 17 – Horace Silver | Jazz Play Along Vol 017 – [Horace Silver] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 18 – Horace Silver | Jazz Play Along Vol 018 – [Horace Silver] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 19 – David Liebman | Jazz Play Along Vol 019 – [David Liebman] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 20 – Jimmy Raney | Jazz Play Along Vol 020 – [Jimmy Raney] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 21 – Gettin’ It Together (& Supplement) | Jazz Play Along Vol 021 – [Gettin It Together] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 22 – Favorite Standards | Jazz Play Along Vol 022 – [Favorite Standards] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 23 – One Dozen Standards | Jazz Play Along Vol 023 – [One Dozen Standards] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 24 – Major and Minor | Jazz Play Along Vol 024 – [Major and Minor] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 25 – All Time Standards | Jazz Play Along Vol 025 – [All Time Standards] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 26 – Scale Syllabus | Jazz Play Along Vol 026 – [Scale Syllabus] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 27 – John Coltrane | Jazz Play Along Vol 027 – [John Coltrane] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 28 Jazz Play Along Vol 028 – [Giant Steps] | Jazz Play Along Vol 029 – [Play Duets With Jimmy Raney] Jazz Play Along Vol 028 – [Giant Steps] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 29 – Play Duets With Jimmy Raney | Jazz Play Along Vol 029 – [Play Duets With Jimmy Raney] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 30 – Rhythm Section Workout | Jazz Play Along Vol 030 – [Rhythm Section Workout] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 31 – Bossa Novas | Jazz Play Along Vol 031 – [Bossa Novas] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 32 – Ballads | Jazz Play Along Vol 032 – [Ballads] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 33 – Wayne Shorter | Jazz Play Along Vol 033 – [Wayne Shorter] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 34 – Jam Session | Jazz Play Along Vol 034 – [Jam Session] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 35 – Cedar Walton | Jazz Play Along Vol 035 – [Cedar Walton] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 36 – Bebop & Beyond | Jazz Play Along Vol 036 – [Bebop & Beyond] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 37 – Sammy Nestico | Jazz Play Along Vol 037 – [Sammy Nestico] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 38 – Blue Note | Jazz Play Along Vol 038 – [Blue Note] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 39 – Swing Swing Swing | Jazz Play Along Vol 039 – [Swing, Swing, Swing] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 40 – ‘Round Midnight | Jazz Play Along Vol 040 – [‘Round Midnight] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 41 – Body and Soul | Jazz Play Along Vol 041 – [Body and Soul] | Jazz Play Along Vol 041 – [Body and Soul – Jazz Piano Voicings] |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 42 – Blues in All Keys | Jazz Play Along Vol 042 – [Blues In All Keys] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 44 – [Autumn Leaves] | Jazz Play Along Vol 044 – [Autumn Leaves] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 45 – Bill Evans – COMPLETE | Jazz Play Along Vol 045 – [Bill Evans] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 46 – Out Of This World | Jazz Play Along Vol 046 – [Out Of This World] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 47 – Rhythm changes in all keys | Jazz Play Along Vol 047 – [I Got Rhythm Changes In All Keys] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 48 – In a Mellow Tone | Jazz Play Along Vol 048 – [In A Mellow Tone] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 49 – Sugar | Jazz Play Along Vol 049 – [Sugar] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 50 – The Magic Of Miles | Jazz Play Along Vol 050 – [The Magic of Miles] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 51 – Night And Day | Jazz Play Along Vol 051 – [Night and Day] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 52 – Collector’s Items | Jazz Play Along Vol 052 – [Collector’s Items] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 53 – Clifford Brown | Jazz Play Along Vol 053 – [Clifford Brown] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 54 – Maiden Voyage | Jazz Play Along Vol 054 – [Maiden Voyage] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 55 – Yesterdays -Jerome Kern | Jazz Play Along Vol 055 – [Yesterdays – Jerome Kern] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 56 – Thelonious Monk (Book Cd) | Jazz Play Along Vol 056 – [Thelonious Monk] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 57 – Minor Blues in All 12 Keys | Jazz Play Along Vol 057 – [Minor Blues In All Keys] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 58 – Unforgettable Standards | Jazz Play Along Vol 058 – [Unforgettable Standards] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 59 – Invitation | Jazz Play Along Vol 059 – [Invitation] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 60 – Freddie Hubbard | Jazz Play Along Vol 060 – [Freddie Hubbard] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 61 – Burnin’!!! | Jazz Play Along Vol 061 – [Burnin’] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 62 – Wes Montgomery | Jazz Play Along Vol 062 – [Wes Montgomery] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 63 – Tom Harrel | Jazz Play Along Vol 063 – [Tom Harrell] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 64 – Salsa, Latin Jazz | Jazz Play Along Vol 064 – [Salsa, Latin Jazz] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 65 – Four & More | Jazz Play Along Vol 065 – [Four and More] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 66 – Billy Strayhorn | Jazz Play Along Vol 066 – [Billy Strayhorn] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 67 – Tune Up | Jazz Play Along Vol 067 – [Tune Up] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 68 – Giant Steps | Jazz Play Along Vol 069 – [Bird Goes Latin] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 69 – Bird Goes Latin | Jazz Play Along Vol 069 – [Bird Goes Latin] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 70 – Killer Joe | Jazz Play Along Vol 070 – [Killer Joe] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 71 – East of the Sun | Jazz Play Along Vol 071 – [East Of The Sun] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 72 – Street of Dreams | Jazz Play Along Vol 072 – [Street of Dreams] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 73 – Oliver Nelson – Stolen Moments | Jazz Play Along Vol 073 – [Oliver Nelson (Stolen Moments)] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 74 – Latin Jazz | Jazz Play Along Vol 074 – [Latin Jazz] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 75 – Countdown To Giant Steps | Jazz Play Along Vol 075 – [Countdown to Giant steps] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 76 – How To Learn Tunes | Jazz Play Along Vol 076 – [How to Learn Tunes] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 77 – Paquito D’Rivera | Jazz Play Along Vol 077 – [Paquito D’Rivera] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 78 – Jazz Holiday Classics | Jazz Play Along Vol 078 – [Jazz Holiday Classics] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 79 – Avalon | Jazz Play Along Vol 079 – [Avalon] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 80 – Indiana | Jazz Play Along Vol 080 – [Indiana] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 81 – Standards And Originals | Jazz Play Along Vol 081 – [Contemporary Standards & Originals] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 82 – Dexter Gordon | Jazz Play Along Vol 082 – [Dexter Gordon] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 83 – Brecker Brothers | Jazz Play Along Vol 083 – [Brecker Brothers] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 84 – Dominant 7th Workout | Jazz Play Along Vol 084 – [Dominant Seventh Workout] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 85 – Tunes You Thought You Knew | Jazz Play Along Vol 085 – [Tunes You Though You Knew (Reharmonized Standards)] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 86 – Shoutin Out – Horace Silver Tunes (Book+CD) | Jazz Play Along Vol 086 – Shoutin’ Out – Horace Silver Tunes | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 87 – When Lights Are Low – Benny Carter | Jazz Play Along Vol 087 – [When Lights Are Low – Benny Carter] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 89 – Darn That Dream | Jazz Play Along Vol 089 – [Darn That Dream] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 90 Odd Times | Jazz Play Along Vol 090 – [Odd Times – Odd Time Signature Songs] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 91-Players Choice | Jazz Play Along Vol 091 – [Player’s Choice] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 92-Lennie Neihaus | Jazz Play Along Vol 092 – [Lennie Neihaus] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 93 What’s new | Jazz Play Along Vol 093 – [What’s New] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 94 Hot Hhouse | Jazz Play Along Vol 094 – [Hot House] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 95- 500 miles high | Jazz Play Along Vol 095 – [500 Miles High] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 96-Latin Quarter | Jazz Play Along Vol 096 – [Latin Quarter] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 97-Standards with strings | Jazz Play Along Vol 097 – [Standards With Strings] | |
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 99 Tadd Dameron | Jazz Play Along Vol 099 – [Tadd Dameron] | |
Aerith’s Theme – F.F. Vii エアリスのテーマ (Musescore File).mscz | ||
Aerosmith – Amazing | ||
Aerosmith – Angel | ||
Aerosmith – Crazy | ||
Aerosmith – Dream On |
- Norah Jones: singer, songwriter
From NYC to Grapevine and back to NYC - Norah Jones Greatest Hits (Full Album 2020)
Norah Jones: singer, songwriter
In 2002 Norah Jones, age twenty-two, released her debut full-length album, Come Away with Me. A low-key, acoustic work that defies categorization but includes hints of jazz, traditional pop, country, and folk; the CD is the kind of recording that would ordinarily have sold several thousand copies, earned admiring reviews in the music press, and then faded from view. In the beginning, that is exactly the path the recording seemed to take.
But to the surprise of many, including Jones herself, Come Away with Me continued to sell steadily month after month, thanks to outstanding reviews, positive word-of-mouth, and unexpected radio play.
It took nearly a year, but eventually the album reached the number-one position on Billboard ‘s album chart, selling some three million copies over twelve months. By 2004 it had sold eight million copies in the United States and an additional ten million worldwide.
Far less well known than her fellow nominees, Jones earned five nominations for Grammy Awards. On February 23, 2003, the night of the 45th Annual Grammy Awards, she went home with an armload of trophies, winning for every category in which she was nominated.
Her follow-up album, Feels Like Home, followed a different, steeper path when released in 2004: Jones’s second effort shot straight to number one, selling one million copies in its first week alone.
“I’m not soft-spoken and romantic, at all. I must be, somewhere deep down, otherwise I wouldn’t like that kind of music. But I’m only like that when I’m on stage. I’m pretty much just loudmouthed, obnoxious, and silly.”
From NYC to Grapevine and back to NYC
Jones was born in New York City in 1979. Her mother, Sue Jones, is a nurse and music promoter. Her father, Ravi Shankar, is a world-famous musician hailing from India. Shankar became widely known for his association with the Beatles and other Western musicians; he taught Beatles’ guitarist George Harrison how to play the sitar, a long-necked Indian stringed instrument, of which Shankar is considered a master.
As early as age three, Jones began showing a keen interest in music, closely watching her father when he played his sitar. At age five she began singing in her church choir. She learned to play several instruments in her youth, primarily studying piano. Shankar and Sue Jones, unmarried when Norah was born, separated when she was still a young child. Sue took her daughter to live in Texas in a suburb of Dallas called Grapevine.
Jones lived there for much of her childhood, having no contact with her famous father for ten years. Her musical influences during that time came from her mother’s record collection. She felt especially affected by the works of great jazz, soul, and blues singers, including Etta James, Aretha Franklin, and Billie Holiday. Jones also spent countless hours listening to recordings of musicals such as Cats and West Side Story.
Brit Crooner Jamie Cullum
Norah Jones’s surprising success with a style of music that generally doesn’t reach the top of the Billboard charts has paved the way for similar artists, performers who now see the potential for widespread success with their more traditional musical styles, and whose labels are now more willing to invest in their music. One such performer, Britain’s Jamie Cullum, has crafted a jazz-influenced style for his singing and piano playing, a blend of old-time pop standards and cabaret-style jazz with the occasional rock tune thrown in for good measure.
With Twentysomething, Cullum has taken his native country by storm, selling more records than any other jazz artist in United Kingdom history, and outselling a number of major pop acts as well. He made a splash in the United States when his album was released there in 2004, with many critics comparing his swinging style to that of Norah Jones and Harry Connick Jr., and to the croonings of another famous performer, the late Frank Sinatra.
Just twenty-three years old at the time of his 2003 U.K. release of Twentysomething, Cullum took his newfound fame in stride, considering it the result of many years of working hard and paying dues. He has been playing guitar and piano since age eight, and he began playing for audiences in clubs and bars at about age fifteen.
Encouraged in his love of jazz by his older brother, Ben, Cullum grew up admiring jazz greats Oscar Peterson and Dave Brubeck. In an interview with WWD magazine, he related that he was also heavily influenced by other types of music: “I grew up listening to Public Enemy and Kurt Cobain and the Beastie Boys and Guns N’ Roses.
That’s really the influence that pervades what I do.” He studied film and English literature at Reading University in England, releasing his first album, as the Jamie Cullum Trio, at age nineteen. His second release, Pointless Nostalgic, earned considerable airplay on British radio and earned him a dedicated fan base. The success of that album sparked a bidding war among record labels, with Universal Records winning out. Still in his early twenties, Cullum was signed to a multi-album deal worth over one million dollars.
Cullum has attracted attention for more than just his recorded music: his live performances indicate a young man with over-the-top showmanship. He does more than just play the piano: he bangs on it with his fists, pounds the keys, and occasionally kicks the keys for additional emphasis. When asked by WWD about his exuberant style, Cullum replied: “It’s a very spontaneous thing. I just let myself go at the expense of looking like an idiot all the time and getting really hot and sweaty and not being very classy.”
While some reviewers have criticized Cullum for lacking subtlety, others have praised his boundless energy onstage and applauded his efforts to bring lighthearted fun to music that is usually played with a more serious tone.
During her high school years at Dallas’s Booker T. Washington School for the Performing and Visual Arts, Jones explored her developing passion for jazz. On her sixteenth birthday she gave her first solo performance, singing and playing piano at a coffeehouse on open-mic night, when anyone brave enough can try his or her hand at performing for the public.
During that period Jones also played in a band called Laszlo and tried her hand at composing jazz tunes. She earned recognition from the highly respected jazz magazine Down Beat, winning their Student Music Award (SMA) for Best Jazz Vocalist two years running and also winning an SMA for Best Original Composition. After graduating from high school Jones enrolled at the University of North Texas.
She spent two years there, studying jazz piano and giving solo performances at a local restaurant on weekends. She also became reacquainted with her father, and the two developed a close relationship. The summer after her sophomore year Jones decided to head to New York City and try her luck making it as a musician there.
Pounding the pavement
Working in a restaurant during the day and performing in downtown clubs by night, Jones felt excited to be part of the city’s jazz scene, rather than just studying music in a classroom. She decided to stay in New York, forming a jazz trio, and also performing with other jazz groups, including the Peter Malick Group.
While her professional life revolved mainly around jazz, she began listening often to country music. She told Texas Monthly, “It’s funny, but I got into country music when I moved to New York. I was homesick, so I listened to [renowned country singer-songwriter] Townes Van Zandt.” She created a demo recording of her solo work to send to record labels in the hope of getting a deal, but after a year of passing her demo around with no success, she began to feel discouraged.
On the evening of her twenty-first birthday, Jones gave a performance that connected deeply with a notable member of her audience. Shell White, an employee in the accounting department of the revered jazz label Blue Note, was so struck by Jones’s talents that she arranged for a meeting between the young singer and the label’s chief executive officer (CEO), Bruce Lundvall.
After meeting Jones and hearing her sing, Lundvall signed her to a record deal on the spot. Lundvall explained to Time magazine’s Josh Tyrangiel that such impulsive decisions had been made only twice in his career at Blue Note (the other artist was jazz vocalist Rachelle Ferrell). Lundvall described the essence of Jones’s appeal: “Norah doesn’t have one of those over-the-top instruments. It’s just a signature voice, right from the heart to you. When you’re lucky enough to hear that, you don’t hesitate. You sign it.”
“Snorah” Jones makes good
Jones began her relationship with Blue Note by releasing a six-song EP, a less-than-full-length recording, called First Sessions. This CD includes several songs that later showed up on Come Away with Me. For her debut full-length recording, Blue Note paired Jones with veteran producer Arif Mardin, who had worked with such legendary performers as Aretha Franklin and Dusty Springfield.
When she and Mardin began recording Come Away with Me in May of 2001, Jones showed a preference for a spontaneous style in the studio, aiming to capture the intimate and natural qualities of live performance. She recorded fourteen songs for her debut; Jones wrote a few of the tracks but left most of the composing duties to others, including her boyfriend, bassist Lee Alexander, and New York–based songwriter-guitarist Jesse Harris. She also recorded two songs made famous by musicians legendary in their respective fields: country king Hank Williams (“Cold, Cold Heart”) and revered jazz-pop composer Hoagy Carmichael (“The Nearness of You”).
Released in early 2002, Come Away with Me earned positive reviews. Music critics expressed appreciation for her distinctive voice and authentic, understated style. Many critics wrote of Jones as a promising new artist, a refreshing change of pace from the slick packaging of pop stars like Britney Spears.
Even the most admiring reviewers, however, did not predict that the album would gradually become a smash hit and that Jones would become Blue Note’s best-selling artist ever. Come Away with Me became so successful that it seemed to be everywhere: on the radio, on television, playing over the public address system in shopping malls. Jones recalled to Tyrangiel that she heard one of the album’s tracks in an unexpected place: “Once on a plane—you know how they play elevator music before you take off?—they played one of the songs.”
The album’s exposure became so great that a small backlash arose, with some music journalists declaring that the attention was nothing but hype, and criticizing Jones’s music as bland and boring. Some even started calling her “Snorah Jones,” a nickname Jones found amusing rather than hurtful. She confided to Tyrangiel, “My mom calls me Snorah all the time now.”
The “insanity,” as Jones frequently characterized the buzz surrounding her debut, seemed to reach a peak when the album was nominated for eight Grammy Awards. Competing against such high-profile artists as Bruce Springsteen and Eminem, Jones swept the awards ceremony in February of 2003.
The album won all eight awards for which it was nominated, with Jones receiving five awards and the three others going to producer Mardin, the album’s engineers, and songwriter Jesse Harris for “Don’t Know Why.” Among Jones’s victories were trophies for Album of the Year and Best New Artist. As the ceremony progressed, Jones began to feel overwhelmed, as she related in Texas Monthly: “I felt like I was in high school and all the popular kids were in the audience and were, like, ‘What’s she doing up there?’ I felt like I had gone in a birthday party and eaten all the cake before anyone else got a piece.”
Some aspects of her newfound fame pleased her, especially the positive reception from most critics and her increased ability to control the direction of her career. But for the most part, Jones retreated from the spotlight. She preferred the idea of being a member of a group rather than a solo star, telling Billboard’s Melinda Newman, “Deep down, in my gut, all I want to be is part of a band.”
In the beginning, she didn’t feel entirely comfortable performing in concert, making music videos, or talking to the press. Jones sought a quiet lifestyle, unexpected for such a young musician, preferring low-key get-togethers with her bandmates to late-night partying at clubs.
A homey follow-up
When work began on a follow-up album, Feels Like Home, many music-industry insiders speculated that it would take a miracle for the second album to sell as well as the first. Such predictions did not faze Jones. Her primary focus was the music; she was eager to branch out on her second album and explore different styles, having shifted away from jazz and toward country in her listening habits and writing.
For Feels Like Home, Jones took a greater role in the songs’ composition, writing or cowriting six of the album’s thirteen tracks. The album was recorded after a series of collaborative sessions with bandmates, with each member contributing to various aspects of the project. Guest artists included country-music mainstay Dolly Parton and, from the influential rock group the Band, Levon Helm and Garth Hudson.
After the phenomenal success of her debut, people throughout the industry—record label executives, music retailers, and journalists—as well as millions of fans eagerly anticipated Jones’s follow-up. Released in early 2004, Feels Like Home was snapped up by one million buyers in its first week, resulting in an instant rise to the numberone position on Billboard ‘s album chart.
Determined to let her second album’s reception happen somewhat naturally, Jones pressured Blue Note to devise an understated publicity campaign that wouldn’t blanket the television and radio airwaves with commercials for Feels Like Home.
Blue Note CEO Lundvall told Billboard ‘s Newman, “We’re not hyping the record. We’re not going out there and advertising all over the world.” For her part, Jones remained calm under the intense pressure of following up a debut album that had sold more than eighteen million copies worldwide. She related in Texas Monthly: “It’s funny, but I don’t want to know about sales. I don’t want to read any of the reviews; I don’t want to see any of the articles. I just want to do what I do and have it be as unfussed-with as possible.”
Music reviewers varied in their responses to Feels Like Home. Some expressed a wish that Jones would break out of her mellow approach and make edgier music. David Browne of Entertainment Weekly concluded that “Jones’ voice conveys warmth and contentment but little in the way of urgency or intensity.” Others felt that she had failed to commit to a specific style, instead sampling from a variety of genres. A few complained that Jones had written or chosen too many mediocre songs, relying on her lush vocals to overcome any writing shortcomings.
But numerous critics found plenty to love in Jones’s second release. Tom Moon wrote in RollingStone.com, “Far from blanded-out background music, Feels Like Home … is a triumph of the low-key, at once easygoing and poignant.” Matt Collar wrote for All Music Guide that, with Feels Like Home, “You’ve got an album so blessed with superb songwriting that Jones’ vocals almost push the line into too much of a good thing.”
At the PopMatters web site, Ari Levenfeld wrote: “While many critics of the album complain about the slow pace of the music, relegating it to little more than background music, it’s hard to believe that they were paying attention. There simply isn’t another singer working in pop music now that holds a candle to Jones.”
Millions of fans seemed to agree with Levenfeld’s assessment, finding Jones to be a breath of fresh air in a stale pop landscape. She is a musician who has sought success but not necessarily stardom, and who seems more likely to share the spotlight than grab it for herself.
At a time when young pop singers belt out every note with over-the-top passion, Jones opts for subtlety, understanding that a low-key voice stripped to its essence can pack a greater punch than one bellowed out at top volume. Tyrangiel explained, “She never fails to choose simple over flamboyant, never holds a note too long. She may prove to be the most natural singer of her generation.”
Norah Jones Greatest Hits (Full Album 2020)
Browse in the Library:
Artist or Composer / Score name | Cover | List of Contents |
---|---|---|
(500) Days Of Summer Piano Theme ( Mychael Danna, Rob Simonsen) | (500) Days Of Summer Piano Theme ( Mychael Danna, Rob Simonsen) | |
10,000 Maniacs Because The Night Piano Solo sheet music | ||
100 Golden Standards The World’s Best Piano Arrangements by the greatest pianists of the Century | The World’s Best Piano Arrangements | |
100 Great Keyboard Intros Songbook | 100 Great Keyboard Intros Songbook | |
100 Greatest Film Scores (Book) by Matt Lawson & Laurence E. MacDonald | ||
100 greatest POP songs | 100 greats pop songs | |
100 Greatest Songs of Rock & Roll, Selections From Piano Vocal Guitar Sheet Music | 100 Greatest Songs of Rock & Roll, Selections From Piano Vocal Guitar Sheet Music | |
100 Hits Simply The Best – Guitar (Die besten Songs aus Pop Rock) German | 100 Hits Simply The Best (Die besten Songs aus Pop | |
100 Jazz & Blues Greats Book | 100 Jazz & Blues Greats | |
100 Jazz Solos & Etudes by Jacob Wise | 100 Jazz solos | |
100 Light Classics For Piano Solo | 100 Light Classics For Piano Solo | |
100 Most Beautiful Christmas Songs Easy Piano Vocal | 100 Most Beautiful Christmas Songs Easy Piano Vocal | |
100 Most Beautiful Christmas Songs Piano Vocal Guitar | 100 Most Beautiful Christmas Songs Piano Vocal Guitar | |
100 Must-Know Jazz Tunes with MP3 audio tracks to Play Along | 100 Must-Know Jazz Tune – C version | |
100 of the Best Movie Songs Ever! Piano Vocal Guitar | 100 best movie songs 1&100 best movie songs 2 | |
100 Of The Best Songs Ever For The Keyboard by Daniel Scott | 100 Of The Best Songs Ever For The Keyboard | |
100 Piano Solos (100 popular standards of today arr. by Frank Booth) with guitar chords | 100 piano solos 1 | |
100 Pop Hits Of The 90’s by Dan Coates | 100 Pop Hits Of The 90’s by Dan Coates | |
100 Rock N Roll Standards Piano Vocal Guitar chords | 100 Rock N Roll Standards Piano Vocal Guitar chords contents | |
100 Songs For Kids – Easy Guitar Lyrics with Tablature | 100 Songs For Kids – Easy Guitar Lyrics | |
100 Tunes Every Musician Should Know Professional Chord Changes And Substitutions By Dick Hyman | 100 Tunes Every Musician Should Know Professional Chord Changes And Substitutions By Dick Hyman | |
100 Ultimate Blues Riffs For Piano Keyboards | 100 ultimate riffs jazz piano | |
100 Women Of Pop And Rock 100 songs by 100 artists | 100 Women Of Pop And Rock 100 songs by 100 artists Piano Vocal Guitaral Leonard | |
100 Years Of Popular Music 1980s Part Two Piano Vocal Guitar Chords | 100 Years Of Popular Music 1980s Part Two Piano Vocal Guitar Chords | |
1000 Examples of Musical Dictation (Ladukhin, Nikolay) | 1000 Examples of Musical Dictation | |
1000 Words – Final Fantasy X-2.mscz | ||
1001 Blues Licks by Toby Wine – Piano | 1001 Blues Licks by Toby Wine – Piano | |
1001 Jazz Licks A Complete Jazz Vocabulary For The Improvising Musician (Jack Shneidman) | 1001 Jazz Licks A Complete Jazz Vocabulary For The Improvising Musician (Jack Shneidman) | |
101 Cançoes Que Tocaram O Brasil Nelson Motta (Book) (Brazilian Portuguese) | ||
101 Frank Sinatra Hits For Buskers | 101 Frank Sinatra Hits For Buskers | |
101 Mississippi Delta Blues Fingerpicking Licks Guitar and TAB by Larry McCabe | Larry McCabe – 101 Mississippi Delta Blues Fingerpicking Licks | |
101 Must-Know Blues Licks (Guitar Educational) (Wolf Marshall) PDF + MP3 audio tracks Play Along with Tablature | 101 Must-Know Blues Licks (Guitar Educational) (Wolf Marshall) | |
1015 Songs – The Original Musicians’s (Musicals) | 1015 Songs – The Original, Musicians’s (Musicals) | |
106 Songs Everybody Plays | 106 Songs Everybody Plays | |
11 Short Classical Piano Pieces | 11 Short Classical Piano Pieces | |
116 Arrangements Of Baroque, Classical & Ballet Pieces For Piano Solo | 116 Arrangements Of Baroque, Classical & Ballet Pieces For Piano Solo | |
129 Easy Pieces For Piano Solo, also for beginners | 129 easy pieces for piano solo | |
12th Street RAG – Liberace Collection Book of 5 compositions | ||
12th Street Rag by Euday Bowman (Piano Solo sheet music, Noten, partition, partitura, spartito).mscz | ||
150 Best Songs For Acoustic Guitar | ||
150 More Of The Most Beautiful Songs Ever (Songbook) Piano Vocal Guitar | 150 More Of The Most Beautiful Songs Ever (Songbook) Piano Vocal Guitar | |
150 Of The Best Jazz Standards Ever | 150 Of The Best Jazz Standards Ever | |
150 Of The Most Beautiful Songs Ever 3rd Edition | 150 Of The Most Beautiful Songs Ever 3rd Edit1 and 150 Of The Most Beautiful Songs Ever 3rd Edit2 | |
16 Pop and Movies Hits Keyboard Piano Book (Mike Emerson) | 16 Pop and Movies Hits Keyboard Piano Book (Mike Emerson) | |
1600 Pennsylvania Avenue The Musical By Leonard Bernstein And Alan Jay Lerner Vocal Selections | ||
17 Moments of Spring – Mgnovenia (Mikael Tariverdiev) | ||
1812 Overture Op. 49 Thaikovsky (arr. piano solo) | ||
1950s Jazz (Fake Book lead sheet music) | 1950s Jazz (Fake Book lead sheet music) | |
20 Century Fox Theme Transcription By Deusde Coppen | ||
20 Modern BEBOP Licks – by Noah Kellman All Keys with left hands chords | 20 Modern BEBOP Licks – by Noah Kellman All Keys with left hands chords | |
200 Jazz Standards Tunes (chords progressions for C Instruments) Bob Taylor | 200 Jazz Standards Tunes (chords progressions for C Instruments) Bob Taylor | |
200 Of The Best Songs From Jazz Of The ’50s | jazz of the 50s | |
2014 Top Hits Of 2014 Songbook Piano Vocal Guitar | 2014 Top Hits Of 2014 Songbook Piano Vocal Guitar | |
2016 Top Hits Of 2016 Songbook Piano Vocal Guitar | 2016 Top Hits Of 2016 Songbook Piano Vocal Guitar | |
2018 Greatest Pop Movie Hits Songbook For Piano | 2018 Greatest Pop Movie Hits Songbook For Piano | |
2019 GREATEST POP MOVIE HITS SONGBOOK FOR PIANO PART 2 Piano sheet music (Jim Presley) | 2019 GREATEST POP MOVIE HITS SONGBOOK FOR PIANO PART 2 Piano sheet music (Jim Presley) | |
2020 Greatest Pop Piano Sheet Music Book Songbooks For Piano | 2020 Greatest Pop Piano Sheet Music Book Songbooks For Piano | |
20th Century Classics Volume 1 | 20th Century Classics Volume 1 | |
20th Century Jazz Guitar by Richie Zellon (with Tablature) | 20th Century Jazz Guitar by Richie Zellon | |
20th Century Masters Of Fingerstyle Guitar by John Stropes | 20th Century Masters Of Fingerstyle Guitar by John Stropes | |
20th Century Piano Music – Book (1990) David Burge | 20th Century Piano Music Book (1990) David Burge | |
24 Etudes Op.35 – Fernando Sor (1778 – 1839) (Musescore File).mscz | ||
24_Preludes_Op.34 Shostakovich.mscz | ||
25 Short Classical Guitar Pieces (with Tablature) | 25 Short Classical Guitar Pieces | |
262 Classic Piano Rags Various Composers | 262 Classic Piano Rags Various Composers | |
273 Easy And Intermediate Piano Pieces | 273 Easy And Intermediate Piano Pieces contents | |
28 Modern Jazz Trumpet Solos Book 2 | 28 Modern Jazz Trumpet Solos Book 2 | |
3.10 to Yuma (Marco Beltrami) | ||
30 Best Rock Guitar Songs Ever (Guitar TABs) | 30 Best Rock Guitar Songs Ever (Guitar TABs) | |
300 Sacred Songs Melody Lyrics Chords Fake Book Melody Lyrics Chords | 300 Sacred Songs Melody Lyrics Chords Fake Book Melody Lyrics Chords_compressed | |
36 Christmas Carols Songs | 36 christmas carols songs | |
38 Special Guitar Anthology Guitar Recorded Vers. with Tablature | 38 special guitar anthology | |
39 Progressive Solos For Classical Guitar (with Tablature) | 39 Progressive Solos For Classical Guitar | |
39 Progressive Solos For Classical Guitar Book 2 (with Tablature) | 39 Progressive Solos For Classical Guitar Book 2 sheet music pdf | |
40 Easy Guitar Pieces (Painted with the Sound) | ||
49 Most Popular Jazz Songs | 49 Most Popular Jazz Songs | |
5 Christmas Songs Sheet Music Trumpet in B & Piano accompaniment (Viktor Dick) | 5 Christmas Songs Sheet Music Trumpet in B & Piano accompaniement (Viktor Dick) | |
50 Broadway Shows 50 Broadway Songs | 50 Broadway Shows 50 Broadway Songs | |
50 Classical Guitar Solos In Tablature (Howard Wallach) with Tablature | 50 Classical Guitar Solos In Tablature (Howard Wallach) | |
50 Essential Bebop Heads Arranged For Guitar Tablature (best lines Charlie Parker, Dizzy Gillespie, Thelonious Monk and more) | 50 Essential Bebop Heads Arranged For Guitar Tablature (best lines Charlie Parker, Dizzy Gillespie, Thelonious Monk and more) | |
50 Jazz Standards Every Jazz Musician Needs To Know with MP3 audio tracks to Play Along | 50 Jazz Standards Every Jazz Musician Needs To Know – C version | |
50 Most Popular Classical Melodies (Easy Piano) | 50 Most Popular Classical Melodies | |
50 Of The Most Beautiful Piano Love Songs Solos Ever. | 50 OF THE MOST BEAUTIFUL PIANO LOVE SONGS SOLOS EVER | |
50 Piano Arrangements Of Hymns And Gospel Songs (Fred Bock’s Best) | 50 Piano Arrangements Of Hymns sheet music | |
50 Piano Classics – Easy | 50 piano classics | |
50 Riffs For Blues Guitar – Martin Shellard with MP3 audio to Play Along with Tablature | 50 riffs for blues guitar | |
500 Piano Intros For The Great Standards – Steinway | 500 piano intros | |
55 Country Classics (Voice, piano, Guitar) | 55 Country Classics (Voice, piano, Guitar) | |
557 Jazz Standards (Sheet Music – in C for all instruments) swing to bop (lead sheet) | Standards (Sheet Music – Piano) | |
60 Progressive Solos For Classical Guitar By Mark Phillips (with Tablature) | ||
67 Fun Songs arranged by Jon Schmidt (Piano) | ||
70’s Hits (Easy Piano Solos) – Hans-Gunter Heumann [Piano, Vocal, Chords] | ||
750.000 anni fa.l’Amore (Banco del Mutuo Soccorso) | ||
75th Anniversary A Tribute In Music From The 20s Through The 90s Various Artists Warner Bros | 75th Anniversary A Tribute In Music From The 20s Through The 90s Various Artists Warner Bros | |
78 Quarterly No 1 and 2 (1967) Book magazine | ||
8 ½ Theme (Nino Rota) | ||
8 Femmes (Krishna Levy) | ||
8 Jazz scales you need to know.mscz | ||
80 Most Requested LDS Songs (Mormon music) | 80 Most Requested LDS Songs (Mormon music) | |
88 Piano Classics For Beginners – David Dutkanicz | 88 Piano Classics For Beginners – David Dutkanicz | |
88 The Giants Of Jazz Piano by Robert L. Foerschuk (Book) foreword by Keith Jarrett | ||
9 easy guitar pieces – Sveinn Eythorsson | ||
97 Oeuvres pour Guitare de Jean Francois DELCAMP | 97 Oeuvres pour Guitare de Jean Francois DELCAMP | |
99 Easy Piano Pieces | 99 Easy Piano Pieces | |
A Beautiful Mind – A Kalidoscope of Mathematics | ||
A Beautiful Mind – All Love Can Be | A Beautiful Mind – All Love Can Be | |
A Beautiful Mind – Kalidoscope | ||
A Child Is Born – Oscar Peterson (Musescore File).mscz | ||
A Chordal Concept For Jazz Guitar by Peter O’Mara | A Chordal Concept For Jazz Guitar by Peter O’Mara | |
A Ciascuno il Suo (Luis Bacalov) | ||
A Clare Benediction – John Rutter – Piano Solo Arr. (Musescore File).mscz | ||
A Clockwork Orange (Beethoviana) | A Clockwork Orange (Beethoviana) | |
A Clockwork Orange (Beethoviana) (Musescore File).mscz | ||
A Comparative Study Of The 24 Preludes Of A. Scriabin And Sergei Rachmaninoff (book) | ||
A Complete Course of Instruction For The Piano-Forte (Dr Karl Merz) (1885) | Instruction… | |
A Cool Yule. Ten Jazzy Christmas Songs | A Cool Yule. Ten Jazzy Christmas Songs | |
A Creative Approach To Jazz Piano Harmony Bill Dobbins | A Creative Approach To Jazz Piano Harmony Bill Dobbins | |
A Creative Approach To Practicing JAZZ – by David Baker | A Creative Approach To pravtising Jazz | |
A Dance of Dragons – Blood of the Dragon (Game of Thrones) Piano solo arr. | ||
A Dictionary of Music and Musicians Vol. 4 (A.D. 1450-1880) Edited in 1889 |
0:00 Don’t Know Why 2:55 Sunrise 6:12 Come Away With Me 9:52 The Long Day Is Over 12:54 One Flight Down 15:34 What Am I To You? 18:53 December 21:58 Feelin’ The Same Way 25:22 Lonestar 28:33 Turn Me On 32:35 The Nearness of You
32:59 Cold Cold Heart 36:58 I’ve Got To See You Again 41:34 Painter Song, 43:58 Carry On 46:19 Nightingale 50:26 Those Sweet Words 52:38 Be Here To Love Me 57:47 Happy Pills