Browse in the Library:
Artist or Composer / Score name | Cover | List of Contents |
---|---|---|
Benny Carter Vol 87 – When Lights Are Low – Play Along with MP3 audio tracks | Benny Carter Vol 87 – When Lights Are Low – Play Along with MP3 audio tracks | |
Benny Golson Stablemates (Lead Sheet) | Stablemates (Lead Sheet) sample | |
Benny Golson Stablemates (Piano Solo Transcription) | Stablemates (first page) | |
Benny Hill Show Theme (Yakety Sax) by Randy Randolph and James Rich | ||
Benny Hill Show Theme (Yakety Sax) By Randy Randolph And James Rich (Musescore File).mscz | ||
Bepi De Marzi Signore Delle Cime Piano Solo Arr. | ||
Berens 50 Piano Pieces For Beginners, Op 70 | ||
Berens – 20 Children Studies, op 79 | ||
Berens – 50 Piano Pieces for Beginners, op 70 | ||
Berens – The School of Scales Chords & Embellishments Op 88 | Berens scales op 88 | |
Berens – Training of the Left Hand, op 89 | Berens – Training of the Left Hand, op 89 | |
Berio, Luciano – Folk songs (Full Score) | ||
Berio, Luciano – Gesti (score) | ||
Berio, Luciano – Sequenza IXb-sax alto | ||
Berio, Luciano – Sequenza VII for Oboe | ||
Berklee Harmony 1 by Barrie Nettles | ||
Berklee Harmony 1 by Barrie Nettles (Español) | Berklee Harmony 1 by Barrie Nettles (Español) | |
Berklee Harmony 2 by Barrie Nettles | ||
Berklee Harmony 3 by Barrie Nettles | ||
Berklee Harmony 4 by Barrie Nettles | ||
Berklee Music Theory 2 | ||
Berklee – A Modern Method For Keyboard Study Vol 1 by James Progris | ||
Berklee – Jazz Composition Theory And Practice (Book) | ||
Berklee Basic Keyboard 1 William Davies | ||
Berklee – William Leavitt Classical Studies For Pick Style Guitar | ||
Berklee (Guitar method) William Leavitt – Melodic Rhythms for Guitar (pdf+AUDIO MP3) | ||
Berklee Basic Guitar Phase 1 by William Leavitt | ||
Berklee Book Of Jazz Harmony | ||
Berklee Ear Training 1 Workbook (2002) Book | ||
Berklee Ear Training 1 Workbook (2013) 2nd Edition (BOOK) | ||
Berklee Ear Training 2 Workbook (2013) (BOOK) | ||
Berklee Ear Training 3 Workbook (2006) Book | ||
Berklee Ear Training 4 Workbook (2007) Book | ||
Berklee Harmony 1 to 4 (4 theory books) | ||
Berklee Instant Keyboard Method | Book Theory | |
Berklee Jazz Guitar Arrangements | berklee jazz guitar | |
Berklee Jazz Guitar Chord Dictionnary | Berklee Jazz Guitar Chord Dictionnary | |
Berklee Jazz Piano Ray Santisi | Berklee jazz piano sheet music book | |
Berklee Jazz Standards for Solo Piano (Christopherson, Robert) Piano Jazz | ||
Berklee Modal Harmony Jazz | ||
Berklee Music History Handbook | ||
Berklee Music Theory Book 1 | ||
Berklee Orchestration Handbook 1 Songwritting & Business for Film, TV & Video Games | Berklee – orchestration handbook | |
Berklee Piano Handbook | ||
Berklee Practice Method Guitar with Tablature | ||
Berklee Practice Method Keyboard | ||
Berklee Press – Ted Pease & Ken Pullig – Modern Jazz Voicings ( with MP3 tracks) | Modern Jazz voicings | |
Berklee School of Music – Arranging Music (complete course) | ||
Berklee Shares – Jazz Composition Theory and Practice | Book Theory | |
Berklee Shares – Melody – Some Basics | Book Theory | |
Berklee Shares – Songwriter’s Workshop – Writing A Chorus | Book Theory | |
Berklee Workshop Jazz Guitar Techniques Modal Voicings Featuring Rick Peckham | ||
Berlin – Take My Breath Away (Piano Vocal) | ||
Bernard Herrmann Madeleine Theme from VERTIGO | ||
Bernard Herrmann PSYCHO (Prelude) piano solo | ||
Bernard Herrmann Psycho Prelude | ||
Bernard Herrmann Scene D’amour from VERTIGO | ||
Bernard Herrmann Taxi Driver | ||
Bernard Lavilliers carnets De Bord songbook | Bernard Lavilliers carnets De Bord songbook Contenu — Bernard Lavilliers carnets De Bord songbook | |
Bernat Vivancos Si l’amour | ||
Bernat Vivancos El Cant Dels Ocells | ||
Bert Kaempfert Piano Album | Bert Kaemfert piano album | |
Bert McCracken – Sometimes I Just Go For It | ||
Bertini – 24 Etudes Op. 29 | Bertini etudes op 29 | |
Bertini – 25 Etudes Faciles Op.100 | Bertini op 100 | |
Besame mucho (Andrea Bocelli) | ||
Bésame Mucho (Bolero Violin Guitar And Lyrics) Guitarra Y Letra Consuelo Velázquez (Musescore File) Musescore File.mscz | ||
Bésame Mucho (Bolero – Guitar And Lyrics) Guitarra Y Letra Consuelo Velázquez (Musescore File).mscz | ||
Besame Mucho, Bolero by Consuelo Velázquez (Piano Solo partitura, sheet music, Noten, partition) | ||
Bésame Mucho, Bolero by Consuelo Velázquez (Piano Solo partitura, sheet music, Noten, partition).mscz | ||
Best Acoustic Songs for Easy Guitar – sheet music with Tablature | Best Acoustic Songs for Easy Guitar – sheet music | |
Best of Blues Piano (Signature Licks keyboard). 14 songs | Best Of Blues Piano | |
Best Of Jazz Guitar (Guitar Songbook) with embebed audio MP3 (Signature Licks) ( by Wolf Marshall) (with Tablature) | Best Of Jazz Guitar (Guitar Songbook) | |
Best Of Modern Rock For Guitar with Tablature | Best Of Modern Rock For Guitar | |
Best Of Russian Rock | Best Of Russian Rock | |
Best Rock Songs 2000-2005 Piano-vocal-chords | Best Rock Songs 2000-2005 Piano-vocal-chords | |
Best Smooth Jazz Jazz Piano Solos Series Volume 50 21 selections | Best Smooth Jazz Jazz Piano Solos Series Volume 50 21 selections | |
Best Songs Ever – 7th edition (Piano Vocal Guitar sheet) | The Best Songs Ever Piano vocal guitar | |
Best Songs Of Piano Bar Easy Piano | best songs of piano bar | |
Bethena – A Concert Waltz – Scott Joplin – 1905.mscz | ||
Bette Midler – The Rose | ||
Bette Midler – The Wind Beneath My Wings | ||
Betty Carter Baby, It’s Cold Outside The New Real Book 2 | Betty Carter Baby, It’s Cold Outside The New Real Book 2 | |
Betty Carter Jazz Ain’t Nothin’ But Soul | ||
Betty Carter Spring Can Really Hang You Up The Most | Betty Carter Spring Can Really Hang You Up The Most | |
Betty Carter Tight | ||
Beverly Hills Cop – Axel F – Harold Faltermeyer | ||
Bewitched – by Rodgers & Hart | ||
Beyonce – If I Were A Boy | ||
Beyonce B’day | Beyonce B’day | |
Beyonce Dangerously In Love | Beyonce Dangerously In Love | |
Beyonce Songbook – Beyonce sheet music Piano Vocal guitar | Beyonce Songbook – Beyonce sheet music | |
Beyond And Before Progressive Rock Since The 1960s By Paul Hegarty, Martin Halliwell (Book) | ||
Beyond Slonimsky Melodic Patterns For Guitar | ||
Beyond The Art Of Finger Dexterity – Reassessing Carlo Czerny (Book) | ||
Big Book Of Classical Music 100 Of The World’s Favorite Pieces (Piano Solo, Sheet Music) | Big Book Of Classical Music 100 Of The World’s Favorite Pieces (Piano Solo, Sheet Music) | |
Big Book Of Wedding Music, The ( Sheet Music) | Big Book Of Wedding Music, The ( Sheet Music) | |
Big Fish Conductor’s Score The Musical Piano Vocal Score by Andrew Lippa | ||
Big Fish Fight The Dragons Big Fish The Musical by Andrew Lippa | ||
Big My Secret Michael Nyman (From ‘the Piano’) (Musescore File).mscz | ||
Biggest Pop Hits 1996 1997 Piano Vocal Guitar Chords | Biggest Pop Hits 1996 1997 Piano Vocal Guitar Chords | |
Bigtime Piano Jazz & Blues Level 4 Intermediate | Bigtime Piano Jazz & Blues Level 4 Intermediate | |
Bigtime Piano Popular Level 4 Intermediate | Bigtime Piano Popular Level 4 Intermediate | |
Bigtime Piano Rock N Roll Level 4 Intermediate | Bigtime Piano Rock N Roll Level 4 Intermediate | |
Bill Broonzy – Blues And Ragtime Guitar Big Bill Broonzy (sheet music and TAB) | Bill Broonzy – Blues And Ragtime Guitar Big Bill Broonzy (sheet music and TAB) | |
Bill Dobbins – BLUES The Jazz Workshop Series | Bill Dobbins – BLUES The Jazz Workshop Series (Standards & Originals All Blues | |
Bill Dobbins – Jazz Arranging and Composing | Jazz arranging and composing | |
Bill Dobbins – The Contemporary Jazz Pianist V. 1 | Bill Dobbins – The Contemporary Jazz Pianist Vol.1 | |
Bill Dobbins – The Contemporary Jazz Pianist V. 3 | contemporary jazz pianist vol 3 | |
Bill Dobbins – The Contemporary Jazz Pianist Vol. 2 | Bill Dobbins – The Contemporary Jazz Pianist Vol.2 | |
Bill Dobbins – The Contemporary Jazz Pianist Vol.4 | Bill Dobbins – The Contemporary Jazz Pianist Vol.4 | |
Bill Dobbins Classic Standards Series Piano | Bill Dobbins Classic Standards Series Piano | |
Bill Dobbins The Jazz Workshop Series Vol 1 Modal Jazz | ||
Bill Douglas Azure | Bill Douglas Azure | |
Bill Douglass Autumn song | Autumn song | |
Bill Douglass Prelude | Bill Douglass Prelude | |
Bill Evans Jazz Music For Classical Guitar | Bill Evans Jazz Music For Classical Guitar | |
Bill Evans Alice In Wonderland | ||
Bill Evans Autumn Leaves, Solo Transcription | Bill Evans Autumn Leaves, Solo Transcription | |
Bill Evans Autunm Leaves |
Wes Montgomery: The Top 25 pearls in Jazz history
Wes Montgomery Biography
Full name, John Leslie Montgomery; born March 6, 1923, in Indianapolis, Ind.; died June 15, 1968, in Indianapolis, Ind.
When reading Wes Montgomery Biography, you see that many writers respected him…”Listening to [Wes Montgomery’s] solos is like teetering at the edge of a brink,” composer-conductor Gunther Schuller asserted, as quoted by Jazz & Pop critic Will Smith.
“His playing at its peak becomes unbearably exciting, to the point where one feels unable to muster sufficient physical endurance to outlast it.” Legendary guitarist Joe Pass simply says this about Montgomery’s place in musical history: “To me, there have been only three real innovators on the guitar–Wes Montgomery, Charlie Christian, and Django Reinhardt,” as cited in James Sallis’s The Guitar Players.
Throughout the Wes Montgomery Biography you see that this high praise is a testament to the ability of a dude of contradictions: Montgomery was a musician who never learned to read music, and he enjoyed commercial success rarely afforded to jazz musicians during the 1960s, while suffering critical–and personal–disapproval.
Born John Leslie Montgomery on March 6, 1923, in Indianapolis, Indiana, Montgomery showed no early musical aptitude or desire. At the age of nineteen, shortly after he was married, Montgomery heard a recording of “Solo Flight” by the Benny Goodman Orchestra with Charlie Christian on guitar.
The impression was such that Montgomery immediately purchased an electric guitar, an amplifier, and as many Christian recordings as he could find, listening carefully to the guitar solos and learning to play them note for note. Montgomery’s neighbors complained about the noise, however, so he abandoned the guitar pick in favor of plucking the strings with his thumb.
He found the resulting sound mellow and pleasing. Later, while experimenting with different styles and approaches, he discovered the technique that would become his signature. Gary Giddins, in Riding on a Blue Note, explains: “Almost as an extension of that dulcet, singing tone, he began to work in octaves–voicing the melody line in two registers.”
Within a year, Montgomery played in local clubs, imitating Christian solos. Exposed to other musicians and musical ideas, he developed his own concepts, and in 1948 was asked to join Lionel Hampton’s big band.
As a sideman, Montgomery toured and recorded with this group until 1950 when, having missed his wife and children, he returned home to work as a welder for a radio parts manufacturer.
However, as Rich Kienzle pointed out in Great Guitarists, “His desire to play music…was strong. His shift was from 7 A.M. to 3 P.M.; he’d rest for a while, then play at the Turf Bar from 9 P.M. to 2 A.M., moving to a second gig at another club, the Missile Room, from 2:30 A.M. to 5 A.M.” Montgomery continued this pace for six years, joining the group Mastersounds, composed of his brothers Monk (on bass) and Buddy (on piano and vibraphone), in 1957. A few recordings were made by the group on the West Coast, but they failed to attract much attention, and Montgomery returned home to play in clubs.
In 1959, Montgomery received his big break. While performing at the Missile Room, he impressed saxophonist Cannonball Adderley, who subsequently contacted Orrin Keepnews of Riverside Records. Montgomery was immediately signed and traveled to New York to record his first album, The Wes Montgomery Trio.
“From the beginning of his belated ‘discovery,’ the critical reception ranged from euphoria to hyperbole,” Giddins explained. “No one had ever heard a guitar sound like Wes Montgomery’s.” This critical euphoria reached a fevered pitch with the release of Montgomery’s follow-up album, The Incredible Jazz Guitar of Wes Montgomery (1960). It was not just the sound that Montgomery produced, but, as Sallis says, “the intensity of his music one responded to, the power and personality of it.
When Wes hit a string you felt it, and it wasn’t just a note, a C sharp or a B flat, it was part of a story he was telling you.” This recording won Montgomery the down beat critics’ New Star Award for 1960, and he topped the guitar category in both down beat readers’ and critics’ polls in 1961 and 1962.
For the next couple of years, Montgomery performed and toured with various groups, including his brothers, John Coltrane, Wynton Kelly’s trio, and his own trio. Kienzle remarked that “by this time Wes had gained the eminence due him in the jazz world, producing a steady, high-quality level of music regardless of the context. His flow of ideas, soulful articulation, and effortless technique confronted other influences.”
But in 1964, Riverside Records went bankrupt (following the death of president Bill Grauer), and Montgomery signed with Verve Records, headed by Creed Taylor. This move precipitated Montgomery’s fall from grace with the jazz world and concurrent rise in the popular music world. Giddins explains: “Creed Taylor realized something about Montgomery’s talent: it was octave technique and lyric sound, not his audaciously legato eighth-note improvisations with their dramatic architectural designs, that appealed to middle-of-the-road ears.
Sheet music download here.
So he set Montgomery on a course of decreasing improvisation and increasingly busy overdubbed arrangements, while the octaves, once used so judiciously, became the focus of his new ‘style.’” Montgomery’s 1965 release, Goin’ Out of My Head, was a huge popular success, went gold, and earned him a Grammy award as the best instrumental jazz performance of the year.
Commercial success continued to escalate with subsequent albums on the Verve label, and in 1967, after having moved with Taylor to A&M Records, Montgomery recorded A Day in the Life. The title track not only became a popular hit, but the album became the best-selling jazz album of 1967 and one of the best-selling jazz albums of all time.
Remaking pop hits with a jazz feel increased his audience, but decreased his acclaim in jazz circles. Adrian Ingram, in an article for Jazz Journal International, noted that “hard core jazz fans began to desert him, complaining bitterly of over-orchestrated arrangements, sub-standard material (pop tunes) and constricted solo space.” Sallis offered an explanation for his decline: “He was a victim of his own popularity, or of the trivialization of his talent, depending on how you perceive it, and as a result that talent went largely unheard for the last years of his life.”
Montgomery was aware of the growing dissatisfaction in the jazz community with his supposed commercialization, and he tried to make a distinction between his earlier work and his more popular work. “There is a jazz concept to what I’m doing, but I’m playing popular music and it should be regarded as such,” Montgomery said, as quoted by Giddins.
His approach to music had always been one of feeling rather than one of technique. His inability to read music led to his development of a fine ear; he heard music rather than saw it on a page. And this was most important in his relation with his audience. “Wes believed that the music should be communicated, that the audience was part of the band, and the feeling of the music was more important to him than playing every note correctly,” Jimmy Stewart wrote in Guitar Player.
Regardless of the style of, or the audience for, the music, Montgomery played with feeling and conviction. Of Road Song, his last recording for A&M before his death, down beat ‘s Pete Welding said, “He couldn’t play uninterestingly if he wanted to. Time and time again throughout this collection his supple sense of rhythm, his choice and placement of notes, his touch and tone raise what might have been in lesser hands merely mundane to the plane of something special, distinctive, masterful.”
Even with his quoted defense of playing popular music, Montgomery, as Ingram noted, “began to feel trapped by both the music business in general and non-jazz audiences who would tolerate only note perfect renditions of the most popular tunes from his Verve albums.”
Montgomery longed to return to the playing of his earlier style. This was no more evident than when he performed live. A month before Montgomery’s death, Giddins saw him perform and described what he heard: “Surrounded by four rhythm players, his regular group, he immediately shot off a single chorus of ‘Goin’,’ and followed it with the most fiery, exquisite set of guitar music I’ve ever heard…. Clearly, he had compromised only on disc and would eventually be recorded more seriously.” Unfortunately, this did not occur. At the peak of his career, Montgomery suffered a fatal heart attack in his hometown on June 15, 1968.
“While Montgomery’s place in jazz history was earned through his early recordings–his jazz recordings–his talent was encompassing enough to enable him to take on the requirements of ‘commercial’ music and execute it with utter elan, unerring taste, musicianship, and true distinction,” Welding wrote.
In a review for down beat of a posthumous release, Don DeMicheal offered this statement on Montgomery’s lasting ability: “Montgomery could do no wrong when his muse was hot upon him, and it often led him to try and accomplish things that few others could even conceive.”
But it is perhaps this quote from Ingram that succinctly defines the achievements and losses of Montgomery: “Even when he was immersed in blatantly commercial surroundings, Montgomery never lost his ability to create sophisticated, tasteful jazz. He could turn tap water into vintage wine, though it is sad he was forced to do so, so often.”
Wes Montgomery – Wes’ Best / Wes Montgomery and his Brothers (Full Album)
Browse in the Library:
Artist or Composer / Score name | Cover | List of Contents |
---|---|---|
(500) Days Of Summer Piano Theme ( Mychael Danna, Rob Simonsen) | (500) Days Of Summer Piano Theme ( Mychael Danna, Rob Simonsen) | |
10,000 Maniacs Because The Night Piano Solo sheet music | ||
100 Golden Standards The World’s Best Piano Arrangements by the greatest pianists of the Century | The World’s Best Piano Arrangements | |
100 Great Keyboard Intros Songbook | 100 Great Keyboard Intros Songbook | |
100 Greatest Film Scores (Book) by Matt Lawson & Laurence E. MacDonald | ||
100 greatest POP songs | 100 greats pop songs | |
100 Greatest Songs of Rock & Roll, Selections From Piano Vocal Guitar Sheet Music | 100 Greatest Songs of Rock & Roll, Selections From Piano Vocal Guitar Sheet Music | |
100 Hits Simply The Best – Guitar (Die besten Songs aus Pop Rock) German | 100 Hits Simply The Best (Die besten Songs aus Pop | |
100 Jazz & Blues Greats Book | 100 Jazz & Blues Greats | |
100 Jazz Solos & Etudes by Jacob Wise | 100 Jazz solos | |
100 Light Classics For Piano Solo | 100 Light Classics For Piano Solo | |
100 Most Beautiful Christmas Songs Easy Piano Vocal | 100 Most Beautiful Christmas Songs Easy Piano Vocal | |
100 Most Beautiful Christmas Songs Piano Vocal Guitar | 100 Most Beautiful Christmas Songs Piano Vocal Guitar | |
100 Must-Know Jazz Tunes with MP3 audio tracks to Play Along | 100 Must-Know Jazz Tune – C version | |
100 of the Best Movie Songs Ever! Piano Vocal Guitar | 100 best movie songs 1&100 best movie songs 2 | |
100 Of The Best Songs Ever For The Keyboard by Daniel Scott | 100 Of The Best Songs Ever For The Keyboard | |
100 Piano Solos (100 popular standards of today arr. by Frank Booth) with guitar chords | 100 piano solos 1 | |
100 Pop Hits Of The 90’s by Dan Coates | 100 Pop Hits Of The 90’s by Dan Coates | |
100 Rock N Roll Standards Piano Vocal Guitar chords | 100 Rock N Roll Standards Piano Vocal Guitar chords contents | |
100 Songs For Kids – Easy Guitar Lyrics with Tablature | 100 Songs For Kids – Easy Guitar Lyrics | |
100 Tunes Every Musician Should Know Professional Chord Changes And Substitutions By Dick Hyman | 100 Tunes Every Musician Should Know Professional Chord Changes And Substitutions By Dick Hyman | |
100 Ultimate Blues Riffs For Piano Keyboards | 100 ultimate riffs jazz piano | |
100 Women Of Pop And Rock 100 songs by 100 artists | 100 Women Of Pop And Rock 100 songs by 100 artists Piano Vocal Guitaral Leonard | |
100 Years Of Popular Music 1980s Part Two Piano Vocal Guitar Chords | 100 Years Of Popular Music 1980s Part Two Piano Vocal Guitar Chords | |
1000 Examples of Musical Dictation (Ladukhin, Nikolay) | 1000 Examples of Musical Dictation | |
1000 Words – Final Fantasy X-2.mscz | ||
1001 Blues Licks by Toby Wine – Piano | 1001 Blues Licks by Toby Wine – Piano | |
1001 Jazz Licks A Complete Jazz Vocabulary For The Improvising Musician (Jack Shneidman) | 1001 Jazz Licks A Complete Jazz Vocabulary For The Improvising Musician (Jack Shneidman) | |
101 Cançoes Que Tocaram O Brasil Nelson Motta (Book) (Brazilian Portuguese) | ||
101 Frank Sinatra Hits For Buskers | 101 Frank Sinatra Hits For Buskers | |
101 Mississippi Delta Blues Fingerpicking Licks Guitar and TAB by Larry McCabe | Larry McCabe – 101 Mississippi Delta Blues Fingerpicking Licks | |
101 Must-Know Blues Licks (Guitar Educational) (Wolf Marshall) PDF + MP3 audio tracks Play Along with Tablature | 101 Must-Know Blues Licks (Guitar Educational) (Wolf Marshall) | |
1015 Songs – The Original Musicians’s (Musicals) | 1015 Songs – The Original, Musicians’s (Musicals) | |
106 Songs Everybody Plays | 106 Songs Everybody Plays | |
11 Short Classical Piano Pieces | 11 Short Classical Piano Pieces | |
116 Arrangements Of Baroque, Classical & Ballet Pieces For Piano Solo | 116 Arrangements Of Baroque, Classical & Ballet Pieces For Piano Solo | |
129 Easy Pieces For Piano Solo, also for beginners | 129 easy pieces for piano solo | |
12th Street RAG – Liberace Collection Book of 5 compositions | ||
12th Street Rag by Euday Bowman (Piano Solo sheet music, Noten, partition, partitura, spartito).mscz | ||
150 Best Songs For Acoustic Guitar | ||
150 More Of The Most Beautiful Songs Ever (Songbook) Piano Vocal Guitar | 150 More Of The Most Beautiful Songs Ever (Songbook) Piano Vocal Guitar | |
150 Of The Best Jazz Standards Ever | 150 Of The Best Jazz Standards Ever | |
150 Of The Most Beautiful Songs Ever 3rd Edition | 150 Of The Most Beautiful Songs Ever 3rd Edit1 and 150 Of The Most Beautiful Songs Ever 3rd Edit2 | |
16 Pop and Movies Hits Keyboard Piano Book (Mike Emerson) | 16 Pop and Movies Hits Keyboard Piano Book (Mike Emerson) | |
1600 Pennsylvania Avenue The Musical By Leonard Bernstein And Alan Jay Lerner Vocal Selections | ||
17 Moments of Spring – Mgnovenia (Mikael Tariverdiev) | ||
1812 Overture Op. 49 Thaikovsky (arr. piano solo) | ||
1950s Jazz (Fake Book lead sheet music) | 1950s Jazz (Fake Book lead sheet music) | |
20 Century Fox Theme Transcription By Deusde Coppen | ||
20 Modern BEBOP Licks – by Noah Kellman All Keys with left hands chords | 20 Modern BEBOP Licks – by Noah Kellman All Keys with left hands chords | |
200 Jazz Standards Tunes (chords progressions for C Instruments) Bob Taylor | 200 Jazz Standards Tunes (chords progressions for C Instruments) Bob Taylor | |
200 Of The Best Songs From Jazz Of The ’50s | jazz of the 50s | |
2014 Top Hits Of 2014 Songbook Piano Vocal Guitar | 2014 Top Hits Of 2014 Songbook Piano Vocal Guitar | |
2016 Top Hits Of 2016 Songbook Piano Vocal Guitar | 2016 Top Hits Of 2016 Songbook Piano Vocal Guitar | |
2018 Greatest Pop Movie Hits Songbook For Piano | 2018 Greatest Pop Movie Hits Songbook For Piano | |
2019 GREATEST POP MOVIE HITS SONGBOOK FOR PIANO PART 2 Piano sheet music (Jim Presley) | 2019 GREATEST POP MOVIE HITS SONGBOOK FOR PIANO PART 2 Piano sheet music (Jim Presley) | |
2020 Greatest Pop Piano Sheet Music Book Songbooks For Piano | 2020 Greatest Pop Piano Sheet Music Book Songbooks For Piano | |
20th Century Classics Volume 1 | 20th Century Classics Volume 1 | |
20th Century Jazz Guitar by Richie Zellon (with Tablature) | 20th Century Jazz Guitar by Richie Zellon | |
20th Century Masters Of Fingerstyle Guitar by John Stropes | 20th Century Masters Of Fingerstyle Guitar by John Stropes | |
20th Century Piano Music – Book (1990) David Burge | 20th Century Piano Music Book (1990) David Burge | |
24 Etudes Op.35 – Fernando Sor (1778 – 1839) (Musescore File).mscz | ||
24_Preludes_Op.34 Shostakovich.mscz | ||
25 Short Classical Guitar Pieces (with Tablature) | 25 Short Classical Guitar Pieces | |
262 Classic Piano Rags Various Composers | 262 Classic Piano Rags Various Composers | |
273 Easy And Intermediate Piano Pieces | 273 Easy And Intermediate Piano Pieces contents | |
28 Modern Jazz Trumpet Solos Book 2 | 28 Modern Jazz Trumpet Solos Book 2 | |
3.10 to Yuma (Marco Beltrami) | ||
30 Best Rock Guitar Songs Ever (Guitar TABs) | 30 Best Rock Guitar Songs Ever (Guitar TABs) | |
300 Sacred Songs Melody Lyrics Chords Fake Book Melody Lyrics Chords | 300 Sacred Songs Melody Lyrics Chords Fake Book Melody Lyrics Chords_compressed | |
36 Christmas Carols Songs | 36 christmas carols songs | |
38 Special Guitar Anthology Guitar Recorded Vers. with Tablature | 38 special guitar anthology | |
39 Progressive Solos For Classical Guitar (with Tablature) | 39 Progressive Solos For Classical Guitar | |
39 Progressive Solos For Classical Guitar Book 2 (with Tablature) | 39 Progressive Solos For Classical Guitar Book 2 sheet music pdf | |
40 Easy Guitar Pieces (Painted with the Sound) | ||
49 Most Popular Jazz Songs | 49 Most Popular Jazz Songs | |
5 Christmas Songs Sheet Music Trumpet in B & Piano accompaniment (Viktor Dick) | 5 Christmas Songs Sheet Music Trumpet in B & Piano accompaniement (Viktor Dick) | |
50 Broadway Shows 50 Broadway Songs | 50 Broadway Shows 50 Broadway Songs | |
50 Classical Guitar Solos In Tablature (Howard Wallach) with Tablature | 50 Classical Guitar Solos In Tablature (Howard Wallach) | |
50 Essential Bebop Heads Arranged For Guitar Tablature (best lines Charlie Parker, Dizzy Gillespie, Thelonious Monk and more) | 50 Essential Bebop Heads Arranged For Guitar Tablature (best lines Charlie Parker, Dizzy Gillespie, Thelonious Monk and more) | |
50 Jazz Standards Every Jazz Musician Needs To Know with MP3 audio tracks to Play Along | 50 Jazz Standards Every Jazz Musician Needs To Know – C version | |
50 Most Popular Classical Melodies (Easy Piano) | 50 Most Popular Classical Melodies | |
50 Of The Most Beautiful Piano Love Songs Solos Ever. | 50 OF THE MOST BEAUTIFUL PIANO LOVE SONGS SOLOS EVER | |
50 Piano Arrangements Of Hymns And Gospel Songs (Fred Bock’s Best) | 50 Piano Arrangements Of Hymns sheet music | |
50 Piano Classics – Easy | 50 piano classics | |
50 Riffs For Blues Guitar – Martin Shellard with MP3 audio to Play Along with Tablature | 50 riffs for blues guitar | |
500 Piano Intros For The Great Standards – Steinway | 500 piano intros | |
55 Country Classics (Voice, piano, Guitar) | 55 Country Classics (Voice, piano, Guitar) | |
557 Jazz Standards (Sheet Music – in C for all instruments) swing to bop (lead sheet) | Standards (Sheet Music – Piano) | |
60 Progressive Solos For Classical Guitar By Mark Phillips (with Tablature) | ||
67 Fun Songs arranged by Jon Schmidt (Piano) | ||
70’s Hits (Easy Piano Solos) – Hans-Gunter Heumann [Piano, Vocal, Chords] | ||
750.000 anni fa.l’Amore (Banco del Mutuo Soccorso) | ||
75th Anniversary A Tribute In Music From The 20s Through The 90s Various Artists Warner Bros | 75th Anniversary A Tribute In Music From The 20s Through The 90s Various Artists Warner Bros | |
78 Quarterly No 1 and 2 (1967) Book magazine | ||
8 ½ Theme (Nino Rota) | ||
8 Femmes (Krishna Levy) | ||
8 Jazz scales you need to know.mscz | ||
80 Most Requested LDS Songs (Mormon music) | 80 Most Requested LDS Songs (Mormon music) | |
88 Piano Classics For Beginners – David Dutkanicz | 88 Piano Classics For Beginners – David Dutkanicz | |
88 The Giants Of Jazz Piano by Robert L. Foerschuk (Book) foreword by Keith Jarrett | ||
9 easy guitar pieces – Sveinn Eythorsson | ||
97 Oeuvres pour Guitare de Jean Francois DELCAMP | 97 Oeuvres pour Guitare de Jean Francois DELCAMP | |
99 Easy Piano Pieces | 99 Easy Piano Pieces | |
A Beautiful Mind – A Kalidoscope of Mathematics | ||
A Beautiful Mind – All Love Can Be | A Beautiful Mind – All Love Can Be | |
A Beautiful Mind – Kalidoscope | ||
A Child Is Born – Oscar Peterson (Musescore File).mscz | ||
A Chordal Concept For Jazz Guitar by Peter O’Mara | A Chordal Concept For Jazz Guitar by Peter O’Mara | |
A Ciascuno il Suo (Luis Bacalov) | ||
A Clare Benediction – John Rutter – Piano Solo Arr. (Musescore File).mscz | ||
A Clockwork Orange (Beethoviana) | A Clockwork Orange (Beethoviana) | |
A Clockwork Orange (Beethoviana) (Musescore File).mscz | ||
A Comparative Study Of The 24 Preludes Of A. Scriabin And Sergei Rachmaninoff (book) | ||
A Complete Course of Instruction For The Piano-Forte (Dr Karl Merz) (1885) | Instruction… | |
A Cool Yule. Ten Jazzy Christmas Songs | A Cool Yule. Ten Jazzy Christmas Songs | |
A Creative Approach To Jazz Piano Harmony Bill Dobbins | A Creative Approach To Jazz Piano Harmony Bill Dobbins | |
A Creative Approach To Practicing JAZZ – by David Baker | A Creative Approach To pravtising Jazz | |
A Dance of Dragons – Blood of the Dragon (Game of Thrones) Piano solo arr. | ||
A Dictionary of Music and Musicians Vol. 4 (A.D. 1450-1880) Edited in 1889 |