Brad Mehldau

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Artist or Composer / Score name	Cover	List of Contents
Aebersold Phil Degreg – Jazz keyboard harmony – A practical method for all musicians		jazz keyboard harmony
Aebersold RAPID REFERENCE	Aebersold RAPID REFERENCE
Aebersold vol 1 Cómo improvisar y tocar JAZZ Spanish edition – Español		Aebersold vol 1 Cómo improvisar y tocar JAZZ Spanish edition
Aebersold Vol. 01 – Jazz improvisation A New Approach To Jazz Improvisation		Aebersold Vol. 01 – Jazz improvisation
Aebersold Vol. 60 Dan Haerle & Mark Levine – Jazz Piano Voicings
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – All complete Chick Corea
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 02 – Nothin’ But Blues	Jazz Play Along Vol 002 – [Nothin’ But Blues]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 03 – The II-V7-I Progression	Jazz Play Along Vol 003 – [The II-V7-I Progression]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 04 – Movin’ On	Jazz Play Along Vol 004 – [Movin’ On]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 05 – Time To Play Music!	Jazz Play Along Vol 005 – [Time To Play Music!]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 06 – Charlie Parker	Jazz Play Along Vol 006 – [Charlie Parker – All Bird]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 07 – Miles Davis		Jazz Play Along Vol 007 – [Miles Davis]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 08 – Sonny Rollins	Jazz Play Along Vol 008 – [Sonny Rollins]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 09 – Woody Shaw	Jazz Play Along Vol 009 – [Woody Shaw]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 10 – David Baker	Jazz Play Along Vol 010 – [David Baker]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 100 – St. Louis Blues	Jazz Play Along Vol 011 – [Herbie Hancock]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 101 – Secret of the Andes	Jazz Play Along Vol 012 – [Duke Ellington]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 102 – Jerry Bergonzi	Jazz Play Along Vol 102 – [Jerry Bergonzi]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 103 – David Sanborn	Jazz Play Along Vol 103 – [David Sanborn]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 104 – Kenny Werner	Jazz Play Along Vol 104 – [Free Play – 13 Musical Landscapes]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 105 – Dave Brubeck	Jazz Play Along Vol 105 – [Dave Brubeck]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 106 – Lee Morgan	Jazz Play Along Vol 106 – [Lee Morgan]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 107 – STANDARDS FOR SINGERS	Jazz Play Along Vol 109 [Fusion] Jazz Play Along Vol 110 [When i Fall in Love] Aebersold – Vol 107 – IT HAD TO BE YOU
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 108 – Joe Henderson	Jazz Play Along Vol 108 – [Joe Henderson] – C-Bb
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 109 – Fusion	Jazz Play Along Vol 109 [Fusion]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 11 – Herbie Hancock	Jazz Play Along Vol 011 – [Herbie Hancock]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 111 – J.J. Johnson	Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 111 – J.J. Johnson
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 112 – [Cole Porter]		Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 112 – [Cole Porter]_compressed
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – vol 115 – Ron Carter	Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – vol 115 – Ron Carter
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 12 – Duke Ellington	Jazz Play Along Vol 012 – [Duke Ellington]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 13 – Cannonball Adderley	Jazz Play Along Vol 013 – [Cannonball Adderley]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 14 – Benny Golson	Aebersold – Vol 14 – Benny Golson
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 15 – Payin’ Dues	Aebersold – Vol 15 – Payin’ Dues
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 15 – Payin’ Dues – Complete Bass Lines	Aebersold – Vol 15 – Payin’ Dues – Complete Bass Lines
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 16 -Turnarounds, Cycles & II V7’s	Jazz Play Along Vol 016 – [Turnarounds, Cycles & II-V7’s]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 17 – Horace Silver	Jazz Play Along Vol 017 – [Horace Silver]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 18 – Horace Silver	Jazz Play Along Vol 018 – [Horace Silver]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 19 – David Liebman	Jazz Play Along Vol 019 – [David Liebman]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 20 – Jimmy Raney	Jazz Play Along Vol 020 – [Jimmy Raney]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 21 – Gettin’ It Together (& Supplement)	Jazz Play Along Vol 021 – [Gettin It Together]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 22 – Favorite Standards	Jazz Play Along Vol 022 – [Favorite Standards]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 23 – One Dozen Standards	Jazz Play Along Vol 023 – [One Dozen Standards]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 24 – Major and Minor	Jazz Play Along Vol 024 – [Major and Minor]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 25 – All Time Standards	Jazz Play Along Vol 025 – [All Time Standards]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 26 – Scale Syllabus	Jazz Play Along Vol 026 – [Scale Syllabus]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 27 – John Coltrane	Jazz Play Along Vol 027 – [John Coltrane]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 28 Jazz Play Along Vol 028 – [Giant Steps]	Jazz Play Along Vol 029 – [Play Duets With Jimmy Raney] Jazz Play Along Vol 028 – [Giant Steps]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 29 – Play Duets With Jimmy Raney	Jazz Play Along Vol 029 – [Play Duets With Jimmy Raney]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 30 – Rhythm Section Workout	Jazz Play Along Vol 030 – [Rhythm Section Workout]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 31 – Bossa Novas	Jazz Play Along Vol 031 – [Bossa Novas]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 32 – Ballads	Jazz Play Along Vol 032 – [Ballads]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 33 – Wayne Shorter	Jazz Play Along Vol 033 – [Wayne Shorter]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 34 – Jam Session	Jazz Play Along Vol 034 – [Jam Session]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 35 – Cedar Walton	Jazz Play Along Vol 035 – [Cedar Walton]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 36 – Bebop & Beyond	Jazz Play Along Vol 036 – [Bebop & Beyond]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 37 – Sammy Nestico	Jazz Play Along Vol 037 – [Sammy Nestico]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 38 – Blue Note	Jazz Play Along Vol 038 – [Blue Note]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 39 – Swing Swing Swing	Jazz Play Along Vol 039 – [Swing, Swing, Swing]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 40 – ‘Round Midnight	Jazz Play Along Vol 040 – [‘Round Midnight]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 41 – Body and Soul	Jazz Play Along Vol 041 – [Body and Soul]	Jazz Play Along Vol 041 – [Body and Soul – Jazz Piano Voicings]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 42 – Blues in All Keys	Jazz Play Along Vol 042 – [Blues In All Keys]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 44 – [Autumn Leaves]	Jazz Play Along Vol 044 – [Autumn Leaves]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 45 – Bill Evans – COMPLETE	Jazz Play Along Vol 045 – [Bill Evans]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 46 – Out Of This World	Jazz Play Along Vol 046 – [Out Of This World]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 47 – Rhythm changes in all keys	Jazz Play Along Vol 047 – [I Got Rhythm Changes In All Keys]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 48 – In a Mellow Tone	Jazz Play Along Vol 048 – [In A Mellow Tone]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 49 – Sugar	Jazz Play Along Vol 049 – [Sugar]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 50 – The Magic Of Miles	Jazz Play Along Vol 050 – [The Magic of Miles]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 51 – Night And Day	Jazz Play Along Vol 051 – [Night and Day]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 52 – Collector’s Items	Jazz Play Along Vol 052 – [Collector’s Items]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 53 – Clifford Brown	Jazz Play Along Vol 053 – [Clifford Brown]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 54 – Maiden Voyage	Jazz Play Along Vol 054 – [Maiden Voyage]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 55 – Yesterdays -Jerome Kern	Jazz Play Along Vol 055 – [Yesterdays – Jerome Kern]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 56 – Thelonious Monk (Book Cd)	Jazz Play Along Vol 056 – [Thelonious Monk]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 57 – Minor Blues in All 12 Keys	Jazz Play Along Vol 057 – [Minor Blues In All Keys]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 58 – Unforgettable Standards	Jazz Play Along Vol 058 – [Unforgettable Standards]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 59 – Invitation	Jazz Play Along Vol 059 – [Invitation]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 60 – Freddie Hubbard	Jazz Play Along Vol 060 – [Freddie Hubbard]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 61 – Burnin’!!!	Jazz Play Along Vol 061 – [Burnin’]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 62 – Wes Montgomery	Jazz Play Along Vol 062 – [Wes Montgomery]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 63 – Tom Harrel	Jazz Play Along Vol 063 – [Tom Harrell]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 64 – Salsa, Latin Jazz	Jazz Play Along Vol 064 – [Salsa, Latin Jazz]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 65 – Four & More	Jazz Play Along Vol 065 – [Four and More]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 66 – Billy Strayhorn	Jazz Play Along Vol 066 – [Billy Strayhorn]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 67 – Tune Up	Jazz Play Along Vol 067 – [Tune Up]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 68 – Giant Steps	Jazz Play Along Vol 069 – [Bird Goes Latin]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 69 – Bird Goes Latin	Jazz Play Along Vol 069 – [Bird Goes Latin]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 70 – Killer Joe	Jazz Play Along Vol 070 – [Killer Joe]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 71 – East of the Sun	Jazz Play Along Vol 071 – [East Of The Sun]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 72 – Street of Dreams	Jazz Play Along Vol 072 – [Street of Dreams]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 73 – Oliver Nelson – Stolen Moments	Jazz Play Along Vol 073 – [Oliver Nelson (Stolen Moments)]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 74 – Latin Jazz	Jazz Play Along Vol 074 – [Latin Jazz]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 75 – Countdown To Giant Steps	Jazz Play Along Vol 075 – [Countdown to Giant steps]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 76 – How To Learn Tunes	Jazz Play Along Vol 076 – [How to Learn Tunes]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 77 – Paquito D’Rivera	Jazz Play Along Vol 077 – [Paquito D’Rivera]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 78 – Jazz Holiday Classics	Jazz Play Along Vol 078 – [Jazz Holiday Classics]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 79 – Avalon	Jazz Play Along Vol 079 – [Avalon]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 80 – Indiana	Jazz Play Along Vol 080 – [Indiana]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 81 – Standards And Originals	Jazz Play Along Vol 081 – [Contemporary Standards & Originals]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 82 – Dexter Gordon	Jazz Play Along Vol 082 – [Dexter Gordon]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 83 – Brecker Brothers	Jazz Play Along Vol 083 – [Brecker Brothers]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 84 – Dominant 7th Workout	Jazz Play Along Vol 084 – [Dominant Seventh Workout]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 85 – Tunes You Thought You Knew	Jazz Play Along Vol 085 – [Tunes You Though You Knew (Reharmonized Standards)]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 86 – Shoutin Out – Horace Silver Tunes (Book+CD)	Jazz Play Along Vol 086 – Shoutin’ Out – Horace Silver Tunes
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 87 – When Lights Are Low – Benny Carter	Jazz Play Along Vol 087 – [When Lights Are Low – Benny Carter]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 89 – Darn That Dream	Jazz Play Along Vol 089 – [Darn That Dream]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 90 Odd Times	Jazz Play Along Vol 090 – [Odd Times – Odd Time Signature Songs]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 91-Players Choice	Jazz Play Along Vol 091 – [Player’s Choice]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 92-Lennie Neihaus	Jazz Play Along Vol 092 – [Lennie Neihaus]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 93 What’s new	Jazz Play Along Vol 093 – [What’s New]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 94 Hot Hhouse	Jazz Play Along Vol 094 – [Hot House]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 95- 500 miles high	Jazz Play Along Vol 095 – [500 Miles High]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 96-Latin Quarter	Jazz Play Along Vol 096 – [Latin Quarter]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 97-Standards with strings	Jazz Play Along Vol 097 – [Standards With Strings]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 99 Tadd Dameron	Jazz Play Along Vol 099 – [Tadd Dameron]
Aerith’s Theme – F.F. Vii エアリスのテーマ (Musescore File).mscz
Aerosmith – Amazing
Aerosmith – Angel
Aerosmith – Crazy
Aerosmith – Dream On

Brad Mehldau – Anthropology (Solo Transcription sheet music)

Brad Mehldau is one of the most respected and important musicians on the jazz scene, not only in North America, but also worldwide. He is recognized as one of the great figures of the piano, and has ceased to be the great promise that was held over him, showing off a bulky record label as leader, where recordings with his trio predominate, with a first formation made up of Larry Grenadier and Jorge Rossy, to move to a consolidated group with the same double bass player, but with the change of the Catalan drummer, for that of Jeff Ballard.

Likewise, he has several solo recordings, some of them of great interest, not only musical but also intellectual. Mehldau has participated in countless recordings as a guest artist or sideman, with some of the best jazz musicians; among others we mention Joshua Redman, Pat Metheny, Charles Lloyd, John Scofield, Lee Konitz, Charlie Haden, Kurt Rosenwinkel or Michael Brecker; and even he came to compose the wonderful and very little appreciated (as well as very little known) soundtrack, “Ma femme est une actrice”.

There is no doubt that the trio line-up is the group in which Mehldau, by nature, feels more comfortable on a musical level, with the particularity that when the recordings of their line-up appeared, they came to be named with the pretentious title of “ The art of the trio” (The Art of the trio).

Thus, they distanced themselves from a good number of important formations that throughout the history of jazz have left their musical mark, and as if with it they wanted to make things clear from a good start. Critics have consistently and repeatedly compared Mehldau to one of the greatest pianists of all time, Bill Evans, and more specifically to his trio. Mehldau has always been uncomfortable with these comparisons.

On the part of specialized critics, which makes us wonder, how is it possible that a musician today can be abstract from the entire great tradition of American piano in jazz, from Bud Powell, Bill Evans, through McCoy Tyner to Keith Jarrett, just to name a few? The answer is easy and simple: it is impossible.

But Mehldau’s musical conception since the beginning of his trio, and of the five volumes of his “Arte del trio”, has evolved in a clear and ostensible way, remaining reflected in all the projects in which he participates. But what very few fans have realized is that Mehldau tries to unfold his thoughts and musical ideas through very different stylistic formats, formats that allow him to explore and unleash the enormous creative flow that Mehldau carries within him.

This is what has happened with the duo formation, where the American pianist has been exposing his creative stimuli, which has allowed him to gather a good number of recordings, some of them as accompanist and others as leader.

In these duet recordings, various interesting aspects to take into account and worth highlighting can be appreciated. In all of them, due to the type of reduced training involved, there is ample space for the pianist to develop new ideas and concepts. On the one hand, some of them are perfectly recognizable from his most personal style, specifically, his taste for melody and for intimate atmospheres with a clear romantic tendency.

On the other, the existence of a strong musical empathy with the accompanying musician.

And finally, the experimentation of new ways of stylistic expression according to the different instruments that accompany it (tenor sax, piano, double bass, voice, guitar or mandolin), and mainly, a lot of music to discover and rediscover, and in addition to enjoy.

The first duo participation reflected at the disco graphic level can be found in the recording “Close Enough for Love” (Universal, 1994), where he accompanies the Dutch vocalist Fleurine (his wife). This recording produced and arranged by Brad Mehldau and Fleurine (and it could be said that, taken care of down to the smallest details, given that the pianist himself is in charge of the arrangements of the string section that participate in three songs, as well as the choice of the repertoire to be performed), reflects what Mehldau’s musical meanings will be in the future, and specifically a profound musical point of view in his performances.

In the first place, his taste for themes from pop, rock and classical music. Secondly, his singular style when interpreting particular and instinctive. In third place, the conception and development of simple and repetitive ideas throughout the performance that are changed and reworked (this causes you to play a note or succession of notes with one hand, to then improvise freely with the other, and that entails As a final result, a conjunction of ideas that, depending on the tone of the composition, can be romantic or full of melancholy).

Fourth and last, we must highlight the introspective and romantic vision, as well as the deployment of the technique of independence of hands, more typical of a classical pianist than of a jazz musician, which entails a virtuoso and precious skill like few others. Sometimes brings out a jazz pianist (except for Keith Jarrett).

On this recording, Fleurine and Mehldau perform songs by R. Davies and Roger Hodgdon (members of the group Supertramp), by Jimi Hendrix, Antonio Carlos Jobim, Michel Legrand, Pat Metheny (the classic song “Better days ahead” from the album A Letter from Home) and various songs by the pianist himself, where Fleurine puts lyrics to them (the Elegiac Cycle album and another entitled Songs).

The interesting thing about these interpretations is to perceive the intimate character of the themes developed (with a Fleurine who is more than correct in the different languages she interprets, Portuguese, English or French), the overflowing personality of the pianist both in the moments in which he plays alone and in the accompaniment of the singer, always linked to the triumph of the melody.

This first duet recording with a female vocalist will lay the foundations for the various collaborations in this type of format. The intervention with Fleurine would be repeated on his next recording Fire, but this time Mehldau’s participation was limited to a contribution to several songs, but without reaching the interesting results achieved with the other recording.

The following duo collaboration is the one starring Joel Frahm with saxophonist Joel Frahm with Brad Mehldau, Don’t Explain (Palmetto Records, 2004), an album due to strange circumstances quite unknown by fans, but with interesting musical approaches by the part of Mehldau.

This recording was born as a result of the friendship that both musicians have professed since they were 15 years old, a circumstance that means that they know each other perfectly, due to the experiences, studies and performances that they carried out together since they were young, which finally made it possible for in 2001, they could enter a recording studio, to carry out this project.

The first thing we notice about this collaboration is that, of the ten songs recorded, there is only one song authored by the saxophonist, while the rest are standards and songs by T. Monk (specifically, two versions of Round Midnight), by S. Rollins (Oil), or by O. Coleman (Turnaround).

The music obtained from the songs performed is perceived as detached, dark at times, with passages of free improvisation, but with certain doses of swing. Faced with so much space to create music, Brad Mehldau multiplies himself, alternating between the times of soloist, accompanist of the saxophonist or as the operation of a complete rhythm section.

The pianist that can be heard on this recording is less melodious than what fans know, instead using large doses of experimentation and expressiveness. This duet recording with saxophonist Joel Frahm allows you to discover facets that are very different from Mehldau’s usual ones, and to enjoy a free musician to create musical dissonances and textures.

Another noteworthy duo collaboration is the one starring Brad Mehldau on Polish double bassist Darek Oleszkiewicz’s debut album, Like a Dream (Cryptogramphone, 2004). On this occasion, the five opening tracks on the album are developed exclusively with the American pianist.

The repertoire chosen for this recording is very different from the previous one, all the songs that are performed are original by Oleszkiewicz except for You don’t know what love is. For this recording, Mehldau presents himself as the perfect partner for the double bass player, who starts from some exquisite compositions, with clear romantic atmospheres, where the melodic and lyrical lines (with a certain melancholic air) are the protagonists of the musical development that is obtained.

In this context, Mehldau finds himself like a fish in water, allowing a conversation as equals with his partner, and where each of the two musicians participates in the improvisation that takes place, offering as a final result an organic ensemble, where sensuality, lyricism and melody triumph unquestionably.

Of the collaboration that Brad Mehldau has had throughout his musical career with various double bass players, one especially fruitful (mainly in the trio format) should be noted, that of Larry Grenadier. With this double bass player he has played in various contexts which has allowed him to collaborate in a duo format.

To comment on this mutual collaboration, it is necessary to resort to the pirated discography of Brad Mehldau (popularly known in its English meaning as bootlegs). Any good fan of the pianist will be aware of the extensive and large pirate discography of the same, and to his despair in all kinds of formats, solo piano, duets, trios and quartets.

Within this extensive sea of recordings there is one of special interest, it is the recording of a concert held in the German city of Cologne, on April 28, 1999; specifically the duo formed by Brad Mehldau and Larry Grenadier.

The music that makes up this concert is particularly vigorous, Grenadier is a musician who is generous in his interpretation and who does not settle for a role of mere accompanist, quite the contrary; to contribute with powerful musical phrases, many of them very elaborate, which provides an enormous flow of ideas that serve as a base (or, depending on the moment, as a complement) to Mehldau, to build his own dialogue.

Mehldau’s piano on this recording is demanding, battle-hardened and complicated, not only when he acts as a soloist, but also as an accompanist; deploying great interpretive resources, with a powerful sound that is at times repetitive and obsessive (characteristic of the ‘Mehldau style’), full of improvisations and where one of its most personal features, such as the melody, is replaced in many moments for a fluid, overwhelming and very powerful performance (just listen to the song “London Blues” as an example).

All this makes the Mehldau and Grenadier duo become an empathic, vertiginous and demanding conversation, which entails and demands from the fan, an attentive and precise listening, in order not to lose detail about the music that both musicians extract. A sound document that is well worth looking for, despite the difficulty that this will entail, but that, like any precious treasure, will offer a good reward.

It is in recent years, where the creative genius of Brad Mehldau has been squeezed to the fullest, he has participated in several projects as a duo of considerable relevance, one as leader, together with Renée Fleming, and another as co-leader (together with Pat Metheny).

For the first of them, starting from a completely different conception than the previous projects mentioned, Mehldau embarks on a recording that very few musicians today are in a position to carry out. An album conceived without jazz attitudes, without improvisations, a work in terms of cultured music, both in form and content. Interesting if not spectacular, the album published by Brad Mehldau with the collaboration of the American soprano Renée Fleming, (Brad Mehldau and Renée Fleming, Love Sulime –Nonesuch, 2006-).

It must be stated at the outset that listening to this album is not easy for fans of the pianist, and surely, more than one Mehldau follower will find themselves, to say the least, surprised as well as overwhelmed by his creative facet. For this recording, Mehldau has prepared a musical and vocal repertoire that can be framed within classical and contemporary aesthetics. Classical, due to the musical approach used of the piano and the voice, and that in some way recalls the musical form of the German lied.

And contemporary, due to the (sometimes inaccessible) treatment of the piano, closer to the line of the Second Vienna School (in which Arnold Schönberg, Alban Berg and Antón Webern played a fundamental role), although with a much more focused on the use of tonality than on the use of different and changing chords to which Mehldau has accustomed us.

Given this approach, the bulk of this recording is made up of some themes based on the poems of the German poet Rainer Maria Rilke The Book of Hours: Love Poems to God. Along with these songs, we find the addition of another three, based on the poems of the American writer Louise Bogan The Blue Estuaries, to end with a theme written by Mehldau’s wife, Fleurine, and which gives the work its title.

The music that accompanies these poems is composed by Mehldau himself, finding his creative support romantically typical of musicians such as Schubert, Schumann, Beethoven and even Brahms (one of the authors that the American pianist most admires and whom he has resorted to on many occasions in his solo piano concerts).

It is in the poems of Rainer Maria Rilke where we can appreciate the richest and most creative part of this project (and from whom he already used material for his first piano album only Elegiac Cycle), where we can appreciate minimalist moments with a strong religious burden as the theme Your first Word was Light, circumstance is produced by the interpretation based on Mehldau’s piano chords together with a dark and bleak interpretation of the soprano Renée Fleming, which confer a somewhat gloomy and tortuous reading, but very interesting.

It is also possible to appreciate the most recognizable Mehldau at a rhythmic-harmonic level in the song I Love the dark hours of my being, in the clearest style of Nick Darke’s song Things Behind The Sun, or on the contrary clearly expressionist influences, which allow the soprano interpretations with a strong emotional charge, deep, full of feeling and with a diction, at times crystalline.

As regards Brad Mehldau’s interpretation, it should be noted that throughout the recording, he demonstrates a seductive technique, devoid of the jazz approaches that are known to him, full of tonalities or chords, which demonstrate a composition of the themes by very structured moments, but not devoid of certain melodic or rhythmic moments, but with an evident contrast between the melodic simplicity and the expansion interpretation.

The record work closes with the most conventional theme of all those that are performed (Love Sublime), and therefore the most recognizable of Mehldau’s piano style, with a beautiful and provocative musicality, and with certain doses of improvisation. Finally, in reference to this duet work, it should be noted that Mehldau’s creative impulse goes beyond the music created or performed, and therefore the art or artistic work that he performs is the result of a state of risk within the reach of very Few artists today, and that clearly demonstrates that he is in a creative stage very different from that of other musicians.

Of the duet collaborations with singers, it is also worth mentioning, albeit by way of example, the one carried out with Anne Sofie Von Otter Love Songs (Naïve, 2010) and that, as the title and credits of the same indicate, it is a work which is dedicated and inspired by the love theme of the songs. With two well-differentiated compacts, the first is made up mainly of poems by Sara Teasdale with music by Mehldau, and a second compact based on a repertoire of classical and modern themes.

One of the most relevant collaborations in duo format was the recording made with Pat Metheny, Metheny/Mehldau (Nonesuch, 2007). This collaboration, both expected and desired by many fans, stems from a mutual admiration of each musician, and from a deep knowledge of the musical work of each one (a good reflection of this, are the comments that we can read from both Mehldau and Metheny in the inner folder of the compact).

This record work is made up of ten songs, two of which are with the rhythm section of the pianist’s trio -Larry Grenadier and Jeff Ballard-, although the primary and important part is the duet work made between pianist and guitarist.

The compositions that both Metheny and Mehldau contribute to this project demonstrate the musical world that each one has expressed individually throughout his career, it being important to highlight that the union of these two styles is not carried out in a clear-cut or forced way (circumstance that sometimes causes the personality of one of the musicians to be erased or weakened, to the point of not being recognizable), but they have been perfectly harmonized, with the ultimate goal of achieving as a result the realization of a creation sophisticated, highly creative and expansive, with an at times telepathic interconnection.

Within these approaches, it is important to point out the special internal rhythmic treatment that each composition has, and that allows each musician to participate and provide ideas to his partner, and not go against the music performed.

For this project, Mehldau displays his best interpretive weapons, and specifically a musical download full of sensitivity, lyricism and good taste, a sophisticated touch in the way he plays the piano, as well as a rhythmic interrelation with Pat Metheny that is difficult to achieve with other musicians. , which provides music that is enjoyed immediately, and that will force the fan to listen carefully and repeatedly to it.

Also, worth mentioning within the duet performances starring Brad Mehldau is the compact publication of Marian McPartland’s Piano Jazz series, Piano Jazz McPartland/Mehldau (Concord Music, 2007), taken from the National Radio program. It should be noted that in this series of recordings presented by the British pianist Marian McPartland, she converses with the guest musician and performs various performances.

In this case, the guest is Mehldau, and the conversation allows us to talk about the pianist’s career, as well as his influences (both classical and jazz). On this recording (which dates back to 1996) there are three songs performed as a duet between Mehldau and McPartland, Stella by Starlight, I see your face before me and No particular blues (the latter, co-authored by the two pianists).

Despite the antiquity of this recording, the duet performance with two pianos, while not exalted, is not without its interest. The interpretation of these themes is carried out from an excessively academic and traditional point of view, without much ornamentation and musically supporting each other. Without being these interpretations nothing spectacular, on the contrary they demonstrate an experimental vision on the part of Mehldau, which has been outlined and increased over the years.

Of the latest projects that Mehldau has led as a duo, the following should be noted in chronological order: Brad Mehldau and Kevin Hays, piano duo, Modern Music (Nonesuch, 2011); Brad Mehldau and Mark Guiliana, piano and drums duo, Mehliana-Taming The Dragon (Nonesuch, 2014); the one by Joshua Redman and Brad Mehldau, sax and piano duo (Nonesuch, 2016), and the last and most recent one by Chris Thile and Brad Mehldau, mandolin and voice with piano (Nonescuh, 2017).

As can be seen, Brad Mehldau’s musical and creative interests are diverse and highly heterogeneous. In Modern Music, Mehldau signs, together with his pianist friend Kevin Hays, a recording with a strong intellectual charge, a musical banquet thanks to the compositions of Patrick Zimmerli, the pianists themselves and North American composers of the minimalist movement, Steve Reich and Philip Glass, as well as Ornette Coleman’s famous composition Lonely Woman.

On the contrary, in Mehliana-Taming The Dragon the American pianist presents a totally different proposal (starting with the cover of the compact) from what has been heard to date, mainly because electronics are used as a musical catalyst for creativity, which is a sharp and explicit turn only at the height of the greatest creators.

This turn that Mehldau carries out is not a posture or a mere whim, but a perfectly thought out and prepared project, where the traditional piano is left aside as the main instrument (despite the fact that it is included in the project, although very diluted) and takes as an expressive element the synthesizers and the Fender Rhodes.

For this project he has a collaborator whom he knows perfectly and with whom he has played on a considerable number of occasions, drummer Mark Guiliana, a musician accustomed to projects with a certain creative and sonorous depth and completely removed from traditional approaches.

In fact, over the last two years these musicians have been performing live giving shape to this project until finally it was crystallized and embodied in a recording.

Of the most recent projects in the formation of a duo that appeared on the record market by Mehldau (and in which, curiously, he appears as co-leader), those of Joshua Redman and Chris Thiele, it is necessary to point out the enormous creative commitment that they give off, having to specify that these have seen the light after countless live concerts over the years, which has led to the projects taking shape and autonomy of their own.

In fact, the CDs contain songs from live performances and do not come from sessions carried out in recording studios, which in some way suggests the strong involvement that has been carried out in them. In Joshua Redman’s it should be noted that the performances emanate a deep musicality product of the human relationship between both musicians (it should be noted that they profess a personal friendship that comes from many years ago), since they are not only limited to playing and broadcasting musical notes, but there is a mutual listening, a challenge, a musical challenge to extract from your partner all the best you can give.

This is achieved through a deep empathy that is the fruit of many years of work and, above all, of a sincere friendship. On the contrary, the recording with Chris Thiele is radically opposite and very unequal as it presents two completely different musicians and far removed from the styles that both develop, the virtuoso of the mandolin, the bluegrass and vocalist Chris Thile, and the jazz pianist Brad Mehldau.

With his duet performances, Mehldau intends to acquire a position much more distant from the music or from the performance itself, and where the very act of musical performance is beyond his own instrument, having a vast space to develop his ideas, and where silence, space and music are part of a whole that serves as expression.

Brad Mehldau with all this unites creation and dialogue; dialogue between the accompanist and the piano, but above all a dialogue with himself, with his own personality, with his own idiosyncrasy, and that allows him to place himself far ahead of other musicians.

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Total Records Found in the Library: 12472, showing 120 per page
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(500) Days Of Summer Piano Theme ( Mychael Danna, Rob Simonsen)	(500) Days Of Summer Piano Theme ( Mychael Danna, Rob Simonsen)
10,000 Maniacs Because The Night Piano Solo sheet music
100 Golden Standards The World’s Best Piano Arrangements by the greatest pianists of the Century		The World’s Best Piano Arrangements
100 Great Keyboard Intros Songbook		100 Great Keyboard Intros Songbook
100 Greatest Film Scores (Book) by Matt Lawson & Laurence E. MacDonald
100 greatest POP songs		100 greats pop songs
100 Greatest Songs of Rock & Roll, Selections From Piano Vocal Guitar Sheet Music		100 Greatest Songs of Rock & Roll, Selections From Piano Vocal Guitar Sheet Music
100 Hits Simply The Best – Guitar (Die besten Songs aus Pop Rock) German		100 Hits Simply The Best (Die besten Songs aus Pop
100 Jazz & Blues Greats Book		100 Jazz & Blues Greats
100 Jazz Solos & Etudes by Jacob Wise		100 Jazz solos
100 Light Classics For Piano Solo		100 Light Classics For Piano Solo
100 Most Beautiful Christmas Songs Easy Piano Vocal		100 Most Beautiful Christmas Songs Easy Piano Vocal
100 Most Beautiful Christmas Songs Piano Vocal Guitar		100 Most Beautiful Christmas Songs Piano Vocal Guitar
100 Must-Know Jazz Tunes with MP3 audio tracks to Play Along		100 Must-Know Jazz Tune – C version
100 of the Best Movie Songs Ever! Piano Vocal Guitar		100 best movie songs 1&100 best movie songs 2
100 Of The Best Songs Ever For The Keyboard by Daniel Scott		100 Of The Best Songs Ever For The Keyboard
100 Piano Solos (100 popular standards of today arr. by Frank Booth) with guitar chords		100 piano solos 1
100 Pop Hits Of The 90’s by Dan Coates		100 Pop Hits Of The 90’s by Dan Coates
100 Rock N Roll Standards Piano Vocal Guitar chords		100 Rock N Roll Standards Piano Vocal Guitar chords contents
100 Songs For Kids – Easy Guitar Lyrics with Tablature		100 Songs For Kids – Easy Guitar Lyrics
100 Tunes Every Musician Should Know Professional Chord Changes And Substitutions By Dick Hyman		100 Tunes Every Musician Should Know Professional Chord Changes And Substitutions By Dick Hyman
100 Ultimate Blues Riffs For Piano Keyboards		100 ultimate riffs jazz piano
100 Women Of Pop And Rock 100 songs by 100 artists		100 Women Of Pop And Rock 100 songs by 100 artists Piano Vocal Guitaral Leonard
100 Years Of Popular Music 1980s Part Two Piano Vocal Guitar Chords		100 Years Of Popular Music 1980s Part Two Piano Vocal Guitar Chords
1000 Examples of Musical Dictation (Ladukhin, Nikolay)	1000 Examples of Musical Dictation
1000 Words – Final Fantasy X-2.mscz
1001 Blues Licks by Toby Wine – Piano		1001 Blues Licks by Toby Wine – Piano
1001 Jazz Licks A Complete Jazz Vocabulary For The Improvising Musician (Jack Shneidman)		1001 Jazz Licks A Complete Jazz Vocabulary For The Improvising Musician (Jack Shneidman)
101 Cançoes Que Tocaram O Brasil Nelson Motta (Book) (Brazilian Portuguese)
101 Frank Sinatra Hits For Buskers		101 Frank Sinatra Hits For Buskers
101 Mississippi Delta Blues Fingerpicking Licks Guitar and TAB by Larry McCabe		Larry McCabe – 101 Mississippi Delta Blues Fingerpicking Licks
101 Must-Know Blues Licks (Guitar Educational) (Wolf Marshall) PDF + MP3 audio tracks Play Along with Tablature		101 Must-Know Blues Licks (Guitar Educational) (Wolf Marshall)
1015 Songs – The Original Musicians’s (Musicals)		1015 Songs – The Original, Musicians’s (Musicals)
106 Songs Everybody Plays		106 Songs Everybody Plays
11 Short Classical Piano Pieces		11 Short Classical Piano Pieces
116 Arrangements Of Baroque, Classical & Ballet Pieces For Piano Solo		116 Arrangements Of Baroque, Classical & Ballet Pieces For Piano Solo
129 Easy Pieces For Piano Solo, also for beginners		129 easy pieces for piano solo
12th Street RAG – Liberace Collection Book of 5 compositions
12th Street Rag by Euday Bowman (Piano Solo sheet music, Noten, partition, partitura, spartito).mscz
150 Best Songs For Acoustic Guitar
150 More Of The Most Beautiful Songs Ever (Songbook) Piano Vocal Guitar		150 More Of The Most Beautiful Songs Ever (Songbook) Piano Vocal Guitar
150 Of The Best Jazz Standards Ever		150 Of The Best Jazz Standards Ever
150 Of The Most Beautiful Songs Ever 3rd Edition		150 Of The Most Beautiful Songs Ever 3rd Edit1 and 150 Of The Most Beautiful Songs Ever 3rd Edit2
16 Pop and Movies Hits Keyboard Piano Book (Mike Emerson)		16 Pop and Movies Hits Keyboard Piano Book (Mike Emerson)
1600 Pennsylvania Avenue The Musical By Leonard Bernstein And Alan Jay Lerner Vocal Selections
17 Moments of Spring – Mgnovenia (Mikael Tariverdiev)
1812 Overture Op. 49 Thaikovsky (arr. piano solo)
1950s Jazz (Fake Book lead sheet music)		1950s Jazz (Fake Book lead sheet music)
20 Century Fox Theme Transcription By Deusde Coppen
20 Modern BEBOP Licks – by Noah Kellman All Keys with left hands chords		20 Modern BEBOP Licks – by Noah Kellman All Keys with left hands chords
200 Jazz Standards Tunes (chords progressions for C Instruments) Bob Taylor		200 Jazz Standards Tunes (chords progressions for C Instruments) Bob Taylor
200 Of The Best Songs From Jazz Of The ’50s	jazz of the 50s
2014 Top Hits Of 2014 Songbook Piano Vocal Guitar		2014 Top Hits Of 2014 Songbook Piano Vocal Guitar
2016 Top Hits Of 2016 Songbook Piano Vocal Guitar		2016 Top Hits Of 2016 Songbook Piano Vocal Guitar
2018 Greatest Pop Movie Hits Songbook For Piano		2018 Greatest Pop Movie Hits Songbook For Piano
2019 GREATEST POP MOVIE HITS SONGBOOK FOR PIANO PART 2 Piano sheet music (Jim Presley)		2019 GREATEST POP MOVIE HITS SONGBOOK FOR PIANO PART 2 Piano sheet music (Jim Presley)
2020 Greatest Pop Piano Sheet Music Book Songbooks For Piano		2020 Greatest Pop Piano Sheet Music Book Songbooks For Piano
20th Century Classics Volume 1		20th Century Classics Volume 1
20th Century Jazz Guitar by Richie Zellon (with Tablature)		20th Century Jazz Guitar by Richie Zellon
20th Century Masters Of Fingerstyle Guitar by John Stropes		20th Century Masters Of Fingerstyle Guitar by John Stropes
20th Century Piano Music – Book (1990) David Burge		20th Century Piano Music Book (1990) David Burge
24 Etudes Op.35 – Fernando Sor (1778 – 1839) (Musescore File).mscz
24_Preludes_Op.34 Shostakovich.mscz
25 Short Classical Guitar Pieces (with Tablature)		25 Short Classical Guitar Pieces
262 Classic Piano Rags Various Composers		262 Classic Piano Rags Various Composers
273 Easy And Intermediate Piano Pieces		273 Easy And Intermediate Piano Pieces contents
28 Modern Jazz Trumpet Solos Book 2		28 Modern Jazz Trumpet Solos Book 2
3.10 to Yuma (Marco Beltrami)
30 Best Rock Guitar Songs Ever (Guitar TABs)		30 Best Rock Guitar Songs Ever (Guitar TABs)
300 Sacred Songs Melody Lyrics Chords Fake Book Melody Lyrics Chords		300 Sacred Songs Melody Lyrics Chords Fake Book Melody Lyrics Chords_compressed
36 Christmas Carols Songs		36 christmas carols songs
38 Special Guitar Anthology Guitar Recorded Vers. with Tablature		38 special guitar anthology
39 Progressive Solos For Classical Guitar (with Tablature)		39 Progressive Solos For Classical Guitar
39 Progressive Solos For Classical Guitar Book 2 (with Tablature)		39 Progressive Solos For Classical Guitar Book 2 sheet music pdf
40 Easy Guitar Pieces (Painted with the Sound)
49 Most Popular Jazz Songs		49 Most Popular Jazz Songs
5 Christmas Songs Sheet Music Trumpet in B & Piano accompaniment (Viktor Dick)	5 Christmas Songs Sheet Music Trumpet in B & Piano accompaniement (Viktor Dick)
50 Broadway Shows 50 Broadway Songs		50 Broadway Shows 50 Broadway Songs
50 Classical Guitar Solos In Tablature (Howard Wallach) with Tablature		50 Classical Guitar Solos In Tablature (Howard Wallach)
50 Essential Bebop Heads Arranged For Guitar Tablature (best lines Charlie Parker, Dizzy Gillespie, Thelonious Monk and more)		50 Essential Bebop Heads Arranged For Guitar Tablature (best lines Charlie Parker, Dizzy Gillespie, Thelonious Monk and more)
50 Jazz Standards Every Jazz Musician Needs To Know with MP3 audio tracks to Play Along		50 Jazz Standards Every Jazz Musician Needs To Know – C version
50 Most Popular Classical Melodies (Easy Piano)		50 Most Popular Classical Melodies
50 Of The Most Beautiful Piano Love Songs Solos Ever.		50 OF THE MOST BEAUTIFUL PIANO LOVE SONGS SOLOS EVER
50 Piano Arrangements Of Hymns And Gospel Songs (Fred Bock’s Best)		50 Piano Arrangements Of Hymns sheet music
50 Piano Classics – Easy		50 piano classics
50 Riffs For Blues Guitar – Martin Shellard with MP3 audio to Play Along with Tablature		50 riffs for blues guitar
500 Piano Intros For The Great Standards – Steinway		500 piano intros
55 Country Classics (Voice, piano, Guitar)		55 Country Classics (Voice, piano, Guitar)
557 Jazz Standards (Sheet Music – in C for all instruments) swing to bop (lead sheet)		Standards (Sheet Music – Piano)
60 Progressive Solos For Classical Guitar By Mark Phillips (with Tablature)
67 Fun Songs arranged by Jon Schmidt (Piano)
70’s Hits (Easy Piano Solos) – Hans-Gunter Heumann [Piano, Vocal, Chords]
750.000 anni fa.l’Amore (Banco del Mutuo Soccorso)
75th Anniversary A Tribute In Music From The 20s Through The 90s Various Artists Warner Bros		75th Anniversary A Tribute In Music From The 20s Through The 90s Various Artists Warner Bros
78 Quarterly No 1 and 2 (1967) Book magazine
8 ½ Theme (Nino Rota)
8 Femmes (Krishna Levy)
8 Jazz scales you need to know.mscz
80 Most Requested LDS Songs (Mormon music)		80 Most Requested LDS Songs (Mormon music)
88 Piano Classics For Beginners – David Dutkanicz		88 Piano Classics For Beginners – David Dutkanicz
88 The Giants Of Jazz Piano by Robert L. Foerschuk (Book) foreword by Keith Jarrett
9 easy guitar pieces – Sveinn Eythorsson
97 Oeuvres pour Guitare de Jean Francois DELCAMP		97 Oeuvres pour Guitare de Jean Francois DELCAMP
99 Easy Piano Pieces		99 Easy Piano Pieces
A Beautiful Mind – A Kalidoscope of Mathematics
A Beautiful Mind – All Love Can Be	A Beautiful Mind – All Love Can Be
A Beautiful Mind – Kalidoscope
A Child Is Born – Oscar Peterson (Musescore File).mscz
A Chordal Concept For Jazz Guitar by Peter O’Mara		A Chordal Concept For Jazz Guitar by Peter O’Mara
A Ciascuno il Suo (Luis Bacalov)
A Clare Benediction – John Rutter – Piano Solo Arr. (Musescore File).mscz
A Clockwork Orange (Beethoviana)	A Clockwork Orange (Beethoviana)
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A Comparative Study Of The 24 Preludes Of A. Scriabin And Sergei Rachmaninoff (book)
A Complete Course of Instruction For The Piano-Forte (Dr Karl Merz) (1885)		Instruction…
A Cool Yule. Ten Jazzy Christmas Songs		A Cool Yule. Ten Jazzy Christmas Songs
A Creative Approach To Jazz Piano Harmony Bill Dobbins		A Creative Approach To Jazz Piano Harmony Bill Dobbins
A Creative Approach To Practicing JAZZ – by David Baker		A Creative Approach To pravtising Jazz
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A Dictionary of Music and Musicians Vol. 4 (A.D. 1450-1880) Edited in 1889