Table of Contents

What is Ragtime: The music of Scott Joplin (sheet music)

Solace – Scott Joplin (sheet music)

Maple leaf Rag – Scott Joplin sheet music

Scott Joplin

(Texarcana, 1868 – New York, 1917) American pianist and composer. to formal perfection ragtime , pieces with a syncopated rhythm that were very popular in the first decades of the 20th century in the United States, in which a sense of rhythm close to that of jazz can be appreciated. His Maple leaf rag (1899) for piano met with immense success. The opera Treemonisha (1911), a mixture of black rhythms, ragtime and Italian opera, is his most ambitious work.

Scott Joplin

Scott Joplin received private piano lessons from a very young age. In the mid-1980s he undertook a long journey through the American Midwest, and in 1893 he performed at the Columbian Exposition in Chicago.

Joplin wanted to succeed as a pianist and as a classical composer; for this reason he settled in 1895 in Sedalia and studied music at the George R. Smith University for colored people. In 1900, he moved to St. Louis to work with music publisher John Stark.

In 1902, he published and choreographed his first ballet piece, in which numerous ragtime, and in 1903 he published his first opera, guest of A honor.

Then, in 1907, he moved to New York, and in the same year he wrote the instruction manual The School of Ragtime. Joplin developed and perfected ragtime with a series of compositions that have become classics of this genre, such as Maple leaf rag, Wall street rag and The entertainer , a theme on which composer Marvin Hamlisch would base himself for the unforgettable soundtrack of the film The Heist (1973), starring Paul Newman and Robert Redford. His contract with John Stark ended in 1909.

One of his most outstanding productions was Treemonisha , from 1911, a work that synthesizes all the ideas that the author had about music in a classical opera. Of this opera between acts, for which Joplin also wrote the libretto, only the edition for voice and piano survives, edited at the time by the same author, although the manuscript score for orchestra, which Scott Joplin finished, has not been found. but that was unpublished.

Treemonisha has been defined as “the first great American opera, since it speaks a genuinely American language with the conventional forms of Western opera, such as the overture, the aria, the graceful, the recitative, the choirs and the ballet” (WJ Schafer and J. Riedel). The work is of closed forms and is made up of twenty-seven numbers. Some precise choreographic indications, drawn up by Joplin, accompany some scenes; they are of particular interest for mounting numbers 4, 13 and 27.

The action takes place in 1884, when Treemonisha, the protagonist, is eighteen years old. The scene takes place on a plantation in Arkansas and in the thick jungle that surrounds it. The area is inhabited only by blacks, since their white masters have abandoned it after the defeat of the Confederates. Two tendencies confront the population: a fetishist, dominated by superstitions and linked to magical culture, ridiculed by Joplin, and another that trusts in the progress achieved through culture, personified by Treemonisha and her parents.

Treemonisha (whose name derives from the fusion of the words “tree”, tree, and Monisha, the name of the woman who wanted to have a child, found the girl under a tree, and raised her as her own) is the only literate person from the black community, for whom the civil war has brought freedom.

Educated by a white woman in exchange for her parents’ work, Treemonisha, once her training is over, finds, thanks to her education and culture, the necessary strength to overcome the superstitious and magical tendency present in the community.

Obviously, she goes through difficulties and dangers, which initiate her in the role of a guide capable of enlightening the black community. The plot core of the libretto is found in this contrast and in these difficulties, which give a special originality to the extraordinary balance that exists between the non-realistic character of the operatic form and the concrete character of its non-fantastic communication.

The choice of a woman who assumes the role of the protagonist possibly derives from the prevailing matriarchal character (more for socio-historical reasons than for residual Africanism) among the black populations of North America.

Joplin only occasionally uses in this work the rhythmic pattern of ragtime, which she seems to have used more extensively in an earlier opera, A Guest of Honor in 1903, now lost.

After Treemonisha , Scott Joplin composed and even recorded on piano rolls several ragtime pieces, so this opera certainly represents neither a criticism nor an abandonment of the music that was in fashion at the time, and that gave him a well-deserved fame.

Treemonisha is not an ambitious extension of the forms of that genre, but rather identifies itself completely with the operatic tradition, and sinks its roots and its reason for being in that life of the melodramas of the South of the United States that left so many traces in the music by some old jazz composers, and also by Louis Armstrong.

The Musical Elements Of Ragtime In The Music Of Scott Joplin

Introduction

With its origins dating back to the 19th century, the ragtime music genre is widely considered to be the forerunner of what jazz music would become today. This genre is easily recognized by its cheerful and bouncy style. Although today when the term “Ragtime” is mentioned, it usually refers to music exclusively for piano, in the golden years of this genre voice and other musical instruments were also included mainly, as well as its own dance style.

Defined by the Oxford dictionary in Spanish (sf), ragtime is the “style of black dance music born at the end of the 19th century and very popular at the beginning of the 20th, with a syncopated binary rhythm, and composed mainly for piano.”

To analyze the musical and artistic elements of this genre in particular, two pieces considered fundamental to the genre will be analyzed and compared, created by the author Scott Joplin, “[…] who composed works of considerable charm and ingenuity […]”.

The research question derives from the topic “The musical elements of Ragtime”, which is “What are the rhythmic and harmonic aspects of the pieces Maple Leaf Rag (1899) and The Entertainer (1902) by Scott Joplin for the development of the genre Ragtime?”.

The focus of this monograph will focus on the musical technical and theoretical analysis of the rhythmic and harmonic aspects of the previously mentioned pieces. The possible contextual elements that could have influenced the creation of these pieces will also be discussed, as well as their importance at the time they were published.

The justification for investigating this topic is of mere personal interest, since for a portion of my life I had listened to these rhythms on recordings without knowing which genre they particularly belonged to. It was until I was introduced to Ragtime as such in private piano lessons. Although at first it was complex for my ability to learn to play a style with ripped time, it soon became one of my favorite genres to play.

It is considered pertinent to carry out a study of the elements that characterize the previously mentioned genre, to analyze how a particular feeling and energy can be transmitted through the adequate use of musical theory, and how it can help in the expression of specific feelings in the form of music. of music.

The analysis of both musical pieces will be divided into two sections. The piece The Entertainer will be analyzed first, then Maple Leaf Rag, and once the most emblematic aspects of each piece have been extracted, these elements will be contrasted, in such a way that it is possible to observe which ones stand out the most so that a piece is considered of the genre.

These foundations will also be enriched with the social and historical context and what factors influenced the creation of said harmonies and rhythms, also including expert comments on the interpretation of said pieces, such as speed, accents, among others.

The scope of this monograph is limited to the availability of scores and the lack of recordings performed by the author himself, due to the archaic technology of the 19th century, in which musical production was just beginning to industrialize. Primary sources are Maple Leaf Rag and The Entertainer sheet music. Secondary sources are internet articles written by professionals.

The Entertainer

The structure of this piece constitutes an introduction to enter the work, and then a pattern is presented in the following sections: AA BB A CC DD. Each section fulfills the function of being repeated once, with the exception of section A, in such a way that in the second repetition a variation of the section is played that connects with the following one. So until you reach the last section D to finish the Rag.

Graphic of my authorship. Demonstration of the various sections in The Entertainer (Joplin, 1902).

Introduction: This prepares our ear to enter the piece. It is a small motif that is repeated twice, each time played an octave below the previous one, then a small chromatic variation descends in such a way as to leave room for an accented G major chord. An upbeat marks another chromaticism from D to D# for the anticipation of the next measure.

Section A: This section tells us the main theme of the piece. It has a simple pattern. The first motif, which spans bars 5-16, is repeated three times, followed by a second motif from bars 17-20, which functions as a turnaround would in blues music, to return to the first motif. This set of reasons are those that elaborate the main theme.

You can see that the structure of this piece is AA BB A CC DD. Each section ends after a repetition, in which, the second time it is played again, it concludes with a second box. This to vary what was proposed in each section during the first round, and apart from serving as a ‘transition’ for the next section.

This happens for most of the piece, except for one more repetition of section A, after section B, which has the function of accentuating the main theme of the song. Graphic by me. Demonstration of the various sections of the Maple Leaf Rag (Joplin 1899).

Section A: Theme of the piece. It is the most recognizable when listening to the song. Its purpose is to set a main mood for the listener. Maple Leaf Rag in this section has a fast melody, played at twice the speed of the left hand, playing one hand in sixteenth notes and the other in eighth notes.
Section B: Continued with fast melodies in sixteenth notes, the bass begins to progress with a syncopated rhythm. This section also bears resemblance to the typical bass of a military march.

Section C: As in section B, it continues with a syncopated bass, however, it also begins to walk more, as well as the typical bass of Jazz. The melody progresses in more complex variations than the previous section, since it does not stay within the range of an octave that it make arpeggios. This section is the most complex of the piece.

Section D: Similar to section A, the syncopated bass is no longer as marked as other sections and a motif begins to be created to conclude the piece, resolving various tension chords to give the feeling of returning home. On the second repeat, it ends with a grand chord on the tonic of the E flat major scale.

Rhythm and harmony

The compass that is carried is 2/4. This indicates that the numerator will divide the measure into two parts, and the denominator that it will be counted in quarter notes, of which 4 fill a full beat. So, they fit 2 quarter notes per bar in 2/4 time.

This time signature also indicates on which pulse the accents would be marked. In western music it is usually accentuated on the first beat of each measure, however, in syncopated rhythm, the beats corresponding to 2 and 4 are accented. In ragtime, as well as in various subgenres of Jazz, this characteristic is used, managing to create a distinctive rhythm. Bar 18 of Maple Leaf Rag.

The left hand is responsible for carrying and marking these accents, big jumps are made with the hand on the piano keyboard. Thanks to this, it was considered an innovation for his time, since Joplin invents playing bass and harmony with the same hand consecutively.

Harmony: (talk about chords, resolution of 7ths and change between 5ths. E flat major). As for the harmony of this piece, it is written in the key of E flat major.

Melody

Scales: (pentatonic, natural)
Melody patterns: (arpeggios within a single octave)

‘Although not the first rag to be written or published, Maple Leaf Rag became the first instrumental piece to sell more than a million copies.’ (Edwards, s.f.). One of Joplin’s early compositions was a resounding success, as he reached this number in less than a decade. With this, Joplin is recognized as ‘the king of Ragtime’, making it, in a short time, the musical genre par excellence in the United States.

Browse in the Library:

Total Records Found in the Library: 12470, showing 120 per page
Artist or Composer / Score name	Cover	List of Contents
Aebersold Phil Degreg – Jazz keyboard harmony – A practical method for all musicians		jazz keyboard harmony
Aebersold RAPID REFERENCE	Aebersold RAPID REFERENCE
Aebersold vol 1 Cómo improvisar y tocar JAZZ Spanish edition – Español		Aebersold vol 1 Cómo improvisar y tocar JAZZ Spanish edition
Aebersold Vol. 01 – Jazz improvisation A New Approach To Jazz Improvisation		Aebersold Vol. 01 – Jazz improvisation
Aebersold Vol. 60 Dan Haerle & Mark Levine – Jazz Piano Voicings
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 02 – Nothin’ But Blues	Jazz Play Along Vol 002 – [Nothin’ But Blues]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 03 – The II-V7-I Progression	Jazz Play Along Vol 003 – [The II-V7-I Progression]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 04 – Movin’ On	Jazz Play Along Vol 004 – [Movin’ On]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 05 – Time To Play Music!	Jazz Play Along Vol 005 – [Time To Play Music!]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 06 – Charlie Parker	Jazz Play Along Vol 006 – [Charlie Parker – All Bird]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 07 – Miles Davis		Jazz Play Along Vol 007 – [Miles Davis]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 08 – Sonny Rollins	Jazz Play Along Vol 008 – [Sonny Rollins]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 09 – Woody Shaw	Jazz Play Along Vol 009 – [Woody Shaw]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 10 – David Baker	Jazz Play Along Vol 010 – [David Baker]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 100 – St. Louis Blues	Jazz Play Along Vol 011 – [Herbie Hancock]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 101 – Secret of the Andes	Jazz Play Along Vol 012 – [Duke Ellington]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 102 – Jerry Bergonzi	Jazz Play Along Vol 102 – [Jerry Bergonzi]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 103 – David Sanborn	Jazz Play Along Vol 103 – [David Sanborn]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 104 – Kenny Werner	Jazz Play Along Vol 104 – [Free Play – 13 Musical Landscapes]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 105 – Dave Brubeck	Jazz Play Along Vol 105 – [Dave Brubeck]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 106 – Lee Morgan	Jazz Play Along Vol 106 – [Lee Morgan]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 107 – STANDARDS FOR SINGERS	Jazz Play Along Vol 109 [Fusion] Jazz Play Along Vol 110 [When i Fall in Love] Aebersold – Vol 107 – IT HAD TO BE YOU
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 108 – Joe Henderson	Jazz Play Along Vol 108 – [Joe Henderson] – C-Bb
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 109 – Fusion	Jazz Play Along Vol 109 [Fusion]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 11 – Herbie Hancock	Jazz Play Along Vol 011 – [Herbie Hancock]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 111 – J.J. Johnson	Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 111 – J.J. Johnson
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 112 – [Cole Porter]		Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 112 – [Cole Porter]_compressed
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – vol 115 – Ron Carter	Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – vol 115 – Ron Carter
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 12 – Duke Ellington	Jazz Play Along Vol 012 – [Duke Ellington]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 13 – Cannonball Adderley	Jazz Play Along Vol 013 – [Cannonball Adderley]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 14 – Benny Golson	Aebersold – Vol 14 – Benny Golson
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 15 – Payin’ Dues	Aebersold – Vol 15 – Payin’ Dues
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 15 – Payin’ Dues – Complete Bass Lines	Aebersold – Vol 15 – Payin’ Dues – Complete Bass Lines
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 16 -Turnarounds, Cycles & II V7’s	Jazz Play Along Vol 016 – [Turnarounds, Cycles & II-V7’s]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 17 – Horace Silver	Jazz Play Along Vol 017 – [Horace Silver]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 18 – Horace Silver	Jazz Play Along Vol 018 – [Horace Silver]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 19 – David Liebman	Jazz Play Along Vol 019 – [David Liebman]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 20 – Jimmy Raney	Jazz Play Along Vol 020 – [Jimmy Raney]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 21 – Gettin’ It Together (& Supplement)	Jazz Play Along Vol 021 – [Gettin It Together]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 22 – Favorite Standards	Jazz Play Along Vol 022 – [Favorite Standards]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 23 – One Dozen Standards	Jazz Play Along Vol 023 – [One Dozen Standards]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 24 – Major and Minor	Jazz Play Along Vol 024 – [Major and Minor]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 25 – All Time Standards	Jazz Play Along Vol 025 – [All Time Standards]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 26 – Scale Syllabus	Jazz Play Along Vol 026 – [Scale Syllabus]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 27 – John Coltrane	Jazz Play Along Vol 027 – [John Coltrane]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 28 Jazz Play Along Vol 028 – [Giant Steps]	Jazz Play Along Vol 029 – [Play Duets With Jimmy Raney] Jazz Play Along Vol 028 – [Giant Steps]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 29 – Play Duets With Jimmy Raney	Jazz Play Along Vol 029 – [Play Duets With Jimmy Raney]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 30 – Rhythm Section Workout	Jazz Play Along Vol 030 – [Rhythm Section Workout]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 31 – Bossa Novas	Jazz Play Along Vol 031 – [Bossa Novas]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 32 – Ballads	Jazz Play Along Vol 032 – [Ballads]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 33 – Wayne Shorter	Jazz Play Along Vol 033 – [Wayne Shorter]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 34 – Jam Session	Jazz Play Along Vol 034 – [Jam Session]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 35 – Cedar Walton	Jazz Play Along Vol 035 – [Cedar Walton]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 36 – Bebop & Beyond	Jazz Play Along Vol 036 – [Bebop & Beyond]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 37 – Sammy Nestico	Jazz Play Along Vol 037 – [Sammy Nestico]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 38 – Blue Note	Jazz Play Along Vol 038 – [Blue Note]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 39 – Swing Swing Swing	Jazz Play Along Vol 039 – [Swing, Swing, Swing]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 40 – ‘Round Midnight	Jazz Play Along Vol 040 – [‘Round Midnight]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 41 – Body and Soul	Jazz Play Along Vol 041 – [Body and Soul]	Jazz Play Along Vol 041 – [Body and Soul – Jazz Piano Voicings]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 42 – Blues in All Keys	Jazz Play Along Vol 042 – [Blues In All Keys]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 44 – [Autumn Leaves]	Jazz Play Along Vol 044 – [Autumn Leaves]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 45 – Bill Evans – COMPLETE	Jazz Play Along Vol 045 – [Bill Evans]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 46 – Out Of This World	Jazz Play Along Vol 046 – [Out Of This World]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 47 – Rhythm changes in all keys	Jazz Play Along Vol 047 – [I Got Rhythm Changes In All Keys]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 48 – In a Mellow Tone	Jazz Play Along Vol 048 – [In A Mellow Tone]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 49 – Sugar	Jazz Play Along Vol 049 – [Sugar]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 50 – The Magic Of Miles	Jazz Play Along Vol 050 – [The Magic of Miles]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 51 – Night And Day	Jazz Play Along Vol 051 – [Night and Day]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 52 – Collector’s Items	Jazz Play Along Vol 052 – [Collector’s Items]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 53 – Clifford Brown	Jazz Play Along Vol 053 – [Clifford Brown]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 54 – Maiden Voyage	Jazz Play Along Vol 054 – [Maiden Voyage]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 55 – Yesterdays -Jerome Kern	Jazz Play Along Vol 055 – [Yesterdays – Jerome Kern]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 56 – Thelonious Monk (Book Cd)	Jazz Play Along Vol 056 – [Thelonious Monk]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 57 – Minor Blues in All 12 Keys	Jazz Play Along Vol 057 – [Minor Blues In All Keys]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 58 – Unforgettable Standards	Jazz Play Along Vol 058 – [Unforgettable Standards]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 59 – Invitation	Jazz Play Along Vol 059 – [Invitation]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 60 – Freddie Hubbard	Jazz Play Along Vol 060 – [Freddie Hubbard]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 61 – Burnin’!!!	Jazz Play Along Vol 061 – [Burnin’]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 62 – Wes Montgomery	Jazz Play Along Vol 062 – [Wes Montgomery]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 63 – Tom Harrel	Jazz Play Along Vol 063 – [Tom Harrell]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 64 – Salsa, Latin Jazz	Jazz Play Along Vol 064 – [Salsa, Latin Jazz]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 65 – Four & More	Jazz Play Along Vol 065 – [Four and More]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 66 – Billy Strayhorn	Jazz Play Along Vol 066 – [Billy Strayhorn]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 67 – Tune Up	Jazz Play Along Vol 067 – [Tune Up]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 68 – Giant Steps	Jazz Play Along Vol 069 – [Bird Goes Latin]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 69 – Bird Goes Latin	Jazz Play Along Vol 069 – [Bird Goes Latin]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 70 – Killer Joe	Jazz Play Along Vol 070 – [Killer Joe]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 71 – East of the Sun	Jazz Play Along Vol 071 – [East Of The Sun]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 72 – Street of Dreams	Jazz Play Along Vol 072 – [Street of Dreams]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 73 – Oliver Nelson – Stolen Moments	Jazz Play Along Vol 073 – [Oliver Nelson (Stolen Moments)]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 74 – Latin Jazz	Jazz Play Along Vol 074 – [Latin Jazz]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 75 – Countdown To Giant Steps	Jazz Play Along Vol 075 – [Countdown to Giant steps]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 76 – How To Learn Tunes	Jazz Play Along Vol 076 – [How to Learn Tunes]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 77 – Paquito D’Rivera	Jazz Play Along Vol 077 – [Paquito D’Rivera]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 78 – Jazz Holiday Classics	Jazz Play Along Vol 078 – [Jazz Holiday Classics]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 79 – Avalon	Jazz Play Along Vol 079 – [Avalon]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 80 – Indiana	Jazz Play Along Vol 080 – [Indiana]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 81 – Standards And Originals	Jazz Play Along Vol 081 – [Contemporary Standards & Originals]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 82 – Dexter Gordon	Jazz Play Along Vol 082 – [Dexter Gordon]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 83 – Brecker Brothers	Jazz Play Along Vol 083 – [Brecker Brothers]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 84 – Dominant 7th Workout	Jazz Play Along Vol 084 – [Dominant Seventh Workout]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 85 – Tunes You Thought You Knew	Jazz Play Along Vol 085 – [Tunes You Though You Knew (Reharmonized Standards)]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 86 – Shoutin Out – Horace Silver Tunes (Book+CD)	Jazz Play Along Vol 086 – Shoutin’ Out – Horace Silver Tunes
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 87 – When Lights Are Low – Benny Carter	Jazz Play Along Vol 087 – [When Lights Are Low – Benny Carter]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 89 – Darn That Dream	Jazz Play Along Vol 089 – [Darn That Dream]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 90 Odd Times	Jazz Play Along Vol 090 – [Odd Times – Odd Time Signature Songs]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 91-Players Choice	Jazz Play Along Vol 091 – [Player’s Choice]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 92-Lennie Neihaus	Jazz Play Along Vol 092 – [Lennie Neihaus]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 93 What’s new	Jazz Play Along Vol 093 – [What’s New]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 94 Hot Hhouse	Jazz Play Along Vol 094 – [Hot House]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 95- 500 miles high	Jazz Play Along Vol 095 – [500 Miles High]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 96-Latin Quarter	Jazz Play Along Vol 096 – [Latin Quarter]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 97-Standards with strings	Jazz Play Along Vol 097 – [Standards With Strings]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 99 Tadd Dameron	Jazz Play Along Vol 099 – [Tadd Dameron]
Aerith’s Theme – F.F. Vii エアリスのテーマ (Musescore File).mscz
Aerosmith – Amazing
Aerosmith – Angel
Aerosmith – Crazy
Aerosmith – Dream On
Aerosmith – I Dont Want To Miss A Thing