‘Steve Reich: an interview with Michael Nyman’ (Musical Times, 112, March 1971)
Sheet Music Library (PDF): Michael Nyman: Collected Writings
MN Is there a convenient descriptive label you like to attach to your music?
SR When the Columbia record was produced (with Violin Phase and It’s Gonna Rain) we talked about what would be the best title, and we came up with Live/Electric. Then I wrote a piece called Pulse Music; in a review, someone said that I’d been playing pulse music elsewhere, and I realized that he had construed it as a generic term for my music.
That’s not bad, so I’m inclined to use it sometimes; at
least it gives some indication of the nature of the music, more than ‘avant-garde’, ‘experimental’, or ‘modern’, all of which are deadly.
MN You once said that you would prefer to have your works recorded commercially than on a subsidized basis, and to succeed ‘out there’ as a composer because these are the terms on which music survives. How does this affect the way you choose (or are forced) to earn a living?
SR I can get by as a composer now, although I teach one day a week (at the New School in New York), but I’d like to drop that and try to make a living as a performer, which I am on the verge of doing.
But for the last 10 years I did all kinds of things and I would certainly rather take my chances in the commercial world, as
a person, than in an academic world. I think that if you have any close connection or involvement with a department – and this is a particularly American situation – then it’s going to wipe you out.
Being an A&R man for a record company or a location recordist for a movie (I’ve done a little bit of that) is one thing, whereas if you go off to a university thinking ‘This is the way I’ll survive, I’ll have a nice little scene going on here and have a lot of time to compose’, I don’t think that
works (that is, if you stay in one place for any length of time).
MN Come Out is the only piece of yours that is at all known over here. The phase relationships are fascinating; how did you do them? Presumably there was no tape editing at all?
SR I first made a loop of the phrase ‘Come out to show them’, and recorded a whole reel of that on channel 1 of a second tape recorder. I then started recording the loop on channel 2; after lining up the two tracks, with my thumb on the supply
reel of the recording machine, I very gradually held it back (I was literally slowing it down, but at such an imperceptible rate that you can’t hear) until ‘Come out to show them’ had separated into ‘come out-come out/show them-show them’ (which is something like two eight notes apart).
Then I took that two-channel relationship, made a loop from it, fed it into channel 1 again, and held it back with my thumb until it was four eighth-notes away from the original sound and could be heard as a series of equal beats, quite distinct melodically. I then spliced together the two voice tape with the four-voice tape – they fit exactly – and what you sense at that point is a slight timbral difference, due to all this addition, and then all of a sudden a movement in space.
At that point I divided it again into eight voices, separated it by just a 32-note, so the whole thing began to shake, then I just faded it out again and put those two takes together. So there’s absolutely no manipulation of the tape.
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MN What was your first tape piece?
SR The first piece I did was for a movie called The Plastic Haircut. It was very heavily edited, a cross between animation and live film. Somebody said he heard a sportscaster trying to narrate the action. So I got hold of a record called ‘The Greatest Moments in Sport’ (a kind of old talkie LP that I had heard as a child) and made a collage of it in the most primitive of all ways. I’d record a bit, stop the tape, move the needle, and then start taping again, so there was hardly any splicing.
Formally, it started very simply and turned into noise through overdubbing with loops, rather like a surrealist rondo with all kinds of elements recurring. The exciting thing was that the voices, used as sound, nevertheless have a residual meaning that was also very ambiguous – it could be sporting, or sexual, or political – and immediately seemed to me to be the solution to vocal music. So I went on this
binge of working with tape, which came to a point about two and a half years later when I felt that I’d had enough.
MN Since Come Out, you’ve been writing (and performing) only live music. How did you make the change from tape to instruments?
SR 1966 was a very depressing year. I began to feel like a mad scientist trapped in a lab; I had discovered the phasing process of Come Out and didn’t want to turn my back on it, yet I didn’t know how to do it live, and I was aching to do some instrumental music. The way out of the impasse came by just running a loop of a piano figure and playing the piano against it to see if in fact I could do it.
I found that I could, not with the perfection of the tape recorder, but the imperfections seemed to me to be interesting, and I sensed they might be interesting to listen to.
MN So through tape you arrived back at live music.
SR What tape did for me basically was on the one hand to realize certain musical ideas that at first had to come out of machines, and on the other to make some instrumental music possible that I never would have got to by looking at any Western or non-Western music.
MN What about the mechanical aspect of your writing?
SR People imitating machines was always considered a sickly trip; I don’t feel that way at all, emotionally. I think there’s a human activity, ‘imitating machines’, in the sense in which (say) playing the phase pieces can be construed; but it turns out to be psychologically very useful, or even pleasurable.
So the attention that kind of mechanical playing asks for is something we could do with more of, and the ‘human expressive quality’ that is assumed to be innately human is what we could do with less of right now. That ties in with non-Western music – African drumming or the Balinese gamelan – which also have an impersonality to them as
the participants accept a given situation and add their individual contributions in the details of the working out.
MN You work with an absolute minimum of musical material – five words in Come Out and a dominant seventh chord with the tonic sitting on the top in Four Organs.
SR Four Organs is not a phase piece at all: it consists of one chord growing in time. My preoccupation with gradual processes – which don’t affect the timbre or dynamic of the sound, but only its rhythmic and durational values – means that you can begin to take an interest in things that in older music were just details.
In baroque music, you might hear a few harmonics in a certain passage that stays within one chord, or you might begin to hear all kinds of details of the action of a keyboard instrument. These are merely incidental details, but by isolating them, you can legitimately use them as your basic musical material.
MN So one has to learn to listen in a fundamentally different way.
SR Yes. You listen to developmental music, and you just can’t stay with it, or you can’t stay with it once you’ve seen the way you stay with something else. I’m interested in a process where you can get on at the beginning and literally rest
on it, uninterrupted, right to the end. Focusing in on the musical process makes possible a shift of attention away from the he and the she and you and me, outward toward it.
MN What is your particular interest in African drumming?
SR I became interested in African music through A.M. Jones’s book, and I recently found a group at Columbia University with a Ghanaian drummer from the tribe Jones had written about. One of my reasons for going to Ghana and studying
drumming is, in the very simplest sense, to increase my musical abilities.
I studied rudimentary Western drumming when I was 14 and interested in jazz, and this last piece, Phase Patterns, is literally drumming on the keyboard: your left hand stays
in one position and your right hand stays in one position, and you alternate them in what’s called a paradiddle pattern, which produces a very interesting musical texture because it sets up melodic things you could never arrive at if you just
followed your melodic prejudices and your musical background.
MN You’re not interested in taking over the sound of the music and incorporating it into your music?
SR What I don’t want to do is to go buy a bunch of exotic-looking drums and set up an Afrikanische Musik in New York City. In fact, what I think is going to happen more and more is that composers will study non-Western music seriously so that it will have a natural and organic influence on their music.
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| Aebersold vol 1 Cómo improvisar y tocar JAZZ Spanish edition – Español |
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| Aebersold Vol. 01 – Jazz improvisation A New Approach To Jazz Improvisation |
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| Aebersold Vol. 60 Dan Haerle & Mark Levine – Jazz Piano Voicings |
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| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 02 – Nothin’ But Blues | Jazz Play Along Vol 002 – [Nothin’ But Blues] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 03 – The II-V7-I Progression | Jazz Play Along Vol 003 – [The II-V7-I Progression] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 04 – Movin’ On | Jazz Play Along Vol 004 – [Movin’ On] | |
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| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 06 – Charlie Parker | Jazz Play Along Vol 006 – [Charlie Parker – All Bird] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 07 – Miles Davis |
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Jazz Play Along Vol 007 – [Miles Davis] |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 08 – Sonny Rollins | Jazz Play Along Vol 008 – [Sonny Rollins] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 09 – Woody Shaw | Jazz Play Along Vol 009 – [Woody Shaw] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 10 – David Baker | Jazz Play Along Vol 010 – [David Baker] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 100 – St. Louis Blues | Jazz Play Along Vol 011 – [Herbie Hancock] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 101 – Secret of the Andes | Jazz Play Along Vol 012 – [Duke Ellington] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 102 – Jerry Bergonzi | Jazz Play Along Vol 102 – [Jerry Bergonzi] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 103 – David Sanborn | Jazz Play Along Vol 103 – [David Sanborn] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 104 – Kenny Werner | Jazz Play Along Vol 104 – [Free Play – 13 Musical Landscapes] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 105 – Dave Brubeck | Jazz Play Along Vol 105 – [Dave Brubeck] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 106 – Lee Morgan | Jazz Play Along Vol 106 – [Lee Morgan] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 107 – STANDARDS FOR SINGERS | Jazz Play Along Vol 109 [Fusion] Jazz Play Along Vol 110 [When i Fall in Love] Aebersold – Vol 107 – IT HAD TO BE YOU | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 108 – Joe Henderson | Jazz Play Along Vol 108 – [Joe Henderson] – C-Bb | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 109 – Fusion | Jazz Play Along Vol 109 [Fusion] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 11 – Herbie Hancock | Jazz Play Along Vol 011 – [Herbie Hancock] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 111 – J.J. Johnson | Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 111 – J.J. Johnson | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 112 – [Cole Porter] |
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Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 112 – [Cole Porter]_compressed |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – vol 115 – Ron Carter | Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – vol 115 – Ron Carter | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 12 – Duke Ellington | Jazz Play Along Vol 012 – [Duke Ellington] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 13 – Cannonball Adderley | Jazz Play Along Vol 013 – [Cannonball Adderley] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 14 – Benny Golson | Aebersold – Vol 14 – Benny Golson | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 15 – Payin’ Dues | Aebersold – Vol 15 – Payin’ Dues | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 15 – Payin’ Dues – Complete Bass Lines | Aebersold – Vol 15 – Payin’ Dues – Complete Bass Lines | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 16 -Turnarounds, Cycles & II V7’s | Jazz Play Along Vol 016 – [Turnarounds, Cycles & II-V7’s] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 17 – Horace Silver | Jazz Play Along Vol 017 – [Horace Silver] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 18 – Horace Silver | Jazz Play Along Vol 018 – [Horace Silver] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 19 – David Liebman | Jazz Play Along Vol 019 – [David Liebman] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 20 – Jimmy Raney | Jazz Play Along Vol 020 – [Jimmy Raney] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 21 – Gettin’ It Together (& Supplement) | Jazz Play Along Vol 021 – [Gettin It Together] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 22 – Favorite Standards | Jazz Play Along Vol 022 – [Favorite Standards] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 23 – One Dozen Standards | Jazz Play Along Vol 023 – [One Dozen Standards] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 24 – Major and Minor | Jazz Play Along Vol 024 – [Major and Minor] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 25 – All Time Standards | Jazz Play Along Vol 025 – [All Time Standards] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 26 – Scale Syllabus | Jazz Play Along Vol 026 – [Scale Syllabus] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 27 – John Coltrane | Jazz Play Along Vol 027 – [John Coltrane] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 28 Jazz Play Along Vol 028 – [Giant Steps] | Jazz Play Along Vol 029 – [Play Duets With Jimmy Raney] Jazz Play Along Vol 028 – [Giant Steps] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 29 – Play Duets With Jimmy Raney | Jazz Play Along Vol 029 – [Play Duets With Jimmy Raney] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 30 – Rhythm Section Workout | Jazz Play Along Vol 030 – [Rhythm Section Workout] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 31 – Bossa Novas | Jazz Play Along Vol 031 – [Bossa Novas] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 32 – Ballads | Jazz Play Along Vol 032 – [Ballads] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 33 – Wayne Shorter | Jazz Play Along Vol 033 – [Wayne Shorter] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 34 – Jam Session | Jazz Play Along Vol 034 – [Jam Session] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 35 – Cedar Walton | Jazz Play Along Vol 035 – [Cedar Walton] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 36 – Bebop & Beyond | Jazz Play Along Vol 036 – [Bebop & Beyond] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 37 – Sammy Nestico | Jazz Play Along Vol 037 – [Sammy Nestico] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 38 – Blue Note | Jazz Play Along Vol 038 – [Blue Note] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 39 – Swing Swing Swing | Jazz Play Along Vol 039 – [Swing, Swing, Swing] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 40 – ‘Round Midnight | Jazz Play Along Vol 040 – [‘Round Midnight] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 41 – Body and Soul | Jazz Play Along Vol 041 – [Body and Soul] | Jazz Play Along Vol 041 – [Body and Soul – Jazz Piano Voicings] |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 42 – Blues in All Keys | Jazz Play Along Vol 042 – [Blues In All Keys] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 44 – [Autumn Leaves] | Jazz Play Along Vol 044 – [Autumn Leaves] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 46 – Out Of This World | Jazz Play Along Vol 046 – [Out Of This World] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 47 – Rhythm changes in all keys | Jazz Play Along Vol 047 – [I Got Rhythm Changes In All Keys] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 48 – In a Mellow Tone | Jazz Play Along Vol 048 – [In A Mellow Tone] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 49 – Sugar | Jazz Play Along Vol 049 – [Sugar] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 50 – The Magic Of Miles | Jazz Play Along Vol 050 – [The Magic of Miles] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 51 – Night And Day | Jazz Play Along Vol 051 – [Night and Day] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 52 – Collector’s Items | Jazz Play Along Vol 052 – [Collector’s Items] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 53 – Clifford Brown | Jazz Play Along Vol 053 – [Clifford Brown] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 54 – Maiden Voyage | Jazz Play Along Vol 054 – [Maiden Voyage] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 55 – Yesterdays -Jerome Kern | Jazz Play Along Vol 055 – [Yesterdays – Jerome Kern] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 56 – Thelonious Monk (Book Cd) | Jazz Play Along Vol 056 – [Thelonious Monk] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 57 – Minor Blues in All 12 Keys | Jazz Play Along Vol 057 – [Minor Blues In All Keys] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 58 – Unforgettable Standards | Jazz Play Along Vol 058 – [Unforgettable Standards] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 59 – Invitation | Jazz Play Along Vol 059 – [Invitation] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 60 – Freddie Hubbard | Jazz Play Along Vol 060 – [Freddie Hubbard] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 61 – Burnin’!!! | Jazz Play Along Vol 061 – [Burnin’] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 62 – Wes Montgomery | Jazz Play Along Vol 062 – [Wes Montgomery] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 63 – Tom Harrel | Jazz Play Along Vol 063 – [Tom Harrell] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 64 – Salsa, Latin Jazz | Jazz Play Along Vol 064 – [Salsa, Latin Jazz] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 65 – Four & More | Jazz Play Along Vol 065 – [Four and More] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 66 – Billy Strayhorn | Jazz Play Along Vol 066 – [Billy Strayhorn] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 67 – Tune Up | Jazz Play Along Vol 067 – [Tune Up] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 68 – Giant Steps | Jazz Play Along Vol 069 – [Bird Goes Latin] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 69 – Bird Goes Latin | Jazz Play Along Vol 069 – [Bird Goes Latin] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 70 – Killer Joe | Jazz Play Along Vol 070 – [Killer Joe] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 71 – East of the Sun | Jazz Play Along Vol 071 – [East Of The Sun] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 72 – Street of Dreams | Jazz Play Along Vol 072 – [Street of Dreams] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 73 – Oliver Nelson – Stolen Moments | Jazz Play Along Vol 073 – [Oliver Nelson (Stolen Moments)] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 74 – Latin Jazz | Jazz Play Along Vol 074 – [Latin Jazz] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 75 – Countdown To Giant Steps | Jazz Play Along Vol 075 – [Countdown to Giant steps] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 76 – How To Learn Tunes | Jazz Play Along Vol 076 – [How to Learn Tunes] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 77 – Paquito D’Rivera | Jazz Play Along Vol 077 – [Paquito D’Rivera] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 78 – Jazz Holiday Classics | Jazz Play Along Vol 078 – [Jazz Holiday Classics] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 79 – Avalon | Jazz Play Along Vol 079 – [Avalon] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 80 – Indiana | Jazz Play Along Vol 080 – [Indiana] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 81 – Standards And Originals | Jazz Play Along Vol 081 – [Contemporary Standards & Originals] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 82 – Dexter Gordon | Jazz Play Along Vol 082 – [Dexter Gordon] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 83 – Brecker Brothers | Jazz Play Along Vol 083 – [Brecker Brothers] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 84 – Dominant 7th Workout | Jazz Play Along Vol 084 – [Dominant Seventh Workout] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 85 – Tunes You Thought You Knew | Jazz Play Along Vol 085 – [Tunes You Though You Knew (Reharmonized Standards)] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 86 – Shoutin Out – Horace Silver Tunes (Book+CD) | Jazz Play Along Vol 086 – Shoutin’ Out – Horace Silver Tunes | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 87 – When Lights Are Low – Benny Carter | Jazz Play Along Vol 087 – [When Lights Are Low – Benny Carter] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 89 – Darn That Dream | Jazz Play Along Vol 089 – [Darn That Dream] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 90 Odd Times | Jazz Play Along Vol 090 – [Odd Times – Odd Time Signature Songs] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 91-Players Choice | Jazz Play Along Vol 091 – [Player’s Choice] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 92-Lennie Neihaus | Jazz Play Along Vol 092 – [Lennie Neihaus] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 93 What’s new | Jazz Play Along Vol 093 – [What’s New] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 94 Hot Hhouse | Jazz Play Along Vol 094 – [Hot House] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 95- 500 miles high | Jazz Play Along Vol 095 – [500 Miles High] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 96-Latin Quarter | Jazz Play Along Vol 096 – [Latin Quarter] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 97-Standards with strings | Jazz Play Along Vol 097 – [Standards With Strings] | |
| Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 99 Tadd Dameron | Jazz Play Along Vol 099 – [Tadd Dameron] | |
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| Aerosmith – I Dont Want To Miss A Thing | ||
| Aerosmith 1973-1979 – Guitar Play Along with MP3 audio Guitar Signature Licks with Tablature |
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Aerosmith 1973-1979 Signature Licks |
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Note:
Paul Hillier states that ‘[this] interview was recorded in May 1970 when Reich was in London en route to Africa. David Behrman, who had produced recordings of Reich’s tape
pieces for CBS, had suggested that Reich contact Nyman in London. Nyman and Reich spent a week together and established a friendship, which resulted in Reich’s return to the following year to present two concerts of his works, one in London (at the ICA) and one in Paris’ (see Reich, Writings on Music (ed. Hillier), p. 52).