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Albert Victor Young (August 8, 1899 – November 10, 1956) was an American composer, arranger, violinist and conductor.

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Victor Young (Chicago, 1900 – Los Angeles, 1956) American musician who stood out for his work in film as a soundtrack composer. Considered one of the most influential musicians in Hollywood, Victor Young came to the world of cinema after absolutely bizarre beginnings.
As he was the son of Polish emigrants and mastered the language of his parents, they decided to send him to Europe, thinking about his early musical education. He studied at the Warsaw Conservatory and soon demonstrated great musical gifts, surprising his teachers, who witnessed a brilliant career that led him in his teens to be the first violinist of the Warsaw Philharmonic Orchestra.
Until that moment, his career did not suffer any setbacks; but, in 1917, he agreed to go on a concert tour in Russia, in full revolutionary euphoria. Security guarantees were minimal and he, in fact, was arrested.
Everything raised fears for his personal integrity when a Bolshevik officer, admired by his talent, planned the escape of Young, who seemed to be touched by bad luck, because shortly after outwitting the Russian authorities, he was arrested again, this time to Germany. , a country where his presence was not appropriate either. Once again, it was his talent as a violinist that helped him leave prison and head to the United States.
After the busy European journey, Young decided to settle in Los Angeles, where he gained fame as a violinist. Attracted by the world of cinema, he tries his luck in the orchestra that Paramount has on staff to perform the soundtracks of its productions. To everyone’s surprise, Young began to compose and arrange scores, and he did it with such ease that he has gone down in film history as one of the most prolific musicians.
On radio, he was the musical director of The Old Gold Don Ameche Show and Harvest of Stars. He was a musical director for many of Bing Crosby’s recordings for the American branch of Decca Records.
For Decca, he also conducted the first album of songs from the 1939 film The Wizard of Oz, a sort of “pre-soundtrack” cover version rather than a true soundtrack album. The album featured Judy Garland and the Ken Darby Singers singing songs from the film in Young’s own arrangements. Young often collaborated with Ken Darby and the Singers for radio programs starring the popular Met Opera baritone John Charles Thomsen. He also composed the music for several Decca spoken word albums.
He received 22 Academy Award nominations for his work in film, twice being nominated four times in a single year, but he did not win during his lifetime.
Victor Young received his only Oscar posthumously for his score of Around the World in Eighty Days (1956). Harold Adamson wrote the lyrics to Around the World in 80 Days with Michael Todd’s blessing.
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Adamson could not be nominated, for the words were written two weeks before Oscar night and the votes were in. Yet, theaters around the country played the lyrics at intermission.
Thus, Victor Young holds the record for most Oscar nominations before winning the first award. His other nominated scores include Anything Goes (1936), The Big Broadcast of 1937 (1936), Artists and Models (1937), The Gladiator (1938), Golden Boy (1939), For Whom the Bell Tolls (1943), The Uninvited (1944), Love Letters (1945), So Evil My Love (1948), The Emperor Waltz (1948), The Paleface (1948), Samson and Delilah (1949), A Connecticut Yankee in King Arthur’s Court (1949), Our Very Own (1950), September Affair (1950), My Favorite Spy (1951), Payment on Demand (1951), The Quiet Man (1952), Scaramouche (1952), Something to Live For (1952), Shane (1953), The Country Girl (1954), A Man Alone (1955), The Conqueror (1956) and The Maverick Queen (1956).
He contributed two-tone poems, “White” and “Black”, to the 1956 album Frank Sinatra Conducts Tone Poems of Color.
His last scores were for the 1957 films Omar Khayyam, Run of the Arrow and China Gate, which were released after his death. The last was left unfinished at the time of his death and was finished by his long-time friend Max Steiner.
“The Call of the Faraway Hills”, which Young had composed for the film Shane, was also used as the theme for the U.S. television series Shane. Young won a Primetime Emmy Award for his scoring of the TV special Light’s Diamond Jubilee, which aired on all four American TV networks on October 24, 1954.
As an occasional bit player, Young can be glimpsed briefly in The Country Girl (1954) playing a recording studio leader conducting Bing Crosby while he tapes “The Search is Through (You’ve Got What It Takes).”

Awards and nominations
Academy Awards
Year | Film | Category | Result |
1939 | Breaking the Ice | Best Original Score | Nominated |
Army Girl | Best Original Score | Nominated | |
1940 | Man of Conquest | Best Original Score | Nominated |
Gulliver’s Travels | Best Original Score | Nominated | |
Golden Boy | Best Original Score | Nominated | |
Way Down South | Best Music (Scoring) | Nominated | |
1941 | North West Mounted Police | Best Original Score | Nominated |
Dark Command | Best Original Score | Nominated | |
Arizona | Best Original Score | Nominated | |
Arise, My Love | Best Music, Score | Nominated | |
1942 | Hold Back the Dawn | Best Scoring of a Dramatic Picture | Nominated |
1943 | Take a Letter, Darling | Best Scoring of a Dramatic or Comedy Picture | Nominated |
Silver Queen | Best Scoring of a Dramatic or Comedy Picture | Nominated | |
Flying Tigers | Best Scoring of a Dramatic or Comedy Picture | Nominated | |
1944 | For Whom the Bell Tolls | Best Scoring of a Dramatic or Comedy Picture | Nominated |
1946 | Love Letters | Best Original Song for “Love Letters” (shared with Edward Heyman) | Nominated |
Love Letters | Best Scoring of a Dramatic or Comedy Picture | Nominated | |
1949 | The Emperor Waltz | Best Scoring of a Musical Picture | Nominated |
1950 | My Foolish Heart | Best Original Song for “My Foolish Heart” (shared with Ned Washington) | Nominated |
1951 | Samson and Delilah | Best Scoring of a Dramatic or Comedy Picture | Nominated |
1957 | Around the World in 80 Days | Best Scoring of a Dramatic or Comedy Picture | Won |
Written on the Wind | Best Original Song for “Written on the Wind” (shared with Sammy Cahn) | Nominated Year | Film |
1939 | Breaking the Ice | Best Original Score | Nominated |
Army Girl | Best Original Score | Nominated | |
1940 | Man of Conquest | Best Original Score | Nominated |
Gulliver’s Travels | Best Original Score | Nominated | |
Golden Boy | Best Original Score | Nominated | |
Way Down South | Best Music (Scoring) | Nominated | |
1941 | North West Mounted Police | Best Original Score | Nominated |
Dark Command | Best Original Score | Nominated | |
Arizona | Best Original Score | Nominated | |
Arise, My Love | Best Music, Score | Nominated | |
1942 | Hold Back the Dawn | Best Scoring of a Dramatic Picture | Nominated |
1943 | Take a Letter, Darling | Best Scoring of a Dramatic or Comedy Picture | Nominated |
Silver Queen | Best Scoring of a Dramatic or Comedy Picture | Nominated | |
Flying Tigers | Best Scoring of a Dramatic or Comedy Picture | Nominated | |
1944 | For Whom the Bell Tolls | Best Scoring of a Dramatic or Comedy Picture | Nominated |
1946 | Love Letters | Best Original Song for “Love Letters” (shared with Edward Heyman) | Nominated |
Love Letters | Best Scoring of a Dramatic or Comedy Picture | Nominated | |
1949 | The Emperor Waltz | Best Scoring of a Musical Picture | Nominated |
1950 | My Foolish Heart | Best Original Song for “My Foolish Heart” (shared with Ned Washington) | Nominated |
1951 | Samson and Delilah | Best Scoring of a Dramatic or Comedy Picture | Nominated |
1957 | Around the World in 80 Days | Best Scoring of a Dramatic or Comedy Picture | Won |
Written on the Wind | Best Original Song for “Written on the Wind” (shared with Sammy Cahn) | Nominated |
Golden Globes
Year | Film | Category | Result |
---|---|---|---|
1952 | September Affair | Best Original Score | Won |
1953 | The Quiet Man | Best Original Score | Nominated |
Primetime Emmy Awards
Year | Project | Category | Result |
1955 | Light’s Diamond Jubilee | Best Scoring of a Dramatic or Variety Program | Won |
Medic | Best Original Music Composed for TV | Nominated | |
Light’s Diamond Jubilee | Best Original Music Composed for TV | Nominated |
Victor Young – Speak To Me Of Love
Artist or Composer / Score name | Cover | List of Contents |
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Bach J.S. Jesu, Joy of Man’s Desiring – Piano Arr Groban, Josh |
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Bach J.S. – Jazz Play Along Vol. 120 Pdf + Mp3 Audio Tracks |
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Bach J.S. – Two Part Inventions Busoni |
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Bach J.S. 15 Two part Inventions Pure Text Ed. Allan Peterson |
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Bach J.S. J.S.- Das Wohltemperierte Klavier I (Urtext) |
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Bach J.S. My First Book of Bach favorite pieces in easy piano arrangements by D. Dutkanicz |
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BACH J.S. The little music book of Anna Magdalena (20 easy pieces) |
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Bach J.S. Two-Voice Inventions |
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Bach J.S.-Busoni Prelude in C minor BWV 999 | ||
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Bach Mary Howe Cantata BWV 208 Schafe Können Sicher Weiden Arr. For Piano Four Hands Sheep May Safely Graze | Bach Mary Howe Cantata BWV 208 Schafe Können Sicher Weiden Arr. For Piano Four Hands By Mary Howe Sheep May Safely Graze | |
Bach Mary Howe Cantata BWV 208 Schafe Können Sicher Weiden Arr. For Piano Solo Sheep May Safely Graze | Bach Mary Howe Cantata BWV 208 Schafe Können Sicher Weiden Arr. For Piano Solo Sheep May Safely Graze | |
Bach Mary Howe Cantata BWV 208 Schafe Können Sicher Weiden Arr. For Two Pianos Sheep May Safely Graze | Bach Mary Howe Cantata BWV 208 Schafe Können Sicher Weiden Arr. For Two Pianos By Mary Howe Sheep May Safely Graze | |
BACH Master Musicians Series by Malcom Boyd (eBook) Biography |
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Bach Prelude Iv Bwv 849 Wtc I (Musescore File).mscz | ||
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Bach The Goldberg Variations Cambridge Music Handbooks (Book) by Peter Williams |
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Bach The New Bach Reader A Life Of Johann Sebastian Bach In Letters And Documents (Arthur Mendel Hans T. David Christoph Wolff) Book |
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Bach Toccata And Fugue In D Minor (Piano Solo) (Musescore File).mscz | ||
Bach Toccata and Fugue in D Minor BWV 565 (Piano solo arr.) |
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Bach Toccata And Fugue In D Minor Bwv 565 (Piano Solo Arr.) (Musescore File).mscz | ||
Bach Two Part Inventions (No. 1 Bwv 772) (Musescore File).mscz | ||
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Bach-Busoni Ich Ruf’ Zu Dir Herr Bwv 639 Piano Solo Arr. (Musescore File).mscz | ||
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Bach-Rummel Ertodt-Uns BWV22 |
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Bach-Siloti – Praeludium In B Minor BWV 855a | Bach-Siloti – Praeludium In B Minor Bwv 855a | |
Bach-Siloti – Praeludium In B Minor Bwv 855a (Musescore File).mscz | ||
Bach-Stradal Trio Sonata No 4 in E minor BWV 528 |
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Bach, Johann Sebastian – Complete Lute Music (transcribed for Guitar) |
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Bach, J. S. Keyboard Music |
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Bach, J. S. Keyboard Music |
Bach, J. S. Concert In D Minor Bwv 1043 For Two Violins And Piano Musescore File.mscz | ||
Bach, J.S. Jesus Bleibet Meine Freude Easy Guitar Arr. Jesu, Joy Of Man’s Desiring Cantata Nr. 147 | Bach, J.S. – – Jesu Bleibet Meine Freude Guitar arr. | |
Bach, J.S. Jesus Bleibet Meine Freude Guitar Arr. Jesu, Joy Of Man’s Desiring Cantata Nr. 147 | Bach, J.S. Jesus Bleibet Meine Freude Guitar Arr. Jesu, Joy Of Man’s Desiring Cantata Nr. 147 | |
Bach, J.S. Orchestral Suite No. 1 In C Major Bwv 1066 Passepied (Easy Piano Solo) |
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Bach, J.S. All Jazzed Up 12 favorites reimagined with a jazz flair Intermediate Piano Solo |
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Bach, J.S. All Jazzed Up 12 favorites reimagined with a jazz flair Intermediate Piano Solo |
Bach, J.S. Arioso For Piano Solo BWV 156 |
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Bach, J.S. For Electric Guitar [Guitar SongBook] |
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Bach, J.S. For Electric Guitar |
Bach, J.S. Myra Hess Chorale from Cantata 147 Jesu Joy Of Man’s desiring Hess Myra piano solo Arrangement |
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Bach, J.S. – Jesus bleibet meine Freude Guitar arr. Jesu, Joy of Man’s Desiring Cantata Nr. 147.mscz | ||
Bach, J.S. – Jesus_bleibet_meine_Freude_Cantata_Bwv147_10_Choral SATB with Piano by Johann_Sebastian_Bach.mscz | ||
Bach, J.S. – Toccata and Fugue in D Minor (Piano Solo) |
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Bach, J.S. Arioso (from Cantata 156) Easy Piano Solo | Bach, J.S. Arioso (from Cantata 156) Easy Piano Solo | |
Bach, J.S. Arioso (Guitar) from Cantata BWV 156 Guitar arr. by Per Orlov Kindgren |
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Bach, J.S. Awake, tu us the Voice is calling – Wachet Auf, ruft uns die Stimme Piano solo arr. (Borwick) |
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Bach, J.S. Bach N Roll (Piano Solo) |
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Bach, J.S. Bach N Roll (Piano Solo) |
Bach, J.S. Best Of Bach 30 Famous Pieces For Piano |
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Bach, J.S. Best Of Bach 30 Famous Pieces For Piano |
Bach, J.S. Chorale from Cantata 147 Jesu Joy Of Man’s desiring Easy piano solo Arr. |
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Bach, J.S. Dinu Lipatti Pastorale in F ( Piano solo transcription) |
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Bach, J.S. Famous Pieces 10 Arrangements For Piano |
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Bach, J.S. First Lessons In Bach, J.S. 28 Pieces |
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Bach, J.S. For Guitar 27 Transcriptions For Guitar |
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Bach, J.S. For Guitar 27 Transcriptions For Guitar |
Bach, J.S. For Guitar Guitar Solo arr. Leon Block |
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Bach, J.S. For Guitar Guitar Solo arr. Leon Block |
Bach, J.S. For Saxophone 3 Partitas BWV 1002 BWV 1004 BWV 1006 |
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Bach, J.S. For Saxophone 3 Partitas BWV 1002 BWV 1004 BWV 1006 |
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Bach, J.S. Goldberg Variations Variationen BWV 988 (Henle Urtext Edition) Ornamentations explained |
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Bach, J.S. Inventions For Piano |
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Bach, J.S. Johann Sebastian Bach, J.S. Nineteen Little Preludes Performance Editions |
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Bach, J.S. The Anna Magdalena Bach Book of 1725 (Richard Jones) ABRSM |
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Bach, J.S. The Creative Development of Johann Sebastian Bach Volume I (1695-1717) |
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Bach, J.S. The Creative Development of Johann Sebastian Bach, Vol II, 1717-1750 |
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Bach, J.S. The Keyboard Music Of Bach J.S. by David Schulenberg (eBook) |
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Bach, J.S. The Well Tempered Clavier Books I And II Complete |
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Bach, Johann Sebastian (bio book LUX-Lesebogen) (Deutsch-German) Biography |
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Bach’s Most Beautiful Melodies Easy Piano |
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Back To The Future |
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Backstreet Boys – How Did I Fall In Love With You | ||
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Bar Piano Susi’s – Band 4 – Swing Evergreens and Pop Classics by Susi Weiss |