Table of Contents
Avishai Cohen Songbook Vol I
Best Sheet Music download from our Library.
Contents List Download:
Coming soon: Avishai Cohen Songbook Vol 2
Please, subscribe to our Library.
If you are already a subscriber, please, check our NEW SCORES’ page every month for new sheet music. THANK YOU!
Avishai Cohen Songbook Vol 1 (Music)
Avisahi Cohen (biography)
Avishai Cohen, born in Kabri, Israel on April 20th, 1970, has over the course of his career helped bring the bass into the spotlight and has pushed the boundaries of jazz. His work has earned him international awards and global recognition, including the prestigious Miles Davis Award at the Montreal Jazz Festival in 2023. Avishai has developed a strong network of followers and listeners, striking a chord with the audience wherever he has performed. Meanwhile, his unique compositions have been used in many films, TV and other media. The stage is undoubtedly a place where Avishai feels at home, so much so that attending one of his live performances is probably the best way to get acquainted with his musical universe. DownBeat magazine called Avishai “a jazz visionary of global proportions” while Bass Player magazine declared him one of the 100 most influential bass players of the twentieth century.
Avishai grew up in a multicultural family whose roots are found in Spain, Greece and Poland. At home, music was always in the air, with his mother Ora listening to both classical and traditional music. Avishai’s musical journey started when he began playing the piano at nine years old. After moving to St. Louis, Missouri with his family aged fourteen, he continued to study the piano and discovered the bass guitar. The electric bass put a spell on him when his teacher introduced him to the music of luminary bassist Jaco Pastorius and Chick Corea’s Return to Forever. Back in Israel, Avishai joined the Music and Arts Academy in Jerusalem and turned to the upright bass. At the age of 22, having served for two years in an army band, he decided to take a big step and moved to New York City.
Avishai arrived in a wintry New York, January 1992. Moving to the Big Apple was a challenging decision, emotionally as well as professionally. The young Israeli had a tough beginning; performing on the streets and working in construction to get by. These small steps gave his music a unique sense of authenticity. He enrolled at the New School in New York City and was a contemporary there of such artists as Brad Mehldau and Peter Bernstein. Avishai was soon to be performing and recording with Panamanian pianist Danilo Perez’s Trio, reflecting the essential role that Latin music played in Avishai’s early years in New York.
In 1997 a call from Chick Corea changed everything. Avishai had prepared for this moment. He had passed one of Corea’s friends a demo tape. Chick listened to it in his car and called Avishai back a few weeks later, blown away by its freshness. As a co-founder of Corea’s Origina ensemble and a member of Corea’s New Trio, for over six years Avishai became an integral part of Chick’s music and received the opportunity to fine-tune his skills as bassist, composer and bandleader. Performing and touring with the master pianist played an important part in shaping Avishai’s musicianship. Avishai considers Chick a teacher, colleague and dear friend.
Avishai’s first four albums (1998’s Adama, 1999’s Devotion, 2000’s Colors, and 2001’s Unity) were released under Corea’s label Stretch Records and already featured the essence of his musical vision and original compositions. Mediterranean and Latin influences, the use of horns and vocals created a sound that is truly unique. Unity deserves a special mention. It is the first recording to showcase Avishai on piano. The album was recorded with Avishai’s International Vamp Band, a group of fellow musicians from different parts of the world (Mexico, Argentina, Cuba and Israel). The idea behind the cutting-edge project was to allow different cultures to interact and converse using the medium of music, delivering a message of peace and harmony.
The growing range of projects he was involved in led Avishai to create his own record label (Razdaz Recordz) with his manager in 2002, enabling him to follow his own path as well as record talented young musicians he believed in.
Lyla (2003), Avishai’s debut release on Razdaz Recordz, reflected his multifaceted artistic personality. The album incorporates sounds ranging from Latin rhythms to electronics.
At Home (2005) can be regarded as a metaphor defining Avishai’s music, “Music makes one feel at home everywhere.” Most followers will also recognize At Home featuring the composition “Remembering,” an evocative ballad performed with trio and to this day the most demanded encore at his live performances. “Remembering” has also been included on many occasions in film and TV throughout the world.
The cosmopolitan Continuo (2006) followed with great success and displayed the magic of a working trio unit. While the trio has largely formed the basis of Avishai’s recorded output, over the years many different musicians have occupied the drum and piano chairs. Each one brings a fresh perspective to the music.
In 2007, the live recording As Is…Live at the Blue Note was recorded in New York during a series of concerts at the legendary club.
After residing for many years in New York City, Avishai returned to his roots and moved back to Israel, releasing a fresh musical statement linked to his heritage and history. Sensitive Hours / Shaot Regishot (2008) attained gold sales status in Israel and was the first album to introduce Avishai’s vocals in all its compositions as well as songs in Hebrew. The album has since been released worldwide to great acclaim.
With Gently Disturbed (2008), Avishai achieved a masterstroke, hitting the right balance between a powerful trio set and delicate compositions. This release was an amalgamation of melody and groove, complexity and simplicity perfectly executed by Avishai’s working trio including Shai Maestro (piano) and Mark Guiliana (drums). Reflecting on the record a set of shows celebrating its 10th anniversary, Cohen said, “That is not an easy book to get [back] into, it doesn’t matter what shape you are in…it’s exciting music…it’s just fun to play!”
Avishai has always been open to various musical influences in his career and he has dedicated his creativity to music that is meaningful to him. 2009 saw the international release of Aurora, which incorporates the Ladino language (spoken by Sephardic Jews) and culture. Says Cohen, “I find so much honesty, truth and innocence in those songs that I wanted to keep the language and tradition and make people aware of it.” With Aurora, Avishai surrounded himself with a new musical family; the album is a unique project that blends jazz, classical music and Sephardic traditions. Avishai’s vocals are out front, and he sings in the languages he feels close to (Hebrew, English, Spanish and Ladino). The multilingual album with a focus on vocals enabled Avishai to attract listeners and fans way beyond the borders of jazz.
Having already recorded the albums Continuo and Gently Disturbed at the Swedish studio Nilento, sound engineer Lars Nilsson had also become a part of Avishai’s artistic family. Avishai felt it was the perfect place to record Seven Seas (2011), his second album with EMI / Blue Note. Seven Seas showcases Avishai’s compositional mastery, with tracks such as Halah and Dreaming combining the intensity of Avishai’s best trio work with his delicate vocal arrangements and ornamental horn parts. The record marked a new international high for Avishai in terms of record sales and remained in the French jazz charts throughout 2011 and 2012.
The same sessions that produced Seven Seas also produced Duende (2012). A Spanish word referring to the spirit, the groove, Duende is recorded in the intimate yet challenging format of the piano and double bass duo in tandem with Nitai Hershkovits. It was indeed an enchanted and natural dialogue through music that shed new light on jazz standards (Monk’s “Criss Cross”, Porter’s “All Of You” and Coltrane’s “Central Park West”) and brought these arrangements by Avishai to the fore. The album, Avishai’s first full duo record, won a German Jazz Echo Award for Best International Album 2013.
Throughout 2013, Avishai presented a new, unique project, “Avishai Cohen with Strings” to a worldwide audience. At the center of this project was a string quartet with a twist: Avishai replaced one of the violins with a viola in order to benefit from its darker timbre and create more depth. An oboist was further added to the ensemble and joined Avishai’s core trio. Avishai’s warm vocals in Hebrew, Ladino and Spanish subtly created a mood that complimented the luscious instrumentation on his own one of a kind compositions. He found in this original configuration – “a classical setting with an escape into jazz” as he described it himself – the best way to fully express his love for both.
In 2014, Avishai extensively toured with his trio, and his Almah “trio with strings” project was released worldwide. Furthermore, Avishai produced and presented All Original, a beautiful compilation of music celebrating young Israeli jazz talents. Released on his own label Razdaz Recordz, Avishai hand-picked the groups featured on the album who he considered as some of the leading young composers in his homeland.
2015 saw the release of the new, highly anticipated trio album From Darkness. From Darkness stands out for the unity and mutual listening between the three partners: “With this Trio, there is an immediate form of equality between musicians. Here, three becomes one,” says Cohen.
The album combines the strength, the groove and the rhythmic challenges of original pieces such as “Lost Tribe” or “C#-“, with the sensitivity and fragility noticeable in “Almah Sleeping” or “Ballad for an Unborn.” Its title is a misnomer; far from being a plunge into darkness, this release is uplifting for listener and musician alike. “In these difficult lives of ours, music can be a form of salvation. At least this is what it has always represented for me,” says Cohen.
In 2016 “An Evening with Avishai Cohen” was presented for the first time which augmented his core trio of double bass, drums and piano (plus Avishai’s vocals) with a full orchestra. Collaborations with over 35 orchestras including the Malmo Symphony, Brussels Philharmonic, the BBC Concert Orchestra, and the Philharmonie de Paris have been realized over the years. These unique and career-spanning concerts continue to take place today.
Those who have followed Avishai’s career will know that his musical references reach far and wide, moving seamlessly from classical to jazz to pop. In 2017 he released 1970 which highlights his more accessible, pop-leaning influences without compromising his artistic integrity. Cohen plays and sings magnificently, showing his love of melody as well as the art of improvisation. “It’s not a jazz record,” Cohen explains. “I don’t know what it is, but I’ve always had a connection to pop. I like pop as much as I like Bach and Charlie Parker. Singing has become very serious in my life over time. I’ve been asked by many people, when is the vocal album gonna come? Well, this is it, right here.”
Around this time a beautiful fresh co-operation came to fruition with famous French film directors Eric Tolédano and Olivier Nakaché. The duo commissioned Avishai to write the film score for their popular French movie Le Sens de la Fête. Released in October 2017 in over 40 countries, the film score and music also includes Avishai’s original compositions “Wedding Song,” “Remembering,” “Nu Nu,” and “Seven Seas” among others.
In 2019 Avishai released Arvoles (“trees” in Ladino”) returning to the favored Nilento Studios in Sweden. This new musical statement delivered nine profound, freshly executed original compositions and one soulful arrangement. Arvoles floats between key trio songs with the compliment of horns on several of the tracks, showcasing a working unit of deliberation, spirit and joy. The album showcases Elchin Shirinov of Azerbaijan on piano and Noam David on drums.
Plans were being set for 2020 when Avishai was to celebrate his 50th year with 50 concerts in 50 countries all over the globe. However, due to the global COVID-19 pandemic, he spent most of his 50th year at home in Israel, actively composing and recording in his own Blue Door studio. Several live streams from the Blue Door were broadcast. In the early days of 2020 he also recorded and produced 3 original compositions for the short film documentary De Terezin au Kinderblock de Birkenau by French director Chochana Boukhobza.
Avishai was invited by Gary Barlow, lead singer of the pop group Take That, to record and perform as a special guest on the track “Before We Get Too Old.” The track was released on Barlow’s 2020 UK #1 album Music Played By Humans .
In November 2020 Avishai’s label Razdaz Recordz released a Limited Edition Vinyl Box Set The 50 Gold Selection. It marked the first time the music of Avishai Cohen has been remastered and presented in such an exclusive way, with 50 career-spanning tracks selected from a 2019 global fan survey. The boxed set features hit tracks such as “Remembering,” “Seven Seas,” “Eleven Wives,” “Morenika” and “Song Of Hope” selected from twelve albums.
2021 brought a welcome return to the stage as well as the release of Two Roses, recorded live with the Gothenburg Symphony Orchestra. As Cohen himself notes, his songs seem predisposed to adaptation at an orchestral scale. They retain the same intensity that has provoked such widespread admiration for his music. “An orchestra has its own rhythm,” says Cohen. “When you listen to this record, it feels like embracing a journey, entering my world, in a deeper and denser way.”
2022 saw the discovery of a fresh new talent. Avishai discovered drummer Roni Kaspi on social media and she quickly joined his trio alongside the steadfast Elchin Shirinov. The trio toured extensively (including to Morocco and Senegal for the first time). In May, Shifting Sands, a new trio album, was released. Recorded at the familiar Nilento Studios, Shifting Sands showcases a working group hitting on all cylinders. Said Avishai, “This new album is the highest level I’ve reached so far, of me being the composer and the idea-maker, but (also) having them both state the mood and the vibe. Kaspi and Shirinov both grew up listening to my music and consider me an influence, which is incredible to me. Because they challenge me too.”
The first half of 2023 has already revealed many highlights, including two new Avishai live projects – the “Amity” Duet and Banda ‘’Iroko‘’ – and a new studio album.
In February at the Blue Note in Tokyo, Avishai and leading japanese pianist Makoto Ozone debuted their “Amity” Duet to rave reviews. These two masters had never played together before and took the stage with little rehearsal – just the magic of a shared musical vocabulary. The duet will continue to perform globally throughout the year and into 2024.
Avishai’s Banda Iroko harkens back to his early years in New York and realizes Avishai’s longtime dream to do a Latin project with one of his favorite Latin musicians – master congero and vocalist Abraham (Abe) Rodriguez Jr. The two recorded an intimate duo album (Iroko) that was released on May 5th (Believe/Naive) to critical acclaim. The record was produced by Avishai and Javier Limon . The album includes Latin standards, new arrangements of classic songs (James Brown’s “It’s A Man’s World”) and many more. It is a landmark for Avishai as it is his 20th studio album release.
The live debut of Banda Iroko in Paris on March 12th brought together a slew of New York-based Latin musicians all connected from those days in New York in the early 90’s. The group then completed a weeklong residency at the legendary Blue Note Club in New York, where the New York Sun raved, “Everyone in the room was immediately shaking, moving, and chair dancing as best we could to that irresistible clave beat.” The Banda will tour extensively during 2023 and into 2024.
On June 30th, during his sold-out show at the Montreal Jazz Festival, Avishai was presented with the festival’s highest honor – the prestigious Miles Davis Award. As the award’s 28th recipient, Avishai joins a veritable who’s who of contemporary jazz musicians, bandleaders and composers. On this momentous occasion, the Festival wrote, “Avishai Cohen, the 28th recipient of the Miles Davis Award, has solidified his position as a prominent figure on the contemporary jazz scene over the last 25 years. As a bassist, singer, and composer, his repertoire stands tall alongside that of jazz’s greatest icons.”
Browse in the Library:
Artist or Composer / Score name | Cover | List of Contents |
---|---|---|
Time Travel Theme – Secret (Jay Chou) | ||
Timothy Brown – Daydreaming | ||
Timothy Brown – Lyric Expressions Solo Piano | ||
Timothy Brown – Soliloquy | ||
Tina Arena – Burn | ||
Tina Turner – I, Tina (Book) | ||
Tina Turner – The Best Of Simply The Best Piano Vocal guitar Chords | Tina Turner – The Best Of Simply The Best Piano Vocal guitar Chords – – | |
Tina Turner – What’s Love Got To Do With It | Tina Turner – What’s Love Got To Do With It | |
Tina Turner – What’s Love Got To Do With It.mscz | ||
Tina Turner Goldeneye (James Bond frilm Theme) | ||
Titanic – My Heart Will Go On (James Horner) | ||
Titanic – James Horner Full songbook | Titanic – James Horner | |
Titanic Movie Theme – My Heart Will Go On – Piano Guitar Vocals | Titanic Movie Theme – My HeArt Will Go On – Piano Guitar Vocals | |
To Be Pleasing You Jazz Piano Solo arr. sheet music | ||
To love you more (Celine Dion) | ||
To Zanarkand Final Fantasy X | ||
To Zanarkand (Final Fantasy X) (Musescore File).mscz | ||
TOCH, E. – La Melodía(Spanish) 1923 | ||
Tom Jobim Girl from Ipanema | Tom Jobim girl from ipanema | |
Tom Jobim Agua de Beber | Tom Jobim Sheet Music – Agua de Beber | |
Tom Jobim Desafinado | ||
Tom Jobim Ligia | ||
Tom Jobim Samba Verao | ||
Tom Jobim songbook 1 Guitar (by Almir Chediak) | Tom Jobim songbook I (Guitar) | |
Tom Jobim songbook 2 Guitar (by Almir Chediak) | Tom Jobim songbook I (Guitar) | |
Tom Jobim songbook 3 Guitar (by Almir Chediak) | Tom Jobim songbook I (Guitar) | |
Tom Jobim Triste | ||
Tom Jobim Vivo Sonhando | ||
Tom Jones Greatest Hits | Tom Jones Greatest Hits | |
Tom Kolb – Chord Progressions for Guitar (with audio MP3) | Tom Kolb – Chord Progressions for Guitar (with audio MP3) | |
Tom Odell Another Love | ||
Tom Petty Anthology Guitar Anthology Series with TABs | Anthology Tom Petty Guitar | |
Tom Petty Sheet Music Anthology – Tom Petty | Tom Petty Sheet Music Anthology – Tom Petty | |
Tom Petty, Best of (Songbook), The – Tom Petty sheet music | Tom Petty, Best of (Songbook), The – Tom Petty sheet music | |
Tom Turpin The Harlem Rag | Tom Turpin Harlem-Rag | |
Tom Waits -Alice (entire album songbook) Piano-vocal-guitar | Tom Waits -Alice (entire album songbook) Piano-vocal-guitar | |
Tom Waits Anthology 29 Titres | Tom Waits Anthology | |
Tom Waits Beautiful Maladies | Tom Waits Beautiful Maladies | |
Tom Waits Blood Money | Tom Waits Blood Money | |
Tommy Emmanuel The Mystery Transcriptions Mel Bay Presents Guitar TAB | Tommy Emmanuel The Mystery Transcriptions Mel Bay Presents Guitar TAB | |
Tommy Flanagan – Moritat Mack The Knife Solo transcription | Tommy Flanagan – Moritat Mack The Knife Solo transcription | |
Tommy Flanagan Wee Dot sheet music transcription | ||
Tommy Flint – Best Of Country Guitar Solos with audio MP3 with TABs | Tommy Flint – Best Of Country Guitar Solos with audo content | |
Tommy Shaw – Boat On The River from Styx | ||
Tomorrow (Europe) | ||
Tomorrow (From Annie) Sheet Music – Charles Strouse | ||
Tomorrowland Music From The Motion Picture Soundtrack Piano Solo by Michael Giacchini | Tomorrowland Music From The Motion Picture Soundtrack Piano Solo by Michael Giacchini | |
Tomoya Naka Rainy Song | Tomoya | |
Tonari no Totoro – My Neighbor Totoro (Joe Hisaishi) | ||
Toni Braxton – Unbreak My Heart | ||
Tonight from West Side Story (Leonard Bernstein) Easy Piano Solo arr. sheet music | Tonight from West Side Story (Leonard Bernstein) Easy Piano Solo arr. sheet music | |
Tonight From West Side Story (Leonard Bernstein) Easy Piano Solo Arr. Sheet Music (Musescore File).mscz | ||
Tony Alonso Mass Of Joy And Peace For Sab Voices And Accompaniement | ||
Tony Bennett Life Is a Gift The Zen of Tony Bennett (Book) | ||
Top 10 22 Pop Hits Piano Vocal Guitar Chords | Top 10 22 Pop Hits Piano Vocal Guitar Chords | |
Top 10 Classical Favorites | Top 10 Classical Favorites | |
Top Christian Hits Of 2019 2020 Piano Vocal Guitar 20 Powerful Songs | Top Christian Hits Of 2019 2020 Piano Vocal Guitar 20 Powerful Songs | |
Top Hits For Piano Solo 20 Great Songs | Top Hits For Piano Solo 20 Great Songs | |
Top Hits Of 2011 | TOP HITS 2011 | |
Top Hits Of 2013 | Top Hits Of 2013 | |
Top Hits Of 2017 Sheet Music 18 great songs Piano Vocal Guitar | Top Hits Of 2017 Sheet Music 18 great songs Piano Vocal Guitar | |
Top Hits of 2018 Songbook – sheet music | Top Hits of 2018 Songbook – sheet music | |
Top Movie Hits SongBook | Top Movie Hits SongBook | |
Top Rock Volume 2 (Guitar) | Top Rock songbook guitar | |
TOP TEN – N°1 | TOP TEN – N°1 | |
Top Ten – N°2 | Top Ten – N°2 | |
Top Ten 40 (Guitar) | Top ten 40 guitar songbook | |
Top Ten 43 (Guitar) | Topp ten 43 guitar songbook | |
Top Ten Slow (Guitar) | Top Ten Slow (Guitar) | |
TOP TEN X3 (5) Guitar piano | TOP TEN X3 (5) Guitar piano | |
Toquinho – A Arte Brasilera de – sheet music songbook Guitar Tabs | Toquinho – A Arte Brasilera de – sheet music sogbook Guitar Tabs | |
Toquinho – Aquarela Guitar with TABs | ||
Tori Amos – Silent All These Years | ||
Tori Kelly Paper Hearts Piano | ||
Torna A Surriento Traditional Neapolitan Song By Ernesto De Curtis (Easy Piano Solo With Lyrics In English) | ||
Torna a Surriento.mscz | ||
Toshifumi Hinata End Title (Tokyo Love Story) | ||
Toshihiko Sahashi Fuuki Iinchou Hibari Kyoya | Toshihiko Sahashi Fuuki Iinchou Hibari Kyoya | |
Toshihiko Sahashi Katekyo Hitman Reborn Hibari Kyoyas Theme | Toshihiko Sahashi Katekyo Hitman Reborn Hibari Kyoyas Theme | |
Toshihiko Sahashi Tsuna Awakens Ost Katekyo Hitman Reborn | Toshihiko Sahashi Tsuna Awakens Ost Katekyo Hitman Reborn | |
Total Guitar – The ultimate scale book | ||
Toto Guitar Anthology Authentic Guitar Tab | Toto Guitar Anthology Authentic | |
Toto – Africa (Easy Piano Solo Arr. Sheet Music) | Toto – Africa (Easy Piano Solo Arr. Sheet Music) | |
Toto – Africa (Intermediate Piano Solo arr.) | Toto – Africa | |
Toto – Childs Anthem (Intermediare Piano Solo arr.) | Toto – Childs Anthem (Intermediate Piano Solo arr) | |
Toto – The Best Of Toto (Guitar, Kbds, Bass, Drum, Vocal) | Toto – The Best Of Toto (Guitar, Kbds, Bass, Drum, Vocal) | |
Tournemire op. 33 Po me Mystique | ||
TOY STORY – Randy Newman – You’ve Got A Friend In Me | ||
Toy Story – When She Loved Me – Sarah Mclachlan | ||
Toy Story Easy Piano Collection (Songbook) 8 Songs From The Popular Movies | Toy Story Easy Piano Collection (Songbook) 8 Songs From The Popular Movies | |
Tracy Chapman – Complete Songbook | Tracy Chapman – Complete Songbook | |
Tracy Chapman – Tracy Chapman music songbook | Tracy Chapman – Tracy Chapman music songbook | |
Tracy Chapman Fast Car Sheet Music | ||
Traditional – Swing Low Sweet Charriot | Traditional – Swing Low Sweet Charriot | |
Traditional Dona Nobis Pacem (Piano Solo Arr.) Give Us Peace Musescore File.mscz | ||
Traditional English Carol – The First Noel | Traditional English Carol – The First Noel | |
Traditional English Carol The First Noël (Piano Solo).mscz | ||
Trailer Park The Musical Piano Vocal Score by David Nehls and Betsy Kelso | ||
Train – Drops Of Jupiter | ||
Transparent Theme (Solo Piano) (Musescore File).mscz | ||
Tratado de Armonia – Arnold Schoenberg (Spanish-Español) | Book Theory | |
Travelin Soldier – Dixie Chicks | ||
Trepat , Carles – Homenaje A Baden Powel | ||
Trepat, Carles Nana De Sevilla Partitura (Guitar, Guitarra) | ||
Trinity – Pop and Rock Guitar Grade 1 Contemporary & Classic songs with TABs | Trinity – Pop and Rock Guitar Grade 1 Contemporary & Classic songs | |
Trinity – Pop and Rock Guitar Grade 2 Contemporary & Classic songs with TABs | Trinity – Pop and Rock Guitar Grade 2 Contemporary & Classic songs | |
Trinity – Pop and Rock Guitar Grade 3 Contemporary & Classic songs with TABs | Trinity – Pop and Rock Guitar Grade 3 Contemporary & Classic songs | |
Trinity – Pop and Rock Guitar Grade 4 Contemporary & Classic songs with TABs | Trinity – Pop and Rock Guitar Grade 4 Contemporary & Classic songs | |
Trinity 2010-2015 Guitar Grade 3 Pieces & Exercises | ||
Trinity Classical Guitar 2010-2015 Grade 07 | ||
Trinity Classical Guitar 2020-2023 Grade 01 | ||
Trinity Classical Guitar 2020-2023 Grade 02 | ||
Trinity Classical Guitar 2020-2023 Grade 03 | ||
Trinity Classical Guitar 2020-2023 Grade 04 | ||
Trinity Classical Guitar 2020-2023 Grade 05 | ||
Trinity Classical Guitar 2020-2023 Grade 06 | ||
Trinity Classical Guitar 2020-2023 Grade 08 | ||
Trinity Classical Guitar 2020-2023 INITIAL | ||
Trinity Classical Guitar Grade 05 2010-2015 | ||
Trinity Electronic Keyboard Grade 1 Pieces & Technical work | Trinity Electronic Keyboard Grade 1 |