Louis Armstrong – Hello Dolly LIVE
Louis Armstrong
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Artist or Composer / Score name | Cover | List of Contents |
---|---|---|
A dozen A Day Book 1 Technical exercises for the piano | A dozen A Day Book 1 Technical exercises for the piano | |
A dozen A Day Book 2 Technical exercises for the piano | ||
A dozen A Day Book 3 Technical exercises for the piano | ||
A dozen A Day Book 4 Technical exercises for the piano | ||
A dozen A Day Mini Book Technical exercises for the piano | ||
A dozen Day Preparatory Book Technical exercises for the piano | ||
A Farewell To Arms Love Theme From A Farewell To Arms film by Mario Nascimbene Francis Webster 1957 | ||
A Felicidade (Antonio Carlos Jobim) | ||
A Festival Gathering Of Carols (Musescore File).mscz | ||
A Fine Frenzy – Almost Lover | ||
A Fistful of Dollars (Ennio Morricone) | ||
A Generative Theory Of Tonal Music by Fred Lerdahl and Ray Jackendoff (Book) | ||
A Guide To Guitar Chords by Curt Sheller | A Guide To Guitar Chords by Curt Sheller | |
A Guide To Musical Analysis by Nicholas Cook (Book) | ||
A Handbook Of Piano Playing (By Eric Hope) (1962) | ||
A Heart Full Of Love (Musescore File).mscz | ||
A love suicide (Yutaka Minobe) | ||
A Love Supreme (by Ashley Kahn) The story of john Coltrane’s signature album (Book) | ||
A Media Luz (Edgardo Donato) | ||
A Modern Approach To Jazz Rock And Fusion For Guitar with Tablature | A Modern Approach To Jazz Rock And Fusion For Guitar | |
A Modern Method For Guitar (Berklee) 1 by William Leavitt | A Modern Method Berklee 1 | |
A Modern Method For Guitar (Berklee) 2 by William Leavitt | A Modern Method For Guitar (Berklee) 2 | |
A Modern Method For Guitar (Berklee) 3 by William Leavitt | A Modern Method For Guitar (Berklee) 3 | |
A MOZART REINCARNATED (Ennio Morricone) | ||
A Mozart Reincarnated by Ennio Morricone (Musescore File).mscz | ||
A New Approach To Ear Training by Leo Kraft (BOOK) | ||
A New Approach To Piano Technique (By Ruth A. Dickerson) (1962) | A new approach to piano technique | |
A Night In Tunisia – Dizzy Gillespie.mscz | ||
A Pedal Method For The Piano (By Albert F Venino) (1893) | ||
A Popular Account Of Ancient Musical Instruments And Their Development by William Lynd (Book 1897) | ||
A Rockin’ Christmas Piano Vocal Guitar | 20 songs to sing on a rockin’ Christmas Eve Includes: All I Want for Christmas Is You * Grandma Got Run Over by a Reindeer * Happy Xmas (War Is Over) * Jingle-Bell Rock * Merry Merry Christmas Baby * Rockin’ Around the Christmas Tree * Santa Baby & moreRockin Christmas | |
A Single Man – George’s Waltz (Shigeru Umebayashi) | ||
A Single Man – Stillness of the Mind (Abel Korzeniowski) | ||
A Smooth Jazz Christmas – Mellow Seasonal Favorites for Piano arr. Roger House | A Smooth Jazz Christmas – Mellow Seasonal Favorites for Piano arr. Roger House | |
A Song For You – Leon Russell Ray Charles (Musescore File).mscz | ||
A Star Is Born – Always Remember Us This Way Lady Gaga | ||
A Star Is Born – Shallow Lady Lady Gaga | ||
A Tale Of Two Sisters Ost – Epilogue Piano Solo | ||
A Thousand Years – Twilight OST (Christina Perri) | ||
A Time For Love – Johnny Mandel | ||
A Time For Us – Guitar TABlature | ||
A Time For Us (Love Theme from Romeo and Juliet) Nino Rota | ||
A Time For Us (Romeo and Juliet OST) Nino Rota | ||
A Touch Of Jazz 14 well-known hymns, gospel songs and contemporary praise songs by Wolaver Bill | A Touch Of Jazz 14 well-known hymns, gospel songs and contemporary praise songs by Wolaver Bill | |
A Tribute To Ella Fitzgerald Piano Vocal Guitar | A tribute to ELLA FITZGERALD | |
A Walk To Remember – Only Hope | ||
A whiter shade of pale – Procul Harum | A whiter shade of pale – Procul Harum | |
AaRON U-turn Lili Piano | ||
Ab Ovo – Joep Beving (Musescore File).mscz | ||
Abba – Abba Gold – Greatest Hits | ABBA Gold Geatest Hits booksong sheet music | |
Abba – Chiquitita | ||
Abba – Dancing Queen | ||
Abba – Fernando | ||
Abba – I Have A Dream | ||
Abba – Like An Angel Passing Through My Room | ||
Abba – Mamma Mia | ||
Abba – Slipping Through My Fingers | ||
Abba – Thank You For The Music | Abba-Thank-You-For-The-Music 1st page | |
ABBA – Thank You For The Music (Piano Vocal Guitar) | ABBA – Thank You For The Music (Piano Vocal Guitar) | |
ABBA – Thank You For the Music (Piano vocal Guitar) (Musescore File).mscz | ||
Abba – Thank You For The Music Piano & vocal | Abba – Thank You For The Music-abba-satb | |
Abba – The Winner Takes It All | ||
ABBA Dancing Queen Easy Piano Solo | ||
ABBA Fernando (Piano Solo arr.) | ||
ABBA Fernando (Piano Solo arr.).mscz | ||
ABBA Greatest Hits | ABBA GREATEST HITS SHEET MUSIC BOOK | |
ABBA I Have A Dream | ||
Abba The Very Best Vol 1 Easy Piano Hans Gunter Heumann Pop Classics For Piano | Abba The Very Best Vol 1 Easy Piano | |
Abba The Very Best Vol 2 Easy Piano Hans Gunter Heumann Pop Classics For Piano | Abba The Very Best Vol 2 Easy Piano | |
Abbey Lincoln Songbook | Abbey Lincoln Songbook | |
Abbey Lincoln Songbook Piano Vocal Guitar Chords | Abbey Lincoln Songbook Piano Vocal Guitar Chords | |
Abdullah Ibrahim – The Piano World Of | Abdullah Ibrahim, The Piano World Of | |
Abdullah Ibrahim The African Piano Of Abdullah Ibrahim Vol 1 | Abdullah Ibrahim The African Piano Of Abdullah Ibrahim Vol 1 | |
Abdullah Ibrahim The Wedding (piano solo transcription sheet music, partition) | ||
Abel Korzeniowski – Death Is My Heir (from Romeo and Juliet) | ||
ABRSM Jazz Piano Pieces Grade 1 to 5 | ABRSM Jazz Piano Pieces Grade 1 to 5 ABRSM Jazz Piano Pieces Grade 5ABRSM Jazz Piano Pieces Grade 5 | |
ABRSM Piano Exam Pieces Grade 1 (2016) | ABRSM Piano Exam Pieces Grade 1 (2016) | |
ABRSM Piano Scales, Arpeggios Grade 8 | ||
ABRSM Piano Scales, Arpeggios and broken chords Grade 1 | ||
ABRSM Piano Scales, Arpeggios and broken chords Grade 4 | ABRSM Piano Scales, Arpeggios and broken chords Grade 4 | |
ABRSM Piano Scales, Grade 2 A Guide for Students and Teachers | ABRSM Piano Scales, Grade 2 A Guide for Students and Teachers | |
ABRSM – Time pieces for guitar vol. 1 | ||
ABRSM – Time pieces for guitar vol. 2 | ||
ABRSM 2017 18 Piano Exam Pieces Grade 1 | ABRSM 2017 18 Piano Exam Pieces Grade 1 | |
ABRSM 2017 18 Piano Exam Pieces Grade 2 | ABRSM 2017 18 Piano Exam Pieces Grade 2 | |
ABRSM 2017 18 Piano Exam Pieces Grade 3 | ||
ABRSM 2017 18 Piano Exam Pieces Grade 4 | ||
ABRSM 2017 18 Piano Exam Pieces Grade 5 | ||
ABRSM 2017 18 Piano Exam Pieces Grade 6 | ||
ABRSM 2017 18 Piano Exam Pieces Grade 7 | ||
ABRSM 2017 18 Piano Exam Pieces Grade 8 | ||
ABRSM 2021-2022 Piano Exam Pieces Grade 1 | ||
ABRSM 2021-2022 Piano Exam Pieces Grade 2 | ||
ABRSM 2021-2022 Piano Exam Pieces Grade 3 | ||
ABRSM 2021-2022 Piano Exam Pieces Grade 5 | ||
ABRSM 2021-2022 Piano Exam Pieces Grade 6 | ||
ABRSM 2021-2022 Piano Exam Pieces Grade 8 | ||
ABRSM 2021-2022 Piano Exam Pieces Initial Grade | ABRSM 2021-2022 Piano Exam Pieces Initial Grade | |
ABRSM Aural Training In Practice Book 1 Grades 1 to 3 | ||
ABRSM Aural Training In Practice Book 2 Grades 4 and 5 | ||
ABRSM Discovering Music Theory (Complete) Grades 1 to 5 Workbook by Simon Rushby (2020 Exams) | ABRSM Discovering Music Theory (Complete) Grades 1 to 5 Workbook by Simon Rushby (2020 Exams) contents | |
ABRSM Erster Verlust Grade 4 ABRSM Piano Exam Pieces 2021 & 2022 | ||
ABRSM Etude In A Minor – Dmitry Kabalevsky ABRSM Grade 4 Piano Exam Pieces 2021 & 2022 | ||
ABRSM Grade 2 – Inter-City Stomp byChristopher Norton From Microjazz Collection (Sheet Music) | ||
ABRSM Initial Grade Piano Exam Pieces 2023 2024 | ||
ABRSM Minuet and Trio D 41 No 21 – Franz Schubert ABRSM Grade 4 Piano Exam Pieces 2021 & 2022 | ||
ABRSM More Music Theory Sample Papers Grade 5 For New Format | ||
ABRSM Music Theory In Practice, Grade 1 (Eric Taylor) | ||
ABRSM Music Theory In Practice, Grade 2 (Eric Taylor) | ||
ABRSM Music Theory Past Papers Grade 1 2004 | ||
ABRSM Music Theory Past Papers Grade 4 2016 | ||
ABRSM Music Theory Past Papers Grade 5 2012 | ||
ABRSM Music Theory Past Papers Grade 6 2013 | ||
ABRSM Nikki Iles Danny Boy ABRSM Piano Exam Grade 8 2023 Jazz Piano arr. inspired by Bill Evans | ||
ABRSM Nikki Iles Friends Book 1 Intermediate Jazz Pieces For Piano | ABRSM Nikki Iles Friends Book 1 Intermediate Jazz Pieces For Piano | |
ABRSM Nikki Iles Friends Book 2 Intermediate To Advanced Jazz Pieces For Piano | ABRSM Nikki Iles Friends Book 2 Intermediate To Advanced Jazz Pieces For Piano | |
ABRSM Nikki Iles The Elephant Parade ABRSM piano Exam | ||
ABRSM Piano 2025-2026 Grade 8 C3 A Nightingale Sang in Berkeley Square by Sherwin – Maschwitz | ||
ABRSM Piano Exam 2007-2008 Grade 3 | ||
ABRSM Piano Exam 2015-16 Grade 3 | ABRSM Piano Exam 2015-16 Grade 3 |
Louis Armstrong was born in New Orleans, Louisiana on August 4, 1901. He was raised by his mother Mayann in a neighborhood so dangerous it was called “The Battlefield.” He only had a fifth-grade education, dropping out of school early to go to work. An early job working for the Jewish Karnofsky family allowed Armstrong to make enough money to purchase his first cornet.
On New Year’s Eve 1912, he was arrested and sent to the Colored Waif’s Home for Boys. There, under the tutelage of Peter Davis, he learned how to properly play the cornet, eventually becoming the leader of the Waif’s Home Brass Band. Released from the Waif’s Home in 1914, Armstrong set his sights on becoming a professional musician. Mentored by the city’s top cornetist, Joe “King” Oliver, Armstrong soon became one of the most in-demand cornetists in town, eventually working steadily on Mississippi riverboats.
In 1922, King Oliver sent for Armstrong to join his band in Chicago. Armstrong and Oliver became the talk of the town with their intricate two-cornet breaks and started making records together in 1923. By that point, Armstrong began dating the pianist in the band, Lillian Hardin. In 1924, Armstrong married Hardin, who urged Armstrong to leave Oliver and try to make it on his own. A year in New York with Fletcher Henderson and His Orchestra proved unsatisfying so Armstrong returned to Chicago in 1925 and began making records under his own name for the first time.
Hotter Than That
The records by Louis Armstrong and His Five–and later, Hot Seven–are the most influential in jazz. Armstrong’s improvised solos transformed jazz from an ensemble-based music into a soloist’s art, while his expressive vocals incorporated innovative bursts of scat singing and an underlying swing feel. By the end of the decade, the popularity of the Hot Fives and Sevens was enough to send Armstrong back to New York, where he appeared in the popular Broadway revue, “Hot Chocolates.” He soon began touring and never really stopped until his death in 1971.
The 1930s also found Armstrong achieving great popularity on radio, in films, and with his recordings. He performed in Europe for the first time in 1932 and returned in 1933, staying for over a year because of a damaged lip. Back in America in 1935, Armstrong hired Joe Glaser as his manager and began fronting a big band, recording pop songs for Decca, and appearing regularly in movies. He began touring the country in the 1940s.
Ambassador Satch
In 1947, the waning popularity of the big bands forced Armstrong to begin fronting a small group, Louis Armstrong and His All Stars. Personnel changed over the years but this remained Armstrong’s main performing vehicle for the rest of his career. He had a string of pop hits beginning in 1949 and started making regular overseas tours, where his popularity was so great, he was dubbed “Ambassador Satch.”
In America, Armstrong had been a great Civil Rights pioneer for his race, breaking down numerous barriers as a young man. In the 1950s, he was sometimes criticized for his onstage persona and called an “Uncle Tom” but he silenced critics by speaking out against the government’s handling of the “Little Rock Nine” high school integration crisis in 1957.
Armstrong continued touring the world and making records with songs like “Blueberry Hill” (1949), “Mack the Knife” (1955) and “Hello, Dolly! (1964),” the latter knocking the Beatles off the top of the pop charts at the height of Beatlemania.
Good Evening Everybody
The many years of constant touring eventually wore down Armstrong, who had his first heart attack in 1959 and returned to intensive care at Beth Israel Hospital for heart and kidney trouble in 1968. Doctors advised him not to play but Armstrong continued to practice every day in his Corona, Queens home, where he had lived with his fourth wife, Lucille, since 1943. He returned to performing in 1970 but it was too much, too soon and he passed away in his sleep on July 6, 1971, a few months after his final engagement at the Waldorf-Astoria in New York City.