Aaron Copland Piano Variations with Sheet music

Aaron Copland Piano Variations with Sheet music

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Aaron Copland: American composer

Aaron Copland, (born Nov. 14, 1900, Brooklyn, N.Y., U.S.—died Dec. 2, 1990, North Tarrytown [now Sleepy Hollow], N.Y.), American composer who achieved a distinctive musical characterization of American themes in an expressive modern style.

Copland, the son of Russian-Jewish immigrants, was born in New York City and attended public schools there. An older sister taught him to play the piano, and by the time he was 15 he had decided to become a composer. As a first step Copland tried to learn harmony through a correspondence course. Haltingly and in an environment not particularly conducive to art, he struggled toward his goal.

In the summer of 1921 Copland attended the newly founded school for Americans at Fontainebleau, where he came under the influence of Nadia Boulanger, a brilliant teacher who shaped the outlook of an entire generation of American musicians. He decided to stay on in Paris, where he became Boulanger’s first American student in composition. After three years in Paris, Copland returned to New York City with an important commission: Nadia Boulanger had asked him to write an organ concerto for her American appearances.

Copland composed the piece while working as the pianist of a hotel trio at a summer resort in Pennsylvania. That season the Symphony for Organ and Orchestra had its premiere in Carnegie Hall with the New York Symphony under the direction of the composer and conductor Walter Damrosch.

In his growth as a composer Copland mirrored the important trends of his time. After his return from Paris, he worked with jazz rhythms in Music for the Theater (1925) and the Piano Concerto (1926). There followed a period during which he was strongly influenced by Igor Stravinsky’s Neoclassicism, turning toward an abstract style he described as “more spare in sonority, more lean in texture.” This outlook prevailed in the Piano Variations (1930), Short Symphony (1933), and Statements for Orchestra (1933–35). After this last work, there occurred a change of direction that was to usher in the most productive phase of Copland’s career.

He well summed up the new orientation: “During these years I began to feel an increasing dissatisfaction with the relations of the music-loving public and the living composer. It seemed to me that we composers were in danger of working in a vacuum.”

Furthermore, he realized that a new public for modern music was being created by the new media of radio, phonograph, and film scores: “It made no sense to ignore them and to continue writing as if they did not exist. I felt that it was worth the effort to see if I couldn’t say what I had to say in the simplest possible terms.” Copland therefore was led to what became a most significant development after the 1930s: the attempt to simplify the new music in order that it would have meaning for a large public.

The decade that followed saw the production of the scores that spread Copland’s fame throughout the world. Most important of these were the three ballets based on American folk material: Billy the Kid (1938), Rodeo (1942), and Appalachian Spring (1944; commissioned by dancer Martha Graham).

To this group belong also El salón México (1936), an orchestral piece based on Mexican melodies and rhythms; two works for high-school students—the “play opera” The Second Hurricane (1937) and An Outdoor Overture (1938); and a series of film scores, of which the best known are Of Mice and Men (1939), Our Town (1940), The Red Pony (1948), and The Heiress (1948). Typical too of the Copland style are two major works that were written in time of war—Lincoln Portrait (1942), for speaker and chorus, on a text drawn from Lincoln’s speeches, and Letter from Home (1944), as well as the melodious Third Symphony (1946).

In his later years Copland refined his treatment of Americana: “I no longer feel the need of seeking out conscious Americanism. Because we live here and work here, we can be certain that when our music is mature it will also be American in quality.” His later works include an opera, The Tender Land (1954); Twelve Poems of Emily Dickinson (1950), for voice and piano; and the delightful Nonet (1960).

During these years Copland also produced a number of works in which he showed himself increasingly receptive to the serial techniques of the so-called 12-tone school of composer Arnold Schoenberg. Notable among such works are the stark and dissonant Piano Fantasy (1957); Connotations (1962), which was commissioned for the opening of Lincoln Center for the Performing Arts in New York City; and Inscape (1967). The 12-tone works were not generally well-received; after 1970 Copland virtually stopped composing, though he continued to lecture and to conduct through the mid-1980s.

For the better part of four decades, as composer (of operas, ballets, orchestral music, band music, chamber music, choral music, and film scores), teacher, writer of books and articles on music, organizer of musical events, and a much sought after conductor, Copland expressed “the deepest reactions of the American consciousness to the American scene.”

He received more than 30 honorary degrees and many additional awards. His books include What to Listen for in Music (1939), Music and Imagination (1952), Copland on Music (1960), and The New Music, 1900–60 (1968). With the aid of Vivian Perlis, he wrote a two-volume autobiography (Copland: 1900 Through 1942 [1984] and Copland: Since 1943 [1989]).

Copland’s sheet music is available for download from our Library.

Browse in the Library:

Total Records Found in the Library: 12472, showing 120 per page
Artist or Composer / Score nameCoverList of Contents
A dozen A Day Book 1 Technical exercises for the piano sheet music score download partitura partition spartiti A dozen A Day Book 1 Technical exercises for the piano
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A Farewell To Arms Love Theme From A Farewell To Arms film by Mario Nascimbene Francis Webster 1957 free sheet music partitura partition noten
A Felicidade (Antonio Carlos Jobim)
A Festival Gathering Of Carols (Musescore File).mscz
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A Fistful of Dollars (Ennio Morricone)
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A Guide To Guitar Chords by Curt Sheller sheet music download A Guide To Guitar Chords by Curt Sheller
A Guide To Musical Analysis by Nicholas Cook (Book) sheet music download
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A Handbook Of Piano Playing (By Eric Hope) (1962)
A Heart Full Of Love (Musescore File).mscz
A love suicide (Yutaka Minobe)
A Love Supreme (by Ashley Kahn) The story of john Coltrane’s signature album (Book) sheet music
A Media Luz (Edgardo Donato)
A Modern Approach To Jazz Rock And Fusion For Guitar with Tablature free sheet music & scores pdf download A Modern Approach To Jazz Rock And Fusion For Guitar
A Modern Method For Guitar (Berklee) 1 by William Leavitt free scores A Modern Method Berklee 1
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A Night In Tunisia – Dizzy Gillespie.mscz
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A Rockin’ Christmas Piano Vocal Guitar sheet music pdf 20 songs to sing on a rockin’ Christmas Eve Includes: All I Want for Christmas Is You * Grandma Got Run Over by a Reindeer * Happy Xmas (War Is Over) * Jingle-Bell Rock * Merry Merry Christmas Baby * Rockin’ Around the Christmas Tree * Santa Baby & moreRockin Christmas
A Single Man – George’s Waltz (Shigeru Umebayashi)
A Single Man – Stillness of the Mind (Abel Korzeniowski)
A Smooth Jazz Christmas – Mellow Seasonal Favorites for Piano arr. Roger House free sheet music A Smooth Jazz Christmas – Mellow Seasonal Favorites for Piano arr. Roger House
A Song For You – Leon Russell Ray Charles (Musescore File).mscz
A Star Is Born – Always Remember Us This Way Lady Gaga free sheet music pdf
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A Tale Of Two Sisters Ost – Epilogue Piano Solo sheet music download
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A Thousand Years – Twilight OST (Christina Perri)
A Time For Love – Johnny Mandel free sheet music pdf
A Time For Us – Guitar TABlature sheet music download
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A Time For Us (Love Theme from Romeo and Juliet) Nino Rota free sheet music pdf
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A Touch Of Jazz 14 well-known hymns, gospel songs and contemporary praise songs by Wolaver Bill sheet music download A Touch Of Jazz 14 well-known hymns, gospel songs and contemporary praise songs by Wolaver Bill
A Tribute To Ella Fitzgerald Piano Vocal Guitar A tribute to ELLA FITZGERALD
A Walk To Remember – Only Hope
A whiter shade of pale – Procul Harum A whiter shade of pale – Procul Harum
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Ab Ovo – Joep Beving (Musescore File).mscz
Abba – Abba Gold – Greatest Hits free sheet music ABBA Gold Geatest Hits booksong sheet music
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Abba – Slipping Through My Fingers
Abba – Thank You For The Music Abba-Thank-You-For-The-Music 1st page
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Abdullah Ibrahim The Wedding (piano solo transcription sheet music, partition) free sheet music download
Abel Korzeniowski – Death Is My Heir (from Romeo and Juliet) free sheet music pdf
ABRSM Jazz Piano Pieces Grade 1 to 5 sheet music ABRSM Jazz Piano Pieces Grade 1 to 5 ABRSM Jazz Piano Pieces Grade 5ABRSM Jazz Piano Pieces Grade 5
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ABRSM 2017 18 Piano Exam Pieces Grade 1 free sheet music & scores pdf ABRSM 2017 18 Piano Exam Pieces Grade 1
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