Browse in the Library:
Artist or Composer / Score name | Cover | List of Contents |
---|---|---|
(500) Days Of Summer Piano Theme ( Mychael Danna, Rob Simonsen) | (500) Days Of Summer Piano Theme ( Mychael Danna, Rob Simonsen) | |
10,000 Maniacs Because The Night Piano Solo sheet music | ||
100 Golden Standards The World’s Best Piano Arrangements by the greatest pianists of the Century | The World’s Best Piano Arrangements | |
100 Great Keyboard Intros Songbook | 100 Great Keyboard Intros Songbook | |
100 Greatest Film Scores (Book) by Matt Lawson & Laurence E. MacDonald | ||
100 greatest POP songs | 100 greats pop songs | |
100 Greatest Songs of Rock & Roll, Selections From Piano Vocal Guitar Sheet Music | 100 Greatest Songs of Rock & Roll, Selections From Piano Vocal Guitar Sheet Music | |
100 Hits Simply The Best – Guitar (Die besten Songs aus Pop Rock) German | 100 Hits Simply The Best (Die besten Songs aus Pop | |
100 Jazz & Blues Greats Book | 100 Jazz & Blues Greats | |
100 Jazz Solos & Etudes by Jacob Wise | 100 Jazz solos | |
100 Light Classics For Piano Solo | 100 Light Classics For Piano Solo | |
100 Most Beautiful Christmas Songs Easy Piano Vocal | 100 Most Beautiful Christmas Songs Easy Piano Vocal | |
100 Most Beautiful Christmas Songs Piano Vocal Guitar | 100 Most Beautiful Christmas Songs Piano Vocal Guitar | |
100 Must-Know Jazz Tunes with MP3 audio tracks to Play Along | 100 Must-Know Jazz Tune – C version | |
100 of the Best Movie Songs Ever! Piano Vocal Guitar | 100 best movie songs 1&100 best movie songs 2 | |
100 Of The Best Songs Ever For The Keyboard by Daniel Scott | 100 Of The Best Songs Ever For The Keyboard | |
100 Piano Solos (100 popular standards of today arr. by Frank Booth) with guitar chords | 100 piano solos 1 | |
100 Pop Hits Of The 90’s by Dan Coates | 100 Pop Hits Of The 90’s by Dan Coates | |
100 Rock N Roll Standards Piano Vocal Guitar chords | 100 Rock N Roll Standards Piano Vocal Guitar chords contents | |
100 Songs For Kids – Easy Guitar Lyrics with Tablature | 100 Songs For Kids – Easy Guitar Lyrics | |
100 Tunes Every Musician Should Know Professional Chord Changes And Substitutions By Dick Hyman | 100 Tunes Every Musician Should Know Professional Chord Changes And Substitutions By Dick Hyman | |
100 Ultimate Blues Riffs For Piano Keyboards | 100 ultimate riffs jazz piano | |
100 Women Of Pop And Rock 100 songs by 100 artists | 100 Women Of Pop And Rock 100 songs by 100 artists Piano Vocal Guitaral Leonard | |
100 Years Of Popular Music 1980s Part Two Piano Vocal Guitar Chords | 100 Years Of Popular Music 1980s Part Two Piano Vocal Guitar Chords | |
1000 Examples of Musical Dictation (Ladukhin, Nikolay) | 1000 Examples of Musical Dictation | |
1000 Words – Final Fantasy X-2.mscz | ||
1001 Blues Licks by Toby Wine – Piano | 1001 Blues Licks by Toby Wine – Piano | |
1001 Jazz Licks A Complete Jazz Vocabulary For The Improvising Musician (Jack Shneidman) | 1001 Jazz Licks A Complete Jazz Vocabulary For The Improvising Musician (Jack Shneidman) | |
101 Cançoes Que Tocaram O Brasil Nelson Motta (Book) (Brazilian Portuguese) | ||
101 Frank Sinatra Hits For Buskers | 101 Frank Sinatra Hits For Buskers | |
101 Mississippi Delta Blues Fingerpicking Licks Guitar and TAB by Larry McCabe | Larry McCabe – 101 Mississippi Delta Blues Fingerpicking Licks | |
101 Must-Know Blues Licks (Guitar Educational) (Wolf Marshall) PDF + MP3 audio tracks Play Along with Tablature | 101 Must-Know Blues Licks (Guitar Educational) (Wolf Marshall) | |
1015 Songs – The Original Musicians’s (Musicals) | 1015 Songs – The Original, Musicians’s (Musicals) | |
106 Songs Everybody Plays | 106 Songs Everybody Plays | |
11 Short Classical Piano Pieces | 11 Short Classical Piano Pieces | |
116 Arrangements Of Baroque, Classical & Ballet Pieces For Piano Solo | 116 Arrangements Of Baroque, Classical & Ballet Pieces For Piano Solo | |
129 Easy Pieces For Piano Solo, also for beginners | 129 easy pieces for piano solo | |
12th Street RAG – Liberace Collection Book of 5 compositions | ||
12th Street Rag by Euday Bowman (Piano Solo sheet music, Noten, partition, partitura, spartito).mscz | ||
150 Best Songs For Acoustic Guitar | ||
150 More Of The Most Beautiful Songs Ever (Songbook) Piano Vocal Guitar | 150 More Of The Most Beautiful Songs Ever (Songbook) Piano Vocal Guitar | |
150 Of The Best Jazz Standards Ever | 150 Of The Best Jazz Standards Ever | |
150 Of The Most Beautiful Songs Ever 3rd Edition | 150 Of The Most Beautiful Songs Ever 3rd Edit1 and 150 Of The Most Beautiful Songs Ever 3rd Edit2 | |
16 Pop and Movies Hits Keyboard Piano Book (Mike Emerson) | 16 Pop and Movies Hits Keyboard Piano Book (Mike Emerson) | |
1600 Pennsylvania Avenue The Musical By Leonard Bernstein And Alan Jay Lerner Vocal Selections | ||
17 Moments of Spring – Mgnovenia (Mikael Tariverdiev) | ||
1812 Overture Op. 49 Thaikovsky (arr. piano solo) | ||
1950s Jazz (Fake Book lead sheet music) | 1950s Jazz (Fake Book lead sheet music) | |
20 Century Fox Theme Transcription By Deusde Coppen | ||
20 Modern BEBOP Licks – by Noah Kellman All Keys with left hands chords | 20 Modern BEBOP Licks – by Noah Kellman All Keys with left hands chords | |
200 Jazz Standards Tunes (chords progressions for C Instruments) Bob Taylor | 200 Jazz Standards Tunes (chords progressions for C Instruments) Bob Taylor | |
200 Of The Best Songs From Jazz Of The ’50s | jazz of the 50s | |
2014 Top Hits Of 2014 Songbook Piano Vocal Guitar | 2014 Top Hits Of 2014 Songbook Piano Vocal Guitar | |
2016 Top Hits Of 2016 Songbook Piano Vocal Guitar | 2016 Top Hits Of 2016 Songbook Piano Vocal Guitar | |
2018 Greatest Pop Movie Hits Songbook For Piano | 2018 Greatest Pop Movie Hits Songbook For Piano | |
2019 GREATEST POP MOVIE HITS SONGBOOK FOR PIANO PART 2 Piano sheet music (Jim Presley) | 2019 GREATEST POP MOVIE HITS SONGBOOK FOR PIANO PART 2 Piano sheet music (Jim Presley) | |
2020 Greatest Pop Piano Sheet Music Book Songbooks For Piano | 2020 Greatest Pop Piano Sheet Music Book Songbooks For Piano | |
20th Century Classics Volume 1 | 20th Century Classics Volume 1 | |
20th Century Jazz Guitar by Richie Zellon (with Tablature) | 20th Century Jazz Guitar by Richie Zellon | |
20th Century Masters Of Fingerstyle Guitar by John Stropes | 20th Century Masters Of Fingerstyle Guitar by John Stropes | |
20th Century Piano Music – Book (1990) David Burge | 20th Century Piano Music Book (1990) David Burge | |
24 Etudes Op.35 – Fernando Sor (1778 – 1839) (Musescore File).mscz | ||
24_Preludes_Op.34 Shostakovich.mscz | ||
25 Short Classical Guitar Pieces (with Tablature) | 25 Short Classical Guitar Pieces | |
262 Classic Piano Rags Various Composers | 262 Classic Piano Rags Various Composers | |
273 Easy And Intermediate Piano Pieces | 273 Easy And Intermediate Piano Pieces contents | |
28 Modern Jazz Trumpet Solos Book 2 | 28 Modern Jazz Trumpet Solos Book 2 | |
3.10 to Yuma (Marco Beltrami) | ||
30 Best Rock Guitar Songs Ever (Guitar TABs) | 30 Best Rock Guitar Songs Ever (Guitar TABs) | |
300 Sacred Songs Melody Lyrics Chords Fake Book Melody Lyrics Chords | 300 Sacred Songs Melody Lyrics Chords Fake Book Melody Lyrics Chords_compressed | |
36 Christmas Carols Songs | 36 christmas carols songs | |
38 Special Guitar Anthology Guitar Recorded Vers. with Tablature | 38 special guitar anthology | |
39 Progressive Solos For Classical Guitar (with Tablature) | 39 Progressive Solos For Classical Guitar | |
39 Progressive Solos For Classical Guitar Book 2 (with Tablature) | 39 Progressive Solos For Classical Guitar Book 2 sheet music pdf | |
40 Easy Guitar Pieces (Painted with the Sound) | ||
49 Most Popular Jazz Songs | 49 Most Popular Jazz Songs | |
5 Christmas Songs Sheet Music Trumpet in B & Piano accompaniment (Viktor Dick) | 5 Christmas Songs Sheet Music Trumpet in B & Piano accompaniement (Viktor Dick) | |
50 Broadway Shows 50 Broadway Songs | 50 Broadway Shows 50 Broadway Songs | |
50 Classical Guitar Solos In Tablature (Howard Wallach) with Tablature | 50 Classical Guitar Solos In Tablature (Howard Wallach) | |
50 Essential Bebop Heads Arranged For Guitar Tablature (best lines Charlie Parker, Dizzy Gillespie, Thelonious Monk and more) | 50 Essential Bebop Heads Arranged For Guitar Tablature (best lines Charlie Parker, Dizzy Gillespie, Thelonious Monk and more) | |
50 Jazz Standards Every Jazz Musician Needs To Know with MP3 audio tracks to Play Along | 50 Jazz Standards Every Jazz Musician Needs To Know – C version | |
50 Most Popular Classical Melodies (Easy Piano) | 50 Most Popular Classical Melodies | |
50 Of The Most Beautiful Piano Love Songs Solos Ever. | 50 OF THE MOST BEAUTIFUL PIANO LOVE SONGS SOLOS EVER | |
50 Piano Arrangements Of Hymns And Gospel Songs (Fred Bock’s Best) | 50 Piano Arrangements Of Hymns sheet music | |
50 Piano Classics – Easy | 50 piano classics | |
50 Riffs For Blues Guitar – Martin Shellard with MP3 audio to Play Along with Tablature | 50 riffs for blues guitar | |
500 Piano Intros For The Great Standards – Steinway | 500 piano intros | |
55 Country Classics (Voice, piano, Guitar) | 55 Country Classics (Voice, piano, Guitar) | |
557 Jazz Standards (Sheet Music – in C for all instruments) swing to bop (lead sheet) | Standards (Sheet Music – Piano) | |
60 Progressive Solos For Classical Guitar By Mark Phillips (with Tablature) | ||
67 Fun Songs arranged by Jon Schmidt (Piano) | ||
70’s Hits (Easy Piano Solos) – Hans-Gunter Heumann [Piano, Vocal, Chords] | ||
750.000 anni fa.l’Amore (Banco del Mutuo Soccorso) | ||
75th Anniversary A Tribute In Music From The 20s Through The 90s Various Artists Warner Bros | 75th Anniversary A Tribute In Music From The 20s Through The 90s Various Artists Warner Bros | |
78 Quarterly No 1 and 2 (1967) Book magazine | ||
8 ½ Theme (Nino Rota) | ||
8 Femmes (Krishna Levy) | ||
8 Jazz scales you need to know.mscz | ||
80 Most Requested LDS Songs (Mormon music) | 80 Most Requested LDS Songs (Mormon music) | |
88 Piano Classics For Beginners – David Dutkanicz | 88 Piano Classics For Beginners – David Dutkanicz | |
88 The Giants Of Jazz Piano by Robert L. Foerschuk (Book) foreword by Keith Jarrett | ||
9 easy guitar pieces – Sveinn Eythorsson | ||
97 Oeuvres pour Guitare de Jean Francois DELCAMP | 97 Oeuvres pour Guitare de Jean Francois DELCAMP | |
99 Easy Piano Pieces | 99 Easy Piano Pieces | |
A Beautiful Mind – A Kalidoscope of Mathematics | ||
A Beautiful Mind – All Love Can Be | A Beautiful Mind – All Love Can Be | |
A Beautiful Mind – Kalidoscope | ||
A Child Is Born – Oscar Peterson (Musescore File).mscz | ||
A Chordal Concept For Jazz Guitar by Peter O’Mara | A Chordal Concept For Jazz Guitar by Peter O’Mara | |
A Ciascuno il Suo (Luis Bacalov) | ||
A Clare Benediction – John Rutter – Piano Solo Arr. (Musescore File).mscz | ||
A Clockwork Orange (Beethoviana) | A Clockwork Orange (Beethoviana) | |
A Clockwork Orange (Beethoviana) (Musescore File).mscz | ||
A Comparative Study Of The 24 Preludes Of A. Scriabin And Sergei Rachmaninoff (book) | ||
A Complete Course of Instruction For The Piano-Forte (Dr Karl Merz) (1885) | Instruction… | |
A Cool Yule. Ten Jazzy Christmas Songs | A Cool Yule. Ten Jazzy Christmas Songs | |
A Creative Approach To Jazz Piano Harmony Bill Dobbins | A Creative Approach To Jazz Piano Harmony Bill Dobbins | |
A Creative Approach To Practicing JAZZ – by David Baker | A Creative Approach To pravtising Jazz | |
A Dance of Dragons – Blood of the Dragon (Game of Thrones) Piano solo arr. | ||
A Dictionary of Music and Musicians Vol. 4 (A.D. 1450-1880) Edited in 1889 |
Libertango (Jazz Play Along sheet music) by Astor Piazzolla (1921-1992)
Libertango, by Astor Piazzolla
The song Libertango by Astor Piazzolla was published in 1974 on a self-titled album. This composer, born in 1921 and died in 1992, was responsible for renewing the tango genre in Buenos Aires, which earned him more than one criticism from purists.
Libertango, already from its title, expresses Piazzolla’s will to open up the compass of tradition so that the sound echoes of a society in transformation such as the second half of the 20th century could have a place. The title itself is an acclaim for musical freedom and creativity.
Certainly, Piazzolla did not have it easy. The rupture that her style supposed was very badly received by the representatives of the tango tradition. She came to earn the epithet of ‘assassin of tango’. The rejection was not limited to a disqualifying opinion.
Some radio stations opposed broadcasting his music and the record companies feared releasing it in the face of vehement criticism of the ‘sacred cows’ of traditional tango. Not that he didn’t have admirers in his homeland, but his opponents made a lot of noise against him.
Piazzolla did not yield in his creative spirit. After years of constant work, in which he had conquered the complicity of the most receptive public, and after his consecration in Europe with the success of Libertango, Piazzolla finally managed to get Argentine critics to resolutely value his proposal. Thus he became an icon of tango.
The Libertango theme is the introduction to the album and takes place in just 2:45 minutes. The participation of elements such as the string section, the drums or the electric guitar, inadmissible in the conception of traditional tango, are part of the orchestra that accompanies the theme.
With these elements, Piazzolla reaffirms his brand of style by insisting on one of the most obvious breaks: the format. This would not be the first time that Piazzolla would play with the musical format, but on this occasion his conception would have reached greater maturity.
Harmony would be another of Piazzolla’s novel elements, who introduces harmonic relationships typical of jazz and thereby renews the auditory sensation of the genre, whose tradition was based on classical harmony.
From the beginning of the Libertango theme, the bandoneon makes its entrance marking the pulse and energy of the piece. Thus, Piazzolla exhibits the first motif or theme A, accompanied by electric bass and percussion. Little by little, the elements of the orchestra are added, which they present in the second motif or theme B on the same harmonic base, which allows the bandoneon to continue playing the first motif in parallel.
At the end of this section, the bandoneon stands out to offer its melodic splendor and present theme C on a different harmonic development. At the end of this exposition, the orchestra returns to the first part and the theme ends with a fade out.
Astor Piazzolla
Piazzolla was an Argentine tango bandoneonist and composer, considered one of the most important musicians of that genre in the world. He was born in Mar del Plata on March 11, 1921, and died in Buenos Aires on July 4, 1992.
His works revolutionized traditional tango in a new style called new tango or avant-garde tango, incorporating elements of jazz and classical music. He used to perform his own compositions with a variety of ensembles, as a bandoneon player. In 1992, the American music critic Stephen Holden described Piazzolla as as ‘the most important composer of tango music in the world’.
One of Piazzolla’s main rhythmic inventions has to do with a displacement of the accent within the milonga and with a particular syncopation effect, which derives in its form from 8 pulses grouped in 3+3+2 and which introduces an ambiguity in the closed tempo of tango. This is one of the most characteristic features of the musician.
Until Piazzolla, the rhythm of tango did not present variations in meter but in tempo, in speed changes during the performance; with Piazzolla the rhythm of tango is enriched in the composition itself, in the writing. The use of asymmetric groupings, of the type 3 + 3 + 2, connects Piazzolla’s music with Bela Bartok: the Hungarian musician had discovered this type of grouping in the folklore of his region. Unlike what happens with other interpreters, irregular groupings are used by Piazzolla with great regularity, as a rather stable pattern that gives tango a completely new propulsion. Piazzolla’s music connects with these rhythmic groupings from his particular reworking of the milonga.
It could be thought that in Piazzolla, the milonga is always being heard, either in its slowest forms or in its variants. Two things that were highly characteristic of tango were excluded at one point by Piazzolla: dancing and singing, in fact, the polyphonic nature of Piazzola’s orchestration expels the singer.
He was born in Mar del Plata, but from a very young age he grew up in New York, where his father gave him a bandoneon, which he began to play at an early age. He takes classes with Alberto Ginastera and wins the Fabien Sevitzky Competition, which finances a trip to Europe to study harmony, classical and contemporary music with the French composer and conductor Nadia Boulanger. In his youth he played and made orchestral arrangements for the bandoneonist, composer and director Aníbal Troilo.
When he begins to make innovations in tango in terms of rhythm, timbre and harmony, he is heavily criticized by the “old guard” tangueros, orthodox in terms of rhythm, melody and orchestration.
When in the 1950s and 1960s the traditional tangueros decreed that his compositions were not tango, Piazzolla responded with a new definition: “It is contemporary music from Buenos Aires”. Despite this, in Argentina the radio stations do not broadcast his works.
Alberto Ginastera was Piazzolla’s first teacher, and in turn, Piazzolla was his first student.
The tango “Inspiración” from 1943 is the first arrangement made by Piazzolla and recorded by the Troilo orchestra with classical harmonies.
In 1944, he left the Aníbal Troilo orchestra. On the anecdote of the “eraser”, Piazzolla would say years later: “Of the thousand notes that he wrote, he erased seven hundred…”. However, Troilo seeks a balance between making new innovations, but not going down paths that are too complicated for his orchestra, bearing in mind that not everyone was prepared to play the complex music that Piazzolla wrote. They forced the musicians to read, to study, and “they began to annoy me… they broke my exercises” Piazzolla recalled on one occasion.
After leaving Troilo’s group, Piazzolla left with Francisco Florentino’s group, and that singer allowed him to print his name as a significant addition, it was Astor Piazzolla’s orchestra that accompanied him. They debuted in Villa Urquiza at the end of 1944, recording twenty-two songs and two instrumentals. Piazzolla composed “En las noches” and “Long nights” for the occasion. A short time later, and advised by his wife, he changes the name “the typical orchestra of Astor Piazzolla.
From 1946 to 1949 he worked for the Odeón label with his independent orchestra, on those recordings his vocalists were Aldo Campoamor, Fontón Luna and Héctor Insúa. After dissolving his group, he dedicates himself professionally to arranging for orchestras such as José Bassi, Francini-Pontier and especially for Aníbal Troilo.
The concept of his Octet is already related to the sound of Julio De Caro’s sextet of 1926 and to the group that had united this violinist with Elvino Vardaro, Los Virtuosos. But the final touch, that urgent character with which the music sounded, that sensation of execution at the limit of technical possibilities (the aesthetic correlate of the ‘dangerous life’ of North American blacks and the ‘commitment’ of the French existentialists ), they came from jazz.
And it could be thought that they returned to jazz if one takes into account that this music was played, above all, for their audience and in places where Piazzolla shared the stage with ‘Mono’ Enrique Villegas, with the brothers Rubén and Leandro «Gato» Barbieri and with Sergio Milhanovich, two by Jim Hall, Art Farmer, Bill Evans and Stan Getz.125 The form and treatment, however, are far removed from everything he had done up to now within the popular field. It was about putting an instrument in that mold (a stylized tango orchestra, with strings, bandoneon and concertante piano) a classical content (his composition exercises from the Ginastera period).
In “Se armó” by José Staffolani and Pedro Maffia, one of the arrangements recorded by Piazzolla’s orchestra in 1947, the glissando breaks out that I could well have heard in Ravel or at the movies. In his own ‘Pigmalion’, where he shows a minute of instrumental introduction to ‘Villeguita’ from 1948 in which he presents the 3+3+2 rhythm with a much looser handling of counterpoint and harmony.
Everything is highlighted by the extraordinary setting of the ‘Del 46’ orchestra, where Atilio Stampone, Hugo Baralis and Leopoldo Federico were also present, and which also featured Roberto di Filippo, a bandoneonist who was essential for Piazzolla in the construction of his own way of playing. . Years later, Piazzolla saw an intention of change in his arrangements at that time but, at the same time, he recognized that he was still not clear about what he wanted.
In 1948 he dissolved the orchestra, in his opinion, it was too advanced for the time.
By the 1950s, Piazolla was a musician who composed and arranged professionally, commissioned, for the most prestigious ensembles.
In his last years of life, he was claimed by intellectuals, jazz players and rock musicians from all over the world, as well as by new references of tango, and in the 21st century he is considered one of the most important Argentine musicians in the history of his country.
He also composed music for about 40 films.
Discography
Two Argentinians in Paris (with Lalo Schifrin, 1955)
Sinfonía de Tango (Orquesta de Cuerdas, 1955)
Tango progresivo (Buenos Aires Octeto, 1957)
Octeto Buenos Aires (Octeto Buenos Aires, 1957)
Astor Piazzolla (Orquesta de Cuerdas, 1957)
Tango in Hi-Fi (Orquesta de Cuerdas, 1957)
Adiós Nonino (1960)
Piazzolla Interpreta A Piazzolla (Quinteto, 1961)
Piazzolla … O No? (canta Nelly Vazquez, Quinteto, 1961)
Nuestro Tiempo (canta Hector de Rosas, Quinteto, 1962)
Tango Contemporáneo (Nuevo Octeto, 1963)
Tango Para Una Ciudad (canta Héctor De Rosas, Quinteto, 1963)
Concierto en el Philharmonic Hall de New York (Quinteto, 1965)
El Tango. Jorge Luis Borges – Astor Piazzolla (Orquesta and Quinteto, 1965)
La Guardia Vieja (1966)
La Historia del Tango. La Guardia Vieja (Orquesta, 1967)
La Historia del Tango. Época Romántica (Orquesta, 1967)
ION Studios (1968)
María de Buenos Aires (Orquesta, 1968)
Piazzolla En El Regina (Quinteto, 1970)
Original Tangos from Argentina Vol. 1 & 2 (solo bandeneon, 1970)
Pulsación (Orquesta, 1970)
Piazzolla-Troilo (Dúo de Bandoneónes, 1970)
Concerto Para Quinteto (Quinteto, 1971)
La Bicicleta Blanca (Amelita Baltar y Orquesta, 1971)
En Persona (recita Horacio Ferrer, Astor Piazzolla, 1971)
Música Popular Contemporánea de la Ciudad de Buenos Aires. Vol.1 & 2 (Conjunto 9, 1972)
Roma (Conjunto 9, 1972)
Libertango (Orquesta, 1974)
Piazzolla and Amelita Baltar (1974)
Summit (Reunión Cumbre) (with Gerry Mulligan, Orquesta, 1974)
Suite Troileana-Lumiere (Orquesta, 1975)
Buenos Aires (1976)
Il Pleut Sur Santiago (Orquesta, 1976)
Piazzolla & El Conjunto Electrónico (Conjunto Electrónico, 1976)
Piazzolla en el Olimpia de Paris (Conjunto Electrónico, 1977)
Chador (1978)
Lo Que Vendrá (Orquesta de Cuerdas and Quinteto Tango Nuevo, 1979)
Piazzolla-Goyeneche En Vivo, Teatro Regina (Quinteto Tango Nuevo, 1982)
Oblivion (Orquesta, 1982)
Suite Punta Del Este (Quinteto, 1982)
Live in Lugano (Quinteto, 1983)
SWF Rundfunkorchester (1983)
Concierto de Nácar – Piazzolla en el Teatro Colón (Conjunto 9 y Orquesta Filarmónica del Teatro Colón, 1983)
Live in Colonia (Quinteto Tango Nuevo, 1984)
Montreal Jazz Festival (Quinteto Tango Nuevo, 1984)
The Vienna Concert (Quinteto Tango Nuevo, 1984), CD: 1991.
Enrico IV (soundtrack to the film of the same name, 1984)
Green Studio (1984)
Teatro Nazionale di Milano (1984)
El Exilio de Gardel (soundtrack to the film of the same name, Quinteto, 1986)
Tango: Zero Hour (Quinteto Tango Nuevo, 1986)
Tristezas de un Doble A (Quinteto Tango Nuevo, 1986), Vienna, Konzerthaus, CD: 1991.
Central Park Concert (Quinteto, 1987)
Concierto para Bandoneón – Tres Tangos with the Orchestra of St. Luke’s, Lalo Schifrin (conductor), Princeton University (1987)
El Nuevo Tango. Piazzolla y Gary Burton (Atlantic, 1987)[28]
Sur (soundtrack of film Sur, Quinteto, 1988)
Live in Tokyo 1988 (Quinteto Tango Nuevo, 1988)
Luna. Live in Amsterdam (Quinteto Tango Nuevo, 1989)
Lausanne Concert (Sexteto Nuevo Tango, 1989)
Live at the BBC (Sexteto Nuevo Tango, 1989)
La Camorra (Quinteto Tango Nuevo, 1989)
Famille d’Artistes (1989)
Hommage a Liege: Concierto para bandoneón y guitarra/Historia del Tango (1988) with Liège Philharmonic Orchestra conducted by Leo Brouwer. The concerto was performed by Piazzolla with Cacho Tirao, the Historia by Guy Lukowski and Marc Grawels.
Bandoneón Sinfónico (1990)
The Rough Dancer and the Cyclical Night (Tango apasionado) (1991)
Five Tango Sensations (Astor Piazzolla and the Kronos Quartet, 1991)
Original Tangos from Argentina (1992)
Lausanne Concert (Sexteto Nuevo Tango, 1993)
Central Park Concert 1987 (Quinteto, 1994)
El Nuevo Tango de Buenos Aires (Quinteto, 1995)
57 Minutos con la Realidad (Sexteto Nuevo Tango, 1996)
Tres Minutos con la Realidad (Sexteto Nuevo Tango, 1997)
Browse in the Library:
Artist or Composer / Score name | Cover | List of Contents |
---|---|---|
Alan Silvestri Contact Main Thitle Piano Solo | ||
Alan Silvestri The Avengers | Alan Silvestri The Avengers | |
Alan Walker – Faded | ||
Alan-Menken – Enchanted (Disney) | Enchanted Piano Vocal Guitar | |
Alanis Morisette – Hand In My Pocket | ||
Alanis Morisette – Hands Clean | ||
Alanis Morisette – Ironic | ||
Alanis Morisette – Thank You | ||
Alanis Morisette – That I Would Be Good | ||
Alanis Morisette – Uninvited | ||
Alanis Morisette – You Oughta Know | ||
Alanis Morrissete You Oughta Know Sheet Music | ||
Alban Berg – Schliesse Mir Die Augen Beide (Musescore File).mscz | ||
Alban Berg – Schliesse mir die Augen beide (Piano and voice Noten) | ||
Albeniz Isaac – Tango In D – Para Piano | Albeniz, Isaac – Tango In D – Para Piano | |
Albeniz For Acoustic Guitar with Audio MP3 by Laurindo Almeida | Albeniz for acoustic guitar with audio MP3 | |
Albeniz Suite Española V (Musescore File).mscz | ||
Albéniz, Isaac – Capricho Catalán (Op. 165 no. 5) (Guitarra – Guitar) | ||
Albéniz, Isaac – Capricho Catalán (Op. 165 no. 5) (Piano) | ||
Albert Ammons 5 Boogie Woogie Piano Solos Sheet Music | Albert Ammons 5 Boogie Woogie Piano Solos Sheet Music | |
Albert Ammons – Boogie Woogie Stomp | ||
Albert Ammons – Monday Struggle | Albert Ammons – Monday Struggle | |
Albert Ammons – Shout For Joy | Albert Ammons – Shout For Joy | |
Albert Ammons – Swanee River Boogie Woogie | ||
Albert Harris Sonatina Guitar Solo | ||
Albert Harris Variations And Fugue On A Theme Of Haendel (Guitar) | ||
Albert King The Very Best Of Albert King (Guitar TABs) | Albert King The Very Best Of Albert King | |
Albert Lee – The Best Of Albert Lee Guitar Tabs | Albert Lee – The Best Of Albert Lee Guitar Tabs | |
Albinoni – Adagio (Piano Solo Version) | ||
ALBINONI-Adagio | ||
Album of Russian piano music | Russian music 1 | Russian music 2 |
Album Of Scandinavian Piano Music By Louis Oesterle Vol. 1 (25 Pieces) 1902 | Album Of Scandinavian Piano Music By Louis Oesterle Vol. 1 (25 Pieces) 1902 | |
Alegre Magín – Americana (Guitarra) Habanera (Musescore File).mscz | ||
Alegria Cirque Du Soleil Piano Vocal Guitar Chords Sheet Music | ||
Alejandro Sanz – Amiga Mia | ||
Alejandro Sanz – La Margarita Dijo No | ||
Alejandro Sanz – Y Si Fuera Ella | ||
Aleksander Vertinskiy songbook | Aleksander Vertinskiy songbook | |
Alex North – Spartacus Love Theme (piano sheet music) | Alex North Spartacus Love Theme | |
Alex North Spartacus Love Theme (Lead sheet) | Alex Norrth SpArtacus | |
Alexander Scriabin 24 Preludes Op. 11 1 To 12 Musescore File.mscz | ||
Alexandra Streliski Burnout Fugue | ||
Alexandra Streliski Le Noveau Dèpart | ||
Alexandra Streliski Par La Fenêtre De Théo | ||
Alexandra Streliski Plus Tôt | ||
Alexandra Strevisky Pianoscope | Alexandra Strevisky Pianoscope | |
Alexandre Desplat Elisas Theme Piano from The shape of water | ||
Alexandre Desplat The Shape Of Water Main Theme | ||
Alexandre Desplat – Lust Caution | Alexandre Desplat – Lust Caution | |
Alexandre Desplat – The Imitation Game | ||
Alexandre Desplat – The Meadow New Moon Piano solo Sheet Music | ||
Alexandre Desplat Almost A Kiss (From The Film New Moon) | ||
Alexandre Desplat and Lang Lang Kitty,s Theme from The Painted Veil | Alexandre Desplat and Lang Lang Kitty,s Theme from The Painted Veil | |
Alexandre Desplat Brunos Theme From Suite Fran?aise | ||
Alexandre Desplat Full Moon (From The Film New Moon) | ||
Alexandre Desplat My Week With Marilyn – Marilyn’s Theme | ||
Alexandre Desplat Ost Godzilla Main Theme | ||
Alexandre Desplat The Danish Girl Theme Piano Solo | ||
Alexandre Desplat The Imitation Game | ||
Alexandre Desplat The King Speech | Alexandre Desplat The King Speech | |
Alexandre Desplat The Power Plant from Godzilla | ||
Alexandre Desplat The Wonder Of Life | ||
Alexandrov Piano Works Vol I | ||
Alexandrov Works for Piano Vol II | ||
Alexandrov Works for Piano Vol III Sonatas | ||
Alexandrov, Anatoly 6 Preludes For Piano Op. 1 (1961) | ||
Alexis Ffrench – Bluebird | ||
Alfred Basic Adult Christmas Book Level 1 | ||
Alfred Basic Repertoire Level 4 | ||
Alfred Brendel A Pianists A-Z A Piano Lovers Reader Book | Andrew Hill 21 Piano Compositions | |
Alfred’s Basic Adult Piano Course Level 1 | Lessons Alfred’s Basic Adult Piano Course Level 1 | |
Alfred’s Basic Adult Piano Course Level 2 | Lessons Alfred’s Basic Adult Piano Course Level 2 | |
Alfred’s Basic Adult Piano Course Level 3 | Lessons Alfred’s Basic Adult Piano Course Level 3 | |
Alfred’s Basic Piano Level 2B | ||
Alfred’s Basic Piano Level 4 Jazz Rock Course | ||
Alfred’s Basic Piano Library Essentials Of Jazz Theory Book 2 | Alfred’s Basic Piano Library Essentials Of Jazz Theory Book 2 | |
Alfred’s Basic Piano Library – Solo Book Complete Levels 2 & 3 for the later beginner | Alfred’s Basic Piano Library – Solo Book Complete Levels 2 & 3 for the later beginner | |
Alfred’s Basic Piano Library – Top Hits! Solo Book – Level 4 | ||
Alfred’s Basic Piano Library Essentials Of Jazz Theory Book 1 | Alfred’s Basic Piano Library Essentials Of Jazz Theory Book 1 | |
Alfred’s Basic Piano Library Essentials Of Jazz Theory Book 3 | Alfred’s Basic Piano Library Essentials Of Jazz Theory Book 3 | |
Alfred’s Basic Piano Library Lesson Book Level 3 | ||
Alfred’s Teach Yourself To Play Guitar Everything You Need To Know To Start Playing The Guitar! (with Tablature) | ||
Alfred’s Essentials Of Music Theory, Complete (Andrew Surmani, Karen Farnum Surmani Etc.) Sheet Music | ||
Ali and Nino (Dario Marianelli) | ||
Alice Coltrane Monument Eternal (book) The Music of – by Franya J. Berkman | ||
Alice In Chains Dirt Full album Guitar TAB with lyrics | Alice In Chains Dirt Full album Guitar TAB with lyrics | |
Alicia Keys – A Woman’s Worth | Alicia Keys – A Woman’s Worth | |
Alicia Keys – A Womans Worth | ||
Alicia Keys – And I | ||
Alicia Keys – As I Am (Songbook) | ALICIA KEYS SONGBOOK | |
Alicia Keys – Butterflyz | ||
Alicia Keys – Diary | ||
Alicia Keys – Fallin | ||
Alicia Keys – Fallin’ (Sheet Music – Piano) | Alicia Keys – Fallin’ (Sheet Music – Piano) | |
Alicia Keys – Goodbye | ||
Alicia Keys – How Come You Dont Call Me | ||
Alicia Keys – If I Aint Got You | ||
Alicia Keys – Impossible | ||
Alicia Keys – Never Felt This Way | ||
Alicia Keys Diary Song Book | ALICIA KEYS DIARY SONGBOOK | |
Alicia Keys The Element Of Freedom Songbook | ALICIA KEYS | |
Alicia Keys Unplugged | ALICIA KEYS UNPLUGGED | |
Alkan, Charles Valentin Concerto For Solo Piano 1st Movement Opus 39 No. 8 In G Minor (Piano Solo Reduction) | ||
All 4 One – I Can Love You Like That | ||
All 4 One – I Swear | ||
All American Folk Complete Sheet Music Editions Volume One (Creative Concepts Publishing Corp.) | All American Folk Complete Sheet Music Editions Volume One (Creative Concepts Publishing Corp.) ( | |
All Blues For Jazz Guitar Comping Styles Chords And Grooves by Jim Ferguson Guitar Tablature | All Blues For Jazz Guitar Comping Styles Chords And Grooves by Jim Ferguson Guitar Tablature | |
All Blues Soloing For Jazz Guitar – Jim Gerguson Play Along (Book + audio MP3) with Tablature | All Blues Soloing jazz guitar | |
All By Myself – Celine Dion (Musescore File).mscz | ||
All I Want For Christmas Is You (Musescore File).mscz | ||
All Of Me – Jazz Standard Stride Piano arr. Gerald Marks and Seymour Simons | All of me (Gerald Marks and Seymour Simons) Jazz Piano Solo arr. sheet music | |
All Of Me – Jazz Standard Stride Piano Arr. Gerald Marks And Seymour Simons (Musescore File).mscz | ||
All Of Me Fingerstyle Guitar TABs By Lucas Brar Jazz Standard (Gerald Marks and Seymour Simons) | All Of Me Fingerstyle Guitar TABs By Lucas Brar Jazz Standard | |
All Of Me Gerald Marks & Seymour Simons 1931 Jazz Standard (Vintage sheet music) | All Of Me Gerald Marks & Seymour Simons 1931 Jazz Standard (Vintage sheet music) | |
All Of The Jazz Standard Vol. 1 | All Of The Jazz Standard Vol. 1 | |
All Of The Jazz Standard Vol. 2 | All Of The Jazz Standard Vol. 2 | |
All Saints – Never Ever | ||
All Sondheim Vol I Music and lyrics | All Sondheim Vol I Music and lyrics | |
All Sondheim Vol II Music and lyrics | All Sondheim Vol II Music and lyrics | |
All Sondheim Vol III Music and lyrics | All Sondheim Vol III Music and lyrics |