Table of Contents
Ray Charles (1930-2004) Greatest Hits
Leon Russell and Ray Charles – A song for you (piano solo sheet music)
Ray Charles – Song For You by Leon Russell (LIVE at Montreux 1997)
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Ray Charles (22 Greatest Hits)
RAY CHARLES (short biography)
(Ray Charles Robinson; Albany, 1932 – Los Angeles, 2004) American singer, instrumentalist and composer, one of the most important figures in black music of the 20th century. His repertoire can be found from the most traditional blues or gospel to jazz or soul, a style in which he developed a dizzying career.
It is difficult to catalog the hundreds of recordings of him, perhaps because of the eclecticism that always characterized him. During his long career, he was awarded twelve Grammy Awards.
Blind from the age of seven, Ray Charles learned to read and compose music in the Braille system. He studied in Florida, at a San Agustín Institute, and from a very young age he participated in different musical events. Influenced by his idol King Cole, he founded a trio called the McSon Trio (also known as the Maxim Trio) in Seattle in 1948.
In 1950, he associated with Lowell Fulson, a blues singer and guitarist and perhaps his best influence, with whom he began a series of tours around the country. He was also in the bands of T-Bone Walker and Joe Turner, who were then among the standard-bearers of the blues.
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His recording career began in 1953, when he was hired by the agent Ahmet Ertegun, who introduced him to the Atlantic Records company. From then on, Ray Charles would be known as one of the leading and essential figures of rhythm & blues. He successively lived in various cities (New Orleans, Texas) and, after joining Ruth Brown, formed a band that also included David Newman (sax) and Joe Bridgewater (trumpet). In the mid-1950s, Ray Charles created that kind of magnificent fusion between blues, gospel and swing, and imposed the frenetic rock & roll on his music as well.
Already with his song I got a woman (1954) he was at the top of black music. However, this was only the beginning. Later, other great successes would come, such as Hallelujah or I love her so , in which she introduced the electric piano in rhythm & blues bands as a novelty.
These bands, on the other hand, already resembled large orchestras, in which it was possible to find trumpeters like Joe Hunt or Marcus Belgrave, sax players like Hank Crawford, David Newman or Don Wilkerson, and double bass players like Edgar Willis, as well as some another female choir (the so-called Raelets ) with singers as outstanding as Mary Ann Fisher or Marjorie Hendrix.
During the fifties, which were mostly of international projection, he participated in projects of well-known jazz musicians, such as Milt Jackson (with whom he recorded the famous Soul Brothers ), Betty Carter, Oscar Pettiford, Kenny Burrell or Billy Mitchell.
He also triumphed in some charismatic festivals such as the one in Newport (1958) or in the temple of jazz, the well-known Carnegie Hall (1959). In 1960 she visited Europe and was successful with her hit , De Ella Georgia in my mind ; in the old continent, in the eighties, he would be even more recognized than in the United States.
Ray Charles was one of the myths of rhythm & blues. His style, very personal and effective, influenced in the first instance by Louis Jordan, Charles Brown and the ineffable Nat King Cole, continued to gain followers for half a century and has made him one of the most charismatic characters in the history of cinema music. His fusion of various musical styles was a find. He perfectly combined rhythm & blues and rock & roll, without forgetting his nods to jazz (for example, in his collaboration with Benny Carter) or other styles such as country, operetta, gospel or pop.
Owner of a singular voice that is recognizable by all, his figure in a suit became one of the most representative icons of 20th century music. His broken voice, marked and tragic at times, melodious and sweet at others, and installed on the border of his own interpretative resources, constituted one of his best gifts, and can be compared to those of Louis Armstrong , Nat King Cole or Bessie Smith. He also collaborated with Frank Sinatra or Ella Fitzgerald , as well as Stevie Wonder.
As a pianist, his also marked and percussive style was almost unsurpassed within the black blues style. Overlapping chords, frenetic rhythm or soft and rhythmic melodies in ballads are the most characteristic musical traits of Ray Charles at the piano. He also played, although very anecdotally, the sax. His immense popularity led him to enter the cinema: some of his films were Charles Barton’s Swingin’ Alone (1960), or Ballad in Blue Paul Henried’s (1964).
In 1978, he published his autobiography, Brother Ray.
A liver disease, which dragged on for a long time, did not prevent him, a few weeks before his death, from celebrating his 10,000th concert at the Greek Theater in Los Angeles, a milestone in the world of music. His funeral, which was attended by 1,500 people inside the religious compound and hundreds of admirers outside, featured the heartfelt musical contributions of other music legends, such as BB King , Steve Gander or Willie Nelson.
The last recording he made in life, an album of duets entitled Genius loves company (in which Norah Jones, Van Morrison and BB King participated, among others) was a real bestseller that was placed at number 2 on the charts of the America’s bestsellers.
In February 2005, the album was awarded eight Grammy Awards at the 47th edition of this competition, including the best album, to which must be added the duet he formed with the singer Norah Jones, which was awarded another prize for the best recording of the year. In January 2005, a feature film about his life entitled Ray, directed by Taylor Hackford and played by Jamie Foxx , who would win the Oscar for best actor for his role.
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Artist or Composer / Score name | Cover | List of Contents |
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Bill Evans Autumn Leaves, Solo Transcription | Bill Evans Autumn Leaves, Solo Transcription | |
Bill Evans Autunm Leaves | ||
Bill Evans Blue In Green | ||
Bill Evans Interplay (Piano Solo Sheet Music Transcription) | Bill Evans Interplay (Piano Solo Sheet Music Transcription) | |
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Bill Evans – Time Remembered 14 Piano transcriptions | Bill Evans – Time Remembered 14 Piano transcriptions | |
Bill Evans – Alfie (Piano transcription) | ||
Bill Evans – Alice in Wonderland | Bill Evans – Alice in Wonderland | |
Bill Evans – Autumn Leaves | Bill Evans – Autunm Leaves | |
Bill Evans – Autunm Leaves (As Recorded by) | Bill Evans – Autunm Leaves (As Recorded by) | |
Bill Evans – B minor Waltz (for Ellaine) | ||
Bill Evans – Blue in Green (Piano transcription) | ||
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Bill Evans – Midnight Mood by Joe Zawinul | Bill Evans – Midnight Mood by Joe Zawinul | |
Bill Evans – My Foolish Heart by Victor Young | Bill Evans – My Foolish Heart by Victor Young | |
Bill Evans – My Funny Valentine (Transcription) Jazz Standard sheet music | ||
Bill Evans – Never Let Me Go (Piano transcription) | ||
Bill Evans – Never Let Me Go (Piano Transcription) (Musescore File).mscz | ||
Bill Evans – One for Helen | Bill Evans – One for Helen | |
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Bill Evans – Piano Solos | Bill Evans Piano solos | |
Bill Evans – Rare Transcriptions 3 | Bill Evans – Rare transcriptions vol. 3 sheet music | |
Bill Evans – Rare transcriptions vol.1 | Bill Evans – Rare transcriptions vol.1 sheet music | |
Bill Evans – Rare transcriptions vol.2 | Bill Evans – Rare transcriptions vol. 2 sheet music | |
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Bill Evans – Santa Claus Is Coming To Town | ||
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Bill Evans – Skating in Central Park (Solo) from Undercurrent with Jim Hall | ||
Bill Evans – Someday My Prince Will Come from Portrait in Jazz sheet music Transcription | Bill Evans – Someday My Prince Will Come from Portrait in Jazz sheet music Transcription | |
Bill Evans – Star Eyes (melody transcription) from The Universal Mind of Bill Evans | Bill Evans – Star Eyes (melody transcription) from The Universal Mind of Bill Evans (first page sample) | |
Bill Evans – Star Eyes (melody transcription) from The Universal Mind of Bill Evans.mscz | ||
Bill Evans – The 70’S Solo Piano | Bill Evans – The 70’S, Solo Piano | |
Bill Evans – The Artistry Of (Songs And Improvisation Transcription) | Bill Evans sheet music | |
Bill Evans – The Dolphin piano solo transcription | Bill Evans – The Dolphin piano solo transcription | |
Bill Evans – The Dolphin Transcription sheet music | ||
Bill Evans – The Last Compositions | Bill Evans – The Last Compositions | |
Bill Evans – Theme From Mash | ||
Bill Evans – Turn out the Stars | Bill Evans – Turn out the Stars_compressed | |
Bill Evans – Turn Out The Stars – Bill Evans (Transcription) Jazz Standard sheet music (from Some Other Time) | Bill Evans – Turn Out The Stars – Bill Evans (Transcription) Jazz Standard sheet music | |
Bill Evans – Very Early | ||
Bill Evans – Very Early Live In Paris [1972] solo transciption | ||
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Bill Evans (1969) Emily sheet music transcription | ||
Bill Evans 4 New Versions Of Bill Evans Tunes Taken From His Recordings | Bill Evans_4 New Versions Of Bill Evans Tunes Taken From His Recordings | |
Bill Evans And The Craft Of Improvisation | Bill Evans craft improvisation | |
Bill Evans Autumn Leaves (as played in Portrait in Jazz) complete transcription | Bill Evans Autumn Leaves (as played in Portrait in Jazz) complete transcription | |
Bill Evans But Beautiful transcription | Bill Evans But Beautiful transcription | |
Bill Evans Collection For Solo Guitar | Bill Evans Collection For Solo Guitar | |
Bill Evans Emily | ||
Bill Evans Fake Book (60 original transcriptions) | Bill Evans Fake Book (60 original transc.) — Bill Evans Fake Book | |
Bill Evans Five | ||
Bill Evans How My Heart Sings – as played by Bill Evans | Bill Evans How My Heart Sings – as played by Bill Evans | |
Bill Evans How My Heart Sings By Pettinger Peter (Book) | ||
Bill Evans Jazz Piano Transcriptions | Bill Evans Jazz Piano Transcriptions | |
Bill Evans Jim Hall – Romain from Undercurrent | ||
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Bill Evans Midnightmood | ||
Bill Evans Nardis (Bill Evans Trio) | ||
Bill Evans Oleo (Transcription) | Bill Evans Oleo | |
Bill Evans Omnibook For Piano Transcribed exactly from his recorded solos | Bill Evans Omnibook For Piano Transcribed exactly from his recorded solos | |
Bill Evans Perfect Piano Score | Bill Evans Perfect Piano Score | |
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Bill Evans Piano Solo Transcriptions | Bill Evans Piano Solo Transcriptions | |
BILL EVANS Plays – Original Compositions Solo Transcriptions | Bill Evans Plays | |
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Bill Evans Plays Standards | Bill Evans Plays Standards sheet music | |
Bill Evans Quiet Now (Jazz Standard) Transcription | ||
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Bill Evans Solo Sessions Vol 1 Everything Happens To Me | ||
Bill Evans Solo Sessions Vol 2 What Kind Of Fool Am I | ||
Bill Evans Solo Sessions Vol1 April In Paris | ||
Bill Evans Songbook Jazz Piano Solos Series, Volume 19 (Bill Evans) | Bill Evans Songbook Jazz Piano Solos Series, Volume 19 (Bill Evans) | |
Bill Evans Stella By Starlight Jazz Standard The Bill Evans Trio Vol 2 Transcription | ||
Bill Evans Tenderly Everybody Digs | Bill Evans Tenderly Everybody Digs | |
Bill Evans The Bill Evans Trio Vol 1 | bill-evans-trio-Volume 1 1956-1961-transcriptions sheet music | |
Bill Evans The Bill Evans Trio Vol 2 | Bill Evans The Bill Evans Trio Vol 2 | |
Bill Evans The Bill Evans Trio Vol 3 | Bill Evans The Bill Evans Trio Vol 2 | |
Bill Evans The Mastery Of Bill Evans Artist Piano Transcriptions (a close look at two classic compositions: Waltz for Debby and Very Early) by Pascal Wetzel | Bill Evans The Mastery Of Bill Evans Artist Piano Transcriptions | |
Bill Evans Time Remembered (lead sheet) | Bill Evans Time Remembered | |
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Bill Evans Transcription sheet music of April, 1962 Sessions Like Someone In Love | ||
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Bill Evans Transcription sheet music of Solo Sessions Vol.2 I Loves You, Porgy (Complete Transcription) | ||
Bill Evans Transcription sheet music of Solo Sessions Vol.2 Love Is Here To Stay | ||
Bill Evans Transcription sheet music of Solo Sessions Vol.2 Medley Autumn In New York, How About You | ||
Bill Evans Transcription sheet music of Solo Sessions Vol.2 Santa Claus Is Coming To Town | ||
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Bill Evans Trio – Jazz improvisation (Transcriptions) | Bill Evans Trio – Jazz improvisation (Transcriptions) | |
Bill Evans Turn Out Star | ||
Bill Evans We Will Meet Again | ||
Bill Evans When I Fall In Love | ||
Bill Evans You Go to my Head Piano solo (Omnibook For Piano Transcribed exactly from his recorded solos) Haven Gillespie J. Fred Coots | Bill Evans You Go to my Head Piano solo (Omnibook For Piano Transcribed exactly from his recorded solos) Haven Gillespie J. Fred Coots | |
Bill Evans- Body And Soul Transcription | ||
Bill Frisell – St. Louis Blues Guitar Solo Transcription | Bill Frisell – St. Louis Blues Guitar Solo Transcription | |
Bill Frisell An Anthology | Bill Frisell An Anthology | |
Bill Frisell Guitar Artisrty | Bill Frisell Guitar Artisrty | |
Bill Gaither Homecoming Souvenir Songbook | ||
Bill Haley Rock Around The Clock Bill Haley & The Comets Easy Piano Solo | ||
Bill Haley – Rock Around The Clock | ||
Bill Holman Front Runner Full Band Score | ||
Bill Holman Kingfish Full band score | ||
Bill Holman Malaga – Full Big Band | ||
Bill Piburn plays Antonio Carlos Jobim – Jobim (Guitar with TABS) | Bill Piburn plays Antonio Carlos Jobim – Jobim (Guitar with TABS) | |
Bill Withers – Ain’t No Sunshine | ||
Bill Withers – Lean On Me | ||
Bill Withers Ain’t No Sunshine Piano Vocal Guitar | ||
Bill Withers Lovely Day | ||
Bill Withers Lovely Day Piano Vocal Guitar chords |