Table of Contents
Remembering Barry Harris (1929-2021)
For many jazz fans, among whom we are, maestro Barry Harris, (Detroit, Michigan; December 15, 1929 – North Bergen, New Jersey; December 8, 2021) was one of the best disciples that Bud Powell had. and listening to him, it is difficult to deny that assessment. Barry is one of those musicians who is almost born with a piano under his arm. He studied since he was a child under the watchful eye of his mother in Detroit, where he was born in the middle of the crash of 1929, when the stock market was sinking and people were jumping out of the windows.
He studied at Detroit High School and discovered bebop there in 1946 while playing with an amateur orchestra that, at most, won a contest. Professionalism would come to him later, but it would be with a not insignificant position, since he became the regular pianist at the Bluebird club in Detroit. There he played with Lester Young, Charlie Parker and Miles Davis, so if he lacked something to learn, he learned it from the best.
He later replaced Richie Powell, who had died in the same traffic accident that killed Clifford Brown, in Max Roach’s group while he was developing the idea of his own trio. He recorded albums as a sideman and with his group he played, among others, with Lee Konitz and Roy Eldridge. It was then that he started teaching classes and discovered that he liked the idea. He recorded with the Cannonball Adderley quintet, which he soon abandoned due to incompatibility of musical criteria. He settled in New York and began to dedicate more and more time to teaching, eventually being named professor at the Jazz Cultural Center. In 1987 he made his first trip to Europe to participate in the Boulogne Jazz Festival and, since then, every time he has set foot on the continent he has visited Spain.
On his visits he usually appears in a trio and does not miss the opportunity to teach some classes. Precisely in that context, Barry Harris was in Seville in the fall-winter of 2000 to teach at the seminar organized by the management of the Teatro Central of Seville and to perform in the jazz sessions of the Sevillian Jazz Festival where the members of Apoloybaco were able to enjoy with fullness of the wisdom, wisdom and mastery of the great Barry Harris.
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Barry Harris At The Jazz Workshop Full Album
The second recording as a leader by piano master Barry Harris, it was recorded live in San Francisco with the trio formula (the one preferred throughout his long career) and with Sam Jones on bass and Luois Hayes on drums. A beautiful recording.
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Artist or Composer / Score name | Cover | List of Contents |
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Bill Evans Autumn Leaves, Solo Transcription | Bill Evans Autumn Leaves, Solo Transcription | |
Bill Evans Autunm Leaves | ||
Bill Evans Blue In Green | ||
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Bill Evans – Alice in Wonderland | Bill Evans – Alice in Wonderland | |
Bill Evans – Autumn Leaves | Bill Evans – Autunm Leaves | |
Bill Evans – Autunm Leaves (As Recorded by) | Bill Evans – Autunm Leaves (As Recorded by) | |
Bill Evans – B minor Waltz (for Ellaine) | ||
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Bill Evans – Midnight Mood by Joe Zawinul | Bill Evans – Midnight Mood by Joe Zawinul | |
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Bill Evans – Never Let Me Go (Piano Transcription) (Musescore File).mscz | ||
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Bill Evans – Rare Transcriptions 3 | Bill Evans – Rare transcriptions vol. 3 sheet music | |
Bill Evans – Rare transcriptions vol.1 | Bill Evans – Rare transcriptions vol.1 sheet music | |
Bill Evans – Rare transcriptions vol.2 | Bill Evans – Rare transcriptions vol. 2 sheet music | |
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Bill Evans – Santa Claus Is Coming To Town | ||
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Bill Evans – Skating in Central Park (Solo) from Undercurrent with Jim Hall | ||
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Bill Evans – Star Eyes (melody transcription) from The Universal Mind of Bill Evans | Bill Evans – Star Eyes (melody transcription) from The Universal Mind of Bill Evans (first page sample) | |
Bill Evans – Star Eyes (melody transcription) from The Universal Mind of Bill Evans.mscz | ||
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Bill Evans – The Dolphin Transcription sheet music | ||
Bill Evans – The Last Compositions | Bill Evans – The Last Compositions | |
Bill Evans – Theme From Mash | ||
Bill Evans – Turn out the Stars | Bill Evans – Turn out the Stars_compressed | |
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Bill Evans – Very Early | ||
Bill Evans – Very Early Live In Paris [1972] solo transciption | ||
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Bill Evans (1969) Emily sheet music transcription | ||
Bill Evans 4 New Versions Of Bill Evans Tunes Taken From His Recordings | Bill Evans_4 New Versions Of Bill Evans Tunes Taken From His Recordings | |
Bill Evans And The Craft Of Improvisation | Bill Evans craft improvisation | |
Bill Evans Autumn Leaves (as played in Portrait in Jazz) complete transcription | Bill Evans Autumn Leaves (as played in Portrait in Jazz) complete transcription | |
Bill Evans But Beautiful transcription | Bill Evans But Beautiful transcription | |
Bill Evans Collection For Solo Guitar | Bill Evans Collection For Solo Guitar | |
Bill Evans Emily | ||
Bill Evans Fake Book (60 original transcriptions) | Bill Evans Fake Book (60 original transc.) — Bill Evans Fake Book | |
Bill Evans Five | ||
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Bill Evans Jazz Piano Transcriptions | Bill Evans Jazz Piano Transcriptions | |
Bill Evans Jim Hall – Romain from Undercurrent | ||
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Bill Evans Midnightmood | ||
Bill Evans Nardis (Bill Evans Trio) | ||
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Bill Evans Solo Sessions Vol 1 Everything Happens To Me | ||
Bill Evans Solo Sessions Vol 2 What Kind Of Fool Am I | ||
Bill Evans Solo Sessions Vol1 April In Paris | ||
Bill Evans Songbook Jazz Piano Solos Series, Volume 19 (Bill Evans) | Bill Evans Songbook Jazz Piano Solos Series, Volume 19 (Bill Evans) | |
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Bill Evans The Bill Evans Trio Vol 2 | Bill Evans The Bill Evans Trio Vol 2 | |
Bill Evans The Bill Evans Trio Vol 3 | Bill Evans The Bill Evans Trio Vol 2 | |
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Bill Evans Time Remembered (lead sheet) | Bill Evans Time Remembered | |
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Bill Evans Turn Out Star | ||
Bill Evans We Will Meet Again | ||
Bill Evans When I Fall In Love | ||
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Bill Frisell An Anthology | Bill Frisell An Anthology | |
Bill Frisell Guitar Artisrty | Bill Frisell Guitar Artisrty | |
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Bill Haley Rock Around The Clock Bill Haley & The Comets Easy Piano Solo | ||
Bill Haley – Rock Around The Clock | ||
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Bill Holman Malaga – Full Big Band | ||
Bill Piburn plays Antonio Carlos Jobim – Jobim (Guitar with TABS) | Bill Piburn plays Antonio Carlos Jobim – Jobim (Guitar with TABS) | |
Bill Withers – Ain’t No Sunshine | ||
Bill Withers – Lean On Me | ||
Bill Withers Ain’t No Sunshine Piano Vocal Guitar | ||
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