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The Beatles – Let It Be Easy Piano Lead Sheet Music Fake Book Noten, partitura, spartiti partition 楽譜
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Artist or Composer / Score name | Cover or sample | Contents (if available)* |
---|---|---|
The Beatles Beatles Collection Band Score Arr Johan De Meij | ![]() | |
The Beatles Sgt Pepper’s Lonely Hearts Club Band Guitar Tablature (13 Songs) | ![]() | |
The Beatles Songbook (Full Band Score) | ![]() | |
The Beatles Strawberry Fields Forever As Played By Andy Timmons Guitar With Tabs | The Beatles Strawberry Fields Forever As Played By Andy Timmons Guitar With Tabs | |
The Beatles The Symphonic Beatles (Concert Band Series Conductor Score) | ![]() | |
The Beatles Basslines – Transcribed by Phil Mulford | ![]() | The Beatles Basslines – Transcribed by Phil Mulford |
The Beatles Revolver (Guitar songbook with Tablature) | ![]() | The Beatles Revolver (Guitar songbook) |
The Beatles – A Hard Days Night | ||
The Beatles – Across The Universe Easy Solo Piano | ![]() | |
The Beatles – All Songs 1962-1974 (piano, vocal & guitar) | ![]() | The The Beatles – All Songs 1962-1974 (piano-vocal) |
The Beatles – All The Songs The Story Behind Every Beatles Release | ![]() | The Beatles – All The Songs The Story Behind Every Beatles Release |
The Beatles – BLACKBIRD Jazzy ver. | The Beatles – BLACKBIRD Jazzy ver. | |
The Beatles – Complete Scores Full Transcriptions from the original recordings (Every Song written & recorded by The Beatles) | ![]() | |
The Beatles – Complete Songbook For Guitar, Tabs And Chords | ![]() | The The Beatles – Complete Songbook For Guitar, Tabs And Chords |
The Beatles – Eight Days A Week | ||
The Beatles – Eleanor Rigby | ||
The Beatles – Eleanor Rigby Concert Band Full Score Arr. by Larry Moore | ![]() | |
The Beatles – Here There And Everywhere | ||
The Beatles – Hey Jude (Piano, vocal, Guitar chords) | The Beatles hey-jude | |
The Beatles – I Want To Hold Your Hand | ||
The Beatles – It’s Easy To Play Beatles 1 | ![]() | The Beatles – It’s Easy To Play Beatles 1 |
The Beatles – It’s Easy To Play Beatles 2 | ![]() | The Beatles – It’s Easy To Play Beatles 2 |
The Beatles – Lady Madonna | ||
The Beatles – Let It Be | ||
The Beatles – Let It Be (Musescore File).mscz | ||
The Beatles – Love Me Do | ||
The Beatles – Michelle Guitar Tablature TABs | ![]() | |
The Beatles – Michelle Satb | ![]() | |
The Beatles – Norwegian Wood | ||
The Beatles – Ob La Di Ob La Da | ||
The Beatles – Play along Guitar with the The Beatles (with AUDIO MP3) with Tablature | ![]() | Play Guitar With Beatles |
The Beatles – Play Piano With (pdf + audio MP3 embedded) | ![]() | Play piano with the beatles |
The Beatles – Revolution In The Head The Beatles’ Records And The Sixties (Book) Biography | ![]() | |
The Beatles – Something (Guitar Chords) (Musescore File).mscz | ||
The Beatles – Songwriting Secrets of The Beatles (Book) by Dominique Pedler | ![]() | The Beatles – Songwriting Secrets of the The Beatles |
The Beatles – The Beatles Keyboard Book (23 Hits) Authentic transcriptions | ![]() | The Beatles – The Beatles Keyboard Book (23 Hits) Authentic transcriptions |
The Beatles – The Long And Winding Road | ||
The Beatles – The White Album piano (piano, voice & guitar) | The Beatles – The White Album piano | |
The Beatles – With A Little Help From My Friends | ||
The Beatles – Yellow Submarine | ||
The Beatles – Yesterday (Jazz Piano cover sheet music) | The Beatles – Yesterday (Jazz Piano cover sheet music) | |
The Beatles : Love John Lennon and Paul McCArtney (full score instr.) | The Beatles Love | |
The Beatles 1962 1970 (Guitar TAB) | ![]() | The Beatles Guitar Songbook 1962 1970 |
The Beatles 9 Songs Arr for guitar by Noriyasu Takeuchi | The Beatles 9 Songs Arr for guitar by Noriyasu Takeuchi | |
The Beatles A Hard Days Night – Guitar Tabs | ![]() | The Beatles A Hard Days Night – Guitar Tabs |
The Beatles Abbey Road Piano, Vocal & Guitar | ![]() | The Beatles Abbey Road Piano, Vocal & Guitar |
The Beatles All Jazzed Up | ![]() | The Beatles All Jazzed Up |
The Beatles Anthology 1 (Piano, vocal, guitar) | ![]() | The Beatles Anthology 1 (Piano, vocal, guitar) |
The Beatles As Musicians Revolver Through The Anthology (Walter Everett) Biography | ![]() | |
The Beatles At The Hollywood Bowl Piano Vocal Guitar | ![]() | The Beatles At The Hollywood Bowl Piano Vocal Guitar |
The Beatles Because (Guitar) | ![]() | |
The Beatles Complete Chord Songbook (The Beatles) Guitar Chords | ![]() | The Beatles Complete Chord Songbook (The Beatles) |
The Beatles Complete Guitar Edition | ![]() | The Beatles Complete Guitar Edition |
The Beatles Essential Songs (Over 90 of Their Best) Piano Vocal Guitar Chords | ![]() | The Beatles Essential Songs (Over 90 of Their Best) Piano Vocal Guitar Chords |
The Beatles Fake Book (The Ultimate collection of Fake Books) | ![]() | The Beatles Fake Book (The Ultimate collection of Fake Books) |
The Beatles Favorites – Strum It! Guitar | ![]() | The Beatles Favorites – Strum It! Guitar |
The Beatles Fifty Fabulous Years – Video documentary Book Biography | ![]() | |
The Beatles Fingerpicking – 30 Songs solo guitar with Tablature | ![]() | The Beatles – The Fingerpicking Beatles (30 songs arranged for solo guitar and TAB) |
The Beatles For Classical Guitar Arr John Hill sheet music with TABs | ![]() | The Beatles For Classical Guitar Arr John Hill sheet music with TABs |
The Beatles For Guitar Solo arr. by Kenichi Ebe with Tablature (Complete) | ![]() | The Beatles For Guitar Solo arr. by Kenichi Ebe with Tablature (Complete) |
The Beatles For Jazz Guitar 15 Beatles hits arranged for jazz style with Tablature and chord symbols | ![]() | The Beatles For Jazz Guitar 15 Beatles hits arranged for jazz style with Tablature and chord symbols |
The Beatles For Jazz Guitar 23 Arrangements For Solo Guitar In Jazz Style With Standards Notation And Tablature With Chord Symbols | ![]() | The Beatles For Jazz Guitar 23 Arrangements For Solo Guitar In Jazz Style With Standards Notation And Tablature With Chord Symbols |
The Beatles For Jazz Piano (sheet music songbook) | ![]() | The Beatles For Jazz Piano Music Sheet |
The Beatles For Piano Duet Selection Intermediate Level 1 Piano 4 Hands | ![]() | The Beatles For Piano Duet Selection Intermediate Level 1 Piano 4 Hands |
The Beatles Guitar Play along [Book + CD] Jam with The Beatles – with MP3 audio tracks with Tablature | ![]() | Jam with the Beatles |
The Beatles Jazz Piano Solos Series Volume 28 | ![]() | The Beatles Jazz Piano Solos Series Volume 28 |
The Beatles Let It Be Guitar TABLATURE | ![]() | The Beatles Let It Be Guitar |
The Beatles Let it Be Piano Vocal Guitar Chords songbook | ![]() | The Beatles – Let it Be Piano Vocal Chords songbook Contents |
The Beatles Michelle | ![]() | |
The Beatles Note for Note (Piano ) | ![]() | The Beatles Note for Note Piano |
The Beatles One Two Three Four by Craig Brown (Book) | ![]() | |
The Beatles Play Guitar With – play along with MP3 audio background tracks with Tablature | ![]() | The Beatles Play Guitar With – playalong with MP3 audio background tracks |
The Beatles Recital Suites For Pianoforte (The Beatles) arr. by Phillip Keveren | ![]() | The Beatles Recital Suites For Pianoforte (The Beatles) arr. by Phillip Keveren |
The Beatles Sgt Pepper’s Lonely Heart – Book by Allan F. Moore Biography | ![]() | |
The Beatles The Best Beatles Collection (Guitar) The All Time Most Favorite Songs | ![]() | The Beatles The Best Beatles Collection (Guitar) |
The Beatles The Capitol Albums Volume 1 Piano Vocal Guitar chords | ![]() | The Beatles The Capitol Albums Volume 1 Piano Vocal Guitar chords |
The Beatles, the biography by Bob Spitz (book) | ![]() |

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The Beatles
Who Were The Beatles?

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The Beatles: A Comprehensive Guide to the Fab Four
The Beatles are not merely a rock band; they are a cultural, musical, and historical phenomenon of unparalleled significance. From their humble beginnings in the clubs of Liverpool and Hamburg to their status as the most influential band of all time, their journey reshaped the landscape of popular music and global culture. This article provides an exhaustive overview of their biography, musical style, technical innovations, collaborations, and enduring legacy.
I. Biography: From The Quarrymen to Abbey Road
The story of The Beatles is a saga of four distinct personalities whose synergy created magic.
- The Founding Members (Late 1950s): The band’s origins lie with John Lennon, who formed a skiffle group called The Quarrymen in 1956. In July 1957, he met Paul McCartney, who soon joined the band. McCartney then introduced his friend, George Harrison, in early 1958. The trio, along with other fluctuating members, played under various names (Johnny and the Moondogs, The Silver Beetles) while developing their skills.
- The Beatles Form (1960-1962): By 1960, the core of Lennon, McCartney, and Harrison was set. Stuart Sutcliffe (bass) and Pete Best (drums) completed the lineup. It was during this period, with bookings in Hamburg, Germany, that they honed their marathon-length sets and raw, energetic stage presence. Sutcliffe left the band in 1961 and died in 1962. The pivotal moment came when they hired manager Brian Epstein in late 1961, who polished their image. In 1962, after a failed audition with Decca Records, they secured a recording contract with EMI’s Parlophone label, thanks to producer George Martin. Just before their first recording session, Pete Best was replaced by Ringo Starr, completing the classic lineup: John Lennon (rhythm guitar, vocals), Paul McCartney (bass, vocals), George Harrison (lead guitar, vocals), and Ringo Starr (drums, vocals).
- Beatlemania (1963-1966): This era was defined by unprecedented global hysteria. Their first hit, “Love Me Do” (1962), was followed by a string of chart-toppers. Key events include:
- UK Dominance (1963): Dubbed “Beatlemania” by the British press after frenzied concert reactions.
- Conquering America (1964): Their appearance on The Ed Sullivan Show on February 9, 1964, was watched by 73 million Americans, igniting the “British Invasion.”
- Film Success: A Hard Day’s Night (1964) and Help! (1965) were critical and commercial successes.
- The Toll of Fame: The intensity of touring and fan mania led to creative frustration, culminating in their final commercial concert at Candlestick Park, San Francisco, in August 1966.
- The Studio Years (1966-1970): Freed from the constraints of touring, The Beatles embarked on their most innovative period. They became pioneers of the recording studio, treating it as an instrument itself. This era produced masterpieces like Revolver (1966), Sgt. Pepper’s Lonely Hearts Club Band (1967), The Beatles (The White Album, 1968), and Abbey Road (1969). However, internal tensions grew due to creative differences, business disputes (particularly with their new company, Apple Corps), and the death of Brian Epstein in 1967. The band effectively broke up by early 1970, with Paul McCartney announcing his departure in April 1970, shortly after the release of Let It Be.
II. Musical Style and Evolution
The Beatles’ musical journey is a story of constant, rapid evolution.
- Early Period (1962-1964): Rooted in rock and roll, R&B, soul, and Motown. Their early sound was characterized by catchy melodies, close-harmony vocals, and straightforward rhythms. Covers of songs by Chuck Berry, Little Richard, and The Shirelles were staples of their early sets and albums.
- Middle Period (1965-1966): A period of immense growth. They began incorporating folk influences (Bob Dylan), and more sophisticated lyrical themes. The use of studio effects (tape loops, reversed tapes) became prominent, and they incorporated non-Western instruments, most notably the sitar on “Norwegian Wood” under George Harrison’s influence.
- Late Period (1967-1970): This was their baroque and psychedelic phase, evolving into a eclectic, genre-blending style. They embraced psychedelia (Sgt. Pepper), avant-garde experimentation (“Revolution 9”), blues rock (“Yer Blues”), proto-metal (“Helter Skelter”), and sophisticated art rock/pop (“A Day in the Life,” “Something,” “You Never Give Me Your Money”).
III. Improvisational Licks and Guitar Work
While not a “jam band” in the traditional sense, The Beatles’ playing was filled with inventive, melodic licks, primarily from George Harrison and John Lennon.
- George Harrison’s Style: Harrison was a master of economical, melodic lead guitar. His solos were often hook-laden parts of the song itself.
- “And Your Bird Can Sing”: A double-tracked, melodic guitar line that intertwines with the vocal.
- “Something”: A sublime, fluid solo that perfectly captures the song’s emotion.
- “Let It Be”: Two iconic solos: a more restrained, melodic one and a soaring, bluesy one (the album version played by Harrison, the single version by guest guitarist George Harrison).
- “The End”: Features a legendary, rotating solo section where Harrison, McCartney, and Lennon each take two-bar solos.
- John Lennon’s Style: Lennon’s rhythm guitar was aggressive and inventive, often providing the song’s driving force.
- “All My Loving”: A relentless, syncopated rhythm guitar part.
- “You Can’t Do That”: A sharp, cutting guitar riff.
- “Revolution”: The distorted, roaring guitar intro defined a new, heavier sound for the band.
IV. Cooperation with Other Artists
The Beatles collaborated with numerous artists, both in the studio and through mutual influence.
- Billy Preston: The only musician ever credited on a Beatles single (“Get Back”). His electric piano playing was a crucial, calming influence during the fractious Let It Be sessions.
- Eric Clapton: Played the iconic lead guitar solo on “While My Guitar Gently Weeps” at George Harrison’s invitation.
- Yoko Ono: Her avant-garde influence was profound on John Lennon, directly impacting the soundscapes on The White Album and Plastic Ono Band.
- Ravi Shankar: George Harrison’s study with the sitar master deepened the band’s incorporation of Indian classical music.
- David Mason: The piccolo trumpet solo on “Penny Lane” was played by this classical musician.
- The Rolling Stones: A friendly rivalry existed, with Lennon and McCartney giving the Stones an early song, “I Wanna Be Your Man.”
V. Chord Progressions and Music Harmony
The Beatles, primarily through the songwriting of Lennon-McCartney, revolutionized pop harmony, moving far beyond simple three-chord structures.
- Modulations (Key Changes): They frequently shifted keys to create dramatic effect.
- “Penny Lane”: Modulates from B major to A major for the chorus.
- “Here, There and Everywhere”: Features a subtle, sophisticated modulation.
- Chromaticism and Borrowed Chords: Using chords outside the traditional major/minor scale.
- “Michelle”: Uses a minor 4th chord (F minor in the key of C) and a dominant 7th flat 9 chord for a sophisticated, jazzy feel.
- “In My Life”: The baroque-style keyboard solo (composed by McCartney, played by George Martin) uses chromatic runs.
- Unexpected Harmonic Moves:
- “Something”: The verse progression (I – V – vi – IV) is simple, but the bridge’s shift to the relative minor and its resolution is masterful.
- “A Hard Day’s Night”: The famous opening chord is a complex G7sus4add9, creating an instantly recognizable and enigmatic sound.
- “Because”: Features a direct lift from Beethoven’s “Moonlight Sonata” played backwards, creating lush, ethereal harmonies.
VI. Influences
Their sound was a melting pot of diverse influences:
- 1950s Rock & Roll: Elvis Presley, Chuck Berry, Little Richard, Buddy Holly.
- R&B and Soul: Motown (Smokey Robinson, The Marvelettes), Stax Records.
- Folk Music: Bob Dylan was a huge influence, pushing them toward more lyrical depth.
- Indian Classical Music: Primarily through George Harrison’s exploration.
- Avant-Garde: Karlheinz Stockhausen and John Cage influenced their experimental side.
- Traditional Pop: The music hall style of British vaudeville is evident in songs like “When I’m Sixty-Four” and “Your Mother Should Know.”
VII. Legacy
The Beatles’ legacy is immeasurable. They:
- Redefined the Album: Established the album as a cohesive artistic statement, rather than a collection of singles (Rubber Soul, Sgt. Pepper).
- Pioneered Music Videos: Their promotional films for “Paperback Writer,” “Rain,” and “Strawberry Fields Forever” are precursors to the modern music video.
- Advanced Studio Production: Their work with producer George Martin introduced countless recording techniques now standard in the industry.
- Influenced Countless Artists: Virtually every rock and pop artist that followed owes a debt to The Beatles.
- Shaped Global Culture: Their influence extended beyond music into fashion, film, and the social consciousness of the 1960s.
VIII. Major Works and Most Known Compositions
Their catalog is a treasure trove of classics. Some of the most iconic include:
- Early Hits: “I Want To Hold Your Hand,” “She Loves You,” “A Hard Day’s Night,” “Can’t Buy Me Love,” “Help!”
- Mid-Period Masterpieces: “Yesterday,” “In My Life,” “Eleanor Rigby,” “Tomorrow Never Knows,” “Paperback Writer,” “Rain.”
- Psychedelic Era: “Strawberry Fields Forever,” “Penny Lane,” “Lucy in the Sky with Diamonds,” “A Day in the Life,” “All You Need Is Love,” “I Am the Walrus.”
- Late Period Classics: “Hey Jude,” “Revolution,” “While My Guitar Gently Weeps,” “Come Together,” “Something,” “Here Comes the Sun,” “Let It Be,” “Across the Universe.”
IX. Filmography
- A Hard Day’s Night (1964) – A comedic, pseudo-documentary look at Beatlemania.
- Help! (1965) – A full-color, surreal spy spoof.
- Magical Mystery Tour (1967) – A largely improvised, psychedelic TV film.
- Yellow Submarine (1968) – An animated fantasy featuring their music (the Beatles provided only a brief live-action cameo).
- Let It Be (1970) – A documentary capturing the band’s tense final recording sessions.
X. Core Discography (UK Albums)
The Beatles’ core UK album releases, which represent their intended artistic sequence, are:
- Please Please Me (1963)
- With The Beatles (1963)
- A Hard Day’s Night (1964)
- Beatles for Sale (1964)
- Help! (1965)
- Rubber Soul (1965)
- Revolver (1966)
- Sgt. Pepper’s Lonely Hearts Club Band (1967)
- Magical Mystery Tour (1967) – Originally a double-EP in the UK, but a full LP in the US.
- The Beatles (“The White Album”) (1968)
- Yellow Submarine (1969) – Side one features new songs; side two is George Martin’s score.
- Abbey Road (1969)
- Let It Be (1970) – Recorded before Abbey Road but released after.
XI. Most Known Performances
While they stopped touring in 1966, several performances are legendary:
- The Ed Sullivan Show (1964): The performance that launched the British Invasion in America.
- Shea Stadium (1965): The first stadium rock concert, attended by over 55,000 fans.
- Live at the BBC: Their radio performances showcased their raw energy and prowess as a live band.
- The Rooftop Concert (1969): Their final public performance on the roof of Apple Corps in London, an iconic and spontaneous end to their live career, filmed for Let It Be.
The Beatles’ journey was a perfect storm of talent, timing, and ambition. Their body of work remains the gold standard in popular music, a source of endless study, admiration, and pure joy. Their story is not just about music; it is about the artistic potential of the 20th century itself.
Please, subscribe to our Library.
If you are already a subscriber, please, check our NEW SCORES’ page every month for new sheet music. THANK YOU!



























































Browse in the Library:
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