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Artist or Composer / Score name | Cover | List of Contents |
---|---|---|
Bill Evans Blue In Green | ||
Bill Evans Interplay (Piano Solo Sheet Music Transcription) | Bill Evans Interplay (Piano Solo Sheet Music Transcription) | |
Bill Evans Laurie | ||
Bill Evans Like Someone In Love Transcription From The Album Time Remembered (Sheet Music) | Bill Evans Like Someone In Love Transcription From The Album Time Remembered (Sheet Music) | |
Bill Evans Waltz For Debby (Complete Version) | ||
Bill Evans When I Fall In Love Victor Young | ||
Bill Evans – Time Remembered 14 Piano transcriptions | Bill Evans – Time Remembered 14 Piano transcriptions | |
Bill Evans – Alfie (Piano transcription) | ||
Bill Evans – Alice in Wonderland | Bill Evans – Alice in Wonderland | |
Bill Evans – Autumn Leaves | Bill Evans – Autunm Leaves | |
Bill Evans – Autunm Leaves (As Recorded by) | Bill Evans – Autunm Leaves (As Recorded by) | |
Bill Evans – B minor Waltz (for Ellaine) | ||
Bill Evans – Blue in Green (Piano transcription) | ||
Bill Evans – Danny Boy, by Frederic Weatherly (Bill Evans Jazz version) | Bill Evans – Danny Boy, by Frederic Weatherly (Bill Evans Jazz version) | |
Bill Evans – Emily Bass sheet music | ||
Bill Evans – Ev’rything I Love (sheet music transcription) | ||
Bill Evans – Everything Happens to me – a musical biography by Keith Shadwick (Book) | ||
Bill Evans – Gone with the wind transcription | ||
Bill Evans – In a Sentimental Mood – Piano solo transcription | ||
Bill Evans – Midnight Mood by Joe Zawinul | Bill Evans – Midnight Mood by Joe Zawinul | |
Bill Evans – My Foolish Heart by Victor Young | Bill Evans – My Foolish Heart by Victor Young | |
Bill Evans – My Funny Valentine (Transcription) Jazz Standard sheet music | ||
Bill Evans – Never Let Me Go (Piano transcription) | ||
Bill Evans – Never Let Me Go (Piano Transcription) (Musescore File).mscz | ||
Bill Evans – One for Helen | Bill Evans – One for Helen | |
Bill Evans – Only Child transcription | ||
Bill Evans – Piano Solos | Bill Evans Piano solos | |
Bill Evans – Rare Transcriptions 3 | Bill Evans – Rare transcriptions vol. 3 sheet music | |
Bill Evans – Rare transcriptions vol.1 | Bill Evans – Rare transcriptions vol.1 sheet music | |
Bill Evans – Rare transcriptions vol.2 | Bill Evans – Rare transcriptions vol. 2 sheet music | |
Bill Evans – Remembering The Rain.mscz | ||
Bill Evans – Santa Claus Is Coming To Town | ||
Bill Evans – Signature Licks – Piano Transcriptions | Bill Evans – Signature Licks – Hal Leonard – Piano Transcriptions | |
Bill Evans – Skating in Central Park (Solo) from Undercurrent with Jim Hall | ||
Bill Evans – Someday My Prince Will Come from Portrait in Jazz sheet music Transcription | Bill Evans – Someday My Prince Will Come from Portrait in Jazz sheet music Transcription | |
Bill Evans – Star Eyes (melody transcription) from The Universal Mind of Bill Evans | Bill Evans – Star Eyes (melody transcription) from The Universal Mind of Bill Evans (first page sample) | |
Bill Evans – Star Eyes (melody transcription) from The Universal Mind of Bill Evans.mscz | ||
Bill Evans – The 70’S Solo Piano | Bill Evans – The 70’S, Solo Piano | |
Bill Evans – The Artistry Of (Songs And Improvisation Transcription) | Bill Evans sheet music | |
Bill Evans – The Dolphin piano solo transcription | Bill Evans – The Dolphin piano solo transcription | |
Bill Evans – The Dolphin Transcription sheet music | ||
Bill Evans – The Last Compositions | Bill Evans – The Last Compositions | |
Bill Evans – Theme From Mash | ||
Bill Evans – Turn out the Stars | Bill Evans – Turn out the Stars_compressed | |
Bill Evans – Turn Out The Stars – Bill Evans (Transcription) Jazz Standard sheet music (from Some Other Time) | Bill Evans – Turn Out The Stars – Bill Evans (Transcription) Jazz Standard sheet music | |
Bill Evans – Very Early | ||
Bill Evans – Very Early Live In Paris [1972] solo transciption | ||
Bill Evans – We will meet again from The 70’S Solo Piano | ||
Bill Evans (1969) Emily sheet music transcription | ||
Bill Evans 4 New Versions Of Bill Evans Tunes Taken From His Recordings | Bill Evans_4 New Versions Of Bill Evans Tunes Taken From His Recordings | |
Bill Evans And The Craft Of Improvisation | Bill Evans craft improvisation | |
Bill Evans Autumn Leaves (as played in Portrait in Jazz) complete transcription | Bill Evans Autumn Leaves (as played in Portrait in Jazz) complete transcription | |
Bill Evans But Beautiful transcription | Bill Evans But Beautiful transcription | |
Bill Evans Collection For Solo Guitar | Bill Evans Collection For Solo Guitar | |
Bill Evans Emily | ||
Bill Evans Fake Book (60 original transcriptions) | Bill Evans Fake Book (60 original transc.) — Bill Evans Fake Book | |
Bill Evans Five | ||
Bill Evans How My Heart Sings – as played by Bill Evans | Bill Evans How My Heart Sings – as played by Bill Evans | |
Bill Evans How My Heart Sings By Pettinger Peter (Book) | ||
Bill Evans Jazz Piano Transcriptions | Bill Evans Jazz Piano Transcriptions | |
Bill Evans Jim Hall – Romain from Undercurrent | ||
Bill Evans Like Someone In Love sheet music transcription (1962 Sessions) | Bill Evans April Like Someone In Love sheet music transcription (1962 Sessions) | |
Bill Evans Midnightmood | ||
Bill Evans Nardis (Bill Evans Trio) | ||
Bill Evans Oleo (Transcription) | Bill Evans Oleo | |
Bill Evans Omnibook For Piano Transcribed exactly from his recorded solos | Bill Evans Omnibook For Piano Transcribed exactly from his recorded solos | |
Bill Evans Perfect Piano Score | Bill Evans Perfect Piano Score | |
Bill Evans Piano Interpretations | Bill Evans-Piano Interpretations sheet music library | |
Bill Evans Piano Solo Transcriptions | Bill Evans Piano Solo Transcriptions | |
BILL EVANS Plays – Original Compositions Solo Transcriptions | Bill Evans Plays | |
Bill Evans Plays Duke Ellington Reflections In D | ||
Bill Evans Plays Standards | Bill Evans Plays Standards sheet music | |
Bill Evans Quiet Now (Jazz Standard) Transcription | ||
Bill Evans Santa Claus Is Coming To Town Transcription | ||
Bill Evans Solo Sessions Vol 1 Everything Happens To Me | ||
Bill Evans Solo Sessions Vol 2 What Kind Of Fool Am I | ||
Bill Evans Solo Sessions Vol1 April In Paris | ||
Bill Evans Songbook Jazz Piano Solos Series, Volume 19 (Bill Evans) | Bill Evans Songbook Jazz Piano Solos Series, Volume 19 (Bill Evans) | |
Bill Evans Stella By Starlight Jazz Standard The Bill Evans Trio Vol 2 Transcription | ||
Bill Evans Tenderly Everybody Digs | Bill Evans Tenderly Everybody Digs | |
Bill Evans The Bill Evans Trio Vol 1 | bill-evans-trio-Volume 1 1956-1961-transcriptions sheet music | |
Bill Evans The Bill Evans Trio Vol 2 | Bill Evans The Bill Evans Trio Vol 2 | |
Bill Evans The Bill Evans Trio Vol 3 | Bill Evans The Bill Evans Trio Vol 2 | |
Bill Evans The Mastery Of Bill Evans Artist Piano Transcriptions (a close look at two classic compositions: Waltz for Debby and Very Early) by Pascal Wetzel | Bill Evans The Mastery Of Bill Evans Artist Piano Transcriptions | |
Bill Evans Time Remembered (lead sheet) | Bill Evans Time Remembered | |
Bill Evans Transcription sheet music of April, 1962 Sessions Danny Boy | ||
Bill Evans Transcription sheet music of April, 1962 Sessions Easy To Love | ||
Bill Evans Transcription sheet music of April, 1962 Sessions In Your Own Sweet Way | ||
Bill Evans Transcription sheet music of April, 1962 Sessions Like Someone In Love | ||
Bill Evans Transcription sheet music of Everybody Digs Peace Piece | ||
Bill Evans Transcription sheet music of New Jazz Conceptions Waltz For Debby | ||
Bill Evans Transcription sheet music of Solo Sessions Vol.1 Medley My Favourite Things, Easy To Love, Baubles, Bangles And Beads | ||
Bill Evans Transcription sheet music of Solo Sessions Vol.2 I Loves You, Porgy (Complete Transcription) | ||
Bill Evans Transcription sheet music of Solo Sessions Vol.2 Love Is Here To Stay | ||
Bill Evans Transcription sheet music of Solo Sessions Vol.2 Medley Autumn In New York, How About You | ||
Bill Evans Transcription sheet music of Solo Sessions Vol.2 Santa Claus Is Coming To Town | ||
Bill Evans Transcriptions (Own Tunes and tunes by Earl Zindars) | Bill Evans Transcriptions (Own Tunes and tunes by Earl Zindars) | |
Bill Evans Trio – Jazz improvisation (Transcriptions) | Bill Evans Trio – Jazz improvisation (Transcriptions) | |
Bill Evans Turn Out Star | ||
Bill Evans We Will Meet Again | ||
Bill Evans When I Fall In Love | ||
Bill Evans You Go to my Head Piano solo (Omnibook For Piano Transcribed exactly from his recorded solos) Haven Gillespie J. Fred Coots | Bill Evans You Go to my Head Piano solo (Omnibook For Piano Transcribed exactly from his recorded solos) Haven Gillespie J. Fred Coots | |
Bill Evans- Body And Soul Transcription | ||
Bill Frisell – St. Louis Blues Guitar Solo Transcription | Bill Frisell – St. Louis Blues Guitar Solo Transcription | |
Bill Frisell An Anthology | Bill Frisell An Anthology | |
Bill Frisell Guitar Artisrty | Bill Frisell Guitar Artisrty | |
Bill Gaither Homecoming Souvenir Songbook | ||
Bill Haley Rock Around The Clock Bill Haley & The Comets Easy Piano Solo | ||
Bill Haley – Rock Around The Clock | ||
Bill Holman Front Runner Full Band Score | ||
Bill Holman Kingfish Full band score | ||
Bill Holman Malaga – Full Big Band | ||
Bill Piburn plays Antonio Carlos Jobim – Jobim (Guitar with TABS) | Bill Piburn plays Antonio Carlos Jobim – Jobim (Guitar with TABS) | |
Bill Withers – Ain’t No Sunshine | ||
Bill Withers – Lean On Me | ||
Bill Withers Ain’t No Sunshine Piano Vocal Guitar | ||
Bill Withers Lovely Day | ||
Bill Withers Lovely Day Piano Vocal Guitar chords | ||
Billie Eilish Lovely With Khalid | ||
Billie Eilish Wish You Were Gay Lu |
A Child is Born – comme joué par by OSCAR PETERSON, partition de piano , (sheet music)
Ocar Peterson
Oscar Emmanuel Peterson, ou comme on l’appelait souvent, “Le roi du swing intérieur”, était l’un des artistes de musique jazz les plus influents et les plus réussis du XXe siècle. Capable de créer des mélodies divines et harmonieuses, ce pianiste et compositeur de jazz avait de la magie dans sa musique.
Avec ses mélodies apaisantes et harmonieuses, il a conquis le cœur de millions de personnes en créant une musique qui transcende les frontières culturelles et fait vivre aux gens un pur bonheur. Sa musique reflétait des émotions et des messages puissants, qui visaient à répandre la positivité, l’espoir et à connecter les gens avec ses merveilleuses créations musicales.
Considéré comme l’un des plus grands pianistes de jazz, il a eu une carrière impressionnante qui a duré plus de six décennies. Influençant et impactant le genre musical jazz, Oscar Peterson a donné au monde quelques-uns des meilleurs jazzmen jamais connus.
Les premières années d’Oscar Peterson
Né et éduqué à Montréal, au Québec, il a été élevé par sa famille composée d’immigrants des Antilles. Son père travaillait comme bagagiste pour les Chemins de fer du Canadien Pacifique. Ayant grandi dans le quartier de la Petite-Bourgogne à Montréal, la musique jazz et sa culture avaient pris racine profondément chez Oscar depuis le tout début.
À l’âge de cinq ans, Oscar avait perfectionné et perfectionné ses compétences à la trompette et au piano, mais en raison d’un épisode de tuberculose à l’âge de sept ans, il n’était plus capable de jouer de la trompette et a donc concentré toutes ses énergies sur le jeu de la trompette et le piano.
Ses premiers professeurs de musique comprenaient son père, qui était un trompettiste et pianiste amateur, et sa sœur, qui lui a appris le piano classique.
Au cours de ses premières années, Oscar a étudié avec le pianiste d’origine hongroise Paul de Marky, qui était un élève d’Istvan Thoman, et donc son apprentissage initial du piano était plus axé sur le côté classique. Mais bientôt son attention fut attirée par le jazz traditionnel et le boogie-woogie, ce qui l’inspira à apprendre diverses pièces de ragtime. Et peu de temps après, à l’âge de neuf ans, Oscar Peterson avait perfectionné son art et pouvait jouer du piano avec grâce et élégance, impressionnant même les musiciens professionnels.
Dans les années suivantes, il étudie et apprend le piano et pratique quatre à six heures par jour. Il était vraiment passionné et dédié à la musique de tout son cœur. En 1940, alors qu’Oscar avait quatorze ans, il remporte le concours national de musique organisé par la Société Radio-Canada.
Avec une oreille fine pour la musique, Oscar a décidé de devenir musicien professionnel. Et peu de temps après, il abandonna l’école, où il jouait également dans un groupe avec Maynard Ferguson. Après avoir quitté l’école, Oscar est devenu pianiste professionnel et a joué dans une émission de radio hebdomadaire, et en même temps, il jouait dans des auditoriums et des hôtels. Pendant son adolescence, il a par ailleurs été membre du Johnny Holmes Orchestra.
Mais au fur et à mesure que sa carrière musicale progressait, il commença à se concentrer sur le boogie-woogie et le swing, inspiré par des artistes comme Nat King Cole et Teddy Wilson. De 1945 à 1949, Oscar travaille en trio et enregistre pour Victoria Records. Et au moment où il avait atteint la vingtaine, Oscar s’était créé une image impressionnante en raison de ses incroyables talents musicaux, et était souvent considéré comme un pianiste techniquement brillant et mélodiquement inventif.
La carrière musicale d’Oscar Peterson
La manière dont Oscar a rencontré Norman Granz n’était rien de moins qu’une scène de film. Sur le chemin de l’aéroport, Norman Granz a entendu la radio qui diffusait depuis un club local et a été hypnotisé par l’étonnante musique de piano jazz qu’il a entendue.
Il a ensuite dit au chauffeur de taxi de l’emmener dans ce club particulier afin qu’il puisse rencontrer le talentueux pianiste de jazz. Et c’est là qu’il a rencontré Oscar Peterson.
Plus tard, il a également présenté Oscar à New York lors d’un concert ‘Jazz at the Philharmonic’. Norman fut le manager d’Oscar pendant la majeure partie de sa carrière musicale. En 1950, Oscar a travaillé en duo avec le contrebassiste Ray Brown, puis a ajouté le guitariste Barney Kessel.
Peu de temps après, Herb Ellis a remplacé Barney Kessel et le trio était ensemble de 1953 à 1958, souvent en tournée avec ‘Jazz at the Philharmonic’. Ce trio était considéré comme la collaboration la plus sensationnelle et la plus stimulante, que ce soit lors de représentations publiques ou d’enregistrements en studio.
Peu de temps après, Oscar a formé un trio avec le guitariste Joe Pass et le bassiste Niels-Henning Orsted-Pedersen, et a enregistré leur album légendaire ‘The Trio’ qui a remporté le Grammy Award 1974 pour la meilleure performance de musique jazz par un groupe. Le trio a ensuite créé certaines des musiques de jazz et de piano jazz les plus agréables et apaisants jamais créées. Et en 1974, Oscar a ajouté le batteur britannique Martin Drew à son groupe. Leur quatuor a été une collaboration fructueuse et a fait de nombreuses tournées et enregistrés dans le monde entier.
Plus tard, Oscar Peterson a également sorti ses enregistrements pour piano solo, qui présentaient son piano jazz solo, et a sorti une série d’albums intitulée ‘Exclusive for My Friends’. Oscar a enregistré plusieurs albums à succès avec divers musiciens tout au long de cette période jusqu’à ce qu’il ait un accident vasculaire cérébral. À la fin des années 1980 et 1990, après s’être remis d’un accident vasculaire cérébral, il se produit et enregistre avec son protégé Benny Green.
Au cours des années 1990 et 2000, il a enregistré plusieurs albums magnifiques et a offert au monde de la musique jazz de remarquables créations pour piano solo.
Inspirations et influences
La musique avait inspiré et attiré Oscar dès son plus jeune âge. Lorsque son père a joué un disque de ‘Tiger Rag’ d’Art Tatum, il a été fasciné et impressionné par la musique mélodieuse. Il a été influencé par des artistes légendaires comme Teddy Wilson, James P. Johnson, Nat King Cole et Art Tatum.
Il remercie également sa sœur de lui avoir enseigné le piano comme aucun autre professeur, et comment elle a enseigné et influencé sa carrière musicale. Sous la direction de sa sœur, Oscar Peterson a maîtrisé le cœur de la musique classique pour piano et a tout appris, des gammes aux préludes et fugues.
La santé et les dernières années d’Oscar
Alors qu’Oscar Peterson était un musicien incroyable et étonnant, il souffrait d’arthrite depuis sa jeunesse. Et plus tard, victime d’un accident vasculaire cérébral en 1993, celui-ci affaiblit son côté gauche et l’éloigne de la musique et du piano pendant près de deux ans.
Bien qu’Oscar ait récupéré et amélioré son côté gauche après l’AVC, son jeu de piano et sa capacité à jouer au maximum ont diminué. Il a ensuite ajusté son jeu et sa musique reposait principalement sur sa main droite. Plus tard, en 2007, la santé d’Oscar a commencé à se détériorer et le 23 décembre 2007, il est décédé à son domicile de Mississauga, en Ontario, en raison d’une insuffisance rénale.
La légende du piano jazz et son parcours remarquable
La musique est un langage qui ne parle pas avec des mots, il parle avec des émotions. Et le jazz est l’un de ces styles de musique qui passe par les oreilles et mène droit au cœur.
Oscar Peterson était l’un des musiciens de jazz les plus influents de notre époque et il a vraiment donné au monde du jazz des créations incroyables et stellaires. Souvent appelé « le Maharaja du clavier », il était un maître de son art et s’est produit lors de milliers de concerts dans le monde entier. Tout au long de son incroyable carrière musicale, Oscar Peterson a sorti plus de 200 enregistrements, a remporté huit prix Grammy, dont le ‘Grammy Lifetime Achievement Award’, et divers autres prix et distinctions comme le ‘International Lifetime Achievement Award’.
Considéré comme l’un des plus grands pianistes de jazz de tous les temps, Oscar Peterson est véritablement une légende. Écoutez la merveilleuse musique de piano jazz solo d’Oscar Peterson et de nombreux autres musiciens de jazz sur Calm Radio.
Best Sheet Music download from our Library.
Browse in the Library:
Artist or Composer / Score name | Cover | List of Contents |
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(500) Days Of Summer Piano Theme ( Mychael Danna, Rob Simonsen) | (500) Days Of Summer Piano Theme ( Mychael Danna, Rob Simonsen) | |
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100 Golden Standards The World’s Best Piano Arrangements by the greatest pianists of the Century | The World’s Best Piano Arrangements | |
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A Clockwork Orange (Beethoviana) | A Clockwork Orange (Beethoviana) | |
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A Comparative Study Of The 24 Preludes Of A. Scriabin And Sergei Rachmaninoff (book) | ||
A Complete Course of Instruction For The Piano-Forte (Dr Karl Merz) (1885) | Instruction… | |
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A Creative Approach To Jazz Piano Harmony Bill Dobbins | A Creative Approach To Jazz Piano Harmony Bill Dobbins | |
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A Dance of Dragons – Blood of the Dragon (Game of Thrones) Piano solo arr. | ||
A Dictionary of Music and Musicians Vol. 4 (A.D. 1450-1880) Edited in 1889 |