Table of Contents:
What is a Jazz Standard?
A jazz standard is a musical theme that has acquired a certain notoriety in the jazz genre, which is known by many musicians and which has been the subject of numerous versions, interpretations and improvisations, and which is frequently used in jam sessions and performances.
There are standards from all eras of jazz, such as ‘When the Saints Go Marching In’, ‘I Got Rhythm’ or ‘How High the Moon’, ‘Take the ‘A’ Train’ to cite examples of the hot, swing and bop.
Many of the best-known standards were composed for films, or come from the so-called Great American Songbook, and have been incorporated into the genre, such as, for example, ‘Summertime’, by George Gershwin, while, for example, ”Round Midnight’, by Thelonious Monk, has been covered by, among others, Cootie Williams, Dizzy Gillespie, Art Pepper, and Miles Davis.
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The most recorded standard composed by a jazz musician, and one of the most covered songs of all time, is Duke Ellington’s and Juan Tizol’s “Caravan” with over 500 uses.
Originally, the most recorded jazz standard was W. C. Handy’s “St. Louis Blues” for over 20 years from the 1930s onward, after which Hoagy Carmichael’s “Stardust” replaced it. Following this, the place was held by “Body and Soul” by Johnny Green.
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Before 1920
At the beginning of the 20th century, jazz was still considered dance music. The first Dixieland groups remained influenced by this image: King Oliver and his Creole Jazz Band, the New Orleans Rhythm Kings and many other groups included Tin Pan Alley in their repertoires, and record companies sometimes dictated the list of titles that must be recorded by their artists.
Certain imposed songs have thus become standards, such as Darktown Strutters’ Ball or (Back Home Again in) Indiana, recorded by the Original Dixieland Jass Band at Columbia Records in 1917.
Also, among the standards of this era are the songs After You’ve Gone (Turner Layton and Henry Creamer, 1918) and Some of These Days (Sophie Tucker, 1910).
The 1920s
The Jazz Age began in the United States in the 1920s. Jazz became popular there, even though the older generation considered this music immoral and endangering their cultural values.
The first artist who allowed himself to freely choose his titles was Louis Armstrong, who popularized many standards during the years 1920 to 19301. The popular tunes of the 1920s were songs like Sweet Georgia Brown, Dinah or Bye Bye Blackbird.
Some compositions from this era written by jazz musicians have become standards such as Honeysuckle Rose (1928) and Ain’t Misbehavin’ (1929) by Fats Waller. The song Stardust by Hoagy Carmichael and Mitchell Parish is the most recorded jazz standard of the 1920s. Others are written by Broadway composers such as The Man I Love by George and Ira Gershwin (1924), Blue Skies by Irving Berlin (1927), or What Is This Thing Called Love? by Cole Porter (1927).
However, it was not until the 1930s that jazz musicians became comfortable with the complex melodies and sophisticated harmonic grids of Broadway tunes, and used them regularly in their repertoires.
The 1930s
Broadway contributed some of the most popular standards of the 1930s, including the famous Summertime from the comedy Porgy and Bess by George and Ira Gershwin (1935), My Funny Valentine by Richard Rodgers and Lorenz Hart (1937), All the Things You Are by Jerome Kern and Oscar Hammerstein II (1939), and Body and Soul by Johnny Green (1930). These standards are among the most recorded.
The 1930s saw swing establish itself in American music. Duke Ellington and his musicians composed many themes which would become jazz standards: It Don’t Mean a Thing (If It Ain’t Got That Swing) (1932), Sophisticated Lady (1933), Caravan (1936) among the most famous.
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The swing era (1935–1946) is that of the greatest big bands, such as those of Benny Goodman and Count Basie, who also participated in the repertoire of jazz standards.
The 1940s
New themes became popular, such as Cotton Tail by Duke Ellington (1940) or Take the ‘A’ Train by Billy Strayhorn (1941). The Second World War was a difficult time for big bands, and small groups developed.
The arrival of bebop brought out a new audience sensitive to sophisticated harmonies, fast tempos, and the virtuosity of the musicians. Their repertoires largely use the standards of the 1930s, but their compositions will also enter the list of standards: Salt Peanuts (1941) and A Night in Tunisia (1942) by Dizzy Gillespie, Anthropology (1946), Yardbird Suite (en) ( 1946), Scrapple from the Apple (1947) by Charlie Parker, or ‘Round Midnight (1944) by Thelonious Monk.
The 1950s and beyond
Some modal jazz recordings became popular in the late 1950s, such as the albums Kind of Blue by Miles Davis in 1959 with the compositions All Blues and So What, Impressions (en) by John Coltrane in 1963, or Maiden Voyage by Herbie Hancock in 1965.
In the mid-1960s, Miles Davis’ second major quintet with Wayne Shorter and Herbie Hancock recorded a series of albums which contained standards such as Footprints (Wayne Shorter, 1966) and Freedom Jazz Dance (Eddie Harris, 1966).
At the end of the 1950s, bossa nova appeared in Brazil, a mixture of samba and jazz, made popular by João Gilberto, Antônio Carlos Jobim and Luiz Bonfá. Gilberto and Stan Getz launched this trend in the United States in 1964 with the famous Getz/Gilberto album. Among the standards of the genre are compositions by Bonfá (Manhã de Carnaval, 1959), Marcos Valle (Summer Samba, 1966), and numerous songs by Jobim such as Desafinado (1959), The Girl from Ipanema (1962), Corcovado (1962).
In the mid-1970s, jazz fusion appeared, which was a mixture of jazz, funk and rock. Joe Zawinul with Weather Report, Chick Corea with Return to Forever, Herbie Hancock with The Headhunters, or John McLaughlin’s Mahavishnu Orchestra considerably broaden the jazz audience, and some of their successes have become standards: Spain (en) by Chick Corea (1971), Chameleon by Hancock (1973), and Birdland by Joe Zawinul (1977).
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Jazz standards
Musical compositions that have become jazz standards.
Irving Berlin – Alexander’s Ragtime Band [1911]
“Alexander’s Ragtime Band” is a Tin Pan Alley song by American composer Irving Berlin released in 1911 and is often inaccurately cited as his first global hit. Although not a traditional ragtime song, Berlin’s jaunty melody nonetheless “sold a million copies of sheet music in 1911, then another million in 1912, and continued to sell for years afterward.
It was the number one song from October 1911 through January 1912.” The song might be regarded as a narrative sequel to “Alexander and His Clarinet”, which Berlin wrote with Ted Snyder in 1910. The earlier song is mostly concerned with a reconciliation between an African-American musician named Alexander Adams and his flame Eliza Johnson, but also highlights Alexander’s innovative musical style.
Berlin’s “Alexander’s Ragtime Band” was introduced to the American public by vaudeville comedienne Emma Carus, “one of the great stars of the period.” A popular singer in the 1907 Ziegfeld Follies and Broadway features, Carus was a famous contralto of the vaudeville era, renowned for her “low bass notes and high lung power.”
Carus’ brassy performance of the song at the American Music Hall in Chicago on April 18, 1911, proved to be well-received, and she toured other metropolises such as Detroit and New York City with acclaimed performances that featured the catchy song. The song as comically recorded by American singing duo Arthur Collins and Byron G. Harlan became the number one hit of 1911.
Nearly two decades later, jazz singer Bessie Smith recorded a 1927 cover, which became one of the hit songs of that year. The song’s popularity re-surged in the 1930s with the release of a 1934 close harmony cover by the Boswell Sisters, and a 1938 musical film of the same name starring Tyrone Power and Alice Faye. The song was covered by a variety of artists such as Al Jolson, Billy Murray, Louis Armstrong, Bing Crosby, and others. Within fifty years of its release, the song had at least a dozen hit covers.
Etta James – Stormy Weather
From the album is At Last.
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Artist or Composer / Score name | Cover | List of Contents |
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Michael Jackson (jazz) Bille Jean Jazz Piano Sheet Music |
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Michael Jackson Best Of |
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Michael Jackson Best Of |
Michael Jackson Billie Jean Piano vocal Sheet Music |
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Michael Jackson Collection |
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Michael Jackson Collection |
Michael Jackson Heal The World | ||
Michael Jackson Invincible Songbook |
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Unbreakable,Heartbreake,Invincible,Break of Dawn,Heaven Can Wait You Rock My World, Butterflies, Speechless, 2000 Watts,You Are My Life,Privacy,Don’t Walk Away,Cry,The Lost Children,Whatever Happens,ThreatenedMichael Jackson Invincible Songbook |
Michael Jackson Number Ones |
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Michael Jackson number ones |
Michael Jackson R. Kelly – You Are Not Alone (Jazz Piano solo) | Michael Jackson R. Kelly – You Are Not Alone (Jazz Piano solo) | |
Michael Jackson Thriller |
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Michael Jackson Thriller |
Michael Massei – The Greatest Love Of All |
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Michael Masser – Hold Me In Your Arms | ||
Michael Nyman – (The Piano) The Heart Ask Pleasure First (Musescore File).mscz | ||
Michael Nyman – Debbie (from the film Wonderland) |
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Michael Nyman – Film Music For Solo Piano |
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Michael Nyman Film Music for So – Film Music For Solo Piano |
Michael Nyman – If | Michael Nyman If | |
Michael Nyman – Revisiting The Piano |
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Michael Nyman – Revisiting The Piano |
Michael Nyman – The Heart Asks Pleasure First | ||
Michael Nyman – The Piano – Complete book |
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Michael Nyman – The Piano – Completa |
Michael Nyman Chasing Sheep Is Best Left To Shepherds |
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Michael Nyman Collected Writings (Book) |
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Michael Nyman Diary of Love (The end of the affair) | Diary of Love Michael Nyman (The end of the affair) | |
Michael Nyman Franklyn | Nymann Franklyn | |
Michael Nyman Shaping The Curve Soprano Saxophone And Piano |
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Michael Nyman The Heart Asks Pleasure First The Piano (Musescore File).mscz | ||
Michael Nyman The Promise piano solo |
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Michael W Smith Freedom |
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Michael W Smith Freedom |
Michael Wang – Fairytale | ||
Michel Camilo – From within | Michel camilo From within- | |
Michel Camilo Latin Skills |
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Michel Camilo Piano Solo |
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Michel Camilo – Piano Solo |
Michel Jackson Man In The Mirror Guitar Tabs Arr. By Tuck Andress Comp. Siedah Garrett And Glen Ballard |
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Michel Legrand Claude Nougaro Le Cinéma | Michel Legrand Claude Nougaro Le Cinéma | |
Michel Legrand Les Moulins De Mon Coeur (The Windmills Of Your Mind) Piano Solo | Mchel Legrand Les Moulins De Mon Coeur (The Windmills Of Your Mind) Piano Solo | |
Michel Legrand Les Moulins De Mon Coeur (The Windmills Of Your Mind) Guitar Chords |
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Michel Legrand Les Moulins De Mon Coeur (The Windmills Of Your Mind) Piano and lyrics in English | Mchel Legrand Les Moulins De Mon Coeur (The Windmills Of Your Mind) Piano and lyrics in English | |
Michel Legrand Les Moulins De Mon Coeur (The Windmills Of Your Mind) Piano et parolles en français | Mchel Legrand Les Moulins De Mon Coeur (The Windmills Of Your Mind) Piano et parolles en français | |
Michel Legrand Nous Voyageons De Ville En Ville (Les Demoiselles De Rochefort) |
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Michel Legrand Oum Le Dauphin Blanc (Zoom The White Dolphin) | Michel Legrand Oum Le Dauphin Blanc (Zoom The White Dolphin) | |
Michel Legrand Chanson De Maxence |
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Michel Legrand Chanson Des Jumelles Du Film Les Demoiselles De Rochefort |
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Michel Legrand film scores Piano book (The Music of Michel Legrand) |
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Michel Legrand piano sheet music |
Michel Legrand – Les Demoiselles De Rochefort Songbook |
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Michel Legrand – Les Parapluies De Cherbourg Guitar Tabs arr. |
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Michel Legrand – Oum Le Dauphin Blanc (Zoom The White Dolphin) (Musescore File).mscz | ||
Michel Legrand – What Are You Doing The Rest Of Your Life (Guitar) (Musescore File).mscz | ||
Michel Legrand Album 16 Chansons |
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Michel Legrand Album 16 Chansons |
Michel Legrand Les Demoiselles De Rochefort Thème Concerto (Piano) |
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Michel Legrand Les Parapluies De Cherbourg arr. Paul Mauriat Piano solo partition |
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Michel Legrand Quand On S’aime |
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Michel Legrand The Genius Of, Songbook |
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Michel Legrand The Genius Of, Songbook |
Michel Legrand The Summer Knows | Michel Legrand The Summer Knows | |
Michel Petrucciani Home (Solo Live 1998) Sheet Music Transcription | Michel Petrucciani Home (Solo Live 1998) Sheet Music Transcription | |
Michel Petrucciani 7 Originalpiano Transcriptions |
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Michel Petrucciani 7 Originalpiano Transcriptions |
Michel Petrucciani Little Peace In C For U |
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Michel Petrucciani transcriptions Songbook |
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Michel Petrucciani transcriptions Songbook |
Michel Petrucciani – Cantabile (sheet music transcription) |
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Michel Petrucciani – Cantabile (Sheet Music Transcription) (Musescore File).mscz | ||
Michel Petrucciani – Home (1998 Solo Live Transcription) (Musescore File).mscz | ||
Michel Petrucciani – Home (Solo Live 1998) (Musescore File).mscz | ||
Michel Petrucciani – Stella By Starlight | Michel Petrucciani – Stella By Starlight | |
Michel Petrucciani – The Book Piano sheet music Transcriptions |
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Michel Petrucciani – The Book Piano sheet music Transcriptions |
Michel Petrucciani All The Things You Are sheet music transcription |
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Michel Petrucciani Besame Mucho transcription | Michel Petrucciani Besame Mucho transcription | |
Michel Petrucciani Note For Note |
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Michel Petrucciani Note For Note |
Michel Petrucciani Piano sheet music Transcriptions (Great Musicians) |
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Michel Petrucciani Piano sheet music Transcriptions (Great Musicians) |
Michel Petrucciani Various Transcripts | Michel Petrucciani Various Transcripts 29 | |
Michelle (A Jazzy Version) (Musescore File).mscz | ||
Michelle Branch – All You Wanted | ||
Michelle Branch – One Of These Days | ||
Michelle Satb (Musescore File).mscz | ||
Michiru Oshima ICO Castle In The Mist Piano Solo |
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Michiwo Tashima Guitar Solo & TAB In Popular Ballad Vol 1 |
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Michiwo Tashima Guitar Solo In Popular Ballad Vol 1 |
Michiwo Tashima Guitar Solo In Popular Ballad Vol. 2 Guitar Tablature |
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Michiwo Tashima Guitar Solo In Popular Ballad Vol. 2 Guitar Tablature |
Mick Jagger (Philip Norman) Book |
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Midnight Mood (Musescore File).mscz | ||
Midsummer Waltz (The Stepford Wives OST) David Arnold | ||
Miguel Bernal Jiménez – 3 Villancicos (arr. Guitarra) |
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Mika – Life In Cartoon Motion Songbook |
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Mika – Life In Cartoon Motion Songbook |
Mika – Over My Shoulder | ||
Mika – Underwater | Mika – Underwater part | |
Mikael Tariverdiev – I Asked the Ash Tree – From The Irony Of Fate Guitar Solo |
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Mike Cornick – Film Noir | Mike Cornick – Film Noir | |
Mike Cornick Easy Jazzy Piano |
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Mike Cornick Easy Jazzy Piano |
Mike Lazarev Unhinged Again |
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Mike Oldfield – Tubular Bells (Piano solo) |
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Tubular Bells Mike Oldfield |
Mike Oldfield Songbook |
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Mike Oldfield The Best Of Elements Book |
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Mike Oldfield The Best Of Elements Book |
Mike Rutherford – The Living Years (Book) |
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Mike Stern – Jazz Notes – Sheet Music with Tablature |
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Mike Stern – Jazz Notes – Sheet Music |
Mil Guitarras Victor Jara Cancionero (Guitarra fàcil) Easy guitar |
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Victor Jara Mil guitarras |
Miles Davis All Blues (Easy Piano Solo) | Miles Davis All Blues (Easy Piano Solo) | |
Miles Davis – Aebersold – 07 – [Miles Davis] Jazz Play Along Book + Audio Mp3 |
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Aebersold – 07 – [Miles Davis] |
Miles Davis – Birth Of The Cool – Nicolas Celiz (Full score) |
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Miles Davis – Blue in green | Blue in Green by Miles Davis | |
Miles Davis – Kind Of Blue |
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Miles David Kind of Blue |
Miles Davis – Originals Solos Vol. 2 Artist transcriptions Trumpet |
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Miles Davis solos 2 |
Miles Davis – Trane’s Blues Solo Transcription |
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Miles Davis – Transcribed Trumpet Solos |
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Miles Davis solos 1 |
Miles Davis – When Lights Are Low (Benny Carter) As played by |
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Miles Davis · Eine Biographie Sandner Wolfgang Sandner Wolfgang Book (Deutsch) |
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Miles Davis (Songbook) Jazz Piano Solo Series Volume 1 (Miles Davis) |
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Miles Davis (Songbook) Jazz Piano Solo Series Volume 1 (Miles Davis) |
Miles Davis Autobiography (Book) |
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Miles Davis Jazz Play Along Volume 02 with audio MP3 |
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Miles Davis Jazz Play Along_compressed |
Miles Davis La biografia definitiva – Ian Carr -Book (Spanish – Español) |
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Miles Davis Omnibook For C instruments Transcribed exactly from his recorded solos |
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Miles Davis Omnibook For C instruments Transcribed exactly from his recorded solos |
Miles Davis Real Book C Edition |
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Miles Davis real book |
Miles Davis Tempus Fugit by Bud Powell Jazz Standard |
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Miles Davis The Complete Guide (Book) |
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Miles Davis, The Studio Recordings of the Miles Davis Quintet, 1965-1968 by Keith Waters (Book) |
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Milestones by Miles Davis Jazz Play Along |
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Milestones |
Miley Cyrus – The Climb | ||
Miley Cyrus Flowers Piano Solo |
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Milhaud – 3 Rag-Caprices Piano Solo |
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Milhaud piano sonata no. 1 op. 33 |
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Milhaud Saudades do Brasil piano Op. 67 |
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Mille Echi (La Piovra) Ennio Morricone | ||
Millennium Blues Vol 88 – with Play Along with MP3 audio tracks |
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Millennium Blues Vol 88 – with Play Along with MP3 audio tracks |
Milonga Del Angel (Musescore File).mscz | ||
Minami, K. Classical Guitar Sheet Music arrangements | Minami, K. Classical Guitar Sheet Music Arrangements | |
Minecraft – Alpha (Minecraft Credits Theme) |
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