-
- Aaron Copland – El Salón México Piano solo with sheet music (partitura)
- El Salón México
- The dance hall
- The music
- History of the work
- Sobre esta pieza
Aaron Copland – El Salón México Piano solo with sheet music (partitura)
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El Salón México
El Salón México is a symphonic composition in one movement by Aaron Copland, which uses Mexican folk music extensively. Copland visited Mexico several times in the 1930s. The four melodies of the piece are based on sheet music he purchased during his visits.
The dance hall
The work is a musical depiction of a dance hall in Mexico City called “El Salón México”, which, as its name implies, represents the country of Mexico, with multiple types of music played. The subtitle was “A Popular Type Dance Hall in Mexico City.”
Copland observed that he despaired of the ability to portray, or even understand, the complexity that is Mexico. He continues to say that what he wrote, and what he knew he was writing, was a portrayal of the “visible” Mexico, to some extent the touristy Mexico. He chose dance as the vehicle for his musical portrayal.
Although Copland wrote in his autobiography that he had been taken to “El Salón México” by Carlos Chávez, he also learned of it from a guidebook:
Perhaps my piece might never have been written if it hadn’t been for the existence of the Salón México. I remember reading about it for the first time in a tourist guide book: “Harlem-type nightclub for the peepul [ sic in the original ], grand Cuban orchestra. Three halls: one for people dressed in your way, one for people dressed in overalls but shod, and one for the barefoot.” When I got there, I also found a sign on the wall which said: “Please don’t throw lighted cigarette butts on the floor so the ladies don’t burn their feet.”
…In some inexplicable way, while milling about in those crowded halls, one really felt a live contact with the Mexican people — the atomic sense one sometimes gets in far-off places, of suddenly knowing the essence of a people — their humanity, their separate shyness, their dignity and unique charm.
El Salón México, at Pensador Mexicano 16, opened in 1920 and was the dance capital of Mexico City. For dance bands it was the leading venue in the capital and country, where a wide variety of tunes were played: waltz, foxtrot, tango, pasodoble, and the Cuban danzón; Cuban orchestras often played there, and one Cuban orchestra that appeared regularly wrote a danzón called “Salón México”. It was a place to dance and, it was said, smelled of sweat.
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There was one entrance, but three doors off of it, where patrons sorted themselves by what kind of music and dances they wanted. It was a rare venue where rich, middle class, and poor all attended, with a famous sign, in the lower-class or “proletariat” room, where barefoot dancing was frequent, saying “Don’t throw cigarette butts on the floor because the ladies will burn their feet.”
The hall had murals, now lost, by Diego Rivera, Salvador Novo, Dolores Olmedo, and others. It closed in 1960.
The music
The work contains three musical styles and goes through the series of three twice, starting each time with the upper-class music, passing through a more vigorous working-class music, and ending with the foot-stomping dance of the peasantry.
Divisions between the sections are clear, as if one had walked through a doorway. The upper-class music suggests formal European dancing of the nineteenth century, unlyrical and even unmasculine. The peasant music is far richer rhythmically and more powerful, with a suggestion of the pre-Hispanic (Indian) in it. The work’s conclusion celebrates this kind of music, not that of the well-to-do. Musically, the work displays beautifully Copland’s populism.
History of the work
Copland began the work in 1932 and completed it in 1936. The Mexico Symphony Orchestra gave the first performance under the direction of Carlos Chávez in 1937. The piece was premiered in the U.S. in 1938.
Although Copland visited Mexico early in the 1930s, he based this tone poem not on songs he heard there, but rather on written sheet music for at least four Mexican folk songs that he had obtained: “El palo verde,” “La Jesusita,” “El mosco,” and “El malacate.” The powerful refrain that appears in the piece three times stems from “El palo verde.” Critics have variously described the piece as containing two, three, or four parts, but many listeners find that it moves seamlessly from one theme to another with no clear internal boundaries.
At least three arrangements of the piece exist in addition to the orchestral score. Copland adapted the work for the 1947 musical film Fiesta, directed by Richard Thorpe for MGM. Leonard Bernstein created arrangements for solo piano and for two pianos, four-hands very shortly after the premiere. In addition, a piano transcription of the score was made by conductor Arturo Toscanini in 1942, when the Maestro included the music on an NBC broadcast concert.
In 2006, Paul Glickman and Tamarind King started work on an animated short film based on the Aaron Copland score. In 2007 “El Salón México” received a New Mexico New Visions $20,000 work grant. In 2009 “El Salón México” debuted at The Film Museum Theater in Santa Fe, New Mexico. The computer-animated short was accepted into the following film festivals: Rome International Film Festival (2009 winner, Sylvia Award for Best Animation), Independent’s Film Festival (2009 winner, Best Independent Animation), Santa Fe Film Festival, Kids First Film Festival, Santa Barbara International Film Festival, and the Tiburon International Film Festival.
Sobre esta pieza
Aunque pensamos que Copland es particularmente “americano”, debería ser en el sentido geográfico y cultural más amplio. Viajó extensamente, de Canadá a Argentina, y escribió y dio conferencias con frecuencia sobre fuentes musicales que van desde el blues rural hasta el frevo brasileño.
El primer viaje de Copland a México fue en 1932, a instancias de su amigo Carlos Chávez, el compositor y director de orquesta entonces la figura dominante en la música artística mexicana, y director nacional de Bellas Artes. Muy impresionado con el pueblo, la música y el gobierno revolucionario, Copland regresó varias veces en largas vacaciones de trabajo.
El primer producto de ese viaje inicial a México fue la Sinfonía Corta. El final de la Sinfonía incorpora elementos tradicionales que Copland había escuchado en su viaje. Chávez dirigió el estreno en la Ciudad de México en 1934.
Aunque se terminó más tarde, El Salón México fue otro recuerdo de ese viaje, y una obra fundamental en el uso que Copland hizo de la música folclórica/popular. La obra registra las experiencias de Copland en un salón de baile popular del mismo nombre, con trozos de auténticas canciones mexicanas que Copland encontró en antologías publicadas, mezcladas en una espumosa mezcla orquestal.
Copland completó la orquestación en 1936, y Chávez dirigió el estreno en Ciudad de México en 1937. El Salón México se escuchó por primera vez en Estados Unidos en una emisión de radio, con Adrian Boult al frente de la Sinfónica de la NBC en 1938.
Copland no tenía ilusiones sobre la profundidad de esta traducción musical. “Todo lo que podía esperar era reflejar el México de los turistas, porque en ese punto caliente[El Salón México] se sentía, de una manera muy natural y no afectada, un contacto cercano con el pueblo mexicano. No fue la música lo que escuché, sino el espíritu que sentí allí lo que me atrajo y lo que espero haber puesto en mi música”.
“Copland ha sintetizado aquí lo más característico de la melodía popular mexicana sin quitarle frescura y belleza”, escribió el crítico Baqueiro Forster sobre el estreno. “Ha compuesto música que encarna nuestra canción folclórica en su forma más pura y perfecta.”
Aunque pensamos que Copland es particularmente “americano”, debería ser en el sentido geográfico y cultural más amplio. Viajó extensamente, de Canadá a Argentina, y escribió y dio conferencias con frecuencia sobre fuentes musicales que van desde el blues rural hasta el frevo brasileño.
El primer viaje de Copland a México fue en 1932, a instancias de su amigo Carlos Chávez, el compositor y director de orquesta entonces la figura dominante en la música artística mexicana, y director nacional de Bellas Artes. Muy impresionado con el pueblo, la música y el gobierno revolucionario, Copland regresó varias veces en largas vacaciones de trabajo.
El primer producto de ese viaje inicial a México fue la Sinfonía Corta. El final de la Sinfonía incorpora elementos tradicionales que Copland había escuchado en su viaje. Chávez dirigió el estreno en la Ciudad de México en 1934.
Aunque se terminó más tarde, El Salón México fue otro recuerdo de ese viaje, y una obra fundamental en el uso que Copland hizo de la música folclórica/popular. La obra registra las experiencias de Copland en un salón de baile popular del mismo nombre, con trozos de auténticas canciones mexicanas que Copland encontró en antologías publicadas, mezcladas en una espumosa mezcla orquestal.
Copland completó la orquestación en 1936, y Chávez dirigió el estreno en Ciudad de México en 1937. El Salón México se escuchó por primera vez en Estados Unidos en una emisión de radio, con Adrian Boult al frente de la Sinfónica de la NBC en 1938.
Copland no tenía ilusiones sobre la profundidad de esta traducción musical. “Todo lo que podía esperar era reflejar el México de los turistas, porque en ese punto caliente[El Salón México] se sentía, de una manera muy natural y no afectada, un contacto cercano con el pueblo mexicano. No fue la música lo que escuché, sino el espíritu que sentí allí lo que me atrajo y lo que espero haber puesto en mi música”.
“Copland ha sintetizado aquí lo más característico de la melodía popular mexicana sin quitarle frescura y belleza”, escribió el crítico Baqueiro Forster sobre el estreno. “Ha compuesto música que encarna nuestra canción folclórica en su forma más pura y perfecta.”
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| Acoustic Guitar Bible (35 great songs) Guitar with TABs |
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Acoustic Guitar Bible (35 great songs) Guitar with TABs |
| Acoustic Rock (Guitar) Rolling Stones, Green Day, Pink Floyd, Bob Dylan (Songbook Guitar Tab) with Tablature |
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| Acoustic Rock 90’s, Best of – Guitar with Tablature |
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Acoustic Rock 90’s, Best of – Guitar |
| Acqua azzurra acqua chiara (Battisti) | ||
| Ad Te Levavi (Musescore File).mscz | ||
| Adagio (Lara Fabian) | ||
| Adagio MP3.zip | ||
| Adah’s Theme (La femme avec les yeux lumineux) Sex and the City |
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| Adah’s Theme (Le femme avec les yeux lumineux) Sex and the Cit | ||
| Adam – Adolphe Charles Holy Night Cantique-Nöel |
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| Adam – Cantique de Nöel Minuit Chretiens | Adam – Cantique de Noel Minuit Chretiens VS | |
| Adam – Derniers souvenirs d’un musicien |
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| Adam – O Holy Night | Adam – O Holy Night | |
| Adam – Souvenirs d’un musicien |
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| Adam (Cappeau) – Cantique de Noël. Easy Piano with voice or instrument (Paroles and lyrics) |
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Adam-Cappeau-Cantique-de-Noel- |
| Adam (Cappeau) – Cantique de Noel. Easy Piano with voice or instrument.mscz | ||
| Adam Cantique de Nöel Christmas song | Adam Cantique de noel | |
| Adam Carse – The History Of Orchestration Adam Carse |
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| Addams Family Theme (Musescore File).mscz | ||
| Addams Family Theme (Easy Piano) |
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| Addio Colonnello (Ennio Morricone) | ||
| Adele Songs from the Album 21 For SATB, SSA and Piano |
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Adele Songs from the Album 21 |
| Adele – 21 |
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ADELE 21 SONGBOOK |
| Adele – Chasing Pavements Piano Vocal guitar chords |
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| Adele – Easy on me (Piano solo with lyrics) |
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| Adele – Rolling in the Deep |
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| Adele – Rumor Has It |
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| Adele – Set Fire to the Rain |
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| Adele – Set Fire To The Rain (2) (Musescore File).mscz | ||
| Adele – Someone Like You | Adele – Someone Like You | |
| Adele – Someone Like You easy piano |
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| Adele – The Best Of SongBook (12 songs arranged for easy piano) |
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Adele – The Best Of SongBook (12 songs arranged for easy piano) |
| Adele 19 [Piano, Guitar, Vocals] |
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Adele 19 [Piano, Guitar, Vocals] |
| Adele 25 Songbook |
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Adele 25 Songbook Contents —  |
| Adele Best Of Adele Big Note Piano (Adele Adkins) |
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Adele Best Of Adele Big Note Piano (Adele Adkins) |
| Adele Easy On Me Sheet Music |
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| Adele Original Keys For Singers (Adele) |
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Adele Original Keys For Singers (Adele) |
| Adele Skyfall (Piano Vocal Guitar Chords) | Adele Skyfall (Piano Vocal Guitar Chords) | |
| Adios Amor – Goodbye My Love as recorded by José Feliciano |
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| Adult All In One Course Level 1 With Audio Mp3 (Willard Palmer) |
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Lessons Alfred’s Basic Adult Piano Course Level 1 |
| Adult All In One Course Level 2 With Audio Mp3 (Willard Palmer) |
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Willard Palmer – Adult All-In-One Course Level 2 |
| Adult Greatest Movie Hits Piano Level 1 |
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Adult Greatest Movie Hits Piano Level 1 |
| Adult Piano Adventures ALL-IN-ONE PIANO COURSE 1 |
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| Adult Piano Adventures All-In-One Piano Course Book 2 Book With Media Online (Nancy Faber, Randall Faber) Sheet Music |
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| Adult Piano Adventures Christmas – Book 1 (Nancy Faber Randall Faber) |
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| Adult Piano Adventures Christmas – Book 2 |
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Adult Piano Adventures Christmas – Book 2 |
| Adult Piano Adventures Popular Book 1 – Timeless Hits and Popular Favorites (Adult Piano Adventures Popular) |
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Adult Piano Adventures Popular Book 1 – Timeless Hits and Popular Favorites (Adult Piano Adventures Popular) |
| Adult Piano Course Greatest Movie Hits Piano Level 1 Recordings Broadway Movies |
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Adult Piano Course Greatest Movie Hits Piano Level 1 Recordings Broadway Movies |
| Advanced Harmonic Concepts by Wayne Naus (with audio MP3) |
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Advanced Harmonic Concepts by Wayne Naus |
| Advanced Harmonic Exercises For Jazz Piano |
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advanced harmonic exercises |
| Advanced Piano Solos 1 Encyclopedia by Tom Roed |
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Advanced Piano Solos 1 Encyclopedia by Tom Roed |
| Advanced Piano Solos 2 Complete by Tom Roed |
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Advanced Piano Solos 2 Complete by Tom Roed |
| Advanced Sacred Music Piano Solos by John Kraus |
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| Advanced Scale Concepts and Licks for Guitar (PDF + MP3 audio tracks Play Along) with Tablature |
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| Aebersold – 110 – When I fall In Love – Romantic Ballads pdf with embedded audio MP3 Tracks |
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Jazz Play Along Vol 110 [When i Fall in Love] |
| Aebersold – 113 Embraceable You – Vocal Standards with audio MP3 Tracks |
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Jamey Aebersold – Vol 113 |
| Aebersold – 30 blues scale By Jamey Aebersold | Aebersold – 30 blues scale By Jamey Aebersold | |
| Aebersold – A New Approach To Jazz Improvisation Gettin’it together vol. 21 |
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aebersold gettin all together vol 21 |
| Aebersold – Practice Procedures For Memorizing Scales And Chords | Aebersold – Practice Procedures For Memorizing Scales And Chords | |
| Aebersold – Rapid Reference Vol 1-114 | Aebersold – Rapid Reference Vol 1-114 | |
| Aebersold – Vol 01 – How to Play and Improvise Jazz (with audio MP3) |
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Aebersold – Vol 01 – How to Play and Improvise Jazz |
| Aebersold – Vol 03 – The II-V7-I Progression Jazz Play Along Book + Audio Mp3 |
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| Aebersold – Vol 105 – Dave Brubeck Jazz Play Along Book + Audio Mp3 |
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| Aebersold – Vol 118 – [Groovin Jazz] (with audio MP3) |
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| Aebersold – Vol 32 – Ballads Jazz Play Along Book + Audio Mp3 |
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| Aebersold – Vol 34 – Jam Session Jazz Play Along Book + Audio Mp3 |
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Includes MP3 Play along themes as Blue moon, The shadow of your smile, Over the rainbow, etc. |
| Aebersold – Vol 45 – [Bill Evans] Jazz Play Along Book + Audio Mp3 |
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Aebersold – Vol 45 – [Bill Evans] |
| Aebersold – Vol 58 – Unforgettable Standards Jazz Play Along Book + Audio Mp3 |
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aebersold unforgettable standards sheet music |
| Aebersold – Vol 76 – David Baker – How To Learn Tunes (A Jazz Musician’s Survival Guide) |
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how to learn tunes |
| Aebersold 25 How To Practice By Jamey Aebersold | Aebersold 25 | |
| Aebersold Antonio Carlos Jobim Vol 98 – Bossa Nova Songbook Jazz Play Along Book + Audio Mp3 |
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Aebersold Antonio Carlos Jobim Vol 98 – Bossa Nova Songbook |
| Aebersold Anyone Can Improvise – 52 Points To Remember | Aebersold Anyone Can Improvise – 52 Points To Remember | |
| Aebersold Jazz EAR training (with audio MP3) |
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Aebersold Jazz EAR train |
| Aebersold Jazz Handbook 09 Tips For Learning A New Tune & Practice Procedures For Memorizing |
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Aebersold Jazz HANDBOOK |
| Aebersold Jazz Play-Along Books & audio MP3 1st Part Full Collection – Vol 1- 40 (with MP3) for all instruments |
Compressed file  Aebersold Full Collection Part 1 – Vol 1- 40 |
40 volumes with MP3 Aebersold Book Index Vol.001-106 |
| Aebersold Jazz Play-Along Books & audio MP3 2nd Part Full collection Vol 41- 75 for all instruments | Compressed fileAebersold Full Collection Part 2 – Vol 41- 75.. | 35 volumes with MP3 Aebersold Book Index Vol.001-106 |
| Aebersold Jazz Play-Along Books & audio MP3 3rd Part Full Collection – Vol 76- 112 (with MP3) | Compressed fileAebersold Full Collection Part 3 – Vol 76- 112 | 37 volumes with MP3 Aebersold Book Index Vol.001-106 |