Browse in the Library:
Artist or Composer / Score name | Cover | List of Contents |
---|---|---|
Andrea Morricone – Nuovo Cinema Paradiso – Love Theme | ||
Andrea Vanzo Autumn Intro | ||
Andrea Vanzo Les Madeleines | ||
Andrea Vanzo Spring | ||
Andrea Vanzo Valzer d’Inverno | ||
Andrés Segovia Classic Album For Guitar Volume 2 | Andrés Segovia Classic Album For Guitar Volume 2 | |
Andrés Segovia Classic Album For Guitar Volumes 1 to14 | Andrés Segovia Classic Album For Guitar Volumes 1 to14Andrés Segovia Classic Album For Guitar Volume 2 | |
Andres Segovia Collection Pieces For Solo Guitar | Andres Segovia Collection Pieces For Solo Guitar | |
Andres Segovia Obras Para Guitarra Vol 1 Preludios Y Estudios | Andres Segovia Obras Para Guitarra Vol 1 Preludios Y Estudios | |
Andres Segovia Obras Para Guitarra Vol 2 23 Canciones Populares Del Mundo | Andres Segovia Obras Para Guitarra Vol 2 23 Canciones Populares Del Mundo | |
Andres Segovia- Transcripciones Obras Para Guitarra Vol 3 | Andres Segovia- Transcripciones Obras Para Guitarra Vol 3 | |
Andrew Hill 21 Piano Compositions | ||
Andrew Lloyd Webber Sunset Boulevard (Revised Broadway Version) Piano & Vocal Score | ||
Andrew Lloyd Webber The Music Of The Night | ||
Andrew Lloyd Webber Think of me (The Phantom of the Opera) | Andrew Lloyd Webber Think Of Me | |
Andrew Lloyd Webber – All I Ask of You (The Phantom of the Opera) | ||
Andrew Lloyd Webber – Angel Of Music (Piano, Vocal, Guitar chords) | Andrew Lloyd Webber – Angel Of Music (Piano, Vocal, Guitar chords) | |
Andrew Lloyd Webber – CATS (Piano & Vocal score) | Andrew Lloyd Webber – CATS (Piano & Vocal score) | |
Andrew Lloyd Webber – Jesus Christ Superstar (Musical Excerpts Complete Libretto) Lyrics by Tim Rice | ||
Andrew Lloyd Webber – Joseph And The Amazing Technicolor Dreamcoat The Musical Full Score | ||
Andrew Lloyd Webber – Joseph And The Amazing Technicolor Dreamcoat The Musical Vocal Selections | Andrew Lloyd Webber – Joseph And The Amazing Technicolor Dreamcoat The Musical Vocal Selections | |
Andrew Lloyd Webber – Love Never Dies (Piano Book) | Andrew Lloyd Weber – Love Never Dies (Piano Book) | |
Andrew Lloyd Webber – Love Never Dies Full Vocal Score (Andrew Lloyd Webber) | Love Never Dies Full Vocal Score | |
Andrew Lloyd Webber – Memory (from CATS) Piano Vocal with lyrics | ||
Andrew Lloyd Webber – Requiem (the musical) Piano Vocal Score | ||
Andrew Lloyd Webber – School of Rock | Andrew Lloyd Webber – School of Rock | |
Andrew Lloyd Webber – The Phantom Of The Opera | ||
Andrew Lloyd Webber – Unmasked A Memoir (Book) | ||
Andrew Lloyd Webber – Unmasked The Platinum Collection | Andrew Lloyd Webber – Unmasked The Platinum Collection | |
Andrew Lloyd Webber “By Jeeves”, the musical | ||
Andrew Lloyd Webber Anthology | Webber, Andrew Lloyd – Antholog | |
Andrew Lloyd Webber Jesus Christ Superstar Tim Rice (Deutsche Texte) | Andrew Lloyd Webber Jesus Christ Superstar Tim Rice (Deutsche Texte) | |
Andrew Lloyd Webber Masquerade from The Phantom of the Opera for Guitar TABS | Andrew Lloyd Webber Masquerade from The Phantom of the Opera for Guitar TABS | |
Andrew Lloyd Webber Memory (from Cats) for Guitar TABS | Andrew Lloyd Webber Memory (from Cats) for Guitar TABS | |
Andrew Lloyd Webber Pro Vocal Womens Edition | Andrew Lloyd Webber Pro Vocal Womens Edition | |
Andrew Lloyd Webber Sheet Music Collection, The – Andrew Lloyd Webber sheet music | Andrew Lloyd Webber Sheet Music Collection, The – Andrew Lloyd Webber sheet music | |
Andrew Lloyd Webber The Phantom of the Opera for Guitar TABS | Andrew Lloyd Webber The Phantom of the Opera for Guitar TABS | |
Andrew Lloyd WebberJesus Christ Superstar (Broadway) | Andrew Lloyd Webber Jesus Christ Superstar (Broadway) | |
Andrew Lloyd WebberThe Phantom of the Opera (Piano Vocal & Guitar) Songbook | ||
Androgyne (Mario Leblanc) | ||
Andy Timmons Anthology | ||
Andy Jaffe – Jazz Harmony | Andy Jaffe – Jazz Harmony | |
Andy Laverne – Tons Of Runs For The Contemporary Pianist | andy laverne tons of runs contemporary pianist | |
Andy LaVerne – Vol. 85 Tunes You Thought You Knew | Andy LaVerne sheet music | |
Andy Mckee Joyland (Songbook) (Andy Mckee) Guitar TAB | Andy Mckee Joyland (Songbook) (Andy Mckee) Guitar TAB | |
Angeles Negros Y Volveré (Alaian Barrière) | ||
ANGELO BADALAMENTI – (Twin peaks) – Twin Peaks theme easy piano solo | ANGELO BADALAMENTI – (Twin peaks) – Twin Peaks theme | Badalamenti Angelo – Twin Peaks |
Angelo Badalamenti – Twin Peaks – Love Theme easy piano solo | Badalamenti, Angelo – Twin Peaks – Love Theme | Angelo Badalamenti – Twin Peaks (book) |
Angelo Badalamenti – Twin Peaks (songbook the music of Twin Peaks) | Angelo Badalamenti – Twin Peaks (book) | |
Angelo Badalamenti – Twin Peaks Theme (Instrumental) (Musescore File).mscz | ||
Angelo Badalamenti Twin Peaks – Love Theme (Laura Palmer’s Theme) | Twin Peaks -Love Theme | |
Angra Rebirth Guitar Songbook | ||
Angry Birds Theme Song (Piano) | ||
Animal Crossing Christmas Eve | ||
Animal Crossing – Christmas Eve (Musescore File).mscz | ||
Animal Crossing New Horizons – Welcome Horizons Main Theme | ||
Animals – The House Of The Rising Sun | The Animals – House Of The Rising Sun | |
Animation Collection, Music From The Movies The (Solo Piano) | Animation Collection, Music From The Movies The (Solo Piano) | |
Anime Music Collection | Anime Collection | |
Anime Sheet Music Tsubasa Chronicle | Anime Sheet Music Tsubasa Chronicle | |
Anna And The King – How Can I Not Love You – Enriquez Joy | ||
Anna And The King – How Can I Not Love You – Joy Enriquez | Anna And The King – How Can I Not Love You – Enriquez Joy | |
Anna Karenina 2012 – Curtain (Dario Marianelli) | ||
Anna Karenina 2012 – Dance with me (Dario Marianelli) | ||
Anna Karenina 2012 – I Understood Something (Dario Marianelli) | ||
Anna Karenina 2012 – Kitty’s Debut (Dario Marianelli) | ||
Anna Karenina 2012 – Ouverture (Dario Marianelli) | ||
Anna Karenina 2012 – Ouverture (easier version) | ||
Anna Karenina 2012 – Too Late (Dario Marianelli) | ||
Anna Nalick – Breathe | ||
Anne Murray – Day Dream Believer | ||
Anne Murray Best Of Songbook Piano Vocal Guitar Chords | Anne Murray Best Of Songbook Piano Vocal Guitar Chords CONTENTS LIST | |
Anne Murray Could I Have This Dance Piano Vocal Musescore File.mscz | ||
Anne Of Green Gables – Anne’s Theme | ||
Anne With An E – Marilla’s Theme | Anne With An E – Marilla’s Theme | |
Annie Lennox The Best Of | Anni Lennox best of songbook | |
Anohni – In My Dreams (piano Solo arr.) euphoria OST | ||
Another Day In Paradise Phil Collins (Musescore File).mscz | ||
Another Day of Sun – La La Land OST | ||
Anouk – Girl | ||
Anouk – Its a Shame | ||
Anouk – My Life | ||
Anouk – Nobodys Wife | ||
Anoushiravan Rohani Fravorite Persian Pieces for piano Mid-level piano book | Anoushiravan Rohani Fravorite Persian Pieces for piano Mid-level piano book | |
Ansons S. – 6 easy pieces | ||
Ansons, S. The harmonic garden part I – 24 short Jazz Piano solos | ||
Anthologie De La Chanson Française 1920 1950 Enrégistrée Book (Français) | Anthologie de la chanson française | |
Anthology for Saxophone (arr. for Eb instr. by Andrea Cappilari) | ||
Anthology Of American Piano Music Intermediate To Early Advanced Works By 31 Composers | Anthology Of American Piano Music Intermediate To Early Advanced Works By 31 Composers | |
Anthology of American Song (26 songs collection by representative American Composers) | ||
Anthology Of Broadway Songs Gold Edition Songbook Piano Vocal Guitar chords | Anthology Of Broadway Songs Gold Edition Songbook Piano Vocal Guitar chords | |
Anthology Of Children’s Songs Gold Edition Songbook Piano Vocal Guitar chords | Anthology Of Childrens Songs Gold Edition Songbook Piano Vocal Guitar chords | |
Anthology of French Piano Music – Vol. 2 Modern Composers (1906) | ||
Anthology of French Piano Music by Isidor Philipp Vol. I (1906) | ||
Anthology of German Piano Music by Moritz Moszkowski (1908) Vol I Early Composers | Anthology of German Piano Music by Moritz Moszkowski (1908) Vol I Early Comp | |
Anthology of German Piano Music by Moritz Moszkowski (1908) Vol II Modern Composers | Anthology of German Piano Music by Moritz Moszkowski (1908) Vol II Modern Comp | |
Anthology of Italian Song of 17th and 18th Cent. (1922) | ||
Anthology Of Modern Classics For The Piano (32 Compositions, Selected, Edited And Fingered) 1904 | Anthology Of Modern Classics For The Piano (32 Compositions, Selected, Edited And Fingered) 1904 | |
Anthology of Modern French song (1912) 39 songs with piano accomp. | ||
Anthology Of Movie Songs Gold Edition Songbook Piano Vocal Guitar chords | Anthology Of Movie Songs Gold Edition Songbook Piano Vocal Guitar chords | |
Anthology Of Post Tonal Music By Miguel A. Roig Francolí (Book) | ||
Anthony Braxton Composition Opus 23 M | ||
Anthony Braxton Composition Opus 23D | ||
Anthropology lead sheet.mscz | ||
Anthropology Transcription – Sheila Jordan Charlie Parker.mscz | ||
Anton Bruckner – Fantasy In G Major (Musescore File).mscz | ||
Anton Rubinstein A Life In Music (Book) Biography by Philip S. Taylor | ||
Antonio Carlos Jobim Corcovado (Piano and vocal) | Antonio Carlos Jobim Corcovado (Piano and vocal) | |
Antonio Carlos Jobim The Girl From Ipanema (Piano Solo) Garota De Ipanema | Antonio Carlos Jobim The Girl From Ipanema (Piano Solo) Garota De Ipanema | |
Antonio Carlos Jobim The Girl From Ipanema (Piano Vocal) Garota De Ipanema | Antonio Carlos Jobim The Girl From Ipanema (Piano Vocal) Garota De Ipanema | |
Antonio Carlos Jobim Triste (Guitar Solo Arr. With Tabs Sheet Music) | Antonio Carlos Jobim Triste (Guitar Solo Arr. With Tabs Sheet Music) | |
Antonio Carlos Jobim – Agua De Beber | ||
Antonio Carlos Jobim – Aguas de Março – Tom Jobim Easy Piano Solo arr | Antonio Carlos Jobim – Aguas de Março – Tom Jobim Easy Piano Solo arr | |
Antonio Carlos Jobim – Aguas de Março – Tom Jobim Easy Piano Solo arr.mscx | ||
Antonio Carlos Jobim – cancioneiro (piano,lyrics &guitar chords songbook) | Antonio Carlos Jobim – cancioneiro (piano lyrics songbook) | |
Antonio Carlos Jobim – Corcovado (Musescore File).mscz | ||
Antonio Carlos JOBIM – For bossa nova all styles (Guitar Tabs) | Antonio Carlos JOBIM – For bossa nova all styles | |
Antonio Carlos Jobim – Garota De Ipanema | ||
Antonio Carlos Jobim – Jobim Cancioneiro Obras Completas | Antonio Carlos Jobim – Jobim Cancioneiro Obras Completas contents — Antonio Carlos Jobim – Jobim Cancioneiro Obras Completas | |
Antonio Carlos Jobim – Jobim Cancioneiro Obras Selectas (partituras) | Antonio Carlos Jobim – Jobim Cancioneiro Obras Selectas (partituras) |
Wes Montgomery: The Top 25 pearls in Jazz history
Wes Montgomery Biography
Full name, John Leslie Montgomery; born March 6, 1923, in Indianapolis, Ind.; died June 15, 1968, in Indianapolis, Ind.
When reading Wes Montgomery Biography, you see that many writers respected him…”Listening to [Wes Montgomery’s] solos is like teetering at the edge of a brink,” composer-conductor Gunther Schuller asserted, as quoted by Jazz & Pop critic Will Smith.
“His playing at its peak becomes unbearably exciting, to the point where one feels unable to muster sufficient physical endurance to outlast it.” Legendary guitarist Joe Pass simply says this about Montgomery’s place in musical history: “To me, there have been only three real innovators on the guitar–Wes Montgomery, Charlie Christian, and Django Reinhardt,” as cited in James Sallis’s The Guitar Players.
Throughout the Wes Montgomery Biography you see that this high praise is a testament to the ability of a dude of contradictions: Montgomery was a musician who never learned to read music, and he enjoyed commercial success rarely afforded to jazz musicians during the 1960s, while suffering critical–and personal–disapproval.
Born John Leslie Montgomery on March 6, 1923, in Indianapolis, Indiana, Montgomery showed no early musical aptitude or desire. At the age of nineteen, shortly after he was married, Montgomery heard a recording of “Solo Flight” by the Benny Goodman Orchestra with Charlie Christian on guitar.
The impression was such that Montgomery immediately purchased an electric guitar, an amplifier, and as many Christian recordings as he could find, listening carefully to the guitar solos and learning to play them note for note. Montgomery’s neighbors complained about the noise, however, so he abandoned the guitar pick in favor of plucking the strings with his thumb.
He found the resulting sound mellow and pleasing. Later, while experimenting with different styles and approaches, he discovered the technique that would become his signature. Gary Giddins, in Riding on a Blue Note, explains: “Almost as an extension of that dulcet, singing tone, he began to work in octaves–voicing the melody line in two registers.”
Within a year, Montgomery played in local clubs, imitating Christian solos. Exposed to other musicians and musical ideas, he developed his own concepts, and in 1948 was asked to join Lionel Hampton’s big band.
As a sideman, Montgomery toured and recorded with this group until 1950 when, having missed his wife and children, he returned home to work as a welder for a radio parts manufacturer.
However, as Rich Kienzle pointed out in Great Guitarists, “His desire to play music…was strong. His shift was from 7 A.M. to 3 P.M.; he’d rest for a while, then play at the Turf Bar from 9 P.M. to 2 A.M., moving to a second gig at another club, the Missile Room, from 2:30 A.M. to 5 A.M.” Montgomery continued this pace for six years, joining the group Mastersounds, composed of his brothers Monk (on bass) and Buddy (on piano and vibraphone), in 1957. A few recordings were made by the group on the West Coast, but they failed to attract much attention, and Montgomery returned home to play in clubs.
In 1959, Montgomery received his big break. While performing at the Missile Room, he impressed saxophonist Cannonball Adderley, who subsequently contacted Orrin Keepnews of Riverside Records. Montgomery was immediately signed and traveled to New York to record his first album, The Wes Montgomery Trio.
“From the beginning of his belated ‘discovery,’ the critical reception ranged from euphoria to hyperbole,” Giddins explained. “No one had ever heard a guitar sound like Wes Montgomery’s.” This critical euphoria reached a fevered pitch with the release of Montgomery’s follow-up album, The Incredible Jazz Guitar of Wes Montgomery (1960). It was not just the sound that Montgomery produced, but, as Sallis says, “the intensity of his music one responded to, the power and personality of it.
When Wes hit a string you felt it, and it wasn’t just a note, a C sharp or a B flat, it was part of a story he was telling you.” This recording won Montgomery the down beat critics’ New Star Award for 1960, and he topped the guitar category in both down beat readers’ and critics’ polls in 1961 and 1962.
For the next couple of years, Montgomery performed and toured with various groups, including his brothers, John Coltrane, Wynton Kelly’s trio, and his own trio. Kienzle remarked that “by this time Wes had gained the eminence due him in the jazz world, producing a steady, high-quality level of music regardless of the context. His flow of ideas, soulful articulation, and effortless technique confronted other influences.”
But in 1964, Riverside Records went bankrupt (following the death of president Bill Grauer), and Montgomery signed with Verve Records, headed by Creed Taylor. This move precipitated Montgomery’s fall from grace with the jazz world and concurrent rise in the popular music world. Giddins explains: “Creed Taylor realized something about Montgomery’s talent: it was octave technique and lyric sound, not his audaciously legato eighth-note improvisations with their dramatic architectural designs, that appealed to middle-of-the-road ears.
Sheet music download here.
So he set Montgomery on a course of decreasing improvisation and increasingly busy overdubbed arrangements, while the octaves, once used so judiciously, became the focus of his new ‘style.’” Montgomery’s 1965 release, Goin’ Out of My Head, was a huge popular success, went gold, and earned him a Grammy award as the best instrumental jazz performance of the year.
Commercial success continued to escalate with subsequent albums on the Verve label, and in 1967, after having moved with Taylor to A&M Records, Montgomery recorded A Day in the Life. The title track not only became a popular hit, but the album became the best-selling jazz album of 1967 and one of the best-selling jazz albums of all time.
Remaking pop hits with a jazz feel increased his audience, but decreased his acclaim in jazz circles. Adrian Ingram, in an article for Jazz Journal International, noted that “hard core jazz fans began to desert him, complaining bitterly of over-orchestrated arrangements, sub-standard material (pop tunes) and constricted solo space.” Sallis offered an explanation for his decline: “He was a victim of his own popularity, or of the trivialization of his talent, depending on how you perceive it, and as a result that talent went largely unheard for the last years of his life.”
Montgomery was aware of the growing dissatisfaction in the jazz community with his supposed commercialization, and he tried to make a distinction between his earlier work and his more popular work. “There is a jazz concept to what I’m doing, but I’m playing popular music and it should be regarded as such,” Montgomery said, as quoted by Giddins.
His approach to music had always been one of feeling rather than one of technique. His inability to read music led to his development of a fine ear; he heard music rather than saw it on a page. And this was most important in his relation with his audience. “Wes believed that the music should be communicated, that the audience was part of the band, and the feeling of the music was more important to him than playing every note correctly,” Jimmy Stewart wrote in Guitar Player.
Regardless of the style of, or the audience for, the music, Montgomery played with feeling and conviction. Of Road Song, his last recording for A&M before his death, down beat ‘s Pete Welding said, “He couldn’t play uninterestingly if he wanted to. Time and time again throughout this collection his supple sense of rhythm, his choice and placement of notes, his touch and tone raise what might have been in lesser hands merely mundane to the plane of something special, distinctive, masterful.”
Even with his quoted defense of playing popular music, Montgomery, as Ingram noted, “began to feel trapped by both the music business in general and non-jazz audiences who would tolerate only note perfect renditions of the most popular tunes from his Verve albums.”
Montgomery longed to return to the playing of his earlier style. This was no more evident than when he performed live. A month before Montgomery’s death, Giddins saw him perform and described what he heard: “Surrounded by four rhythm players, his regular group, he immediately shot off a single chorus of ‘Goin’,’ and followed it with the most fiery, exquisite set of guitar music I’ve ever heard…. Clearly, he had compromised only on disc and would eventually be recorded more seriously.” Unfortunately, this did not occur. At the peak of his career, Montgomery suffered a fatal heart attack in his hometown on June 15, 1968.
“While Montgomery’s place in jazz history was earned through his early recordings–his jazz recordings–his talent was encompassing enough to enable him to take on the requirements of ‘commercial’ music and execute it with utter elan, unerring taste, musicianship, and true distinction,” Welding wrote.
In a review for down beat of a posthumous release, Don DeMicheal offered this statement on Montgomery’s lasting ability: “Montgomery could do no wrong when his muse was hot upon him, and it often led him to try and accomplish things that few others could even conceive.”
But it is perhaps this quote from Ingram that succinctly defines the achievements and losses of Montgomery: “Even when he was immersed in blatantly commercial surroundings, Montgomery never lost his ability to create sophisticated, tasteful jazz. He could turn tap water into vintage wine, though it is sad he was forced to do so, so often.”
Wes Montgomery – Wes’ Best / Wes Montgomery and his Brothers (Full Album)
Browse in the Library:
Artist or Composer / Score name | Cover | List of Contents |
---|---|---|
(500) Days Of Summer Piano Theme ( Mychael Danna, Rob Simonsen) | (500) Days Of Summer Piano Theme ( Mychael Danna, Rob Simonsen) | |
10,000 Maniacs Because The Night Piano Solo sheet music | ||
100 Golden Standards The World’s Best Piano Arrangements by the greatest pianists of the Century | The World’s Best Piano Arrangements | |
100 Great Keyboard Intros Songbook | 100 Great Keyboard Intros Songbook | |
100 Greatest Film Scores (Book) by Matt Lawson & Laurence E. MacDonald | ||
100 greatest POP songs | 100 greats pop songs | |
100 Greatest Songs of Rock & Roll, Selections From Piano Vocal Guitar Sheet Music | 100 Greatest Songs of Rock & Roll, Selections From Piano Vocal Guitar Sheet Music | |
100 Hits Simply The Best – Guitar (Die besten Songs aus Pop Rock) German | 100 Hits Simply The Best (Die besten Songs aus Pop | |
100 Jazz & Blues Greats Book | 100 Jazz & Blues Greats | |
100 Jazz Solos & Etudes by Jacob Wise | 100 Jazz solos | |
100 Light Classics For Piano Solo | 100 Light Classics For Piano Solo | |
100 Most Beautiful Christmas Songs Easy Piano Vocal | 100 Most Beautiful Christmas Songs Easy Piano Vocal | |
100 Most Beautiful Christmas Songs Piano Vocal Guitar | 100 Most Beautiful Christmas Songs Piano Vocal Guitar | |
100 Must-Know Jazz Tunes with MP3 audio tracks to Play Along | 100 Must-Know Jazz Tune – C version | |
100 of the Best Movie Songs Ever! Piano Vocal Guitar | 100 best movie songs 1&100 best movie songs 2 | |
100 Of The Best Songs Ever For The Keyboard by Daniel Scott | 100 Of The Best Songs Ever For The Keyboard | |
100 Piano Solos (100 popular standards of today arr. by Frank Booth) with guitar chords | 100 piano solos 1 | |
100 Pop Hits Of The 90’s by Dan Coates | 100 Pop Hits Of The 90’s by Dan Coates | |
100 Rock N Roll Standards Piano Vocal Guitar chords | 100 Rock N Roll Standards Piano Vocal Guitar chords contents | |
100 Songs For Kids – Easy Guitar Lyrics with Tablature | 100 Songs For Kids – Easy Guitar Lyrics | |
100 Tunes Every Musician Should Know Professional Chord Changes And Substitutions By Dick Hyman | 100 Tunes Every Musician Should Know Professional Chord Changes And Substitutions By Dick Hyman | |
100 Ultimate Blues Riffs For Piano Keyboards | 100 ultimate riffs jazz piano | |
100 Women Of Pop And Rock 100 songs by 100 artists | 100 Women Of Pop And Rock 100 songs by 100 artists Piano Vocal Guitaral Leonard | |
100 Years Of Popular Music 1980s Part Two Piano Vocal Guitar Chords | 100 Years Of Popular Music 1980s Part Two Piano Vocal Guitar Chords | |
1000 Examples of Musical Dictation (Ladukhin, Nikolay) | 1000 Examples of Musical Dictation | |
1000 Words – Final Fantasy X-2.mscz | ||
1001 Blues Licks by Toby Wine – Piano | 1001 Blues Licks by Toby Wine – Piano | |
1001 Jazz Licks A Complete Jazz Vocabulary For The Improvising Musician (Jack Shneidman) | 1001 Jazz Licks A Complete Jazz Vocabulary For The Improvising Musician (Jack Shneidman) | |
101 Cançoes Que Tocaram O Brasil Nelson Motta (Book) (Brazilian Portuguese) | ||
101 Frank Sinatra Hits For Buskers | 101 Frank Sinatra Hits For Buskers | |
101 Mississippi Delta Blues Fingerpicking Licks Guitar and TAB by Larry McCabe | Larry McCabe – 101 Mississippi Delta Blues Fingerpicking Licks | |
101 Must-Know Blues Licks (Guitar Educational) (Wolf Marshall) PDF + MP3 audio tracks Play Along with Tablature | 101 Must-Know Blues Licks (Guitar Educational) (Wolf Marshall) | |
1015 Songs – The Original Musicians’s (Musicals) | 1015 Songs – The Original, Musicians’s (Musicals) | |
106 Songs Everybody Plays | 106 Songs Everybody Plays | |
11 Short Classical Piano Pieces | 11 Short Classical Piano Pieces | |
116 Arrangements Of Baroque, Classical & Ballet Pieces For Piano Solo | 116 Arrangements Of Baroque, Classical & Ballet Pieces For Piano Solo | |
129 Easy Pieces For Piano Solo, also for beginners | 129 easy pieces for piano solo | |
12th Street RAG – Liberace Collection Book of 5 compositions | ||
12th Street Rag by Euday Bowman (Piano Solo sheet music, Noten, partition, partitura, spartito).mscz | ||
150 Best Songs For Acoustic Guitar | ||
150 More Of The Most Beautiful Songs Ever (Songbook) Piano Vocal Guitar | 150 More Of The Most Beautiful Songs Ever (Songbook) Piano Vocal Guitar | |
150 Of The Best Jazz Standards Ever | 150 Of The Best Jazz Standards Ever | |
150 Of The Most Beautiful Songs Ever 3rd Edition | 150 Of The Most Beautiful Songs Ever 3rd Edit1 and 150 Of The Most Beautiful Songs Ever 3rd Edit2 | |
16 Pop and Movies Hits Keyboard Piano Book (Mike Emerson) | 16 Pop and Movies Hits Keyboard Piano Book (Mike Emerson) | |
1600 Pennsylvania Avenue The Musical By Leonard Bernstein And Alan Jay Lerner Vocal Selections | ||
17 Moments of Spring – Mgnovenia (Mikael Tariverdiev) | ||
1812 Overture Op. 49 Thaikovsky (arr. piano solo) | ||
1950s Jazz (Fake Book lead sheet music) | 1950s Jazz (Fake Book lead sheet music) | |
20 Century Fox Theme Transcription By Deusde Coppen | ||
20 Modern BEBOP Licks – by Noah Kellman All Keys with left hands chords | 20 Modern BEBOP Licks – by Noah Kellman All Keys with left hands chords | |
200 Jazz Standards Tunes (chords progressions for C Instruments) Bob Taylor | 200 Jazz Standards Tunes (chords progressions for C Instruments) Bob Taylor | |
200 Of The Best Songs From Jazz Of The ’50s | jazz of the 50s | |
2014 Top Hits Of 2014 Songbook Piano Vocal Guitar | 2014 Top Hits Of 2014 Songbook Piano Vocal Guitar | |
2016 Top Hits Of 2016 Songbook Piano Vocal Guitar | 2016 Top Hits Of 2016 Songbook Piano Vocal Guitar | |
2018 Greatest Pop Movie Hits Songbook For Piano | 2018 Greatest Pop Movie Hits Songbook For Piano | |
2019 GREATEST POP MOVIE HITS SONGBOOK FOR PIANO PART 2 Piano sheet music (Jim Presley) | 2019 GREATEST POP MOVIE HITS SONGBOOK FOR PIANO PART 2 Piano sheet music (Jim Presley) | |
2020 Greatest Pop Piano Sheet Music Book Songbooks For Piano | 2020 Greatest Pop Piano Sheet Music Book Songbooks For Piano | |
20th Century Classics Volume 1 | 20th Century Classics Volume 1 | |
20th Century Jazz Guitar by Richie Zellon (with Tablature) | 20th Century Jazz Guitar by Richie Zellon | |
20th Century Masters Of Fingerstyle Guitar by John Stropes | 20th Century Masters Of Fingerstyle Guitar by John Stropes | |
20th Century Piano Music – Book (1990) David Burge | 20th Century Piano Music Book (1990) David Burge | |
24 Etudes Op.35 – Fernando Sor (1778 – 1839) (Musescore File).mscz | ||
24_Preludes_Op.34 Shostakovich.mscz | ||
25 Short Classical Guitar Pieces (with Tablature) | 25 Short Classical Guitar Pieces | |
262 Classic Piano Rags Various Composers | 262 Classic Piano Rags Various Composers | |
273 Easy And Intermediate Piano Pieces | 273 Easy And Intermediate Piano Pieces contents | |
28 Modern Jazz Trumpet Solos Book 2 | 28 Modern Jazz Trumpet Solos Book 2 | |
3.10 to Yuma (Marco Beltrami) | ||
30 Best Rock Guitar Songs Ever (Guitar TABs) | 30 Best Rock Guitar Songs Ever (Guitar TABs) | |
300 Sacred Songs Melody Lyrics Chords Fake Book Melody Lyrics Chords | 300 Sacred Songs Melody Lyrics Chords Fake Book Melody Lyrics Chords_compressed | |
36 Christmas Carols Songs | 36 christmas carols songs | |
38 Special Guitar Anthology Guitar Recorded Vers. with Tablature | 38 special guitar anthology | |
39 Progressive Solos For Classical Guitar (with Tablature) | 39 Progressive Solos For Classical Guitar | |
39 Progressive Solos For Classical Guitar Book 2 (with Tablature) | 39 Progressive Solos For Classical Guitar Book 2 sheet music pdf | |
40 Easy Guitar Pieces (Painted with the Sound) | ||
49 Most Popular Jazz Songs | 49 Most Popular Jazz Songs | |
5 Christmas Songs Sheet Music Trumpet in B & Piano accompaniment (Viktor Dick) | 5 Christmas Songs Sheet Music Trumpet in B & Piano accompaniement (Viktor Dick) | |
50 Broadway Shows 50 Broadway Songs | 50 Broadway Shows 50 Broadway Songs | |
50 Classical Guitar Solos In Tablature (Howard Wallach) with Tablature | 50 Classical Guitar Solos In Tablature (Howard Wallach) | |
50 Essential Bebop Heads Arranged For Guitar Tablature (best lines Charlie Parker, Dizzy Gillespie, Thelonious Monk and more) | 50 Essential Bebop Heads Arranged For Guitar Tablature (best lines Charlie Parker, Dizzy Gillespie, Thelonious Monk and more) | |
50 Jazz Standards Every Jazz Musician Needs To Know with MP3 audio tracks to Play Along | 50 Jazz Standards Every Jazz Musician Needs To Know – C version | |
50 Most Popular Classical Melodies (Easy Piano) | 50 Most Popular Classical Melodies | |
50 Of The Most Beautiful Piano Love Songs Solos Ever. | 50 OF THE MOST BEAUTIFUL PIANO LOVE SONGS SOLOS EVER | |
50 Piano Arrangements Of Hymns And Gospel Songs (Fred Bock’s Best) | 50 Piano Arrangements Of Hymns sheet music | |
50 Piano Classics – Easy | 50 piano classics | |
50 Riffs For Blues Guitar – Martin Shellard with MP3 audio to Play Along with Tablature | 50 riffs for blues guitar | |
500 Piano Intros For The Great Standards – Steinway | 500 piano intros | |
55 Country Classics (Voice, piano, Guitar) | 55 Country Classics (Voice, piano, Guitar) | |
557 Jazz Standards (Sheet Music – in C for all instruments) swing to bop (lead sheet) | Standards (Sheet Music – Piano) | |
60 Progressive Solos For Classical Guitar By Mark Phillips (with Tablature) | ||
67 Fun Songs arranged by Jon Schmidt (Piano) | ||
70’s Hits (Easy Piano Solos) – Hans-Gunter Heumann [Piano, Vocal, Chords] | ||
750.000 anni fa.l’Amore (Banco del Mutuo Soccorso) | ||
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78 Quarterly No 1 and 2 (1967) Book magazine | ||
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A Dictionary of Music and Musicians Vol. 4 (A.D. 1450-1880) Edited in 1889 |