Miles Davis – In A Silent Way (Full Album)

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Miles Davis – In A Silent Way (Full Album)

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Miles Davis – In A Silent Way ( Full Album )

Tenor Saxophone – Wayne Shorter…. Trumpet – Miles Davis…. Bass – Dave Holland…. Drums – Tony Williams…. Electric Piano – Chick Corea, Herbie Hancock…. Electric Piano, Organ – Josef Zawinul…. Guitar – John McLaughlin.

Track List:

Shhh / Peaceful 18:30 A1 Shhh A2 Peaceful In A Silent Way / It’s About That Time 20:00 B1 In A Silent Way B2 It’s About That Time

Recorded – February 18, 1969 – CBS 30th Street Studio.

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Miles Davis: The Alchemist of Sound – An Exhaustive Exploration of a Jazz Titan

Miles Dewey Davis III (May 26, 1926 – September 28, 1991) stands not merely as a legendary jazz trumpeter and bandleader, but as one of the most innovative and influential musicians of the 20th century. His restless creative spirit drove him to perpetually reinvent his music, pioneering or profoundly shaping multiple pivotal movements in jazz: Bebop, Cool Jazz, Hard Bop, Modal Jazz, Post-Bop, and Jazz Fusion. His sound – characterized by lyrical minimalism, profound space, and an unparalleled mastery of mood – remains instantly recognizable. His career, spanning nearly five decades, is a testament to artistic evolution, fearless experimentation, and an uncompromising pursuit of his own vision.

Miles Davis was a relentless sonic alchemist. He transformed the base materials of jazz – harmony, rhythm, melody, instrumentation, even the recording studio itself – into new and unexpected forms of gold. From the cool introspection of his early work to the fiery intensity of his quintets, the modal majesty of Kind of Blue, the abstract freedom of the Second Quintet, the ambient fusion of In a Silent Way, the dense psychedelia of Bitches Brew, the radical funk of On the Corner, and the electronic explorations of his later years, he never ceased exploring.

His trumpet voice, marked by lyrical economy, profound tone, and masterful use of space, is one of the most indelible sounds in music. More than just a musician, he was a cultural force, a bandleader who nurtured genius, and an artist whose constant evolution embodied the very spirit of creativity. Miles Davis didn’t just play jazz; he repeatedly reinvented it, ensuring his sound, his spirit, and his fearless innovation would resonate “In A Silent Way” forever.

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I. Biography: The Prince of Darkness’ Journey

  • Early Years & Bebop Crucible (1926-1948): Born into relative affluence in Alton, Illinois, Davis grew up in East St. Louis. Gifted a trumpet at 13, he received classical training but was soon captivated by the new sounds of jazz. After high school, he moved to New York City in 1944, ostensibly to study at Juilliard, but primarily to immerse himself in the burgeoning bebop scene centered on 52nd Street. He quickly became a sideman in Charlie Parker’s revolutionary quintet, a baptism by fire. Though initially overshadowed by Parker’s virtuosity, Davis began developing his own less frenetic, more introspective style, focusing on melody and middle-register lyricism. Heroin addiction began to plague him during this period.
  • Birth of the Cool and Hard Bop (1949-1958): Seeking an alternative to bebop’s intensity, Davis collaborated with arranger Gil Evans and a nonet of musicians (including Gerry Mulligan, Lee Konitz, John Lewis) for a series of recordings later compiled as Birth of the Cool (released 1957). This music emphasized lighter textures, contrapuntal arrangements, and a restrained, introspective mood, laying the groundwork for the “Cool Jazz” movement. The 1950s were a period of struggle with addiction, leading to a return to East St. Louis for rehabilitation. Clean in 1954, he returned to NYC and formed his first great quintet featuring John Coltrane (tenor sax), Red Garland (piano), Paul Chambers (bass), and Philly Joe Jones (drums). This group defined “Hard Bop,” blending bebop’s harmonic sophistication with blues and gospel influences, greater rhythmic drive, and a more soulful expression. Albums like Workin’, Steamin’, Cookin’, and Relaxin’ captured the band’s telepathic interplay. Davis also began his profound collaboration with Gil Evans on orchestral masterpieces like Miles Ahead (1957), Porgy and Bess (1958), and Sketches of Spain (1960).
  • Modal Revolution and the Second Great Quintet (1959-1968): Dissatisfied with the complexity of bebop chord changes, Davis, inspired by George Russell’s theoretical work and Bill Evans’ piano conception, radically simplified his harmonic approach. Kind of Blue (1959), featuring his sextet with Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, and Jimmy Cobb, was built on modal scales rather than rapid chord progressions. This allowed for unprecedented freedom in melodic improvisation and created an atmosphere of profound spaciousness and introspection. It became the best-selling jazz album of all time. Following personnel shifts, Davis formed his “Second Great Quintet” in the mid-60s with Wayne Shorter (tenor sax), Herbie Hancock (piano), Ron Carter (bass), and Tony Williams (drums). This group pushed post-bop to its limits, exploring rhythmic fluidity, harmonic ambiguity, and collective improvisation on groundbreaking albums like E.S.P. (1965), Miles Smiles (1967), Sorcerer (1967), Nefertiti (1968), and Miles in the Sky (1968). Williams’ explosive drumming and the group’s telepathic interplay created music of incredible tension, freedom, and complexity.
  • Electric Revolution and Fusion (1968-1975): Deeply influenced by the funk of James Brown, Sly Stone, and the psychedelic rock of Jimi Hendrix, Davis radically transformed his sound. He incorporated electric instruments (piano, bass guitar, guitar), rock rhythms, and studio production techniques. In a Silent Way (1969) was a pivotal, atmospheric transition. Bitches Brew (1970) exploded onto the scene, a dense, layered, improvisational soundscape that defined Jazz Fusion and became a surprise commercial hit. Davis embraced a more overtly rhythmic, groove-based approach with bands featuring musicians like Chick Corea, Keith Jarrett, Joe Zawinul, John McLaughlin, Dave Holland, Jack DeJohnette, Billy Cobham, and Michael Henderson. Albums like A Tribute to Jack Johnson (1971), Live-Evil (1971), On the Corner (1972 – a radical, groove-heavy collage influenced by Stockhausen and funk), and Get Up With It (1974) pushed boundaries, often alienating traditional jazz audiences but attracting a new, younger, rock-oriented crowd. His stage persona became increasingly enigmatic, often playing with his back to the audience.
  • Hiatus and the Later Years (1975-1991): Plagued by health issues (sickle-cell anemia complications, hip problems), exhaustion, and renewed substance abuse (cocaine, alcohol), Davis retired from performing in 1975. He lived reclusively for several years. A comeback began tentatively in 1980, leading to the album The Man With the Horn (1981). While criticized by some for embracing pop and funk elements (covering Cyndi Lauper, Michael Jackson, Scritti Politti), utilizing synthesizers heavily, and often employing simpler structures, Davis remained a compelling figure. He collaborated with younger musicians like Marcus Miller (who became his primary collaborator and composer), John Scofield, Mike Stern, and Kenny Garrett. Albums like Star People (1983), Decoy (1984), You’re Under Arrest (1985), and particularly Tutu (1986 – composed entirely by Miller) found new sonic territory, blending funk, pop, and electronic elements with his unmistakable trumpet voice. He toured extensively until his death from pneumonia, stroke, and respiratory failure in 1991.

II. Music Style: The Sound of Space

Davis’s style defied easy categorization, constantly evolving. Core characteristics throughout his career include:

  1. Lyricism and Melodic Economy: Davis was a master of understatement. He played fewer notes than his bebop predecessors, focusing on the right notes, imbued with profound feeling. His solos were often singable melodies, crafted with exquisite phrasing and a vocal-like quality.
  2. Harmonic Restraint and Modal Concept: Moving away from bebop’s dense chord changes, Davis embraced modal frameworks (scales as harmonic foundations) and static harmonies, creating vast spaces for melodic exploration and emphasizing mood and texture over harmonic gymnastics. This reached its zenith on Kind of Blue but permeated his later work.
  3. Master of Space and Silence: Davis understood the power of silence as much as sound. He used space dramatically, allowing notes to breathe and resonate, creating tension, anticipation, and profound atmosphere. His use of the Harmon mute created an intimate, whispering, often melancholic sound that became his signature.
  4. Tone and Sound: Davis cultivated one of the most distinctive trumpet sounds in history – pure, clear, without vibrato in his early/mid-career, often melancholic or plaintive, capable of immense tenderness or steely defiance. His muted sound (especially Harmon) was iconic.
  5. Rhythmic Flexibility and Groove: While capable of fiery bebop playing, Davis increasingly prioritized rhythmic feel and groove over sheer speed. He had an innate sense of swing and, later, an unparalleled mastery of funk and rock rhythms, always playing in the groove but often subtly behind or around the beat for expressive effect.
  6. Bandleading as Composition: Davis was a genius bandleader. He handpicked sidemen not just for their technical skill, but for their unique voices and ability to contribute to a collective sound. He gave them immense freedom within loose frameworks, shaping the music through minimal instructions, cues, and his own playing. His bands were laboratories for innovation.
  7. Restless Innovation: Davis never stood still. He actively sought new influences, embraced new technologies (electric instruments, studio effects), and constantly pushed his musicians and himself into uncharted territory, often dismantling one successful format to build another.

III. Improvisational Approach: Painting with Sound

Davis’s improvisation was less about virtuosic licks and more about melodic development, mood, and interaction:

  1. Motivic Development: He often built solos around short melodic motifs (small rhythmic or melodic ideas), repeating, varying, inverting, and developing them logically throughout his improvisation. Listen to solos on “So What” or “Freddie Freeloader.”
  2. Use of Scales and Modes: Post-Kind of Blue, his improvisation heavily relied on exploring the colors and expressive potential of specific modes (Dorian, Mixolydian, etc.) over static harmonies, rather than navigating complex chord changes.
  3. Call and Response: He frequently engaged in direct call-and-response dialogues with his sidemen, particularly saxophonists (Coltrane, Shorter) or drummers (Philly Joe Jones, Tony Williams), creating dynamic conversations within the music.
  4. Rhythmic Displacement: Davis would often phrase across bar lines or displace rhythmic ideas, creating tension and surprise. Tony Williams’ drumming in the Second Quintet particularly inspired and interacted with this approach.
  5. Textural and Dynamic Variation: His solos utilized a wide dynamic range, from breathy whispers to powerful declarations. He explored different timbres, especially through mutes (Harmon, straight, cup).
  6. Emotional Directness: Above technical display, Davis prioritized emotional expression. His solos conveyed a vast range: introspection, melancholy, yearning, defiance, joy, and mystery.
  7. Live Electronics (Later Period): In his fusion era, he began using wah-wah pedals and other effects on his trumpet, distorting and coloring his sound in real-time, adding a new layer of expression.

IV. Harmony and Chord Progressions: From Changes to Soundscapes

Davis’s harmonic language underwent radical shifts:

  1. Bebop Foundation (Early): Rooted in the complex, fast-moving chord progressions of bebop standards (“Confirmation,” “Donna Lee”).
  2. Simplification and Modality (Late 50s/60s): The revolutionary move. Replacing intricate chord progressions with static vamps or very slow-moving harmonic cycles based on modes. Kind of Blue is the prime example:
    • “So What”: Based almost entirely on 16 bars of D Dorian mode, followed by 8 bars of Eb Dorian, then back. Solos explore the melodic possibilities within these modes.
    • “Flamenco Sketches”: A series of five scales (modes), each held for an indeterminate time, over which soloists improvise.
    • Use of pedal points (sustained bass notes) and suspended chords to create harmonic ambiguity and stasis.
  3. Post-Bop Complexity (Second Quintet): While retaining modal elements, the quintet with Shorter/Hancock/Carter/Williams explored more complex, often ambiguous harmonies. Hancock and Shorter’s compositions featured:
    • Non-functional harmony: Chords not following traditional tonic-dominant relationships.
    • Chord substitutions and extensions (7ths, 9ths, 11ths, 13ths, altered dominants) used for color and tension.
    • Rapidly shifting tonal centers.
    • Polytonality (suggestions of multiple keys simultaneously).
  4. Electric Era Harmony (Fusion): Harmony became even more fluid and often secondary to rhythm, texture, and groove.
    • Static Vamps: Extended sections built on one or two chords (often minor or dominant 7ths, sometimes with sus4 alterations), creating hypnotic grooves (“Shhh/Peaceful,” “Pharaoh’s Dance,” “Right Off”).
    • Modal Grooves: Funk or rock rhythms layered over modal frameworks (“In A Silent Way,” “It’s About That Time”).
    • Textural Harmony: Harmony defined by the dense layering of electric pianos, guitars, and synthesizers creating washes of sound rather than clear chord progressions (“He Loved Him Madly”).
    • Polychords and Clusters: Use of stacked chords or dissonant clusters for atmospheric effect.

V. Influences: Absorbing the World

Davis was a voracious listener, drawing from diverse sources:

  • Jazz Trumpeters: Louis Armstrong (lyricism), Roy Eldridge (fire), Dizzy Gillespie (bebop language), Clark Terry (sound, articulation), Freddie Webster (sound).
  • Bebop: Charlie Parker (his primary early mentor, harmonic language).
  • Arrangers: Gil Evans (orchestration, texture, mood).
  • Pianists: Thelonious Monk (space, dissonance, individuality), Bill Evans (impressionistic harmony, touch, modal concept), Herbie Hancock, Chick Corea, Joe Zawinul.
  • 20th Century Classical: Igor Stravinsky (rhythm, orchestration), Maurice Ravel, Claude Debussy (impressionism, color), Karlheinz Stockhausen (electronic music, structure, collage – especially influential for On the Corner).
  • Rhythm & Blues/Funk: James Brown (groove, rhythmic precision, bandleading), Sly & The Family Stone (funk, electric textures, social energy).
  • Rock: Jimi Hendrix (sonic innovation, electric guitar textures, volume, attitude), The Beatles (melody, studio experimentation).
  • World Music: Flamenco (Sketches of Spain), Indian music (influence on modality and drone), African rhythms (implicitly in funk grooves).

VI. Legacy: The Unending Ripple

Miles Davis’s legacy is immeasurable:

  1. Architect of Jazz Movements: Directly pioneered or was the central figure in Cool Jazz, Modal Jazz, Post-Bop, and Jazz Fusion.
  2. Influence on Musicians: Countless trumpeters (from Freddie Hubbard to Wynton Marsalis to Ambrose Akinmusire), saxophonists (Coltrane, Shorter, Adderley all evolved under him), pianists (Evans, Hancock, Corea, Jarrett), and musicians across all genres cite him as a primary influence.
  3. Bandleader as Incubator: His bands served as the premier training ground for generations of jazz innovators: John Coltrane, Cannonball Adderley, Bill Evans, Herbie Hancock, Wayne Shorter, Tony Williams, Ron Carter, Chick Corea, Keith Jarrett, John McLaughlin, Joe Zawinul, Dave Holland, Jack DeJohnette, Billy Cobham, Mike Stern, Marcus Miller, Kenny Garrett, and many more.
  4. Cultural Icon: Transcended jazz to become a global symbol of cool, sophistication, rebellion, and Black artistic excellence. His style, persona, and sound permeated popular culture.
  5. Emphasis on Sound and Space: Revolutionized the concept of how space, silence, and tone could be used expressively in improvised music.
  6. Embrace of Change: Demonstrated that artistic growth requires constant exploration and the courage to abandon past successes.
  7. Studio Innovator: Particularly with Teo Macero, he pioneered studio techniques like extensive tape editing, looping, and layering (In a Silent Way, Bitches Brew, On the Corner), treating the studio as an instrument.

VII. Works: Beyond the Notes

  • Autobiography: Miles: The Autobiography (1989, with Quincy Troupe) – A raw, unfiltered, and essential account of his life and music.

VIII. Filmography

  • Elevator to the Gallows (1958, Louis Malle) – Composed and performed the iconic improvised score.
  • Jack Johnson (1970, documentary) – His album A Tribute to Jack Johnson was used as the soundtrack.
  • Dingo (1991, Rolf de Heer) – Starred as a fictional jazz trumpeter, Billy Cross; also contributed music.
  • Numerous documentaries: The Miles Davis Story (2001), Miles Davis: Birth of the Cool (2019), Miles Ahead (2015 – a fictionalized biopic starring Don Cheadle, who also directed).

IX. Discography: A Selective Journey Through Landmarks

  • Birth of the Cool (1949-50 sessions, released 1957)
  • Miles Davis and the Modern Jazz Giants (1954 – featuring “The Man I Love” with Monk)
  • ‘Round About Midnight (1957)
  • Miles Ahead (1957 with Gil Evans)
  • Milestones (1958)
  • Kind of Blue (1959)
  • Porgy and Bess (1959 with Gil Evans)
  • Sketches of Spain (1960 with Gil Evans)
  • Someday My Prince Will Come (1961)
  • Seven Steps to Heaven (1963)
  • E.S.P. (1965)
  • Miles Smiles (1967)
  • Sorcerer (1967)
  • Nefertiti (1968)
  • Miles in the Sky (1968)
  • Filles de Kilimanjaro (1969)
  • In a Silent Way (1969)
  • Bitches Brew (1970)
  • A Tribute to Jack Johnson (1971)
  • Live-Evil (1971)
  • On the Corner (1972)
  • Big Fun (1974 – compiles 1969-72 sessions)
  • Get Up With It (1974)
  • The Man With the Horn (1981)
  • Star People (1983)
  • Decoy (1984)
  • You’re Under Arrest (1985)
  • Tutu (1986)
  • Amandla (1989)
  • Doo-Bop (1992 – released posthumously)

X. Most Known Compositions and Performances

  • Compositions/Associated Tunes: “Donna Lee” (credited to Davis, though likely mostly by Parker), “Milestones” (original), “Blue in Green,” “So What,” “All Blues,” “Freddie Freeloader,” “Nardis,” “Seven Steps to Heaven,” “E.S.P.,” “Footprints” (Wayne Shorter), “Nefertiti,” “Filles de Kilimanjaro,” “Mademoiselle Mabry,” “Sanctuary,” “Shhh/Peaceful,” “In A Silent Way/It’s About That Time,” “Bitches Brew,” “Miles Runs the Voodoo Down,” “Spanish Key,” “Pharaoh’s Dance,” “Right Off,” “Yesternow,” “Jean Pierre.”
  • Iconic Performances:
    • Newport Jazz Festival 1955 (“‘Round Midnight” comeback).
    • Performances with the First Great Quintet (1955-57) captured on the Prestige albums.
    • The Kind of Blue sessions (1959).
    • Concerts with the Second Great Quintet (1965-68), legendary for their intensity and interplay (bootlegs abound).
    • Isle of Wight Festival 1970 (Fusion band at peak power).
    • The Cellar Door Sessions, Washington D.C. 1970 (released on Live-Evil).
    • Agharta & Pangaea concerts, Osaka 1975 (Apocalyptic, intense fusion).
    • His later period tours (1980s/early 90s), known for surprising setlists and charismatic presence.

XI. Deep Dive: In a Silent Way (1969) – The Birth of Ambient Fusion

  • Context: Recorded February 18, 1969, In a Silent Way stands as the pivotal bridge between the acoustic intensity of the Second Great Quintet and the electric maelstrom of Bitches Brew. Davis was actively listening to Hendrix, Sly Stone, and Stockhausen. The band assembled was a unique hybrid: acoustic veterans (Wayne Shorter, Dave Holland) alongside electric pioneers (Chick Corea, Herbie Hancock on electric pianos, Joe Zawinul on organ and composer of the title track, John McLaughlin on guitar). Tony Williams and Jack DeJohnette shared drum duties.
  • The Music:
    • Two Sides, Three Pieces: The original LP featured two side-long suites, each assembled by producer Teo Macero from the day’s recordings:
      • Side One: “Shhh/Peaceful” (Credited to Miles Davis): Built on a simple, repetitive, 16-bar bass line (F# minor) played by Holland. Davis stated the concept: “Play it like you don’t know how to play the guitar.” McLaughlin provides shimmering, sustained chords. The three keyboardists (Corea, Hancock, Zawinul) weave intricate, interlocking textures – Fender Rhodes electric pianos creating bell-like tones, cascading runs, and atmospheric washes, Zawinul’s organ adding warmth and drone. Davis and Shorter play sparingly, focusing on melodic fragments and atmospheric statements rather than extended solos. The overall feel is hypnotic, spacious, serene yet subtly intense. The title “Peaceful” is somewhat ironic given the underlying rhythmic drive.
      • Side Two: “In a Silent Way/It’s About That Time” (Credits: Zawinul/Davis): Begins with the beautiful, hymn-like title track composed by Zawinul, featuring Davis’s Harmon-muted trumpet at its most lyrical over gentle electric piano chords. This serene introduction is abruptly cut off (a Macero edit) and launches into “It’s About That Time,” a modal funk groove based on a single chord (E minor 7th sus4). The groove is more pronounced, with McLaughlin playing funky rhythmic comping and Holland’s bass more active. Davis and Shorter solo more prominently here, though still with great economy and atmosphere. The piece builds in intensity before dissolving back into a reprise of the “Silent Way” theme, creating a cyclical structure.
  • Revolutionary Aspects:
    • Electric Texture: The dominant sound is the blend of multiple electric keyboards (Fender Rhodes, Wurlitzer, organ) creating a lush, otherworldly tapestry unlike anything in jazz before. Acoustic bass and saxophone are integrated, not dominant.
    • Role of the Studio: Macero’s editing was revolutionary. He spliced different takes together, created loops (particularly the bass line on “Shhh”), added reverb and echo, and structured the pieces into cohesive suites after the recording session. The album is as much a product of the studio as the live performance.
    • Emphasis on Atmosphere and Groove: Melody and complex harmony are secondary to establishing a hypnotic mood, a trance-like state driven by repetitive bass figures, layered electric textures, and subtle rhythmic variations. It’s “ambient” before the term was coined in popular music.
    • Collective Improvisation: Solos are less defined. Musicians interweave lines, reacting to textures and the groove as much as to each other’s melodies. It’s a group soundscape.
    • Minimalist Foundation: Built on incredibly simple harmonic structures (one or two chords) and bass vamps, freeing the musicians to explore texture, color, and rhythmic nuance.
  • Legacy of the Album:In a Silent Way was a shock to the jazz world. Criticized by some for being too simple, too electronic, or not “real jazz,” it was nevertheless a commercial success. Its true impact was profound:
    • Birth of Jazz Fusion: It provided the blueprint for the more explosive Bitches Brew just months later and defined the atmospheric, textural end of the fusion spectrum.
    • Influence on Ambient and Electronic Music: Its focus on atmosphere, texture, and repetitive structures directly influenced Brian Eno and the development of ambient music, as well as later electronic genres.
    • Studio as Compositional Tool: Demonstrated the power of post-production editing and manipulation in creating a final artistic statement, changing how jazz (and other music) could be conceived and recorded.
    • A Pivotal Moment: It captured Davis mid-transformation, a moment of profound calm and reflection before the storm of Bitches Brew. Its beauty lies in its spaciousness, its shimmering textures, and its quiet, revolutionary power. It remains one of Davis’s most atmospheric and influential recordings.
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Jazz Play Along Vol 76 – Broadway Jazz Ballads PDF with MP3 audio tracksfree scoresJazz_Play_Along_Vol_76_-_Broadway_Jazz_Ballads
Jazz Play Along Vol. 1 – Duke Ellington – PDF with MP3 audio trackssheet music score download partitura partition spartiti noten  Hal Leonard – Vol.1 – Duke Ellington
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Jazz Play Along Vol. 105 – Soulful Jazz with MP3 audio tracks to Play Alongsheet musicJAZZ PLAY ALONG – Vol.105 – Soulful Jazz (C,Bb,Eb)
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Jazz Play Along Vol. 15 – Rodgers & Hammerstein – PDF with MP3 audio trackssheet music score download partitura partition spartiti noten  Hal Leonard – Vol.15 – Rodgers & Hammerstein
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Jazz Play Along Vol. 165 George Benson with MP3 audio trackssheet musicJazz Play Along Vol 165 George Benson
Jazz Play Along Vol. 17 – Count Basie – PDF with MP3 audio trackssheet music score download partitura partition spartiti noten  Hal Leonard – Vol.17 – Count Basie
Jazz Play Along Vol. 177 – II-V-I PDF with MP3 audio trackssheet music downloadJazz_Play_Along_Vol_177_-_II-V-I
Jazz Play Along Vol. 18 Harold Arlen (with audio MP3)sheet music pdfHarold Arlen play along
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Jazz Play Along Vol. 20 – Christmas Carols – PDF with MP3 audio trackssheet music score download partitura partition spartiti noten  Hal Leonard – Vol.20 – Christmas Carols
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Jazz Play Along Vol. 23 – Latin Jazz – PDF with MP3 audio trackssheet music score download partitura partition spartiti noten  Hal Leonard – Vol.23 – Latin Jazz (Bb,Eb)
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Jazz Play Along Vol. 27 – Great Jazz Standards with audio MP3sheet music partituravol 27 great jazz standards
Jazz Play Along Vol. 28 – Big Band Era – PDF with MP3 audio trackssheet music score download partitura partition spartiti noten  Hal Leonard – Vol.28 – Big Band Era
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Jazz Play Along Vol. 3 – The Blues – PDF with MP3 audio trackssheet music score download partitura partition spartiti noten  Hal Leonard – Vol.3 – The Blues
Jazz Play Along Vol. 31 – Jazz In Three – PDF with MP3 audio trackssheet music score download partitura partition spartiti noten  Hal Leonard – Vol.31 – Jazz In Three
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Jazz Play Along Vol. 32 – Best of Swing (Ver.2) (Bb) – PDF with MP3 audio trackssheet music score download partitura partition spartiti noten  Hal Leonard – Vol.32 – Best of Swing (Ver.2) (Bb)
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Jazz Play Along Vol. 36 – Horace Silver – PDF with MP3 audio trackssheet music score download partitura partition spartiti noten  Hal Leonard – Vol.36 – Horace Silver
Jazz Play Along Vol. 37 – Bill Evans – PDF with MP3 audio trackssheet music score download partitura partition spartiti noten  Hal Leonard – Vol.37 – Bill Evans
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Jazz Play Along Vol. 39 – All The Things You Are & More Jerome Kern Songs – PDF with MP3 audio trackssheet music score download partitura partition spartiti noten  Hal Leonard – Vol.39 – All The Things You Are & More Jerome Kern Songs
Jazz Play Along Vol. 40 – Bossa Nova with MP3 audio trackssheet music download partitura partition spartitoJazz play along vol 40 Bossa Nova
Jazz Play Along Vol. 41 – Classic Duke Ellington – PDF with MP3 audio trackssheet music score download partitura partition spartiti noten  Hal Leonard – Vol.41 – Classic Duke Ellington
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Jazz Play Along Vol. 50 – Great Jazz Classics – PDF with MP3 audio trackssheet music score download partitura partition spartiti noten  Hal Leonard – Vol.50 – Great Jazz Classics
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Jazz Play Along Vol. 52 – Stevie Wonder – PDF with MP3 audio trackssheet music score download partitura partition spartiti noten  Hal Leonard – Vol.52 – Stevie Wonder
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Jazz Play Along Vol. 60 – Dexter Gordon – PDF with MP3 audio trackssheet music score download partitura partition spartiti noten  Hal Leonard – Vol.60 – Dexter Gordon
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Jazz Play Along Vol. 68 – Charles Mingus – PDF with MP3 audio trackssheet music score download partitura partition spartiti noten  Hal Leonard – Vol.68 – Charles Mingus
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Jazz Play Along Vol. 94 – Ray Charles PDF with MP3 audio trackssheet music downloadJazz_Play_Along_Vol_94_-_Ray_Charles
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Jazz Play-Along Vol. 104 – Elton John with audio MP3sheet music pdfJazz Play-Along Vol. 104 – Elton John with audio MP3
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Jazz Play-Along Volume 10 – Disney Classics with audio MP3sheet music pdfJazz Play-Along Vol. 10 – Disney Classics
Jazz Play-Along Volume 62 – Jazz-Rock Fusion with audio MP3sheet musicJazz Play-Along Volume 62 – Jazz-Rock Fusion with audio MP3
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Jerry Bergonzi – Inside Improvisation Vol.6 Developing A Jazz Language with MP3 audio trackssheet musicJerry Bergonzi – Inside Improvisation Vol.6 Developing A Jazz Language
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Jerry Coker’s Jazz Keyboard – For Pianists and Non-Pianists (Bokk + audio MP3)free scoresJerry Coker’s Jazz keyboard
Jim Ferguson All Blues Comping Styles,chords & Grooves For Jazz Guitar (Book +audio Mp3)free sheet music pdfAll blues for jazz guitar – Comping styles,chords & grooves
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Joe Pass, The Best of – Guitar Signature Licks PDF + MP3 audio tracks Play Alongfree jazz scoresBest Of Joe Pass – Guitar Signature Licks
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Piano for Dummies, 2nd Edition – Book with AUDIO MP3Piano for dummies
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Tim Richards – Exploring Jazz Piano Vol. 1 (with audio MP3)sheet music pdfTim Richards Exploring Jazz Piano 1
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Jazz Play Along Jamey Aebersold full collection (Books + background MP3 tracks for all instruments)
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 02 – Nothin’ But BluesJazz Play Along Vol 002 – [Nothin’ But Blues]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 03 – The II-V7-I ProgressionJazz Play Along Vol 003 – [The II-V7-I Progression]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 04 – Movin’ OnJazz Play Along Vol 004 – [Movin’ On]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 05 – Time To Play Music!Jazz Play Along Vol 005 – [Time To Play Music!]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 06 – Charlie ParkerJazz Play Along Vol 006 – [Charlie Parker – All Bird]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 07 – Miles DavisJazz Play Along Vol 007 – [Miles Davis]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 08 – Sonny RollinsJazz Play Along Vol 008 – [Sonny Rollins]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 09 – Woody ShawJazz Play Along Vol 009 – [Woody Shaw]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 10 – David BakerJazz Play Along Vol 010 – [David Baker]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 100 – St. Louis BluesAebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 100 – St. Louis Blues Contents
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 101 – Secret of the AndesJazz Play Along Vol 012 – [Duke Ellington]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 102 – Jerry BergonziJazz Play Along Vol 102 – [Jerry Bergonzi]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 103 – David SanbornJazz Play Along Vol 103 – [David Sanborn]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 104 – Kenny WernerJazz Play Along Vol 104 – [Free Play – 13 Musical Landscapes]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 105 – Dave BrubeckJazz Play Along Vol 105 – [Dave Brubeck]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 106 – Lee MorganJazz Play Along Vol 106 – [Lee Morgan]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 107 – STANDARDS FOR SINGERSAebersold – Vol 107 – IT HAD TO BE YOU
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 108 – Joe HendersonJazz Play Along Vol 108 – [Joe Henderson] – C-Bb
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 109 – FusionJazz Play Along Vol 109 [Fusion]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 11 – Herbie HancockJazz Play Along Vol 011 – [Herbie Hancock]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 110 – When I fall In LoveJazz Play Along Vol 110 [When i Fall in Love]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 111 – J.J. Johnson Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 111 – J.J. Johnson
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 112 – [Cole Porter] Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 112 – [Cole Porter]_compressed
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – vol 115 – Ron Carter Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – vol 115 – Ron Carter
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 12 – Duke EllingtonJazz Play Along Vol 012 – [Duke Ellington]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 13 – Cannonball AdderleyJazz Play Along Vol 013 – [Cannonball Adderley]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 14 – Benny GolsonAebersold – Vol 14 – Benny Golson
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 15 – Payin’ DuesAebersold – Vol 15 – Payin’ Dues
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 15 – Payin’ Dues – Complete Bass LinesAebersold – Vol 15 – Payin’ Dues – Complete Bass Lines
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 16 -Turnarounds, Cycles & II V7’sJazz Play Along Vol 016 – [Turnarounds, Cycles & II-V7’s]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 17 – Horace SilverJazz Play Along Vol 017 – [Horace Silver]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 18 – Horace SilverJazz Play Along Vol 018 – [Horace Silver]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 19 – David LiebmanJazz Play Along Vol 019 – [David Liebman]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 20 – Jimmy RaneyJazz Play Along Vol 020 – [Jimmy Raney]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 21 – Gettin’ It Together (& Supplement)Jazz Play Along Vol 021 – [Gettin It Together]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 22 – Favorite StandardsJazz Play Along Vol 022 – [Favorite Standards]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 23 – One Dozen StandardsJazz Play Along Vol 023 – [One Dozen Standards]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 24 – Major and MinorJazz Play Along Vol 024 – [Major and Minor]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 25 – All Time StandardsJazz Play Along Vol 025 – [All Time Standards]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 26 – Scale SyllabusJazz Play Along Vol 026 – [Scale Syllabus]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 28 Jazz Play Along Vol 028 – [Giant Steps]Jazz Play Along Vol 028 – [Giant Steps]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 27 – John ColtraneJazz Play Along Vol 027 – [John Coltrane]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 29 – Play Duets With Jimmy RaneyJazz Play Along Vol 029 – [Play Duets With Jimmy Raney]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 30 – Rhythm Section WorkoutJazz Play Along Vol 030 – [Rhythm Section Workout]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 31 – Bossa NovasJazz Play Along Vol 031 – [Bossa Novas]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 32 – BalladsJazz Play Along Vol 032 – [Ballads]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 33 – Wayne ShorterJazz Play Along Vol 033 – [Wayne Shorter]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 34 – Jam SessionJazz Play Along Vol 034 – [Jam Session]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 35 – Cedar WaltonJazz Play Along Vol 035 – [Cedar Walton]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 36 – Bebop & BeyondJazz Play Along Vol 036 – [Bebop & Beyond]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 37 – Sammy NesticoJazz Play Along Vol 037 – [Sammy Nestico]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 38 – Blue NoteJazz Play Along Vol 038 – [Blue Note]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 39 – Swing Swing SwingJazz Play Along Vol 039 – [Swing, Swing, Swing]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 40 – ‘Round MidnightJazz Play Along Vol 040 – [‘Round Midnight]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 41 – Body and SoulJazz Play Along Vol 041 – [Body and Soul]Jazz Play Along Vol 041 – [Body and Soul – Jazz Piano Voicings]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 42 – Blues in All KeysJazz Play Along Vol 042 – [Blues In All Keys]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 43 – Groovin HighJazz Play Along Vol 043 – [Groovin’ High]Jazz Play Along Vol 046 – [Out Of This World]

Jazz Play Along Vol 047 – [I Got Rhythm Changes In All Keys]

Jazz Play Along Vol 048 – [In A Mellow Tone]

Jazz Play Along Vol 049 – [Sugar]

Jazz Play Along Vol 050 – [The Magic of Miles]

Jazz Play Along Vol 051 – [Night and Day]

Jazz Play Along Vol 052 – [Collector’s Items]

Jazz Play Along Vol 053 – [Clifford Brown]

Jazz Play Along Vol 054 – [Maiden Voyage]

Jazz Play Along Vol 055 – [Yesterdays – Jerome Kern]

Jazz Play Along Vol 056 – [Thelonious Monk]

Jazz Play Along Vol 057 – [Minor Blues In All Keys]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 44 – [Autumn Leaves]Jazz Play Along Vol 044 – [Autumn Leaves]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 45 – Bill Evans – COMPLETE Jazz Play Along Vol 045 – [Bill Evans]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 46 – Out Of This WorldJazz Play Along Vol 046 – [Out Of This World]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 47 – Rhythm changes in all keys Jazz Play Along Vol 047 – [I Got Rhythm Changes In All Keys]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 48 – In a Mellow ToneJazz Play Along Vol 048 – [In A Mellow Tone]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 49 – SugarJazz Play Along Vol 049 – [Sugar]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 50 – The Magic Of MilesJazz Play Along Vol 050 – [The Magic of Miles]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 51 – Night And DayJazz Play Along Vol 051 – [Night and Day]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 52 – Collector’s ItemsJazz Play Along Vol 052 – [Collector’s Items]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 53 – Clifford BrownJazz Play Along Vol 053 – [Clifford Brown]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 54 – Maiden VoyageJazz Play Along Vol 054 – [Maiden Voyage]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 55 – Yesterdays -Jerome Kern Jazz Play Along Vol 055 – [Yesterdays – Jerome Kern]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 56 – Thelonious Monk (Book Cd)Jazz Play Along Vol 056 – [Thelonious Monk]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 57 – Minor Blues in All 12 KeysJazz Play Along Vol 057 – [Minor Blues In All Keys]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 58 – Unforgettable Standards Jazz Play Along Vol 058 – [Unforgettable Standards]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 59 – InvitationJazz Play Along Vol 059 – [Invitation]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 60 – Freddie HubbardJazz Play Along Vol 060 – [Freddie Hubbard]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 61 – Burnin’!!!Jazz Play Along Vol 061 – [Burnin’]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 62 – Wes MontgomeryJazz Play Along Vol 062 – [Wes Montgomery]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 63 – Tom HarrelJazz Play Along Vol 063 – [Tom Harrell]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 64 – Salsa, Latin JazzJazz Play Along Vol 064 – [Salsa, Latin Jazz]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 65 – Four & MoreJazz Play Along Vol 065 – [Four and More]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 66 – Billy StrayhornJazz Play Along Vol 066 – [Billy Strayhorn]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 67 – Tune UpJazz Play Along Vol 067 – [Tune Up]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 68 – Giant StepsJazz Play Along Vol 069 – [Bird Goes Latin]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 69 – Bird Goes LatinJazz Play Along Vol 069 – [Bird Goes Latin]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 70 – Killer JoeJazz Play Along Vol 070 – [Killer Joe]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 71 – East of the SunJazz Play Along Vol 071 – [East Of The Sun]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 72 – Street of DreamsJazz Play Along Vol 072 – [Street of Dreams]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 73 – Oliver Nelson – Stolen Moments Jazz Play Along Vol 073 – [Oliver Nelson (Stolen Moments)]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 74 – Latin JazzJazz Play Along Vol 074 – [Latin Jazz]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 75 – Countdown To Giant StepsJazz Play Along Vol 075 – [Countdown to Giant steps]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 76 – How To Learn TunesJazz Play Along Vol 076 – [How to Learn Tunes]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 77 – Paquito D’RiveraJazz Play Along Vol 077 – [Paquito D’Rivera]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 78 – Jazz Holiday ClassicsJazz Play Along Vol 078 – [Jazz Holiday Classics]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 79 – AvalonJazz Play Along Vol 079 – [Avalon]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 80 – IndianaJazz Play Along Vol 080 – [Indiana]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 81 – Standards And OriginalsJazz Play Along Vol 081 – [Contemporary Standards & Originals]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 82 – Dexter GordonJazz Play Along Vol 082 – [Dexter Gordon]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 83 – Brecker BrothersJazz Play Along Vol 083 – [Brecker Brothers]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 84 – Dominant 7th WorkoutJazz Play Along Vol 084 – [Dominant Seventh Workout]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 85 – Tunes You Thought You KnewJazz Play Along Vol 085 – [Tunes You Though You Knew (Reharmonized Standards)]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 86 – Shoutin Out – Horace Silver Tunes (Book+CD)Jazz Play Along Vol 086 – Shoutin’ Out – Horace Silver Tunes
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 87 – When Lights Are Low – Benny Carter Jazz Play Along Vol 087 – [When Lights Are Low – Benny Carter]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 89 – Darn That DreamJazz Play Along Vol 089 – [Darn That Dream]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 90 Odd TimesJazz Play Along Vol 090 – [Odd Times – Odd Time Signature Songs]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 91-Players ChoiceJazz Play Along Vol 091 – [Player’s Choice]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 92-Lennie NeihausJazz Play Along Vol 092 – [Lennie Neihaus]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 93 What’s newJazz Play Along Vol 093 – [What’s New]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 94 Hot HhouseJazz Play Along Vol 094 – [Hot House]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 95- 500 miles highJazz Play Along Vol 095 – [500 Miles High]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 96-Latin QuarterJazz Play Along Vol 096 – [Latin Quarter]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 97-Standards with stringsJazz Play Along Vol 097 – [Standards With Strings]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 98 Antonio Carlos Jobim Bossa NovaJazz Play Along Vol 098 – [Antonio Carlos Jobim – Bossa Nova]
Aebersold, Jamey Jazz Play Along Book + Audio Mp3 – Vol 99 Tadd DameronJazz Play Along Vol 099 – [Tadd Dameron]
Aebersold – 110 – When I fall In Love – Romantic Ballads pdf with embedded audio MP3 Trackssheet music pdfAebersold – 110 with MP3
Aebersold – 113 Embraceable You – Vocal Standards with audio MP3 Trackssheet musicJamey Aebersold – Vol 113
Aebersold – Vol 118 – [Groovin Jazz] (with audio MP3) Joe DeFrancesco Triosheet music book
Aebersold – Vol.112 – Cole Porter with MP3sheet music pdf
sheet music library

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